American Vitrines

Beautiful pair of Henredon lacquer, brass, and beveled glass display cabinets. Each equipt with four adjustable shelves with plate ridge and 3 way adj...

This Baker Burl Wood & Glass Vitrine—Collectors Edition is a beautifully made display cabinet, perfect for showcasing fine collectibles, art, books, and heirloom pieces. Standing 84 inches high, 30 inches wide, and 13.5 inches deep, it features an elegant burl wood veneer with brass-trimmed glass panels. The glass door measures 72.5 inches high and 25.5 inches wide, providing a clear and stylish view of the interior. Inside, there are three fitted glass shelves, each measuring 28 inches wide and 11 inches deep. The top shelf has 25 inches of clearance, the middle shelf 22.5 inches, and the bottom shelf 24 inches, with the option to accommodate up to three additional glass shelves for increased display capacity. Designed with both functionality and sophistication in mind, this vitrine is fitted with two interior lights, controlled by a switch located on the left middle shelf, ensuring that your displayed items are beautifully illuminated. Its classic and timeless design makes it a versatile addition to both traditional and modern interiors. In well-cared-for vintage condition, this premium Baker display cabinet...

Architectural, voguish, stylish freestanding shelf unit, design attributed to Milo Baughman. This model is particularly chic in the brass, bronze finish, it is more commonly found i...

The Modern Chelsea Water Glass 4 Door Vitrine by Ercole is made up of a unique combination of hand-cut Water Glass and hand hammered metal. All four doors are framed in pewter metal,...

Pair of reeded columnar brass and frosted glass Illuminated etageres. Clearance between shelves starting from bottom are 15.5" 14.5" 13.5"

Pair of four door brass vitrine display cases by Mastercraft of Grand Rapids, Michigan circa 1970. These are particularly beautiful as the back wall is a single large sheet of bronz...

Pair of Burton-Ching Biedermeier Style Reliquary Pedestal Display Cabinets. Statues and books not included.

For customers that require professional insured delivery we are proud to have teamed up with a nationwide professional delivery company that will assist with coordinating your delive...

The industrial 2 door vitrine by Ercole home is a one of a kind statement piece that is bound to liven up your space. This vintrine is made up of a unique combination of hand cut glass all varying in size, color, and texture making each door like its own mini mondrian painting...

A rare collectors item, this fully restored Tommi Parzinger for Charak Modern (c. 1955) display cabiinet / vitrine, features beautiful french polish with Parzinger's signature statement door handles. Signed with Charak Modern label on the backside of the upper cabinet. This refined and sophisticated Parzinger credenza with glass display hutch is perfect for those high-end luxury pads looking for an incredible and collectible statement piece, which Parzinger was known to create. The gorgeous color is close to the Hermès orange, but perhaps a little bit deeper and bolder - perhaps somewhere between Hermès orange and blood orange. Beauty in every detail, from the cross-cut glass panes, to the upper flared embellishments and the signature Parzinger door handles. Let's not skip one more aspect of this table that is equally important - the collectors appeal. Furniture by Tommi Parzinger is one of the most sought-after and cherished items of sophisticated collectors. This isn't for your typical Eames and George Nelson collector, it is much more for a refined collector, perhaps a connoisseur of fine rarities. The quality of the materials and craftsmanship and design details are something to be admired. Parzinger and Charak Modern designed and crafted some of the highest quality furniture of the early and mid 20th Century. That was at a time when US manufacturing was at its best. And now in this day and age of cheap products not meant to last - this table is your daily reminder that 'they don't make them like they used to.' We restored this incredible sideboard display cabinet with hand-applying a new French Polish lacquer. French Polish is the most laborious and expensive finish because it requires many repetitive coats and each one hand polished to a fine glass-like finish, and while it is very expensive, it is worth it for rare and valuable pieces like this Tommi Parzinger vitrine. The results are nothing short of spectacular - such a smooth, clear and deep finish - it looks almost like a sheet of glass (much more incredible in-person than you can see (or touch / feel) in the photos). And besides how incredible it looks - it will also protect your investment for the decades ahead. This Parzinger cabinet is an ideal example for the most discriminating interior designer client or collector. This french polish cabinet...

This is a truly authentic looking Baker Italian or Venetian paint decorated vitirne. The cabinet is a piece of artwork that cameos as a vitrine. The color, the vibrant painted theme ...

Amuneal’s brass wine room is constructed using the clean mechanical details from our Frankford Panel System. The metalwork is all fabricated f...

