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Material: Tin
Colonial Mexican Folk Art Ex-Voto Retablo Painting of Mother Mary & Jesus, 1800s
Located in Studio City, CA
A beautiful 19th-century Spanish Colonial Mexican Folk Art ex-voto retablo lámina painting featuring Mother Mary with the crowned infant Jesus Christ (standing on clouds) in her arms...
Category

19th Century Mexican Folk Art Antique Tin Paintings

Materials

Metal, Tin

Colonial Mexican Folk Art Ex-Voto Retablo Painting of Mother Mary & Jesus, 1800s
Located in Studio City, CA
A beautiful 19th-century Spanish Colonial Mexican Folk Art ex-voto retablo lámina painting featuring Mother Mary with the infant Jesus Christ (faded and now almost a ghost-like figur...
Category

19th Century Mexican Folk Art Antique Tin Paintings

Materials

Metal, Tin

19th c. Mexican Retablo "Veronica's Veil" c.1880
Located in San Francisco, CA
ABOUT An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...
Category

19th Century Mexican Folk Art Antique Tin Paintings

Materials

Tin

19Thc Original Hand Painted Tole Box w/ Bird
Located in Los Angeles, CA
This amazing folk art tole ware box is in original red painted back round with floral decoration & a embossed bird popping out.
Category

Late 19th Century American Adirondack Antique Tin Paintings

Materials

Tin

Spanish hand painted Retablo Art
Located in Los Angeles, CA
A Retablo is a devotional painting, especially a small popular or folk art one using iconography derived from traditional Catholic church art. Depicting a Saint and a child painted o...
Category

Mid-19th Century American Adirondack Antique Tin Paintings

Materials

Tin

19th C. Mexican Retablo "Veronica's Veil", c.1880
Located in San Francisco, CA
About An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...
Category

19th Century Mexican Folk Art Antique Tin Paintings

Materials

Tin

19thc Retablo Catholic Framed Art
Located in Los Angeles, CA
A Retablo is a devotional painting, especially a small popular or folk art one using iconography derived from traditional Catholic church art. Depicting a Saint and a child painted o...
Category

Mid-19th Century American Adirondack Antique Tin Paintings

Materials

Tin

Original Mexican Retablo "Exvotos" Oil on Tin
Located in Mexico City, CDMX
Circa 1950.We offer this original exvoto. Votive paintings in Mexico go by several names in Spanish such as “ex voto,” “retablo” or “lámina,” which refer to their purpose, place oft...
Category

1950s Mexican Folk Art Vintage Tin Paintings

Materials

Tin

Colonial Mexican Folk Art Ex-Voto Retablo Painting of Santo Niño de Atocha 1800s
Located in Studio City, CA
A beautiful 19th-century Spanish Colonial Mexican Folk Art ex-voto retablo lámina painting featuring Santo Niño de Atocha (also known as - Holy In...
Category

19th Century Mexican Folk Art Antique Tin Paintings

Materials

Metal, Tin

Santa Rita Retablo
Located in Santa Monica, CA
This late 19th century Mexican Folk Art devotional painting depicts St. Rita of Casia, the patron saint of lost and improbable causes. Wishing to join an Augustinian convent ...
Category

19th Century Mexican Spanish Colonial Antique Tin Paintings

Materials

Tin

Spanish Colonial Mexican Folk Art Ex-Voto Retablo Painting Catholic Saint 1800s
Located in Studio City, CA
A beautiful 19th-century Spanish Colonial Mexican Folk Art ex-voto retablo lámina painting featuring an unknown Spanish Roman Catholic Saint. The work is hand-painted on metal (li...
Category

19th Century Mexican Folk Art Antique Tin Paintings

Materials

Metal, Tin

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Colonial Mexican Folk Art Ex-Voto Retablo Painting of Saint Rita De Cascia 1800s
Located in Studio City, CA
A beautiful 19th century Spanish Colonial Mexican Folk Art ex-voto retablo lámina painting featuring Saint Rita De Cascia. Santa Rita is almost always depicted as she is here, with a trickle of blood and a thorn deeply embedded in her forehead. According to legend, in the year 1441, during a sermon on the Crown of Thorns, Santa Rita prayed so intently that a thorn detached itself from her crucifix and lodged itself in her forehead. For the next fifteen years, she bore this external sign of stigmatization and union with Christ. It was said her wound became so disturbing to view, that she spent the latter part of her life in isolation and prayer. At her canonization ceremony in the year 1900, Santa Rita de Cascia was bestowed the title of Patroness of Impossible Causes. In Mexico, Santa Rita is widely venerated as the Patroness Saint of mothers, abused wives, and heartbroken women. In this work, she is flanked by two small male figures representing her two beloved sons (notice the fine attention to the paintings of their faces and their glowing rosy red cheeks). She holds a large crucifix in one hand and a flagella whip, symbolizing her practice of mortifying the flesh, in her other hand. The work is hand painted on metal (likely tin). Ex-votos and retablos are often placed above the altars in churches or family shrines as votive offerings made in the form of religious pictures...
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H 13.39 in W 9.06 in D 0.12 in
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