Baroque Furniture

New castings according to the original from the second half of the 19th century. Patinated brass 0.7 kg!

The long baroque style metal console or sofa table has a brushed gold gilt finish and is handcrafted with elegant scroll-work and detailing. The feet have flat iron pads. The console is newly made from antique fencing...

Italian Gilt Gesso over carved wood Lion Paw Girandoles, 18th century mirrored frames with later light fittings, each with a triple lamp ho...

German baroque cabinet made of oak. Around 1780. Probably from the Aachen area. Wax polished 2-door body standing on ball feet with bevelled corners and profiled base with 2 drawe...

Large rectangular console in richly carved and gilded wood. Wide belt decorated with dagrafes, rosettes, stylized shells and foliage. The uprights and legs are highly agitated with a...

Niche. Gilded and polychrome pine wood. Spain, 17th century. Niche made of carved and gilded pine wood, decorated with moldings, a venerated shape and plant elements in the upper p...

A very fine antique 18th century porcelain bowl. By Frankenthal during the Carl Theodor period. With a group of polychrome enamel decorated fruit to the bowl, floral sprays to ...

19th century Roman painter Still life with cherubs, flower festoons and herma with faun Measures: Oil on canvas, cm H 78 x W 95 without frame Cm H 122.00 x W 106 x D 8 with frame. The work, painted in oil on canvas, octagonal in shape, represents a nature with three putti or cupids playing with flower festoons in a wooded environment in which is placed a herma with faun and, on the left, a large neoclassical marble vase...

“FIRENZE” Credenza - The Italian Art & Handcraft of Fine Antique Reproduction This Mediterranean Style hand-crafted credenza features aged walnut finely aged with distressed patina ...

This early Baroque oak credence table was created in England in 1631, as the engraved date on the bottom molding informs us. Measuring 31" high, 18 3/4" deep, 40 3/4" wide in front...

An absolutely fantastic set of four original Louis XVI French armchairs made by Jean Baptiste Lelarge. All four chairs have Lelarge stamp on them . He was one of the most famous furn...

This pair of French stone sculptures from the early 20th century features two Médicis vases with gadroon decor on a square base. This exquisite pair of early 20th-century French ston...

A secretary made during the baroque period 1650 - 1750 in Sweden. Made from oak. All original. Three drawers and upper interior with drawers and compartements.

A pair of fine antique Dutch Delft plates. Each depicting a woman in classical Chinese garb gesturing towards an extravagant potted plant atop a table. The rim of each is decorated...

Pair of Italian painted and parcel giltwood plume sconces. This pair of Italian painted and parcel gilt plume sconces are 2925" H. These large Italian 5 light gilt wood sconces have been newly wired for U.S. Use with new sockets and candle sleeves.

Giovanni Paolo Castelli, known as "Lo Spadino" (Rome 1659 – around 1730) Still Life with a Composition of Fruit Dimensions: frame cm L 76.5 x H 61 x D 6.5. Canvas cm L 55.5 x H 40 Th...

Mid 18th century Swedish pine baroque metal bound box circa 1740. Good quality oval baroque period decorative box.  Profusely decorated and bound by iron strap work, edging and hing...

Largest collection of Portuguese tiles in the world 18th century Portuguese "Troubadour " Measures: 140cm x 108 cm 80 tiles Important note: This panel is with the tiles restored 1...

Stunning pair of Fortuny textile pillows adorned with the illustrious De Medici pattern, a design that pays homage to the legacy of the Medici family. This pattern is not merely dec...

Magic flute coffee dessert service by Rosenthal Bjorn Wiinblad 24-karat plated by Rosenthal Bjorn Wiinblad 24-karat plated, mint condition set for six with milk and sugar bowl on a 2...

The LIRA refectory table style is adapted from Italian Renaissance designs of the 15th to 19th Centuries. Handcrafted with aged Italian solid hardwoods & hand-forged iron elements an...

Walnut wood, with wrought iron fasteners and one piece board. Baroque style lira leg table, entirely made of walnut, with carved profile legs and rectangula...

18th Century giltwood baroque wall mirror Louis XV. The frame is original 18th century. goldleaf on plastering on wood. Mirror was replaced early 20t...

These Fortuny pillows feature a striking and elegant design that draws on classical motifs with a sophisticated execution. The fabric showcases a cornucopia (horn of plenty) overflow...

This beautiful pottery charger is is decorated with a woman carrying a basket of flowers on her head. Vividly painted in yellows, greens, and blues. Condition is very good, does have minor chips commiserate with age and use. Back is signed Vincent Garnier...

This exquisite Antique King Louis Desk, featuring a stunning green leather top, is a remarkable piece that combines both elegance and functionality. Cr...

Burled walnut two piece cabinet in a bombé form with arched carved foliate crest surmounting two conforming individually glazed doors. The doors open to a two fixed shelf interior, w...

