Hickory Center Tables

Inspired by thick foggy days on the water front that allow us a glimpse of far away beauty through a hazy lens and some hidden details kept secret for a clear sky day. The "Fog" coffee table is an exploration of both wood and metal joinery in which the lines and joints are kept simple and open to the eye of the beholder. A frame of plasma cut steel plates mortised into wood rectangles. The plate steel is jointed and welds hidden before hand sanding a grain into the surface and sealing. Wood (shown in reclaimed water tower redwood) is groove mortised to allow the steel to pass seamlessly across the plane. This frame is topped with a grey tinted, acid etched, glass top which allows stunning views...

Our most robust drum table this large Round Center Table has eye catching appeal with satin wood banding, carved knees and a thick top with three d...

Italian style rustic round game table with molded edge, made of mahogany, acacia and oak parquetry with reversible leather and chess inlaid center, an inlaid Backgammon board well, on an octagonal flared column pedestal base. Includes a wooden chess set...

The Mar coffee table, with contemporary style, was designed from the interaction and conversation that arise around a central table. This piece of furniture was born to smooth the in...

Domus is a coffee table made from a single block of wood.‎ The purpose of this coffee table is to be placed next to a warm hearth, a place where the whole family gathers and tells st...

Mura low table is created in collaboration with Toronto-based glass design and fabrication atelier Jeff Goodman Studio (JGS). It pairs STACKLAB’s signature solid-bronze Jupiter leg castings with a droplet-shaped top of kiln-fused Temple glass. The table’s name derives from the Japanese word for “unevenness, irregularity, inequality” Temple glass is a handmade product invented by JGS for the Bahá’í Temple of South America, capable of withstanding the rigorous weather fluctuations and seismic activity of the Andes mountains near Santiago, Chile. In the proprietary fabrication process, rods of glass are broken. The glass fragments are arranged in the kiln bed in JGS’s randomized River Rock pattern, then fired and cooled for a week. This process yields a distinctive mottled motif of milky translucent veils within a transparent field. The slab is polished, then cut to size with a water jet. Because the glass is handmade, each table top takes three weeks to carve and polish, a process that is impossible to duplicate, making each Mura table unique. “Our studios share a love of controlled, but partially unknown, outcomes,” says STACKLAB Founder and Creative Director Jeffrey Forrest. “Our disciplined methods allow us to ‘let go’ as we approach the finish line and observe what happens, from a careful arrangement of glass rods settling in the kiln to a computer code interpreting inputs about form.” “STACKLAB came to us with the idea of shaping the edge of Temple glass with a beautiful ribbon line,” says JGS Executive Director Sylvia Lee. “This is the first piece we’ve done in carved, sculptural Temple glass; earlier applications were always with straight edges. STACKLAB is helping push us into exploring the material more deeply and at a large scale. That’s exciting.” As for the Jupiter leg, it is a study in creating a completely asymmetrical, yet aesthetically cohesive, geometry. The shape is readily castable, yet differs in every elevation, section and plan view. The sand-casting process produces faintly perceptible irregularities that enhance the leg’s tactile appeal. The planetary name pays homage to the subtitle of Mozart’s last symphony, a favorite of the client who commissioned the first Jupiter table...

A one-of-a-kind custom-made side and or Center table crafted in the 1990s, featuring an organic driftwood and twig base with branch-like supports. The sculptural design is accented b...

Rolled sheets of steel curl and peel away beneath a transparent glass surface, capturing the dynamic moment of a cresting wave. The vibrant multicolored steel surface is created thro...

Designer Fulden Topaloğlu explains the inspiration behind the design: “Arkhe Collection is a tribute to the beautiful amphitheaters dispersed throughout the Mediterranean geography. As a lucky kid growing up in the Aegean coast, the visits to these archaeological sites was an indispensable tradition of our family summer vacations. These visits always left me in awe, as the imagery and sensations of visiting these majestic remains of ancient times always gave a larger than life feeling to the mind and soul of that little kid I was back then. Looking back, I must add that the feeling changed only a little. Arkhe collection is a tribute to these magical ruins of my childhood memories and to all the history, culture and myths they whisper to our collective consciousness.” Arkhe coffee table...

A well made and very decorative circular table constructed of a darker wood plank top mounted on a pale wood base. The apron is made of different shapes in four layers. Raised on thr...

Mura low table is created in collaboration with Toronto-based glass design and fabrication atelier Jeff Goodman Studio (JGS). It pairs STACKLAB’s signature solid-bronze Jupiter leg castings with a droplet-shaped top of kiln-fused Temple glass. The table’s name derives from the Japanese word for “unevenness, irregularity, inequality” Temple glass is a handmade product invented by JGS for the Bahá’í Temple of South America, capable of withstanding the rigorous weather fluctuations and seismic activity of the Andes mountains near Santiago, Chile. In the proprietary fabrication process, rods of glass are broken. The glass fragments are arranged in the kiln bed in JGS’s randomized River Rock pattern, then fired and cooled for a week. This process yields a distinctive mottled motif of milky translucent veils within a transparent field. The slab is polished, then cut to size with a water jet. Because the glass is handmade, each table top takes three weeks to carve and polish, a process that is impossible to duplicate, making each Mura table unique. “Our studios share a love of controlled, but partially unknown, outcomes,” says STACKLAB Founder and Creative Director Jeffrey Forrest. “Our disciplined methods allow us to ‘let go’ as we approach the finish line and observe what happens, from a careful arrangement of glass rods settling in the kiln to a computer code interpreting inputs about form.” “STACKLAB came to us with the idea of shaping the edge of Temple glass with a beautiful ribbon line,” says JGS Executive Director Sylvia Lee. “This is the first piece we’ve done in carved, sculptural Temple glass; earlier applications were always with straight edges. STACKLAB is helping push us into exploring the material more deeply and at a large scale. That’s exciting.” As for the Jupiter leg, it is a study in creating a completely asymmetrical, yet aesthetically cohesive, geometry. The shape is readily castable, yet differs in every elevation, section and plan view. The sand-casting process produces faintly perceptible irregularities that enhance the leg’s tactile appeal. The planetary name pays homage to the subtitle of Mozart’s last symphony, a favorite of the client who commissioned the first Jupiter table...

Rolled sheets of steel curl and peel away beneath a transparent glass surface, capturing the dynamic moment of a cresting wave. The vibrant multicolored steel surface is created thro...