Baroque Revival Mounted Objects

A very fine and exceptionally carved Italian 19th-20th century Baroque Revival style whimsical white Carrara marble wishing wellhead, raised on an octagonal two-step marble base. The intricately carved marble relief circular wellhead depicting carved figures of dancing and cheerful children (Putti) among vines, flowers and fruits, dancing and playing musical instruments with a backdrop of castles, landscapes, forests and wreaths, Florence, circa, 1900. Note: We have part II video of this amazing Wishing Wellhead. Please feel free to request a copy. Literature: A similar wellhead was sold by Jan's & Co. Fine French Antiques, Inc. in 1999, provenance the Atkinson/Kirkeby Estate and it is illustrated in "The Estates of Beverly Hills" by Charles Lockwood and Jeff-Hyland, page 150. Another similar is currently on display at the gardens of "The Elms" mansion a public museum part of the Newport Mansions by The Preservation Society of Newport County in Newport, Rhode Island. Yet another similar wellhead carved with frolicking putti with musical instruments and a dentil molded rim is located at Cranbrook House, Bloomfield Hills, Michigan, and is illustrated in B. Israel, Antique Garden Ornament...

"John" console table by Stephane Ducatteau, Signed by Artist, France, 2010. All Ducatteau pieces are available exclusively from Decoratum and are To Order only. Please allow 6-8 w...

Polychrome marble console designed by Ettore Sottsass. Description: Console with top in polychrome marble, wood, Macchia Vecchia Marble, Marquinia Bla...

Rosenthal Porcelain hands, Germany, 1950s. Pair of hard to find original German white glazed porcelain molds for the making of latex gloves. They were immersed in vats of bubbling li...

Made in Italy, 1970s. This mold is made in glazed porcelain. It was inspired by those ones designed by Gio Ponti for Ginori. This is a vintage piece, therefore it might show slight t...

This large antique wood carved sculpture composition was crafted in France circa 1950; made of oakwood, the statue depicts a church page...

This is a nice selection of 20th century. Wooden candlesticks. They vary in shape and size and are Baroque inspired in style and detail. Nice patina and leftovers of polychrome give ...

This ceramic angel is a captivating piece of art, reflecting the ornate and dramatic characteristics typical of the Baroque period. The piece exudes a sense of opulence and drama, ch...

Porcelain dog sculpture, Borzoi/ Russian Wolfhound, depicting a Borzoi lying on the floor with outstretched forelegs, naturalistic polychrome painted , signed on the back above the standing edge. This vintage detailed Borzoi figurine...

This is a Rosenthal porcelain figurine of a dog. It depicts a hand painted full of details tall poodle standing up with a green belt in his neck. The Rosenthal hallmark is below the ...

NEW - Rosenthal Versace Porcelain "Le Roi Soleil" Ashtray Plate in original box.

From the 1700s through the early 1800s, European aristocrats developed a fascination with ancient Egyptian culture and design that culminated in a full Egyptian Revival. Prominent figures such as Marie Antoinette and Napoleon Bonaparte commissioned rooms decorated with Egyptian motifs. This cultural moment reflects a fascination with a sophisticated civilization of great artists and pharaohs. The Regency era possessed very little knowledge of the Great Pyramids or hieroglyphics, a quality that lent Egyptian art interpretation a compelling air of mystique. This English Regency period gilt carving depicts a popular figure of borrowed Egyptian motif: the Sphinx. Recognized among educated circles as a symbol of brilliance in the ancient past, the Sphinx was well-known as a mythological creature who destroys those who failed to answer her riddle. Such a piece as this, excellent in detail and craftsmanship, may have once graced the mantle of a gentleman’s study or been exchanged as a gift between British scholars. The beautiful gold surface has been achieved by an artful combination of gilt and gesso; the art enthusiast will appreciate the intricate texture realized in the carving’s hair and tail as well as the delicate detailing of the saddle. Borrowing from the Egyptians, the Greeks had their own interpretation of the Sphinx. Greek mythology chronicled the Sphinx as being the daughter of Orthous and Chimera or Laius and attributed the riddles, which she proposed, as having been taught to her by the Muses. Crowned with a Grecian diadem and having a refined expression, she evokes an ancient yet reserved intellect. For the modern-day enthusiast of classical Greek art...