Macassar Center Tables

Art Deco style round dining table Macassar, high gloss lacquer Black lacquer Manufacture in the style of art deco, 2000s Dime...

An octagonal macassar ebony Gothic Revival centre table. The veneered top inlaid with fruit woods, fitted opposing drawers, ebonised base of Gothic architectural form, inset castors.

The Italian Deco Macassar Center Table is a stylish and elegant piece of furniture perfect for adding a touch of sophistication to any living space. Made with high-quality materials,...

A striking example of Italian Art Deco design, this round side table was produced in the 1940s and bears the original label "Palazzi dell'Arte - Cantù," a prestigious institution kno...

Mid-Century Modern Landscape Marble Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Landscape marble coffee table draws inspiration from t...

This exceptional center table was produced in the Netherlands during the 1920s, most likely by the company H.P. Mutters & Zoon in The Hague, with the design attributed to Carel Adolp...

An oak and Macassar inlay center table or dining table designed and produced in Sweden, c. 1930s. Dimensions: 29.125” H x 58.125” W x 32.3” D

Mid-Century Modern Landscape Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins fo...

Mid-Century Modern Landscape Marble Side Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Landscape marble side table draws inspiration from the o...

A Coromandel and Satinwood Folio Stand Firmly attributed to Jackson & Graham Constructed from richly figured coromandel and banded with satinwood and New Zealand honeysuckle, the fo...

Large center table with a central stand in solid wood with French polished Macassar ebony veneer, and six screwed chrome-plated tubes holding up the...

A magnificent library table Attributed to Jackson & Graham Of free standing rectangular form, constructed in coromandel, with inlays in thuya, ebony, boxwood, and honeysuckle; the fluted legs rising from square brass castor-shod feet; the frieze housing two lockable drawers fitted with rare ‘tamper proof’ Chubb locks and having quadrant moulded cedar lined interiors; the platform having a central panel of beautifully chosen matched coromandel veneers, with an outer guard border of a running pattern of stylised anthemions; the ebony edges having a thumb nail moulding, circa 1865 The firm of Jackson & Graham established in 1836 by Thomas Jackson and Peter Graham at 37 Oxford Street London, and for the next fifty years produced predominately high quality furniture and represented Britain at many of the international exhibitions. Their clients included Queen Victoria, Napoleon III, the Grand Khedive of Cairo and the royal palace in Siam. They were particularly noted for their fine marquetry work, the use of Wedgwood plaques, rare woods, and fine casting of bronze mounts. They engaged the leading designers of the period, inter alia, Owen Jones, Bruce Talbert, Alfred Lorimer and Eugene Prignot. In the mid-1850s the workforce was recorded as 250, and by 1875, the company was employing 600 workers. They were feted exhibitors at many of the Great Exhibitions of the 19th century, and frequent prize winners. At the Paris International Exhibition of 1878, the furniture jury noted of them ‘ the workmanship is so perfect that even with the aid of a magnifying glass scarcely the slightest imperfection is to be found’. In 1885 the company was absorbed by Collinson and Lock, who continued their standard of excellence. Charles Chubb was apprenticed as a blacksmith before starting business as a ships’ ironmonger in Winchester. Jeremiah soon joined the business, and by 1818 the brothers had branched out into lockmaking, founding the famous Chubb Company. The business really got started when Jeremiah Chubb patented his new ‘detector lock’ in 1818. The lock was constructed so that if someone tried to pick it or open it with the wrong key it became inoperable. To make the lock work again the owner had to use a special key supplied with the lock. The aim of the detector lock was to prevent burglaries, and to warn the owner that someone had tried to break into their property. The lock soon became popular, and sales of the Chubbs’ products increased even more when they won a government competition to design a lock that could only be opened using its own key. After the invention of the detector lock, the Chubbs decided to move to Wolverhampton, which already had an established lock making industry. By 1838 they were making 28,000 locks a year at their Wolverhampton factory. Another product was added to the Chubb range in 1835 when a patent was taken out for a burglar resistant safe, and in 1837 the Chubb safe...

For your consideration is this wonderfully stylish modernist centre table is the luxury woods of ebony Macassar which dates to the 1930s. There is a central drawer which is connected...

Art Deco Style, Macassar Ebony, Shagreen, Brass, Table, USA, 2010s A substantial very high quality custom made center or round dining table in exotic materials, designed and produce...

Regency, French Mid-Century modern, Macassar, Ebony, Brass, Boulle Table, Side Table, France, 1970s A gorgeous regency style boulle table designed and produced in France c. 1970s. T...

A circular Art Deco centre or large lamp table in solid mahogany with attractively veneered Macassar ebony top and lower tier. French, c. 1930s.