Gilt End Tables

Beautiful eye-catching Regency style end table with paint decorated top and ebonized apron and legs with gilt rings, splayed feet, and brass reverse "C" stretchers, designed by Mario...

Antique Louis XV Style, solid carved wood end tables with decorative parquetry veneer Cast metal corner hardware, handles and feet in a gilt g...

An extraordinary morphing envelope card table, hand-crafted and painted black, signed/stamped, high quality, "Seven Seas" by "Hooker Furniture" The Seve...

Handsome large square thick glass top side or end table in a fabulous gilded and scrolled Hollywood Regency Spanish Revival iron and wood in the s...

The original design of the Three Rocks tables was inspired by the Autumnal landscape with fallen leaves in burned tones. These tables are highly customized designs. Beyond the origin...

Set of three Florentine-style stacking tables featuring cabriole legs with intricate hand painted details on the tabletops and scalloped edges. The tables have been lovingly restored...

Pair of round Gilt iron with Amber Glass Discs in a hoop form. Rare distinct tables in excellent vintage condition with minimal wear. Glass is perfect. These can be parcel posted.

A pair of Southwest style "Lone Star" side table / end cabinets / nightstands, by high quality Spanish Colonial / Western style luxury furniture designer Jorge Kurczyn, Hacienda Santa Klara. This hand-crafted contemporary end table combines full grain damask patterned leather upholstered front, exquisite hand tooled copper designs, and rich hand carving. The beautifully, finished top of this custom end table is adorned with geometrical hand carving running ornamentation around its rim. Directly below the top of the end table is a large rectangular drawer adorned with rich, brown, full grain leather. Centered in the drawer is a hand forged handle made by skilled craftsmen. This custom end table features two arched, cabinet doors opening to reveal generous storage and shelf for additional storage options. Each cabinet door panel is adorned with a hand hammered and hand tooled copper Lone Star, surrounded by hand tooled, copper, floral designs. Each cabinet door has a hand forged, pull handle. The leather upholstery is hand tacked to the drawer with gilt decorative nailhead trim. This custom furniture has arched molding...

A Very Fine French Louis XV Transitional Style Gilt-Bronze Mounted, Marquetry and Æil de Vermeil Parquetry single-drawer side-table by François Linke (1855-1946). The rectangular top...

A Fine French 19th-20th Century Louis XVI Style Mahogany, Tulipwood and Gilt-Bronze (Ormolu) Mounted Belle Époque Guéridon Circular Side-Table with a Parquetry Top, by François Linke (1855-1946). The single-drawer end table inset with a symmetrical parquetry top an ormolu frieze, the apron with bow-tied swagged floral wreaths, the corners with fruit and acorns ormolu mounts, raised on four tapered legs topped with chased rings and inset spigots, all raised on bell-shaped sabots. Signed on top trim: F. Linke. Circa: Paris, 1890-1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau...

Pair of Hollywood Regency Faux Bamboo Maison Bagues Style Cocktail End Tables. Good overall condition. Few scratches to glass from age and use

A Very Fine French Late 19th/Early 20th Century Louis XV Style Ormolu Mounted Kingwood, Bois Satine, Mahogany, Marquetry and Parquetry Gueridon (Round End-Table), in manner of François Linke (1855-1946). The circular marquetry top with trellis inlay encompass by a ribbon-tied floral and ribbon entwining inlaid surround, above a frieze interspersed with four abundant floral, foliate and entwined opposing cornucopia mounts each centered by a bacchanal mask, with one frieze drawer, on slender cabriolet legs with an up swept X-stretcher surmounted by a circular under-tier with a basket weave mounted gallery. Bearing the fine quality furnishings retailer's plaque which reads: 'S. & H. Jewell, 131 & 132, High Holborn, London, W.C'. Circa: Paris, 1900. S & H Jewell are first recorded in 1830 as fine quality retailers, restorers and cabinet makers. They were a family business who worked from their premises at 29-31 Little Queen Street, Holborn, in London and then later to 26 Parker Street and then at 131 - 131, High Holborn, both in London W.C. They are recorded to have sold furniture to the Arts and Crafts home...

Gilt metal chair and table, designed for Palladio, Italy, circa 1950s. The chair has been reupholstered in a faux fur. It measures 32" H x 17" W x ...

Coco Chanel coffee table, France, gold-plated, 1970s. Stunning sculptural gilt metal sheaf of wheat table with round glass top. Styled after the famous Coco Chanel tables this origi...

Exquisite Carved Wood Side Table featuring a stunning white-washed finish adorned with delicate gilded accents, all supported by intricately carved hoof legs. Crafted with meticulous...

