Stone Candle Stands

Large hand-cast candle holder for 2 candles. At the intersection of art, craft, and design, Concrete Poetics' debut collection of hand-cast ce...

This beautiful 1980s Post-Modern exotic marble column pedestal features exotic graining and coloration with hues of grey, pink, red and gold. We have a matching pedestal that is sl...

Candle holder for 2 candles. At the intersection of art, craft, and design, Concrete Poetics' debut collection of hand-cast cement sculptural furniture and accessories streamlines v...

BABUR by Haand: A stunning set of three travertine candle holders, each varying in height to add depth and dimension to your décor. These versatile pieces are not only perfect for holding candles but can also be used in a variety of other ways to enhance your space. Dimensions: A: 15 cm width, 10 cm height (6" width, 4" height) B: 14 cm width, 14 cm height (5.5" width, 5.5" height) C: 14 cm width, 18 cm height (5.5" width, 7.1" height) Usage: • Candle Holders: Ideal for creating a warm, inviting ambiance with your favorite candles. • Key Holders: Perfect for placing on your desk or entryway table to keep your keys organized. • Decorative Stands: Use them to display small plants, figurines, or other decorative objects. • Jewelry Holders: A stylish way to keep your rings, bracelets, and necklaces within reach. • Mini Pedestals...

Directoire style candlestand bouiotte table having a round top of marble with pierced brass border, on ivory-painted base, its apron holding a single frieze drawer with ring pull, ra...

Candle holder for 2 candles. At the intersection of art, craft, and design, Concrete Poetics' debut collection of hand-cast cement sculptural furniture and accessories streamlines v...

A lacquer pedestal accent table, the silvered patterned and flared circular top above a shaped square pedestal base. Dimensions: 19.75" W x 19.75" D x 23.5" H Custom-painted fi...

An early 19th C French candlestand table in fruitwood, featuring a circular white marble top with subtle veining and a pierced brass gallery surround. The tapering stem is supported ...

A mahogany pedestal Tripod stand with round marble top. Measure 12" in diameter and stands 23.5" tall.

Oval gueridon featuring a marble top. The purple brocatelle marble originates from Spain and is ringed by a gilt bronze rim decorated with intertwined foliage on a dark blue background. Satyr heads...

Paul Mathieu designed these elegant candlesticks for Stephanie Odegard Co. Ltd. Solid pieces of marble are turned to create these delicate designs namely Ove, Flute, Plat I and Plat ...

This beautiful 1980s Post-Modern exotic marble column pedestal features exotic graining and coloration with hues of grey, pink, red and gold. We have a matching pedestal that is sl...

Painted occasional or end table, having a round top of Carrara marble, its pierced apron carved with foliate scrollwork, raised on four, round, bowed legs, each headed with a rosette...

Louis XVI Style Fruitwood (walnut) and Marble Inset Low Wine Table. Early 20th Century French Walnut & Galleried Marble Top Bouillotte Candle Stand. Measures 13.5" in width, 13.5" in...

Monumental Credenza, Sideboard, Storage Cabinet by Maitland Smith Mid-Century Modern Design heavy solid crafted and made in the Philippines. Made out of tessellated stone over wood...

Pair of Mid Century French Style Fruitwood and Marble Top Inserts Candle Stands / Side Tables Measures 13" in width, 13" in depth and 17" in height.

A Mid Century French Provincial Style Fruitwood and Marble Top Insert Candle Stands / Side Tables Measures 14.5 " in width, 11.5" in depth and 17" in height.

A very good quality late 19th century French inset Rouge marble Gueridon / side table. Having gilded ormolu mounts, cluster column quiver like legs tapering legs with leaf decoration...

Each candle stand has a circular white marble top over a frieze with leaf tip, rosette and bead and reel carving, supported on three down-swept legs with conforming decoration joined...

Paul Mathieu designed these elegant candlesticks for Stephanie Odegard Co. Ltd. Solid pieces of marble are turned to create these delicate designs namely Ove, Flute, Plat I and Plat ...

A French Charles X mahogany table, candle stand with a marble top.

Paul Mathieu designed these elegant candlesticks for Stephanie Odegard Co. Ltd. Solid pieces of marble are turned to create these delicate designs namely Ove, Flute, Plat I and Plat ...