The Milano bar cabinet by Ercole Home has a 2-door front, with a natural limed oak finish on oak. Handcut glass mosaics in Light ivory and Terracotta vetrazzo mix decorates the surface in a continuous Vetrazzo pattern. Doors are wrapped in a hand hammered metal that is finished in a dark bronze rub. The interior is equipped with two pull out drawers and a pull out shelf. The top of the cabinet has a dark bronze metal wine glass...

Impressive cabinet from Draper's 1963 Viennese collection for Henredon. Features bombe base with three drawers, splayed feet and intricately chased brass drop pulls. Above base i...

Fabulous brass and glass tall showcase with 4 thick glass shelves etched for showing plates. Shelves are adjustable. Two glass doors each hung on 4 hinge...

A Barbara Barry for Henredon wooden bow front vitrine cabinet from the late 20th century with oval motifs, glass doors and glass shelves. Designed by Barbara Barry for Henredon during the later years of the 20th century, this wooden cabinet features a thin curving cornice sitting above two bow-front glass doors, adorned with thin oval motifs and fitted with a single brass pull. These doors open to reveal four glass in wooden frames inner shelves offering convenient display opportunities. The ensemble is raised on four short tapered feet. The décor on the side shows great restraint as it is left bare and the back is simply planked. With its clean lines and modern design, this Barbary Barry for Henredon vintage vitrine...

A rare and important Art Deco period Century of Progress Display Cabinet designed by Wolfgang Hoffmann (Austrian, 1900-1969) for Romweber Company, Batesville, Indiana, United States of America. circa 1933-1936 Created for the 1933 Chicago World's Fair, one piece design, having a rectangular showcase top with glass panel sides and a pair of sliding glass doors, over solid wood chest fitted with four drawers affixed with horizontal pulls, flanked by cabinet doors, opening to shelved interior. Rosewood, mahogany, richly figured blonde - golden birch or primavera, and glass. Signed, original label to drawer interior, featuring 1933 World's Fair mark impressed. **Please note, at the time of writing this, a matching sideboard - buffet (shown in last photo) is currently available separately** Provenance / Acquisition: Property from the important and iconic collection of Mr. James I. Rafftesaeth Jr., Dallas, Texas Acquired from highly reputable auction house, Heritage Auctions, Dallas, Texas. 2022 Design Signature Auction catalog #8091 History: Wolfgang Hoffmann was born in Vienna, Austria in 1900. He is the son of famous architect, pedagogue and Wiener Werkstatte cofounder, Joseph Hoffmann (1870-1956). Early on, following his father’s s interests, he was trained in the decorative arts and design. Wolfgang Hoffmann once reminisced, “I spent eight years at the Realschule, then three years went to a special architectural school, where I perfected my technical knowledge of architecture and general construction. From this school, I was graduated to the Kunstgewerbeschule [Studying under Oskar Strnad and Josef Frank in Vienna]. After finishing this school, I had one and a half years of practical in a well known architect’s office. Thereafter I worked in my Father’s office for two years”. Hoffmann met his future wife, Polish immigrant Pola (1902-1984) when they were both studying at the Kunstgewerbeschule. Joseph Urban (1872-1933) was needing an assistant for his architectural business in New York and contacted his friend and colleague, Joseph Hoffmann in Vienna. Hoffmann recommended his son Wolfgang. Urban hired him and sent a first class passage ticket to Vienna for Wolfgang to travel to New York. Wolfgang married Pola and traded his ticket for two tickets to America in steerage, arriving in New York City in December of 1925. Leaving the Urban office after nine months, Wolfgang and Pola formed an independent design practice with offices on Madison Avenue in Manhattan with the purpose of creating contemporary interiors and industrial designs. Early work included theaters, stores, and apartments mostly in New York City. During the late 1920’s and early 1930’s the Hoffmanns designed custom furniture for private clients. Some of these examples were shown in the February 1929 issue of House and Garden. Curiously, the examples’ design was attributed to Urban and the production to Pola Hoffmann, Inc. Established in the fall of 1928, the American Designers’ Gallery was “devoted exclusively to showing objects and interiors for practical use… by fourteen American architects and designers”. Its members included the Hoffmans and Urban as well as ceramist Henry Varnum Poor (1888-1971), architect Raymond Hood (1881-1934), artist designer Winold Reiss (1886-1953), graphic designer Lucien Bernhard (1896-1981), decorator Donald Deskey (1894-1989), and architect Ely Jacques Kahn (1884-1972). The Hoffmanns’ work was included in the American Designers’ Gallery’s two showcase events, its 1928 and 1929 exhibitions. Their dining alcove at the 1929 event featured a bench with a dinette table and two chairs in American walnut designed by Wolfgang and a rug by Pola. Lucien Bernhard, fellow Austrian immigrant who settled in New York a year before the Hoffmanns, operated the gallery and decorating service Contempora with Munich resident Bruno Paul (1874-1968). The Hoffmanns, occasionally participating with Contempora, designed a number of outstanding interiors, including the constructivist living room of 1930 for Mrs. O.R. Sommerich at 40 East 66th street. In 1934, Donald Deskey commissioned Wolfgang to design birchwood furnishings for the eclectic apartment at 625 Park Avenue belonging to Helena Rubinstein. In 1931, Wolfgang exhibited his work at the Pennsylvania Art Museum and the Museum of Modern Art in New York City. The same year, with Kem Weber (1889-1963) he organized the second and final exhibition of AUDAC- “Modern Industrial and Decorative Arts”- at the Brooklyn Museum. At this event, the Hoffmanns showed the dining room previously included in the American Designer’s Gallery’s 1929 exhibition in the Chase Bank Building lobby at 145 West 57th Street in Manhattan. In 1932 Wolfgang was asked to assist Urban in developing the color scheme for the 1933-34 Chicago World’s Fair “A Century of Progress”. He was also commissioned to design the interior and furniture for the fair’s lumber industries house. There he executed its living and dining rooms furnished by Kroehler Manufacturing Company of Chicago; the boys’ room by Shower Brothers...

