Brocade Furniture

Antique Japanese Samurai Suit of Armor, Edo period, 18th century. A complete matching set of lacquered iron work; the cuirass with dragonfly decoration and blue lacing, a Kaga schoo...

Very early Unkoku school painting of a flock of egrets, willow, plum and other various birds alongside a rushing river. Softly painted in mineral pigments on mulberry paper with a si...

Various flowers on water's edge with a garden fence and gold dust with heavy gold leaf clouds. Mineral pigments on gold with a silk brocade border and black lacquer trim. Back of scr...

Pair of 19th century armchairs, Napoleon III period. The armchairs have been restored and the upholstery has been replaced with a beautiful Italian Brocade...

French sofa and two armchairs from the 19th century, Napoleon III period. The whole set has been restored and the upholstery replaced with a beautiful Italian Brocade...

An exquisitely hand painted Tibetan Thangka by one of our master artists in Nepal featuring the majestic White Tara. Seated Dhyana Asana upon a lotus throne, her ethereal presence is...

Omori Soun (b. 1704) Chrysanthemums - One Hundred Flowers A Pair of Six-fold Japanese Screens. Ink, color, gofun and gold leaf on paper. Dating ...

A beautiful pair of Italian wrought Iron andirons in the form of horses.

A vintage Japanese Showa era handcrafted silk brocade woman's wedding kimono circa 1940 with intricate hand-embroidered details depicting large flowers and a cart. Steeped in cultura...

This elegant Japanese two-panel screen masterfully combines traditional materials with striking minimalist composition. The screen features a dazzling and luminous background of gold...

An exceptionally fine 18th century Italian silk and silver metallic thread lampas brocade panel with nicely aged original color. Red silk backing w/ attached strip of fabric for a ha...

One of our finest hand painted Tibetan Thangkas from Nepal. This extraordinary Thangka depicts 108 Buddhas with consorts in celestial court witnessing Amitabha's achievement of nirva...

Important unique set of two suits-of-armour (yoroi), complete with two high six-panel screens, that belong together as is indicated by the used family crests (mon). Two crests are used, both belonging to the Nakagawa family of Oka Castle, Ôita prefecture on Kyûshû. They are: – the Nakagawa-kurusu, a circle depicting a Celtic-like cross through a ring. The cross was originally a Christian symbol but after the ban on Christianity in Japan the use of a hidden cross in family crests could continue. – the Nakagawa-kashiwa, two leaves of the Japanese Emperor Oak turned to each other (dakikashiwa mon). The remarkable aspect of this ensemble is the presence of matching crests on both the yoroi and the accompanying folding screens. The kurusu and kashiwa crests adorning the yoroi are elegantly replicated on the screens, providing compelling evidence that these pieces form a harmonious and unified set. This exceptional cohesion between the armour and screens further enhances their artistic and historical value. After the warlord Toyotomi Hideyoshi (1537-1598) had interfered in the battle between the Lord of Bungo Province Ôtomo Yoshi-mune (1558-1605) and the Shimazu of Hyûga Province, he split the Bungo Province in a number of small fiefs and transferred in 1594 Nakagawa Hideshige (1570-1612) from Miki Castle in the Harima Fief to Oka Castle in Kyûshû. The Nakagawa family stayed in possession of Oka Castle till the abolishment of the military use of castles in 1873. In 1884 the Nakagawa family received the title of Count (a title in use till the abolishment of aristocracy in 1947). After the Nakagawa’s left, the castle and the building soon dilapidated and is now known as Oka Castle Ruins. The castle is located in Taketa Village part of Taketa Town in Ôita Province on Kyûshû. > Set of two tall byôbu (folding screens), painted with large red jinmaku (camp enclosure curtain) on a gold leaf ground. The curtains show both crests of the Nakagawa family: one screen depicts two Nakagawa-kurusu crests next to a Nakagawa-kashi crest in the middle, and the other shows the symbols the other way round. Dimensions: Total width 148.66 in/377.6 cm (2 x 25.35 in/64.4 cm, 4 x 24.48 in/62.2 cm); Height 72.63 in/184.5 cm. Period: Japan – Late Edo period (First half 19th century), and maybe even older. > Yoroi with Nakagawa-kashiwa crest: A Japanese black lacquered suit-of-armour (yoroi) completely laced with orange cords (kuro’urushinuri hi’ito odoshi nimai’dô’maru). A thirty-two plate suji’bachi kabuto (helmet with raised ridges) with in front a maedate (fore crest) -with traces of gilding- in the shape of flames, resembling a mythical flaming bird flying down. The fukikaeshi (face guards) and the mabizashi (visor) have the Nakagawa-kashiwa crest in gold maki-e lacquer. Five curved ‘itazane’-plate neck guards (shikoro) laced with orange cords. Together with an ‘angry man...

