Irish Pier Mirrors and Console Mirrors

An Irish oval mirror with moulded parcel-gilded and ebonized frame, applied with mirrored glass facets. The mirror is available in a bespoke size i...

Very charming German 18th century period Rococo mirror. Beautifully carved with c-scrolls and flower buds, white and polychrome painted. Antique mirror plate and orginal back.

18th century Italian giltwood mirror with hand carved eagle, roses, leaves and other details. The carving around outer perimeter of the mirror to really highlight the details. Appear...

A design attributed to John Linnell. Each arched divided plate within shaped outer slips entwined with foliate branches and leaf scrolls. Each mirror is s...

The octogonal Venetian mirror has beveled panels and carved reliefs the mirror has been handmade and hand silvered. The central panel shows a light antiquing finish while the surrou...

A George III Giltwood Pier Mirror In the Manner of Thomas Johnson An exceptionally detailed design; the superb carved decoration housing a shaped rectangular plate and undulating mirrored borders; the inner frame closely tied to the outer frame and leading the eye around the mirror. The grandiose masterful carving incorporating C-scrolls, flowering branchwork, stylized icicles, acanthus leaves, and distinctive architectural follies and figures which firmly place this mirror within the canon of Johnson's greatest designs. The confident execution is a great testament to the technical prowess and artistic creativity of one of the greatest carvers and designers of the eighteenth century, circa 1760. Provenance Edward Cecil Guinness, 1st Earl of Iveagh, Farmleigh, Co. Dublin, (1880?-1927); The Earls of Iveagh, Farmleigh, Co. Dublin & Elveden Hall, Suffolk (1927-2018). Thomas Johnson (1723-1799) Thomas Johnson was one of the most skilled carvers and furniture designers in Georgian England. Drawing inspiration from the Fables of Aesop, the rococo, China, and the idealised rustic life, his work is whimsical, exuberant and witty. Chippendale borrowed freely from his work. Johnson was a founder member of the 'Antigallican Society', a group who excoriated the French taste. In addition to its relation to Johnson's designs, this mirror also reflects the influence of Lock, the great master with whom he worked for a period. Lock published many sketches and pattern books, including A New Book of Ornaments for Looking Glasses in 1752, introducing several idiosyncratic features which Johnson would adopt such as the small decorative urns...

Antique large quality gilt 19th Century pier wall mirror, C1825. Lovely charm and elegance. An impressive and rare find, that would look amazing in the right location. No loose jo...

Smaller scale rectangle giltwood wall mirror, late 19th French Napolean 111. 19" tall x 16" widest x 2" deep, mirror portion 13" x 10". The glass mirror is newer.

Italian Wood Caved Rococo Wall Mirror, Giltwood, Gold Leaf Italy 1930-1940s. Impressive finely carved gold gilt wood Rococo style wall mirror or console mirror. This mirror features...

A fine late 19th century carved giltwood and gesso mirror Of oval form with dove "love birds" and roses along the top and a sea shell at the base. The entire frame has beautiful i...

A very fine and important pair of French 19th century Rococo Revival style giltwood carved pier mirrors. The elongated intricately carved frames with carvings of tropical flowers, sc...

This rectangular giltwood looking glass mirror is carved in a light and open Rococo style frame. The mirror plate is set within vigorously drawn C-scrolls, acanthus leaves, flowers a...