Brazilian Armchairs

Lina BO BARDI (1914-1992)Chaise dite Bola, circa 1970, à assise et dossier en cuir cognac tendu et disposés sur une structure tubulaire en métal laqué noir formant un piètement quadr...

Available today, with domestic shipping in NYC metro area included, These Brazilian Modern Set of Five Armchairs in Chrome and Black Fabric by Pozza Moveis made in the 1960s are noth...

These lounge chairs, masterfully crafted by Liceu de Artes e Ofícios, are an epitome of the Brazilian mid-century design movement, blending timeless elegance with superior craftsmans...

Bo Armchair by Giacomo Tomazzi Studio Dimensions: W 97 x D 95 x H 75 cm Materials: Structure made of metal tube with electrostatic painting in black and brass feet, it has a leather ...

Valentina Armchair by Samuel Lamas, 2022 This minimalist outdoor/indoor armchair, crafted from solid wood and straps, is designed with an architectural and geometric approach. With ...

Manufactured by Tenreiro Moveis e Decoraçaos Brasil, 1954 Measurements 86 cm x 76 cm x 83 H cm 34 in x 30 in x 32.5 H in Provenance Private collection...

Armchairs designed and produced by “Liceu de Artes e Ofícios” around 1960’s in Belo Horizonte, Brazil. Solid wood, brass details and new upholstery. Rea...

Made out of painted steel, this beautiful, simple and elegant armchair may be upholstered in different options of fabrics or leather. This armchair may also be sold without its ac...

Designed by Gelli, a pair of modern Brazilian armchairs, rosewood, and leather. Brazil, circa the 1950s. Pair of armchairs made in Brazilian Rosewood (Jacaranda) and recently reup...

The Aruanã chair is a tribute to the fauna of Ceará state and the endangered Aruanã turtle. Developed in collaboration with d.Propósito, this project involved thorough research to o...

Martin Eisler designed this sculptural armchair in 1955. This piece is considered one of the most iconic armchairs of Brazilian Modern Design. The uniqueness of this armchair lies in...

Original Condition

A beautiful example of the style and craftsmanship of Novo Rumo, a design ateliê extremely active during the 1950s and 1960s in São Paulo, Brazil. Made of Br...

Founded in Rio de Janeiro during the 1960s by architects Guilherme Nunes and Sávio Visconti, Fátima Arquitetura e Interiores LTDA. (FAI) created a unique space where architecture, de...

Hidden among Brazil's modern furniture heritage are pieces whose origins remain a mystery. These designs, beautifully crafted and steeped in the aesthetics of their time, are yet to ...

This pair of Imbuia Armchairs was manufactured in the 1960s by the Brazilian company Móveis Cimo, a pioneer in Brazilian furniture industrialization. This armchair is very charming,...

Hidden among Brazil's modern furniture heritage are pieces whose origins remain a mystery. These designs, beautifully crafted and steeped in the aesthetics of their time, are yet to ...

This gorgeous "Lobby" lounge chair is a true masterpiece of mid-century Brazilian design, created by the renowned architect and designer Jorge Zalszupin in the 1970s. The chair's per...

The Punto armchair or chair has an elegant and versatile design. Easy to match, transitions into many interior decor styles. Its finishes are impeccable, with a harmonious mix of ...

This beautiful pair of armchairs designed by L'Atelier is a great example of the style of Brazilian midcentury furniture. The materials...