A Noh costume made from magnificent silk twill brocade woven with metallic gold threads circa 1930s. The robe is identified as "Atsuita", made for male actors in the Noh play. The luxuriant fabric has a deep blue background with golden interlocking hexagon pattern that resembles tortoise shells, the symbol of longevity. The motifs showcase three auspicious symbols in repetitive patterns: roundels of coiled dragon, phoenix and peony. The kimono robe...

Court Uniform for Imperial Appointee, c. 1887. Wool with gold brocade. Court and military uniforms in emulation of European ensembles were officially adopted by the Japanese gover...

Ink on mulberry paper with silk brocade border and black lacquer trim. Signature and seal read: Sagawa Kakoku. Poem on upper right reads: Sounds of cicadas, in mountain valleys and t...

French sofa from the 19th century, Napoleon III period. The sofa has been restored and the upholstery replaced with a beautiful Italian Brocade. France...

A six-panel painted folding floor screen from Korea circa early 20th century. This type of screen is called Chaekgeori (books and things) which is quite unique to Korea. It became popular at the end of 18th century favored and encouraged by King Jeongjo (1752-1800) as a political tool to promote social conservatism such as the traditional Confucianism value, especially considered important in a time when waves of new ideology influx came to Korea. Initially commissioned for the royal court, they became increasingly popular with the scholars of noble and affluent households and were used widely in their halls and studies. Early screens were painted with trompe-l’oeil bookcases displaying books and arrays of collectibles. Later, the bookcases were eliminated to focus on the assemblage of neatly stacked books and objects of scholarly pursue. On this screen, the six panels were neatly presented and framed in woven brocade borders. Among the stacked volumes, one can find many fine porcelain vases with flowers, potted orchids, pen holders with brush pens and scroll paintings, incense burner, ink stone, teapot, fan with ink painting, vessels of fruits, exotic plants such as lotus, plumeria and even a pair of glasses. It feels like a pleasant visual measure hunting for the viewers. Several words in Chinese found their way into the picture as well, including filial (xiao), longevity (shou) and luck (fu). The painting was done in a meticulous way with no details overlooked and also with a rather western still-life dimensional perspective. In a rather unusual maximal but also minimalistic way, the screen exudes a historical charm with a folky flair but appears modern at the same time. Each panel is 17.5"w by 70.2"h. For general information on the subject see reference: Chaekgeori the Power and Pleasure of Possessions in Korean Painted Screens...

An exceptional, most unique, extra long hand painted Tibetan Thangka featuring the beloved Green Tara. Seated on a high lotus throne with a pair of holy beasts, her right leg extende...

A magnificent example of 19th-century European craftsmanship, this armchair is a study in sculptural elegance and historical grandeur. This piece, originating from Denmark, draws ins...

A finely gilded, hand painted Tibetan Thangka depicting the beloved Green Tara. Seated lalita asana, Tara has her right foot on a pendulous lotus in the motion of stepping down from ...

A scene from the Heike wars (12th century wars) showing two high ranking samurai warriors of the Genji clan, Sasaki Shiro Takatsuna and Kajiwara Genta Kagesue, racing each other on h...

A wonderful scene of water in abstract designs with Japanese red pine and fishing nets. Very unusual, early painting, possibly used architectually in fusuma, later mounted to be used...

A finely painted Tibetan Thangka featuring the five wealth gods Jambhala. In the center the most powerful Yellow Jambhala sits on a lotus throne in the vajra position with his right ...

Nicely painted magnolia tree and bamboo with chickadees. Mineral pigments on silk with black lacquer trim and period bronze mounts. Signature and sela read: Ichijo saku.

A visually striking antique Uchikake Wedding Kimono/Robe for ceremonial occasion, circa end of Meiji to Taisho period 1910s-1930s. This bridal outer garment is of a bright red color ...

Pair of impressive, antique kakejiku (hanging scrolls) showcasing the awe-inspiring Niô guardians, also referred to as heavenly kings. Each painting cap...

A knife-edge rectangular accent pillow, made out of an Early 20th century Japanese Silk Obi. The Obi is the long sash that wraps around a k...

Old Fans mounted on a two panel screen of Gold Clouds. Mineral pigments and gold on mulberry paper, with silk brocade border and black lacquer trim. Signatures on fans read: Tsunenob...

USA, 1970s Sculptural chaise lounge in a compact size, was reupholstered at some point and no labels remain. Open, light, and the scale is suc...

Japanese red pine tree in sumi-e ink on gold with silk brocade border and black lacquer trim. Signature and seal read: Tosa Mitsutake. Notes about the artist: Tosa Mitsutake (1844–1...

Early 20th C. Louis XV style Canape loveseat settee in tufted brocade with plush goose down loose cushion, wrap around back & hand carvings throughout. A very sweet loveseat of heirl...

