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Place of Origin: Baltic
Art Déco Style Vase - Reproduction After Emile Gallé, Italy, 1980s
By Émile Gallé
Located in Roma, IT
A late reproduction realized in 1980s of the famous vase realized by Emile Gallé in the late 19th Century.
Excellent condition.
Category
1980s Vintage Baltic Bottles
Materials
Art Glass
Vase by Evelina Kudabaite Studio
Located in Geneve, CH
Vase by Evelina Kudabaite Studio
Handmade
Materials: oak, brass
Dimensions: H 260 mm x D 120 mm
Colour: dark brown
Notes: for indoor use
Since 2015, product designer Evelina ...
Category
2010s Post-Modern Baltic Bottles
Materials
Brass
$1,097 / item
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Gallé born on 4 March 1846 in the city of Nancy, France. His father, Charles Gallé, was a merchant of glassware and ceramics who had settled in Nancy in 1844, and his father-in-law owned a factory in Nancy which manufactured mirrors. His father took over the direction of his mother's family business, and began to manufacture glassware with a floral design. He also took over a struggling faience factory and began manufacturing new products.
The young Gallé studied philosophy and natural science at the Lycée Imperial in Nancy. At the age of sixteen he went to work for the family business as an assistant to his father, making floral designs and emblems for both faience and glass. In his spare time he became an accomplished botanist, studying with D.A. Godron, the director of the Botanical Gardens of Nancy and author of the leading textbooks on French flora. He collected plants from the region and from as far away as Italy and Switzerland. He also took courses in painting and drawing, and made numerous drawings of plants, flowers, animals and insects, which became subjects of decoration.
At the age of sixteen he finished the Lycée in Nancy and went to Weimar in Germany from 1862–1866 to continue his studies in philosophy, botany, sculpture and drawing. In 1866, to prepare himself to inherit the family business, he went to work as an apprentice at the glass factory of Burgun and Schwerer in Meisenthal, and made a serious study of the chemistry of glass production. Some of his early glass and faience works for the family factory at Saint-Clémont were displayed at the 1867 Paris Universal Exposition. In early 1870 he designed a complete set of dishware with a rustic animal designs for the family enterprise. During this time he became acquainted with the painter, sculptor and engraver Victor Prouvé, an artist of the romantic "troubadour" style, who became his future collaborator in the Nancy School.
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