Available today, with domestic shipping in NYC metro area included, This Modern Century Reclining Chair in Metal Hardwood and Leather Ernesto Hauner 1960 is nothing less than gorgeous! Indulge in unparalleled comfort with this reclining armchair, featuring a robust hardwood structure and luxurious soft pink leather upholstery. Its elegant metal legs complement the Brazilian Rosewood armrests, known as jacaranda, while enabling the chair to recline into two distinct positions. Recently refinished armrests, along with new upholstery and a reinforced reclining mechanism, elevate the chair's appeal and functionality. Delicate metal legs provide a balanced design, enhancing the chair's harmonious aesthetic. This set is another example of the awesome furniture work in Brazil between the 40-70's decades. A set like this will look great in any type of environment, from mid century to contemporary and modern design. About the designer: Ernesto Hauner was an Italian immigrant who came to Brazil in 1949 and began working in furniture design with renowned figures such as Lina Bo Bardi, Sérgio Rodrigues, Martin Eisler, and his brother Carlo Hauner. He started his career at Studio Palma, which later became Móveis Artesanal, and eventually became a partner at Forma Móveis e Objetos de Arte. In 1958, Hauner established his own business with a small factory in São Paulo, where he created modular bookshelves using...

The Kiko armchair is a beautiful design by Sérgio Rodrigues. Very comfortable, made of simple lines, the structure is made of Brazilian hardwood and orange leather. Rodrigues was one...

This pair of chairs with armrests made in solid rosewood and fabric was produced by Cantù Móveis e Interiores Ltda. in the 1960s. This model was manufactured with seats in cane or le...

This pair of Imbuia Lounge chairs was designed by Martin Zipperer in 1950 and manufactured by the Brazilian company Móveis Cimo, a pioneer in Brazilian furniture industrialization. I...

This Imbuia Lounge chair was designed and manufactured by the Brazilian company Móveis Cimo, a pioneer in Brazilian furniture industrialization. Cimo's history starts in 1921 with a...

This Armchair was produced in the 1960s by the Brazilian company Móveis Cimo, a pioneer in Brazilian furniture industrialization. Cimo's history starts in 1921 with a wood boxes fac...

Available today, with domestic shipping in the NYC metro area included, this Brazilian Mid-Century Pair of Armchairs in Cane & Iron by Carlo Hauner, c. 1950s, is nothing less than go...

Móveis Gelli Armchair, c. 1950 This elegant armchair, produced by the iconic Brazilian manufacturer Móveis Gelli circa 1950, is a fine example of mid-century Brazilian design. Retai...

This gorgeous pair of lounge chairs made of Brazilian Rosewood was produced in the 1960s by the company Celina Decorações, which signed one of the most modern lines of Brazilian furniture at the period. The armchairs have rectangular loose cushions that fit the structure perfectly, recently reupholstered in a Boucle fabric by the experienced craftsmen in our team following archival references. Based in Rio de Janeiro, the Celina Decorações factory imposed high-quality standards, maintaining handcrafted characteristics. The company was created in 1951 when Munis Zilberberg takes over the family business - a small upholstery workshop that worked on refurbishing sofa beds and antique furniture. The name is a tribute to her mother, Celina Zilberberg...

Helena Armchair by Samuel Lamas, 2022 Introducing the Helena Armchair, an award-winning minimalist masterpiece designed by Samuel Lamas. This chair is crafted with an architectural ...

Pair of armchairs designed by very important Brazilian Modernist figure Geraldo De Barros who was an artist and furniture designer. These utilitarian chairs are not only beautiful, ...

