Gold Girandoles

Petite pair of two candle mirrored wall sconces from the sumptuous Belle Époque era. Foliate scrolls with full leaf motif bobeche. Priced as a set. See...

One large French modern neoclassical double arm metal wall light / sconce / girandole with mirrored backs in the style of Mathieu Mategot. The metal frame is pierced and the mirror h...

A carved giltwood mirror of classic Regency design. Surmounted by a displaying eagle set upon rock work. Circa 1820. The frame surrounded with a geometric-design border with intertwining serpents and oak leaves to the base. Nb. giltwood mirrors with carved serpents...

A good pair of gilt Rococo syle girondole mirrors elaborately carved with three candle supports on each one and carved shell and foliage motifs.

With original gilding. Broken arch pediment with central shell carving over a beveled mirror plate set within a frame with carved shaped corners , backplates that once held candle arms.

George II Giltwood Mirror. Mirror features beveled edges and is mounted in a gilt frame. Carved with scrolling acanthus leaves. Mirror has a geometric-carved border, surmounted by an...

Pair of narrow, rectangular gilt bronze girandoles with beveled mirror and twin candelabra, circa 1890. Ornately decorated frame with openwork of fleur-de-lis, renaissance architectu...

Pair of American gilt carved wood girandole mirrors with flanking eagles on rock plinths perched to flee , upper and lower acanthus carved floral motif, ebonized reeded circular mold...

Pair of French Rococo style girandoles, late 19th century, in fine silver-gilt, elegantly decorated with figural and scrolls, two candlestick-arms.

Antique Pair of Brass Wall Sconce Mirrors, this exquisite set showcases a captivating blend of elegance and functionality. Crafted during the Egyptian revival period, these wall mirr...

Small mirrors nice to flank a painting or other artwork. Arched scrolled crest over a mirror plate surrounded by a white painted border.

A George III Giltwood Pier Mirror In the Manner of Thomas Johnson An exceptionally detailed design; the superb carved decoration housing a shaped rectangular plate and undulating mirrored borders; the inner frame closely tied to the outer frame and leading the eye around the mirror. The grandiose masterful carving incorporating C-scrolls, flowering branchwork, stylized icicles, acanthus leaves, and distinctive architectural follies and figures which firmly place this mirror within the canon of Johnson's greatest designs. The confident execution is a great testament to the technical prowess and artistic creativity of one of the greatest carvers and designers of the eighteenth century, circa 1760. Provenance Edward Cecil Guinness, 1st Earl of Iveagh, Farmleigh, Co. Dublin, (1880?-1927); The Earls of Iveagh, Farmleigh, Co. Dublin & Elveden Hall, Suffolk (1927-2018). Thomas Johnson (1723-1799) Thomas Johnson was one of the most skilled carvers and furniture designers in Georgian England. Drawing inspiration from the Fables of Aesop, the rococo, China, and the idealised rustic life, his work is whimsical, exuberant and witty. Chippendale borrowed freely from his work. Johnson was a founder member of the 'Antigallican Society', a group who excoriated the French taste. In addition to its relation to Johnson's designs, this mirror also reflects the influence of Lock, the great master with whom he worked for a period. Lock published many sketches and pattern books, including A New Book of Ornaments for Looking Glasses in 1752, introducing several idiosyncratic features which Johnson would adopt such as the small decorative urns...