German Buffets

Modern burl buffet sideboard with four doors framed by a beveled edge, with interior drawers and shelves and finished in a lightly distressed rustic warm h...

The 19th Century German Biedermeier chest of drawers, crafted around 1830, exemplifies the elegance and functionality of the Biedermeier style. Constructed with a sturdy pine corpus,...

Chic pair of streamline Art Moderne dressers designed by Gilbert Rohde, for Herman Miller c 1936. The dressers feature opposing right and left c...

An exceptionally beautiful marquetry inlaid commode 'à Ressaut' opening with two wide drawers, and crafted in the Louis XVI style. This very decorative late 18th century chest of dr...

Clean Lined Art Deco Cabinet, designed by Gilbert Rohde for Herman Miller, American, circa 1930s. This piece is currently being refinished and will look wonderful when completed. Thi...

Small chest of drawers in walnut veneer with three drawers and a hinged lid with mirror and removable tray insert. The chest of drawers has been restored and polished by hand. Each d...

18th Century Country French Louis XVI Buffet in Stripped Oak is a period piece that exemplifies the artistry and traditional craftsmanship of t...

For customers that require professional insured delivery we are proud to have teamed up with a nationwide professional delivery company that will assist with coordinating your delive...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...

Antique French Louis XVI style bar buffet topped with a white Carrara marble, bronze and brasse details, fluted legs finished with golden bronze clogs. One dovetailed drawer and two ...

A walnut and marble buffet from circa 1930s, beautifully carved in relief with a colonial African scene. A Dominique design.

A shaped cabinet with a scrolled bonnet, a centre compartment with door opening to two shaped shelves, flanked by curved side compartments (one shelf inside at the left). Below is a ...