Rare Mid Century gilt metal 'flower' occasional table - flexible wire stems - ring finial/handle - 20" round glass top with polished edge - unsigned - Italy - circa 1960's. Excell...

A very fine pair of French 19th/20th century Louis XV/XVI style Transitional Style Satinwood Parquetry and Gilt-Bronze Mounted Commodes with Brêche d'Alep marble-tops, in the manner of François Linke (1855-1946), inspired by models by Léonard Boudin (French, 1735-1804), Gilles Joubert...

Spanish wrought iron floor ashtray or drinks / cocktails table standing on a tripod base, Spain, 1940s. Handcrafted in wrought iron. The top stands on a tripod base with twisting de...

A rare pair of stunning French gilt-bronze and Chinoiserie top side tables with three tiers (attributed to Maison Baguès, mid-Century). Each table has three rectangular burgundy-lacq...

An Italian 18th century gilded and painted coffee table. This Italian antique coffee table has a wonderfully carved apron, adorn in a floral motif on all sides. The hand-painted, fau...

Fantastic pair of simple and elegant high quality iron with steel tables. Sturdy as they come, yet so simple and elegant that they would work in the most posh of interiors available....

Fine Maitland-Smith end table with a trompe l'oeil design incorporating two large brown and gilt book forms with titles along the spines including "American Arts 1887" and "Barnaby ...

Wrought gilt iron drinks table, floor ashtray, tripod stand or pedestal, 1940s. An stylish hand-hammered iron standing ashtray with foliage design, wavy edged top and handle. It stan...

Louis XV parquetry occasional table, Circa 1760.

The original design of the Three Rocks tables was inspired by the Autumnal landscape with fallen leaves in burned tones. These tables are highly customized...

Wrought gilt iron floor ashtray, tripod stand or pedestal, 1940s. An stylish hand-hammered iron standing ashtray with foliage details and wavy edged top. It has a nice patina with g...

Pair of Italian gold and silver leaf tole metal side tables with round 1/2" thick glass tops. Three gilt filigreed legs meet at the centre silver leaf cup with top flower. Adorned wi...

Simple and elegant heavily veined marble top table with a gilt iron base. Iron base is full of stamped and cast scrollwork. Iron legs are twisted and double up for beauty and strength. In good vintage condition with minimal wear. Two pieces of decorative iron work...

Petite cabinet on legs, painted and parcel silver-gilt, having a faux mabre molded top on conforming cabinet base, single door revealing a copper-lined interior, raised on blossom-he...

Spanish gilt wrought iron gueridon end drinks table on a tripod base, Spain, 1960s. An Spanish wrought iron guéridon table, stand or drinks table with gold leaf finish. Beautiful t...

A delicate, refined pair of French Mid-Century Modern neoclassical side or end tables / gueridon in the spirit of Jean Michel Frank and attributed to the French Master Ironworker, Gi...

Pair of French Mid-Century Modern neoclassical end or side tables attributed to Jean-Charles Moreux for Maison Jansen. The pieces have a rare, compelling energy as they balance moder...

A very fine French 19th-early 20th century Louis XV style mahogany, tulipwood, parquetry and ormolu mounted oval gueridon side table with a Brêche Violette marble top, attributed to François Linke (1855-1946). The inset oval Brêche Violette marble top with a gilt-bronze surround, above a lozenge parquetry frieze with foliate ormolu mounts, with a drawer to one side, on cabriole legs headed by clasps and joined by an 'X'-shaped stretcher centered by a finial, on scroll sabots. Unsigned. Circa: Paris, 1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau, Linke's participation in the Paris 1900 exhibition...

Pair of end tables, by Niccolini, each having a rectangular glass top, raised on four cabriole legs fashioned as rope, joined by matching, shaped stretcher, ending in tassel feet. ...

A Wonderful Pair Of Regency / Neoclassical Mirrored & Ormolu Bronze Mounted Cabinets / Chests

Offered is this beautiful Hollywood Regency figural Elephant side, end or coffee table. The heavy brass elephant sculpture is in beautiful condition. The Glass top has a diameter of ...

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

An exceptional French side cabinet from the late 19th century. Likely Parisian in origin, elegantly refined, finished in the luxurious and sophisticated Louis XV taste, presenting with the striking original decoratively shaped variegated specimen marble top with molded edge, atop the gravefully curvacious bombe form case, adorned with intricate geometric diamond parquetry, hand-crafted, of fine quality, craftsmanship and rich detailing throughout, the solid wooden chest fitted with two dovetailed drawers over a spacious single large cabinet door, all open to reveal luxurious rich mahogany finished interior, decorated with finely gilded chiseled and sculpted bronze ormolu fiolate motif mounts, original pull fittings, gilt brass running ornamentation accents the scalloped apron, flowing elegantly down the short cabriole legs, terminating in elaborate bronze sabots. As warm and attractive as it is useful, having the ideal proportions for a variety of different uses, including as a hall console, dry bar cart - liquor cabinet, side table, accent table, sideboard server, linen or towel storage...

