American Classical Vases and Vessels

19th c cranberry glass pitcher and basket.

A Wonderful Botanical Heavy Classic Painted White Cast Aluminum Openwork Urn On Pedestal With Interior Tin. Urn 19 1/2" H x 14" Round Pedestal 12" Square x 34" H 3 Available, Each S...

A Wonderful Botanical Heavy Classic Painted Forest Green Cast Aluminum Openwork Urn On Pedestal With Interior Tin. Urn 19 1/2" H x 14" Round Pedestal 12" Square x 34" H 3 Available,...

Bob Parks (1943 - 2017) "Horses of the Desert" number 22 of 35 Bronze Oversize Vase. In excellent vintage condition. Bob Parks was an absolute master of bronze sculpting. His pieces ...

This vase is in Porcelain., the colors are grey and brown. It has been done circa 1970, in Portugal by S.I.A witch is a famous editor. It is signed.

A fine and rare early 19th century Tucker and Hemphill porcelain vase. The vase is decorated with a gilt shield device surrounded by leaf and branch and ribbon decoration. (Also, ...

Classical Manner White Painted Cast Stone Urns, a pair, 20th century, with gadrooned sides and flaring lip above a socle on square base. Dimensions: 13" H x 15" diameter Dealer: S1...

Large 19th century copper apple cauldron with rolled edge and iron forged handle. Beautiful copper shine showing small wear and tear imperfections adding to the patina and consistent...

American Crystal Vase from the 1950's Substantial vase with many uses. Would make a wonderful addition to any home as a centerpiece filled with fresh flowers or standing alone on a...

A Wonderful Botanical Heavy Classic Painted Black Cast Aluminum Openwork Urn On Pedestal With Interior Tin. Urn 19 1/2" H x 14" Round Pedestal 12" Square x 34" H 4 Available, Each S...

Ver large and impressive antique silver plate trophy cup, "Liberty Cartridge Company's Trophy Longest Straight Run, 1913, Western Connecticut T...

Turn-of-the-century Edwardian sterling silver trophy cup. Made by Reed & Barton in Taunton, Mass. Faceted baluster with scalloped and beaded rim. Reeded and leaf-capped, -wrapped, an...

You are viewing a classical garden bird bath made from reconstituted stone Can function as a bird bath, font or planter Can you imagine how this would look with our feathered friends...

Very nice giant Bishop chess piece. Made of several woods following a pattern. The top comes off, and it has something like an urn, maybe a secret hidden place. Chess is a two-pla...

Vintage solid brass planter with ring handles. The planter is very well made with it’s original laquer finish, the planter was made by Architectural Brass Company in Atlanta, Georgia...

These vases is Ceramic., the color is between brown and Pink. It has been done circa 1970, in France. These has been given by the artist's wife to the precedent owner.

1900s Antique Copper Bucket Pot Jardiniere Iron Handle Patinated fair condition. Has bends and dings + fabulous character. 17.5 h x 26 diameter Unrestored vintage antique presentatio...

A vintage wicker splint gathering basket with tacked rim, circa late-20th century, USA. A rectangular wicker splint gathering basket for fruits, vege...

Awesome antique concrete garden urn or planter. This salmon colored paint encrusted urn is in fabulous vintage condition with lots of gorge...

Rare 19th C spongeware tooth brush holder/dish. Toothbrush holder - 3.5 x 5 Dish- 5 x 1.5.

A pair of ormolu mounted serves porcelain vases.

The Ceramic Garden Planterette is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. The piece is signed by Glick and stamped with the name of his studio: Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

Beautiful Elegant Crystal vase by Moser circa 1980's, excellent condition no chips or scratches gorgeous design.

Beautiful classic style and lines. Walnut frame with cane insert sides. Removable top and fully lined on both layers.

each with shaped lid over a cylindrical body all in alternating clear and frosted glass with hand-painted foliate perimeter bands with gilt highlights; overall even wear with rubbing...

This charming vase from Paul Revere Pottery, crafted by the Saturday Evening Girls (SEG) collective, showcases the skilled craftsmanship and distinctive artistry of early 20th-century American pottery. The vase is signed and dated “5/24,” likely indicating it was made in May 1924, which adds to its historical value as a piece of SEG’s unique legacy. The vase features a beautiful, bright yellow glaze with a rich crackle finish, typical of SEG pottery, which has become a sought-after characteristic of these handcrafted items. The design is simple yet striking, with a clean, smooth shape and a contrasting white and black rim that adds an extra touch of elegance. In nice antique condition, this vase reflects the quality and artistry of the Paul Revere Pottery collective. The piece serves as an excellent example of American Arts and Crafts pottery...

Multi-layered classic organic-shaped and fluted squash-form vase with layered champagne-colored resin.