JOSE ZANINE DE CALDAS (1919-2001). Pair of armchairs model “H.” Manufactured by Moveis Artísticos Z. Brazil, 1949. Marine plywood, fabric upholstery. Measuremenents 58 cm x 50 cm x 80 H cm. Literature: Habitat, nº9, Sao Paulo 1952. José Zanine Caldas (Belmonte, Bahia, 1918 - Vitória, Espírito Santo, 2001) was an architect and designer. Caldas stands out on the national architecture in Brazil for his exploration of the constructive qualities of Brazilian woods, defining his work with a warm rustic ambience, working on both high-end residential projects and also popular constructions. Never actually training as an architect, he starting working in the 1940s as a designer at Severo & Villares and as a member of the National Artistic Historical Heritage Service (Sphan). He opens a maquet studio in Rio de Janeiro, where he worked between 1941 and 1948, and, at the suggestion of Oswaldo Bratke (1907-1997), moved the studio to São Paulo, from 1949 to 1955. The studio served important modern architects of the two cities, and was responsible for most of the models presented in the book Modern Architecture in Brazil, 1956, by Henrique E. Mindlin (1911-1971).. During the 1940s, he also began developing and researching at the Institute of Technological Research of the University of São Paulo (IPT/USP), and was first introduced to plywood. In 1949, he founded the Fábrica Móveis Artísticos Z, with the objective of producing large-scale industrialized furniture, good quaility and afforable, the furniture was to be materialized using plywood sheets. This method minimized material waste and the need for artisan skills, as the parts were mechanically produced and the use of labor was only needed for the assembling of the furniture. His time at Móveis Artísticos Z, in 1953 was rather short lived and left the company in 1953 and instead worked on landscape projects until 1958 in São Paulo, when he moved to Brasília, where he built his first house, also in 1958, and coordinated the construction of others until 1964. Appointed by Rocha Miranda to Darcy Ribeiro (1922-1997), he joined the University of Brasília (UnB) in 1962 and taught modeling classes until 1964, when he lost his position due to the military coup. He set off and travelled through Latin America and Africa, an experience that had a remarkable effect on his work. On return to Brazil he built his second house, the first of a series of projects in the Joatinga region of Rio de Janeiro. In 1968, he moved to Nova Viçosa, Bahia, and opened a workshop, which ran up until 1980. His experience in the Bahian city was shaped by his renewed love and contact with nature, and he began working closely with environmentalists. In one of these collaborations, he participated in the project of an environmental reserve with the artist Frans Krajcberg (1921-2017) for whom he also designed a studio in 1971. The furniture he designed during this period, is reflective of his ecological sensitivity, his works were constructed with crude logs of wood, whose twisted lines inspire his drawings. It is also in Nova Viçosa that the architect builds the Casa dos Triângulos (1970) and casa da Beira do Rio (1970), in which he adopted a very artisanal construction system with typical woods of the region. According to the historian and architecture critic Roberto Conduru, Caldas' performance was relevant for the diffusion of environmental values in architectural projects: a "taste for the alternative and the rustic was disseminated throughout the Brazilian territory [...], encouraged by environmental preservation campaigns, by the wear and tear of the current models in reinforced concrete and by the re-emergence of the regionalist ideal in the international panorama"1. Between 1970 and 1978, he kept an office in Rio de Janeiro, where he returned in 1982. In 1975, the filmmaker Antonio Carlos da Fontoura made the film Arquitetura de Morar, about the houses of Joatinga, with a soundtrack by Tom Jobim (1927-1993), for whom Caldas designed a house. Two years later, the architect's work was exhibited at the Museum of Modern Art of Rio de Janeiro (MAM/RJ), at the São Paulo Museum of Art Assis Chateaubriand (Masp) in Belo Horizonte, and the following year at Solar do Unhão, in Salvador. Between 1980 and 1982 The Helium House Olga Jr was designed and built in São Paulo. Caldas outlined the plans for the construction sourcing the all the wood, the actual assembly of the house was carried out by the owner. The house, is defined by wooden structure that stands out from the fence walls, the clay tile roof of wide eaves and the demolition materials that give the building the feeling of rusticity, warmth and nostalgia. The house was similar to those built in the 1970s for Eurico Ficher and Pedro Valente, in Joatinga. In 1983, Calders founded the Center for the Development of Applications of The Woods of Brazil (DAM), and gave it to UnB in 1985. During this period, he proposed the creation of the Escola do Fazer, a teaching center focused on the use of wood for the construction of houses, furniture and utilitarian objects for the low-income population. Despite the fact that much of Calders early work was centered around building houses for the elite, in the 1980s the designer dedicates himself the DAM where he rigorously researches popular housing based on artisan construction processes and whereby the users participate in the construction process. At the Brasília unit, he developed prototypes of popular houses with eucalyptus logs as a structure and sealing in soil-cement, betting on an ideal of self-construction already tested at Casa do Nilo, in São Gonçalo, Rio de Janeiro. From that moment on, as occurred with his the furniture designs, Caldas adopts the use of crude wood logs rolled...