A very special and stunning pair of Italian brass or bronze, glass, and travertine marble end or side tables with detailed Italian Gothic architecture bronze/brass frame, circa mid-2...

A Fine Pair of French 19th-20th Century Louis XV Style Ormolu Mounted Mahogany and Stained Fruitwood Marquetry Circular End or Side Tables en Chiffoniere, Joseph Emmanuel Zwiener - J...

This stunning pair of Art Deco bookmatched walnut end tables/ nightstands were realized by the esteemed maker Grosfeld House by Lorin Jackson circa 1945. They feature streamlined fro...

Vintage Iron forged gilt coffee or cocktail table with original glass top designed in the manner of Gilbert Poillerat. In very good condition with nice age related patina on the fram...

An unusual, delicate and rare set of two mid century Italian side tables with outstanding hand painted scenes of Italian gardens with flowing fountains on each of the table tops. The top four corners of each table having ormolu busts of women...

TRIPODAL GILT-AND-PATINATED METAL GUERIDON WITH BAS-RELIEF ALLEGORICAL MOTIF THROUGHOUT THE TOP Designed by Jules-Paul Brateau (French, 1844-1923) and retailed by Tiffany & Co. of N...

A very fine French 19th/20th century Louis XV style oval gilt bronze-mounted mahogany, walnut and satinwood veneered parquetry occasional center table fitted with a frieze drawer, in...

A Very fine Franco-Italian 19th century neoclassical Revival style gilt-bronze and Pietra Dura (or Pietra-Dure) occasional side-table Gueridon. The circular gilt-bronze frame raised ...

A lovely decorative pair of high end tables made in Italy, circa 1960s. These feature heavy gold gilded iron bases with heavy thick glass tops.

Elegant and rare pair of French Mid-Century Modern Neoclassical side or end tables in hand gilt wrought iron . The 'Creneaux' tables are classic, modern pieces featuring a geometric,...

Vintage French gilt iron end table with inset glass top.

An elegant and stylish vintage side table, circa 1970s, Italian modern design, finished in luxurious Hollywood Regency / Glam taste, having a thick square glass top with nicely patin...

A Very Fine French 19th Century Louis XVI Style Ormolu Mounted Mahogany and Satinwood Gueridon Round End Table with Marble top, Attributed to Henry Dasson (French, 1825-1896). The si...

Voguish, chic and sophisticated pair of side, or end, tables by Enzo Missoni, made in Mexico c 1970's. The tables feature tops constructed of resin encased specimen onyx, with gold f...

Awesome neoclassic or Hollywood Regency round side table or end table comprised of a gilded plaster pedestal base and round black s...

A fine French 19th-20th century Louis XV style ormolu-mounted mahogany oval table, attributed to François Linke (1855-1946) (Unsigned). The legs surmounted with ormolu floral bouquet...

Occasional table, having a powder-blue painted finish, showing natural wear; its oval molded top with 3/4 pierced gallery of gilt bronze, over single frieze drawer, centered with a r...

Pair of Maison Jansen Style Gilt Metal Faux Bamboo & Glass Square End Tables France, Circa 1960s A rare pair of Maison Jansen style gilt meta...

A very Fine French 19th century Louis XV style kingwood and ormolu-mounted marble top gueridon side table. The semi-circular single-drawer table fitted with a Rouge Royal marble top ...

A very fine French 19th-early 20th century Louis XV style mahogany, tulipwood, parquetry and ormolu mounted oval gueridon side table with a Brêche Violette marble top, attributed to François Linke (1855-1946). The inset oval Brêche Violette marble top with a gilt-bronze surround, above a lozenge parquetry frieze with foliate ormolu mounts, with a drawer to one side, on cabriole legs headed by clasps and joined by an 'X'-shaped stretcher centered by a foliate finial, on scroll sabots. Unsigned. Circa: Paris, 1900. Another almost identical table by François Linke (1855-1946) was sold at Christie's London 19th Century Furniture, Sculpture, Works of Art and Ceramics, Sale 7569 on 18 March 2008, Lot 66. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau, Linke's participation in the Paris 1900 exhibition...

Antique French giltwood Guéridon with marble top and cane shelf, Louis XVI Revival. Add a touch of timeless French elegance to your interior with this exquisite Louis XVI-style gilt...

A fine French 19th-20th century Mahogany and Gilt-Bronze (Ormolu) Mounted Belle Époque Gueridon Circular Side-Table with Marble Top, Attributed to François Linke (1855-1946). The sin...