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Gold Girandoles

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Material: Gold
Guitar Mirror in the George II Manner
Located in Sturminster Marshall, Dorset
A small carved giltwood looking glass mirror in a swirling Rococo style frame incorporating many of the mid-18th century designers repertoire of vigorous leaf carved scrolls, leaves ...
Category

21st Century and Contemporary English Chippendale Gold Girandoles

Materials

Gold Leaf

Pair Italian Baroque Girandoles or Mirrors
Located in Pasadena, CA
This is a very unusual pair of late 17th or early 18th century Italian Baroque Girandoles. The girandoles feature a finely executed carved gilt wood frame that is surmounted by a fin...
Category

1690s Italian Baroque Antique Gold Girandoles

Materials

Gold Leaf

Mirror Bedroom Satin Brass Italian Design 1970
Located in Palermo, Sicily
Striking bedroom mirror from the circa 1970s, Directional in any side, made of brushed brass and chromed metal, small scratches due to its patina of originality. Measures: height cm ...
Category

1970s Italian Mid-Century Modern Vintage Gold Girandoles

Materials

Metal, Gold Plate, Brass

Pair of Venetian Painted & Gilt Floral Crest Girandole Mirrors. Circa 1780
Located in Charleston, SC
Pair of Venetian painted and gilt girandole mirrors with carved floral crest , gilt side carvings & the original three arm candle cluster . Mirr...
Category

1780s Italian Neoclassical Antique Gold Girandoles

Materials

Gold Leaf

Eagle Girandole Mirror in the Regency manner
By Thomas Hope
Located in Sturminster Marshall, Dorset
A carved giltwood girandole of early Regency design. The convex mirror plate is within a moulded frame decorated with gilt balls and has a carved eagle crest supported on a tapered b...
Category

21st Century and Contemporary English Regency Gold Girandoles

Materials

Gold Leaf

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A George III Giltwood Pier Mirror In the Manner of Thomas Johnson An exceptionally detailed design; the superb carved decoration housing a shaped rectangular plate and undulating mirrored borders; the inner frame closely tied to the outer frame and leading the eye around the mirror. The grandiose masterful carving incorporating C-scrolls, flowering branchwork, stylized icicles, acanthus leaves, and distinctive architectural follies and figures which firmly place this mirror within the canon of Johnson's greatest designs. The confident execution is a great testament to the technical prowess and artistic creativity of one of the greatest carvers and designers of the eighteenth century, circa 1760. Provenance Edward Cecil Guinness, 1st Earl of Iveagh, Farmleigh, Co. Dublin, (1880?-1927); The Earls of Iveagh, Farmleigh, Co. Dublin & Elveden Hall, Suffolk (1927-2018). Thomas Johnson (1723-1799) Thomas Johnson was one of the most skilled carvers and furniture designers in Georgian England. Drawing inspiration from the Fables of Aesop, the rococo, China, and the idealised rustic life, his work is whimsical, exuberant and witty. Chippendale borrowed freely from his work. Johnson was a founder member of the 'Antigallican Society', a group who excoriated the French taste. In addition to its relation to Johnson's designs, this mirror also reflects the influence of Lock, the great master with whom he worked for a period. Lock published many sketches and pattern books, including A New Book of Ornaments for Looking Glasses in 1752, introducing several idiosyncratic features which Johnson would adopt such as the small decorative urns...
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