Gold Leaf Girandoles

This English hanging wall mirror is from the mid 18th Century, George 11nd period circa 1750. It has a softwood frame construction, probably pine with hardwood figured walnut veneer...

An English turn of the century silver leaf convex bullseye mirror from the early 20th century, with ebonized accents and beaded motifs. Created in England during the early years of the 20th century, this silver leaf girandole mirror features a circular frame accented with petite spheres whose dark hue contrasts beautifully with the silver gilt finish. The ensemble surrounds a central convex mirror plate with beaded molding. With its simple lines and lovely colors, this English bullseye mirror...

19th century convex mirror with original glass from the Regency period. Beautiful water gilding.

A George II style, burr walnut fretwork wall mirror, dating from the late 19th century, Victorian period. This small wall mirror with burr walnut veneered fretwork frame, an oblong ...

Regency convex mirror circa 1815 with slightly worn through water gilding and original mercury glass which is in very good condition, the pine back panel has its original maker’s pap...

One large French modern neoclassical double arm metal wall light / sconce / girandole with mirrored backs in the style of Mathieu Mategot. The metal frame is pierced and the mirror h...

Exceptional Adam style giltwood girandole.

This romantic pair of girandoles are outlined in royal blue scrolled frames, detailed with pastel rosettes and glass leaves. The mirror plates are etched with a tale of romance. The ...

Pair of American gilt carved wood girandole mirrors with flanking eagles on rock plinths perched to flee , upper and lower acanthus carved floral motif, ebonized reeded circular mold...

English Regency giltwood convex mirror, circa 1810. Featuring elaborate carving at top and bottom of acanthus leaves and scrolls, with two single graceful girandole. Bull's-eye mirro...

These are from the Thomas Devenish Collection (documented below; see provenance). This pair of mirrors represents the transition period of rococo to neoclassical aesthetic which cont...

A George III Giltwood Pier Mirror In the Manner of Thomas Johnson An exceptionally detailed design; the superb carved decoration housing a shaped rectangular plate and undulating mirrored borders; the inner frame closely tied to the outer frame and leading the eye around the mirror. The grandiose masterful carving incorporating C-scrolls, flowering branchwork, stylized icicles, acanthus leaves, and distinctive architectural follies and figures which firmly place this mirror within the canon of Johnson's greatest designs. The confident execution is a great testament to the technical prowess and artistic creativity of one of the greatest carvers and designers of the eighteenth century, circa 1760. Provenance Edward Cecil Guinness, 1st Earl of Iveagh, Farmleigh, Co. Dublin, (1880?-1927); The Earls of Iveagh, Farmleigh, Co. Dublin & Elveden Hall, Suffolk (1927-2018). Thomas Johnson (1723-1799) Thomas Johnson was one of the most skilled carvers and furniture designers in Georgian England. Drawing inspiration from the Fables of Aesop, the rococo, China, and the idealised rustic life, his work is whimsical, exuberant and witty. Chippendale borrowed freely from his work. Johnson was a founder member of the 'Antigallican Society', a group who excoriated the French taste. In addition to its relation to Johnson's designs, this mirror also reflects the influence of Lock, the great master with whom he worked for a period. Lock published many sketches and pattern books, including A New Book of Ornaments for Looking Glasses in 1752, introducing several idiosyncratic features which Johnson would adopt such as the small decorative urns...