Large mahogany display cabinet made by the Joslin Showcase Company of Boston, Massachusetts. The company was founded in 1893. The cabinet is made it two pieces. The upper part has three glass shelves plus the bottom wooden shelf. The base has six working drawers and four sliding doors with fielded panels. The two end drawers are false and don't open. The original nickel shelf...

American Mid-Century display / storage cabinet with a lower black powder coated steel cabinet with six compartments below three open upper compartments, framed in a chrome plated steel tube structure under three clear glass panels. (FRITZ HALLER FOR USM...

Modern Curio Cabinet that was made right here in America by the Glober Manufacturing Company of Carpentersville, Illinois. The Curio-Cabinet was c...

MINT Large Henredon Sunrise Dome Shape 2 Glass Door Lighted Shelves Curio Display Cabinet

Mid-Century Modern large chrome and glass étagère shelving wall unit.

Pair of nice mid-century modern bleached or cerused chestnut wall units curio cabinets for John Stuart. Solid brass hardware. Interior cabinets lights.

Mastercraft model 326 vintage 1970s Palladian style brass, glass and antiqued smoked mirror vitrine display curio cabinet, designed circa 1970 by ...

Lovely vintage curio display cabinet with glass shelves and 2 bottom drawers compartment. Has built in light.

Walmart mid-century modern sculpted two part hutch display cabinet credenza china cabinet.

American Victorian Country antique white painted apothecary-style cabinet with 24 pigeon hole shelves

Pair of Tomlinson Burl Wood & Brass Vitrine cabinets Exquisite 1970’s burl wood and brass vitrine cabinets, exceptional quality, feature glass doors ...

Solid mahogany pre Art Nouveau style decorative étagère.

This is a neoclassical style carved fruitwood vitrine by Beacon Hill. It is a numbered limited production piece. The interior has adjustable glass shelves and includes a key.

Architecturally-inspired this breathtaking three part brass Curved China cabinet set by Mastercraft, inviting drama into any space. Dedicated to c...

We are very pleased to offer a great pair of gorgeous, sleek and minimalist display cabinets made by the famous Henredon furniture makers, made in the USA. Part of Henredon’s early 1...

A 1950s Mahogany Vitrine Display Table on original Wheels and with Handles and faux bamboo Mahogany legs. Original green felt lining in place, includes a new black color felt, loose...

Fantastic Mastercraft brass vitrine. This magnificent vitrine has four heavy doors that open to reveal thick glass shelves with a plate ridge for displayin...

Mid-Century Modern Milo Baughman style chrome all welded stainless steel étagère.

Pair of modern Mastercraft black lacquered, brass and glass display cabinets or vitrines. These beautiful cabinets feature a burnished brass over a black lacquered frame, three adjus...

Solid Tiger Oak Curved Glass China Cabinet Carved Claw Feet Lion Heads MINT!

Henredon Large 78" Wide Mahogany Breakfront MINT

Exceptional pair of tall 1970s black lacquer and brass vitrines by Henredon. Featuring clean lacquered frames with brass trim on the doors. The cabinets feature beveled glass sides a...