The Jasmine armchair has feminine and sophisticate shapes. It's delicate and practical by the rotating movement. Jasmine armchair has sinuous lines, translating the essence of well-...

This exquisitely crafted rosewood curved chair with stick back designed by Joaquim Tenreiro (1906-1992) in 1961/1962 evokes a refined coexistence of traditional values and modern aes...

Available today in NYC, including free domestic shipping, this Mid-Century Modern Pair of Armchairs in Hardwood & Bouclé designed by Fatima is nothing less than a beauty! Introducing a pair of cozy armchairs expertly crafted by Fatima during the 1960s, boasting a sturdy structure made from Brazilian Rosewood, commonly known as Jacaranda, and elegantly upholstered in a sophisticated off white boucle. The arms and legs of these armchairs are exquisitely sculpted, enhancing their overall aesthetic appeal. The deep color of the Rosewood further accentuates the shape of each armchair, while the wood itself has been skillfully refinished. Additionally, the upholstery has been recently replaced, ensuring a fresh and new look. The matching sofa, designated as lot 550, is available for purchase separately (Sofa can be seeing in images). A beautiful set like this could fit into any environment, from mid-century modern, modern, contemporary, eclectic and even farmhouse. Attached vintage press featuring the elegant set. About the designer: FAI, also known as Fatima Arquitetura Interiores, was founded in 1960 by architects Guilherme Nunes and Sávio Visconti in Rio de Janeiro. The company aimed to bring together architecture, decoration, and art, providing a gallery space for artistic expressions related to architecture. Additionally, Sávio and Guilherme aimed to push the boundaries of the local scene by organizing furniture...

Developed for both outdoor and indoor areas, this armchair refers directly to a sport with great cultural identification with Brazil: surf. The first piece produced in order to present the concept had the backrest and chair seat shaped manually in expanded polyurethane, the same used in the manufacture of surfboards. Now, in the official release for the market as serial pieces, we offer both chair and armchair in two versions: upholstered or wooden chair seat.

The Costela armchair is an iconic Brazilian Mid-Century Modern piece. It was designed by Martin Eisler (1913 - 1977) in 1953 and manufactured by the companies Móveis Artesanal and Fo...

This armchair made in solid Brazilian wood was designed by Ricardo Arrastia and produced by Arredamento Móveis Ltda., a company founded by Cesar Wasserfirer in 1960 that stood out fo...

Super Jardim - black armchair by Cultivado Em Casa. Dimensions: 105 x 80 x 73 cm. Materials: Stainless steel, PVC hose, nozzle and faucet. Also available: Green, red, blue, yell...

Pair of Lounge chairs in Wood and Fabric, Liceu de Artes e Ofícios, 1960's, Brazilian mid-century design This beautiful pair of armchairs was made of Brazilian hardwood in the 60s...

Brazilian Modern manifest, the scissor chair is a Lina Bo Bardi design still on the process of attribution. It has been inspired by Le Corbusier Modernism and the tropical wood give ...

Geraldo de Barros for Unilabor, armchair, fabric, iron, wood, Brazil, 1955 Crafted by the Brazilian modernist designer Geraldo de Barros, this lounge chair showcases the typical mat...

Carlos Hauner & Martin Eisler Pair of armchairs Manufactured by Forma Moveis Brazil, 1955 Caviuna wood legs, velvet and cotton upholstery Measurements: 77 cm x 77 cm x 72 H cm. 30.3 in x 30.3 in x 28.3 H in. Literature: Casa & Jardim, 1956. Nº 92 Bio: Beside Carlos Hauner, Martin Eisler (1913­-1977) was the founder for the iconic Brazilian furniture company Forma. He was born in Vienna, Austria, and studied architecture in his country. In 1938 he moved to Buenos Aires. After meeting Carlos Hauner in Brazil, he started traveling there frequently to collaborate on designs and, they founded Forma to sell their own designs as well as pieces licensed from Knoll International. Eisler also opened Forma in Buenos Aires, along with partners Arnold Hakel and Susi Aczel...