Late 19th-century Spanish Baroque-style dining table, sourced from Provence, France. Expertly handcrafted from solid oak, it features a robust 5'9''-thick rectangular plank top with ...

3 PAIRS of English Victorian style pink silk brocade drapes (PRICED PER PAIR).

Exquisite Japanese contemporary framed oshie wall decorative art piece, recreating a famous painting from Meiji period featuring a Japanese dancer holding a net with cherry blossom ...

Extraordinary contemporary Japanese centuries-old traditional extremely detailed handcrafted decorative art form using high quality silk and brocade fabrics, known as oshie (literall...

Nadeshiko, also known as fringed pinks is a flowering plant native to Japan. Ink, mineral pigments and 18th century gold leaf, with good veining, on mulberry paper. Silk brocade bord...

Exquisite contemporary Japanese two panel folding screen or "byobu" featuring genryoku style handcrafted silk raised kimono in cream and gold needlework on a mesmerizing red background. Tagasode is the way a genryoku kosode kimono is hung over a kimono rack...

Sumi Ink on Mulberry paper with silk brocade border and lacquer trim. Signature reads: Sobun. Seal reads: Morikawa Notes about the Artist: Morikawa Sobun (1847-1902) was born into ...

Bench-made in the USA, it features deep hand-tufting and fabric-covered buttons, evoking the refined seating of 19th-century England. The rich brocade-inspired fabric and intricate d...

On mulberry paper with silk brocade. From the estate of Andrea Bollt. Artist's seal reads: Mitsushito (died 1922).

Horses caught in full stride. Mineral pigments on gold leaf with silk brocade border and an oxblood lacquer trim. Seal is illegible.

A large Japanese Wedding Kimono with bold embroidery designs. The auspicious attire was known as Uchikake and was worn by the bride during the wedding ceremony made from silk and hea...

A luxurious Studio Maison Nurita pillow made from a soft blue document print floral brocade, with a tonal soft blue silk back. This pillow is filled with 80/20 Canadian down and feat...

Buck and doe under a red maple on heavy gold. Mineral pigments on gold leaf on paper with silk brocade border and black lacquer trim. White deer are considered a symbol of longevity ...

Luxurious golden pine with gold raised relief on gold silk with silk brocade border and black lacquer trim with bronze mounts. Signature and seal read: Takuyo. Back Label Reads: ...

Beautifully painted dove on a branch in the early morning mist in a muted wooded landscape. Ink on buff mulberry paper with silk brocade border and black lacquer trim. Seal reads: ...

2 Elegant pairs of Denning & Fourcade Bridgewater club chairs with matching ottomans detailed with contrasting trim and fringe. Upholstered in a...

Late winter scene of egret, willow and daffodil in mineral pigments on gold leaf with accents of gold dust. Silk brocade border and black lacquer trim. Kano School Panting.

Meiji period (1868 - 1912) sumi-e (or ink painting) on paper of a venerable pine tree with limbs stretching out over a bluff. Beautiful signature and seal read: Biei. Ink on paper ...

Embossed gold paper in a lattice design with silk brocade border and black lacquer trim with bronze hardware.

Japanese contemporary two panel folding screen or "byobu" featuring genryoku style handcrafted raised silk kimono in yellow, black and gold on a cream color background. Tagasode is t...

A fine pair of 20th Century brass faux bamboo two-tier tables in the manner of Maison Baguès. With 'Cinnabar' linen by Bennison Fabrics and insert glass. Circa 1970.

Kano School, Mineral pigments on gold leaf with silk brocade border and lacquer wood trim.

A rare offering. This amazing vintage hand painted Thangka depicts the Tibetan female celestial goddess Dakinis, whose ferocious expression subdues negative and demonic forces. In Alidh Asana posture, she wears a garland of human skulls, with a Khartwanga wand resting against her shoulder. Her face wrathful in expression, her feet firmly pressing down on devils masqueraded in human form above lotus base. With her right hand the deity holds a blue Kartika symbolizing severance of all material. With her left hand she drinks blood from a skull cup...

Extraordinary Japanese contemporary two panel "byobu" or folding screen featuring genryoku style handcrafted raised silk and brocade kimono in black, orange and gold on textured crea...

Three shishi, also known as foo dogs or guardian lions, play next to a golden misty waterfall. They are seen as intimidating, mythical, lion-like creatures that symbolize prosperity,...

Showa period (1926 - 1989) painting with a strong design of exotic lilies and a cluster of nadeshiko (dianthus) under a silver moon on gold. This painting has a modern flair, which ...

A sublime, rare Thangka of Goddess Kurukulla, the Red Tara, finely portraited by a master artist in Nepal. Kurukulla comes to the aid of love and relationship...

Japanese red pine tree in sumi-e ink on gold with silk brocade border and black lacquer trim. Signature and seal read: Tosa Mitsutake. Notes about the artist: Tosa Mitsutake (184...