Silver Leaf Bottles

This set of six small vintage glass automobile car perfume bottles with a Streamline Art Deco design. Each multi-use bottle showcases the silhouette of a classic Studebaker, complete...

A mesmerizing hand-blown glass creation by Simone Crestani, the Serpentine Decanter is a striking piece from the Serpentine Collection, where art and symbolism intertwine with exquis...

"People" decanter designed by Erik Höglund. Rare small size. produced by Boda during the 1950s. Made from hand blown clear glass. Good vintage condition with age related wear and pat...

A large and heavy Mid-Century Modern hand-blown Murano art glass vase designed by Alfredo Barbini (1912-2007), circa 1950s. Tall triangular form with thick twisted ribbed glass of co...

Vibrant yellow art glass jug vase with red upper rim and black handle probably made by Archimede Seguso. Archimede Seguso (1909 - 1999) was a prominen...

This set of six small vintage glass Airplane perfume bottles with a Streamline Art Deco design. Each multi-use bottle showcases the silhouette of a classic prop airplane, complete wi...

Shimmering glass vase by Archimede Seguso, mouth-blown in Murano in the 1970s. Black glass with silver flecks, beautiful hand-shaped piece. Remains the original manufacturers sti...

Royal House Antiques Royal House Antiques is delighted to offer for sale this medium sized Art Deco Antique cut glass Crystal Perfume bottle flask with sterling silver cap A very ...

A beautifully crafted Art Deco perfume bottle made in Czechoslovakia, circa 1930s. Rendered in pale blue crystal, the bottle features precise facet cutting that catches and refracts ...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...

A good and early art deco perfume bottle designed by René Lalique in 1926 for the Maison Lalique titled "Ambroise". Inspiration for that name was likely the ragweed plant, especially...

Art Deco black cut glass perfume bottle with stopper.