The Aruanã Armchair is a tribute to the fauna of Ceará state and the endangered Aruanã turtle. Developed in collaboration with d.Propósito, this project involved thorough research t...

Available now, these Brazilian Modern armchairs in white leather & iron, where designed by Carlo Hauner and manufactured by Forma Moveis in Brazil 1955 and are fabulous! The name of ...

Martin Eisler (1913-1977) & Carlos Hauner (1927-1997) Pair of armchairs Manufactured by Forma Moveis Brazil, 1955 Caviuna wood legs, velvet and cotton upholstery Measurements: 77 cm x 77 cm x 72 H cm. 30.3 in x 30.3 in x 28.3 H in. Literature: Casa & Jardim, 1956. Nº 92 Details: Belonging to a three pieces set of sofa and two armchairs.

It's an armchair of sculptural quality. Besides being comfortable, it was designed to play a prominent role in the decor. On a perfect pentagon base, the armchair emerges with a tangle of angles that create new shapes with every change of perspective, a design that never gets old. The loose fabric seat molds to the body, as if we were in a hammock. Structure in carbon steel, powder coated finish and natural leather. This piece was design by Bernardo Senna in 2022 and manufactered by Estudio Few...

The “Astral” armchair is Lattoog's latest release for Empório das Cadeiras and is the youngest of a family of furniture affectionately baptized by the designers of Série Viralatas. two pieces of furniture, in general modernist classics, are fused (or syncretized) to result in a third design of an original piece of furniture, completely different from the others, but with a strong “genetic load” of its generative matrices. A concept invented by Lattoog in 2005 that has been a great influence for designers from Brazil and abroad as well. Here, strong but subtle references to Brazilian roots and culture are presented: Miscegenation, syncretism and “viralism”. Astral is born from the fusion of the shapes of the Tank armchair...

We have a pair of chairs with armrests made in solid wood by Cantù Móveis e Interiores Ltda, in the 1960s, Brasil. Architects Jorge Jabour Mauad and Osires Cunha Meale were responsi...

Available today, this one-of-a-kind Brazilian Modern Armchairs in Hardwood & Beige Leather by Bureau Moveis in the sixties are nothing less than gorgeous! The armchairs feature a wo...

Martin Eisler, lounge chair, iron, leather, Brazil, 1950s Elegant and modern lounge chair by Brazilian designer Martin Eisler. A visually interesting contrast is created between the...

The Pudica Chair (MMXVI) is an artefact that seeks syncretism between the rationalist style of the early twentieth century and the Brazilian colonial expe...

Created by Jorge Zalszupin (1922-2020) and his design team, the Commander chair was designed to attend to the growing market for office furniture. The...

Armchair Manufactured by Joaquim Tenreiro Brazil, 1954 Peroba wood and leather upholstery Measurements 61x53x42hcm24x21x16,5hin

The Arco armchair by Sergio Rodrigues is a mid-century modern design from the 1960s. It features a rosewood frame, with a upholsthered seat and backrest. This beautiful piece creates...

The Punto armchair or chair has an elegant and versatile design. Easy to match, transitions into many interior decor styles. Its finishes are impeccable, with a harmonious mix of ...

This armchair made in solid Brazilian wood was designed by Ricardo Arrastia and produced by Arredamento Móveis Ltda., a company founded by Cesar Wasserfirer in 1960 that stood out fo...

The punto armchair has an elegant and versatile design. Easy to match, transitions into many interior decor styles. Its finishes are impeccable, with a harmonious mix of high quality materials: Curve multi-laminate wooden backrest, coated with cinnamon natural wood blade...

This simple and elegant contemporary armchair is made out of painted steel and may be upholstered in different options of fabric. Zanini de Zanine was born in Rio de Janeiro, in 197...

Hidden among Brazil's modern furniture heritage are pieces whose origins remain a mystery. These designs, beautifully crafted and steeped in the aesthetics of their time, are yet to ...