These elegant, antique bedside tables were created in Spain, circa 1800. Both matching cabinets are made of solid walnut; they have a recessed center carved door flanked by a pair of inlay...

Largest collection of Portuguese tiles in the world 18th Century Portuguese "Saint Antony" Measures: 266 cm x 280 cm Important note: This panel is with the tiles restored 18th ce...

Dining table made of walnut with carved lyre legs and heavy top. The lyre legs are very thick. Beautiful iron stretcher, Spanish, 18th century.

Beautiful antique blanket chest in solid walnut wood, 1650s. The antique blanket chest also completely original and has great charm. Characteriz...

Comfortable wingback chair in Baroque style, featuring a gracefully curved frame and intricately carved decorations. The generously sized wings transition seamlessly into the armrest...

Pair of Spanish spiral columns of the 17th century in carved and gilded wood, decorated with plant elements, vines, bunches of grapes and birds. Small flaws in polychrome Dimension. ...

A magnificent and quite large, Baroque style, Museum Quality, Antique Meissen Porcelain Grouping of Mars, the God of War, Chariot with his Putti Servant, originally designed by Johann Joachim Kändler in 1772-1773 for Czarina Katharina, better known as Catherine the Great. Mars, the Roman God of war, is seen wearing a Roman war attire on his white double horse-drawn chariot. While seated, Mars is seen holding the handle of his sword. On his head is a beautiful silver helmet...

Baroque chest of drawers with a serpentine front and three spacious drawers. The brass fittings provide subtle accents. The gray finish with anthracite-colored accents has been newl...

This charming and unusual casket injects a romantic atmosphere into any interior. It has survived in impeccable condition with acceptable wear to the painted surface which signifies its age and use. It is a conversation piece, a piece of acting history, bought by Vivien Leigh and Laurence Olivier...

Large 18th Century carved wooden Mater Dolorosa (Our Lady of Sorrows) religious sculpture. Probably Alpine, carved wood, polychromed and coloured or g...

Beautiful Italian " Torso " 20th century Carrara marble. Measure: H: 47m including base, 30cm without very good condition

Not easy to find this original box, with this kit set composed of 8 pieces for nail manicure. A piece to collect or to add in a wunderkammer. In sterling silver, all marked. With ce...

A magnificent and quite large, Baroque style, Museum quality, antique Meissen Porcelain grouping of Apollo, the Sun God's, Sun Chariot with his Putti Servant, originally designed by Johann Joachim Kändler in 1772-1773 for Czarina Katharina, Better known as Catherine the great...

Bronze and glass jewelry box The box has cut crystals and the patina is gold and silver It is made with bronze and acid-cut glass. Origin France ci...

Stately and impressive white washed 18th century Dutch linen press cupboard perfect as dining room china cupboard, entertainment center...

An 18th century baroque chest of drawers with four block front drawers. Chest is in two sections with a floral carving on the plinth base and on the knees of the Queen Anne style fee...

20th century Italian solid 800 silver set of 6 vodka beakers, copy of Russian vodka beakers made in Moscow at the end of 1600. The originals are in the...

Italian Old Walnut Credenza with Olivewood Burl: 18th Century Style Extraordinary Italian handcraft as exhibited in this finely mastered Italian four-door and four-drawer credenza ...

Soldiers looting a village XVII century oil on panel Oil on panel: 75 x 110 cm Signed and dated 1650 lower left Sold at Christie's Amsterdam, 11/18/93 For 130,000 DG = 60,827 € - joint purchase invoice for the year 93 About painter dutch painter Utrecht 1586 - 1666 Utrecht Painter of genre scenes, generally of peasants, views and landscapes of villages and towns (including some winter landscapes) and some religious and allegorical subjects (mainly at the beginning of his career). We do not know under whom our painter studied. Seeing the Flemish character of his work, some scholars believe that he could have studied in Flanders, in Antwerp. Droochsloot was a versatile and productive painter. The central museum in his hometown of Utrecht holds 15 of his paintings, showing the diversity of his work, many other museums exhibit his works Our painting represents a scene that took place during the Eighty Years' War. This Dutch War of Independence from Spain was a long, slow war that lasted from 1568 to 1648. The war began with a Protestant uprising in Flanders and Holland against the Spanish...

This is a very unusual pair of late 17th or early 18th century Italian Baroque Girandoles. The girandoles feature a finely executed carved gilt wood frame that is surmounted by a fin...

18th century polychrome Delft oil and vinegar stand in Imari flower decorations.

Four paintings depicting the seasons, circle of Noel Coypel, second half of the 17th century Oil on canvas Measures: cm W 37 x H 46 x D 2 cm (canvas) The four paintings, presented in...

This beautiful elegant chandelier was made in Southern France and dates approximately 1850. The chandelier has a dark patinated bronze frame and is hung with the highest quality clea...