Paul Mathieu designed these elegant candlesticks for Stephanie Odegard Co. Ltd. Solid pieces of marble are turned to create these delicate designs namely Ove, Flute, Plat I and Plat ...

Arrebol Tibor diffuser by STUDIOROCA Dimensions: W 18 x D 18 x H 30.5 cm Materials: Volcanic rock, polished brass plated steel, glass. Includes 1 essential oil 20mL bottle. STUDIOROCA is a Mexico City design studio focused on architecture, interior design and contemporary furniture. Its penchant for collaboration, the promotion of local talent, artisanal skills and natural materials, and its ever-present pull toward sustainable practices have seen the studio create highly emotive environments and unique functional pieces that speak of a forward-thinking, borderless approach to design. Intro Through architecture, interior design and furniture, STUDIOROCA portrays a distinct Mexican aesthetic, where sophisticated, elegant designs become bold statements of strong masculine lines and dark moody shades that contrast dramatically with elongated curves and highly textured surfaces. Based in Mexico City, the studio has, since its inception, offered much more than simple design solutions, its impetus always being to meaningfully improve lives through design. By promoting, supporting and offering a platform for other Mexican designers in its two stores in Polanco and Condesa, STUDIOROCA has been at the forefront of the modern-day Mexican design movement for over 15 years. The studio’s ability to artfully blend its own architecture and interior design with both local and international product is testament to its glocal outlook. While proudly Mexican and inherently influenced by the country’s culture and craftsmanship, its designs talk to a cosmopolitan, international sense of style. STUDIOROCA’s respect for the environment and reverence of traditional skills has led to the pursuit of sustainable practices, while its affinity for collaboration and promotion of artisanal skills has seen the studio produce work in conjunction with countless talented designers and craftspeople. Its confidently utilitarian designs are the result of risk-taking, boundary-pushing processes that emerge from STUDIOROCA’s constant quest to establish innovative solutions, while simultaneously respecting each of its projects’ unique locations, incorporating the surrounding environment into the design language. Working closely with clients, a personal rapport ensures delving into the core of every design requirement, leading to the ultimate achievement of deeply embedded needs. Ultimately, what STUDIOROCA presents is a fresh iteration of Mexican design, a version which is at once moving, intoxicating and comforting. History STUDIOROCA was founded by Carlos Acosta and Rodrigo Alegre. When, in 2002, the two independent Mexico City architects were commissioned to work collaboratively on the architecture and interiors of a new spa, they were frustrated by the lack of affordable furniture available, and embarked on designing their own pieces for the project. And so STUDIOROCA was born. Initially a furniture store in the heart of the then up-and-coming leafy suburb of Condesa, it has developed into a fully fledged architecture and interior-design studio, with another store in the city’s high-end design district of Polanco, which opened in 2011. Its line of furniture, all designed and manufactured in Mexico, had humble production beginnings in a small kitchen-design factory, a foundation that has carried through into the studio’s current philosophy of small-scale, high-quality production. In conjunction with its own range of functional pieces, STUDIOROCA has always invited other local designers to showcase their work in its two stores, and, what started with three additional designers’ pieces in 2002, has led to collaborations with many more, now presenting the limited-edition work of 28 Mexican designers through its UNION- brand, while continuing to retail exclusive international brands such as Tom Dixon, Moooi and GAN. 2 More recently, the studio’s architectural and interior projects have included large housing developments and hotels, fully employing STUDIOROCA’s 360-degree approach to design. Founders and team Architects by training, founders Carlos Acosta and Rodrigo Alegre prefer to follow an unconventional, integrated model of design that incorporates its many varied facets, allowing their two unique approaches to complement one another. Rodrigo, who graduated from Universidad Anáhuac Norte, is able to envision how color and texture will combine as he explores the emotive nuances he wishes to create within a new environment. His abstract thoughts are brought to life by Carlos, the rational half of the design duo. Trained at Universidad Iberoamericana, with a student exchange to the University of Texas, Carlos’ ability to grasp volumes and spaces brings dreams to fruition through the perfect positioning of wall divisions, furniture pieces and light-streaming windows. Their small dedicated team of designers and architects plays an integral role in realizing the studio’s ambitious visions, with over 200 projects having been completed by this intimate team. Beyond designing, these passionate professionals offer practical solutions, bringing their experience in all forms of design to manifest in big-picture thinking that pays attention to detail, celebrates collaboration and goes the extra