Karges Fine Fruitwood Mid Century Modern Beveled Glass Breakfront Cabinet MINT

Pair of china vitrine cabinets by Tomlinson are an excellent example of their timeless quality and design. This rectangular top cabinet features two doors with glass panels and brass...

Pair of spectacular four door brass vitrine cabinet display cases by Mastercraft of Grand Rapids, Michigan circa 1970. These cabinets or vitrines are particularly unusual as they h...

Mastercraft model 21-420 china cabinet vitrine. Clad in antiqued brass with black lacquer trim. Backwall is smoked antiqued mirror. Three tempered clear glass shelves with plate gro...

Wonderful pair of 1980’s Campaign Style Curio Display Cabinets by Henredon. They have the label in the back. This beautiful pieces are made of wood, brass and glass. Each of them hav...

Mastercraft Dark Burl Wood 17" Square Brass Dome Top Showcase Display Cabinet

Henkel Harris Chippendale Mahogany Beveled Glass China Display Cabinet Dimensions : 48.5" wide X 17" Deep X 88.25" Tall This stunning cabinet was made in the USA by Henkel Harris a...

An exceptional pair of tall illuminated vitrines by Henredon, gracefully combines traditional forms with modern design elements. Good design, meticulous tailoring and superior constr...

Impressive 1980’s Modern Less Is More II Collection modular casegood storage system by Milo Baughman for Thayer Coggin comprised of 3 off white lacquered cabinets including 1 lighted...

Mixed metals Mid-Century Modern etagere.

Ornate Fine Carved Antique Rosewood Marble Top Dresser w/ Tilting Mirror MINT

Stunning vintage mid-century modern to modern chrome & mirrored one-piece etagere or room divider with lower enclosed cabinet portion in the style of DIA or Ello. Beautiful condition...

Wonderful slant front display case by THE COLUMBUS SHOW CASE COMPANY, COLUMBUS. O. In good vintage condition. It has five shelves and they are adjustable. One of them has a chip, sho...

Edward Wormley designed this elegant display cabinet, model #6027, for Dunbar. The olive burl doors of the lower case enclose shelving and a se...

Art Deco Chinese Motif Display Case, From Cartier NYC Showroom, Circa 1920s Cartier showroom store fixture, Provenance by Repute, Saved from the refuse pile of a 1960s renovation ...

Offered is a pair of Mastercraft vitrines with highly polished lacquered brass along with two main compartments: two adjustable glass shelves in the top section and one in the lower ...

A pair of unusual obelisk shaped étagères. Polished aluminum (aluminuim), with glass shelves and hard plastic capped feet.

Mastercraft Mid Century Brass Vitrines Cabinet This cabinet measures: 36.5 wide x 15 deep x 86.5 inches high All pieces of furniture can be had in what we call restored vintage con...

Bold but elegant, these eye-catching Vitrines, bookcases or china cabinets designed and produced by Mastercraft circa 1970s. Exceptionally fine quality, brass-clad frames with black ...

"Segment Étagère” a sculptural work in torch-cut and polychromed steel with fused bronze, solvent dyes, and glass enamel, with four glass shelves. By American artist James Bearden. The rectangular étagère, with its dramatic yet delicate composition and juxtaposition of shapes and colors drawn from Bearden’s evolving vocabulary, is perched atop four slender legs. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine; in an introspective feature on 1stdibs; and in a feature article in DSM Magazine. The étagère is part of a group of case pieces being offered individually--see the photo of three cabinets below. Custom sizes and colors are available upon request. In an introduction to the 2020 exhibition, curator Kartrina Weinberg wrote: "In the two years after the artist’s last solo exhibition — where the material reality of steel was evident in both its title and monochromatic appearance — Mr. Bearden sought to break free from pre-conceived judgment of his medium, as well as the persistent misnomers applied to his art. While subtle color play has always existed in his previous works, the development in his coloring technique — from painted polychrome to dyed glass enamel — allowed for dramatic saturation and stunning complexity in his new palette, bringing heightened immediacy to his biomorphic and anthropomorphic imagery. The artist had always challenged the gravitational reality of steel, but he has found new expressions towards verticality and delicacy, transcending material and elevating function. The open compositions, ranging from ornamental tracery to dynamic use of negative space, allow for the interplay of light and air, animating the environment with ever-changing viewing possibilities. This exhibition took inspiration from the naturalist traditions and fantastical imagery of Early Netherlandish paintings...

Mastercraft Dome Shape Top Two Doors Glass Shelve Display Curio Cabinet Showcase MINT