Yellow lacca povera angel box. Late 17th century chest with early 19th century lacca povera decalcomania decorations with angels, birds, lions, flowers, and trees; with original hard...

Six maiolica “ambrogette” (tiles) Rampini manufactory, painter probably Siro Antonio Africa Pavia, 1693-1704 a) 6.88 x 5.51 in (17.5 x 14 cm); 0.55 lb (252 g) b) 7.08 x 5.70 in (18 x 14.5 cm); 0.51 lb (233 g) c) 6.88 x 5.70 in (17.5 x 14.5 cm); 0.54 lb (245 g) d) 6.81 x 5.51 in (17.3 x 14 cm); 0.50 lb (230 g) e) 6.88 x 5.51 in (17.5 x 14 cm); 0.50 lb (229 g) f) 7.08 x 5.70 in (18 x 14.5 cm); 0.51 lb (233 g) State of conservation: intact. These six ”maiolica fina” small “ambrogette” belong to a family of ceramic works considered among the finest produced between the 17th and 18th centuries. For a long time, this type of maiolica was attributed to the Venetian village of Angarano, but later it was definitively attributed to the pottery factories in Pavia. A fundamental study ascribed this production specifically to Pavia through an analysis of Lombard collections and a comparison with archaeological remains found near the two main manufacturing sites in the city. (E. Pelizzoni - M. Forni - S. Nepoti, La maiolica di Pavia tra Seicento e Settecento, Milano 1997). The six small oval tiles have rounded edges and are decorated with a historiated motif. They were created using high-fired polychrome technique, with a predominance of cool tones and a dominance of gray and blue, interspersed with manganese, citrine yellow, orange-yellow, and green. The six small “ambrogette” are characterized by the same stylistic features, with a similar decorative design. The first tile (a) depicts a female figure, holding a stiletto and sitting near a pedestal supporting a relief-decorated baluster vase. Behind her, a child is holding a chalice, while through the arches of a portico, a glimpse of a mountainous landscape can be seen in the background. The female figure could possibly be Lucretia, an example of virtue in ancient Roman culture. In the second “ambrogetta” b), the Biblical episode of Judith and Holofernes is depicted through canonical iconography: the decapitated body of Holofernes lies on the bed in the background, while the protagonist, Judith, is seen placing his head into a sack held by a maidservant. Through an archway a shining slice of the moon gives the perception of nighttime. Surprisingly, within the narrative, there is the presence of a basin in the shape of a large shell, closely resembling the products of Pavia's factories. The third small plaque (c) depicts a female figure standing on a plinth and framed by an architectural arch with a vast mountainous landscape in the background. The woman, with her breasts exposed, is accompanied by two children: one approaching her as if wanting to be picked up, and the other seated with an apple in his hand. The protagonist lends herself to different interpretations: perhaps she represents Rea Silvia with the two twin founders of Rome, or perhaps she is an allegory for the Pietà, a common theme depicted on maiolica. In the fourth tile (d), three characters are depicted near a column. The main figure is an old man with a sad expression, holding a cup, while a woman, wearing a turban on her head, also holds a cup in her right hand and a pitcher in her left. A second woman with her hair bound holds another pitcher behind the old man: at his feet a traveller's bag can be seen, along with some apples and a slice of cheese on a rectangular base. It is likely the sad Biblical episode of Lot and his daughters...

An incredible and very rare 19th Century Meissen porcelain plaque depicting Rembrandt and Saskia in the Tavern. Meissen plaques are incredibly rar...

Hard porcelain bear modeled and painted in gray-brown and black Manufacture of Meissen, by Johann Gottlieb Kirchner and Johan Joachim Kaendler, 1735 It...

Rare 17th century oak coffer / Trunk

18th Century, Venetian Baroque Carved Giltwood mirror This mirror was made in Venice, Italy, in the second half of the 18th century. The frame, in carved and gilded wood, has the characteristics of the Venetian baroque. The internal wooden band, with 90-degree angles in the lower portion and with a cambered and curvilinear profile in the upper part, is carved in vegetable-shaped bas-reliefs. At the top a rich cymatium encloses another mirror. Rich perforated volutes, rocaille and phytomorphic elements, create movement to the whole and streamline the mirror making it graceful. To crown, there is a floral element. Also, below the frame includes a small mirror, while on the sides continue the friezes carved with flowers, leaves and scrolls rocaille. This small mirror, very refined and of great decorative effect, can be easily placed in different environments, placed over consoles or antique drawers...

Pair of French bronze and crystal glass twin arm wall sconces, ca. 1930 A beautiful pair of bronze ornate wall sconces hung with crystal prisms. Ea...

A highly decorative Cocktail Table with a reverse paint, gilt and silver leaf top. The octagonal top with a central painted group of musical instruments, arrow filled quiver, bow and...