mile. The approachable, personal style with which the STUDIOROCA team works is a reflection on the responsibility its people place on themselves as architects and designers who venture beyond the drawing board. Sustainability STUDIOROCA’s focus on sustainability has seen the company establish itself as a trailblazer in the realization of buildings and furniture pieces that are produced with a sense of conscience and responsibility, taking into account the full production chain, from material source to distribution of wealth. The studio has done away with environmentally harmful varnishes on its furniture pieces, and now only use FSC-certified hardwood. It also pledges to keep materials to a minimum, a consideration most appreciated in its 77 range of furniture, where only the necessary functional structures have been designed, and where small leftover pieces of wood from bigger cuts are utilized, rather than sourcing new pieces. This approach continues in its architecture and interior designs, with 80% of materials sourced locally. This, coupled with its use of solar panels, the harvesting of rainwater, and the inclusion of indigenous gardens in its projects, has led to STUDIOROCA’s application for Leadership in Energy and Environmental Design (LEED) certification, which is currently under review. For the studio, sustainability has a much further reach than the natural environment, however. Its projects take into account social, cultural and economic sustainability too, by ensuring its production chain – from the craftspeople producing hand-worked elements, to its low-environmental-impact manufacturing line – all sits within Mexico so that the 3 communities benefiting financially are those who have been an integral part of the process. Architecture In STUDIOROCA’s architectural projects, authentic materials that are true to their Mexican origin, such as local mountain rocks, regional marble and indigenous wood, are utilized in new ways to highlight their natural rawness, deep texture and prized imperfections, imbuing buildings with unique character. It’s through such character that every structure portrays its personality, suited to the people who live, work and relax within it. This unpretentious use of materials follows through to metals, which are encouraged to rust and patinate as the building interacts with nature’s elements and becomes part of the environment surrounding it, giving projects an essential sense of place, where the here and now is as important as the then and there. Interior design STUDIOROCA’s interior style leans toward textured materials and dark hues contrasted with paler wood and lighter accent tones. These evocative, luxurious interiors are enlivened by carefully considered lighting that enhances the tonality of moody dark browns, deep blues and a spectrum of blacks, and highlights textures through illuminated reflections. Where environments dictate a paler palette, textures and materials make up the necessary contrast. Local willow wood on wall panels, flooring made from recinto volcanic rock, and countertops decorated with Mexico’s retapado marble become talking points, made even more appealing with plant life and greenery introduced indoors. Furniture Combining its deep respect for handcrafted, artisanal product, and its future-forward approach to technology and innovation, STUDIOROCA’s range of furniture places emphasis on high-quality offerings, producing its ranges in low quantities, often customized to suit the specific requirements of its varied projects. Veering away from industrialized production lines, it employs sophisticated hand-worked machinery, in line with its approach to sustainability and simplicity. The studio’s premiere collection (2002-2008) was shaped by a groundbreaking application of materials and forms, resulting in award-winning designs that set contemporary Mexican design on the map. Pieces from this collection were shown at Fabrica Mexicana and Museo de Arte Moderno in Mexico City and in the MoMA store in New York. The 2008 Eco collection initiated a change in the production of STUDIOROCA’s furniture pieces, adapting a sustainable view regarding design – a philosophy that continues to guide the studio’s practices today. Sourcing FSC-certified wood, eliminating varnishes, and using local materials wherever possible, this collection was the start of a conscious undertaking to work with local artisans and support local industry, an outlook that was celebrated at the launch of the Eco range at the Mexican Gallery...

Rosso Levanto candleholder by Karen Chekerdjian Dimensions: W 8 x D 8 x H 24 Materials: Rosso Levanto marble Karen’s trajectory into designing was unsystematic, comprised of a c...

An early 19th century French Neoclassical marble and fruitwood candle stand with pierced gilt bronze gallery resting on splayed ebonized pad feet.

A Louis XVI style gilt-bronze and polished steel pedestal table. The circular white marble top with bead cast surround, on athenienne tripod support with central spirally-fluted ste...

Table with grey white marble top made in France about 1820:s. The table has border of brass surrounding the top and shelves and legs made in mahogany. Their is a crack in the marble ...

Nero Marquinia candleholder by Karen Chekerdjian Dimensions: W 8 x D 8 x H 24 Materials: Verde Guatemala marble Karen’s trajectory into designing was unsystematic, comprised of ...