Silk Figurative Sculptures

An Art Deco sculpture with three deer on a marble base. Measures: Width:43 cm. Depth:15 cm. Height:37 cm. Weight:10 kg.

Very nice and rare 20th century French set of plaster nativity scene figurines. Twelve pieces are representing the religious nativity characters and the animals. Large dimensions. ...

For your consideration is this extremely rare and very enchanting porcelain powder / trinket box, dating to the 1930s and sourced in France. Depicts a flapper girl stood with her com...

The embodiment of transcendental wisdom, Prajnaparamita is often referred to as the mother of all Buddhas. In this extremely rare tantric form, she is portrayed seated in the half lotus position. Her eleven faces are arranged in two tiers (seven on the first, with an additional four above), all surmounted by a rising conical chignon. Each face has an associated pair of arms which radiate outwards, each hand holding a discreet attribute. Careful attention has been paid to her clothing and jewelry. She wears a heavily pleated sampot with a cross hatch pattern, elegantly turned down at the waist and tied with an ornate belt...

A very interesting Baroque period carved oak figure of a saint or prophet said to come from a demolished Russian Orthodox church. This compelling figure is ...

18th century French or Italian Santo Nativity Figure, a hand carved and painted fruitwood figure for a Christmas Crèche or Krippe. Excellent and delicate details to the head and hands. The half figure stands on a dowel set into platform base, dressed in original fine linen robe...

A pair of Edo period black and gold lacquer Samurai helmet boxes (Hakko Bako), each of ribbed cylindrical form with a lid, a black lacquer interior,...

Ceramic and glass table lamp sculpture. France, circa 1900.

Elegant and finely cast bronze sculpture of Hermes, France circa 1890. Hermes, the messenger of the gods in classical mythology, is a symbol of communication, travel, intelligence, a...

A carved and polychromed tonsured saint figure, 18th century. Glass eyes and formerly with articulating arms. 10 ¼ inches wide by 6 ½ inches deep by 16 ½ inches tall

Provenance : In the same private collection for several generations, Burgundy. The canonical Gospels describe briefly the episode of the Nativity. It comprises three parts : • The Preludes : the Journey to Bethlehem, the Census • The Nativity • The Announce to the Shepherds and the Adoration of the Magi Only the Gospel according to Matthew (2, 1-12) speaks about the Adoration of the Magi. Staying vague about their number it does say they brought the newborn gold, incense and myrrh. The apocryphals, the fathers of the Church and many other authors have filled in the gaps of the evangelic tale. The sobriety and symbolic of the story have been a huge inspiration to artists. Although one of the oldest depictions of the Adoration of the Magi dates from the 2nd century the theme became very popular in Christian art during the late 14th century. One of the reasons explaining this success is that it celebrates both the Virgin and Christ at the same time. This important walnut panel is carved in a strong relief and depicts the different steps of the story of Jesus’ birth. On the left, the donkey and ox that have accompanied Mary and Joseph from Bethlehem are depicted behind a trough. On the thatch roof appears the star that would guide the magi to the place of birth of Jesus. Mary is wearing a veil and is seating on a bed. She holds her baby at arm’s length to present him to the magi. Saint Joseph is by her side. The old man is holding a cane in his left hand while from the right hand he seems to uncover himself to greet the visitors. A woman assists to the scene. In front of the holy family the three magi stand behind one another to pay their homage to the newborn. The first magi has a pointed beard. He is already kneeling out of deference and has placed his crown to his feet. He gives the baby a hanap filled with gold coins. This is Melchior as the legend describes him with white hair and a long beard. Caspar, the second magi bears a cup of incense. He is looking at the third magi and with his right hand he points to the star that has guided them there. He has a short beard and wears crakow shoes, breeches and a wide sleeved doublet. Finally Balthazar, the elegant last magi proceeds proudly towards the holy family with his one hand on the saber’s hilt and the other holding a cup. He brings the divine child the myrrh. He probably just dismounted as the horse can be seen behind him. The scene is set in a very detailed and narrative decor. In the right part of the panel the shepherd receive the announce of Jesus’ birth. An angel comes down from heaven with a scroll bearing the good news in his hands. The herding dog sleeps peacefully while sheeps graze. At the top of the cliff we notice the gilded sheeps enclosure. The panel’s moulded frame is carved with a foliated decor. In it’s centre appears a coat-of-arms. It is the alliance of the three magi’s arms. Indeed as it was common for legendary figures the three of them received imaginaries coat-of-arms. Thus, on a field of azure stands a star for Melchior, a crescent for Caspar and a pennon for Balthazar. This high-relief panel is undeniably the work of a very skilled and imaginative artist. This key moment in the New Testament is transposed to a contemporary environment thanks to the figures’ clothing and the rural daily life scene. This way the universal dimension of the episode is highlighted allowing a better understanding for the contemporaries. The sculptor has represented the episodes of the Adoration of the Magi and the Announce to the Shepherd with great talent and numerous details giving life to a picturesque and narrative scene. The important traces of polychromy give those already very animated scenes a stronger pictorial power and a rich dynamism. Because of the picturesque and familiar realism so dear to the artists of the late Medieval era, of the didactic function of this type of panel as well as the quality of the sculpture this piece is an astounding example of Burgundian art of the 15th century. Literature Louis Réau, Iconographie de l’Art chrétien...

Folkloric ceramic nativity set decorated in Tonalá, Jalisco, México. Beautifully hand painted. Handmade in clay. Includes 14 figures. The figures are first handmade in clay and burned in a wood burned oven at low temperature, then painted with acrylic paint and decorated manually. Mexican folk art...