Hand-Carved Furniture

Provenance family history castle next to Paris ! Special order in Murano The 1970s Barovier Florale chandelier is a Murano glass light fixture made by the renowned Italian company ...

Experience the unique aroma of scented cedar with this bench, sculpted from a single piece of wood. Its graceful arched base below the seat magnifies the exquisite wood grains and na...

An incredibly elegant alabaster plafonnier pendant light. c.1920 White alabaster with a beautiful array of marbling and hand carved decorative details. Complete with chain, hanger...

Crafted from solid, natural Malachite, this one-of-a-kind hand-carved decorative box is a singular work of art featuring the stone’s signature swirling green banding, contrasting bul...

Spanish Revival Black and Giltwood Rectangular Carved Mirror with Corner Flowers Spain, 1930-1940. Gorgeous Spanish Baroque style parcel-gilt and black painted rectangular mirror. Th...

Cult stool/ side table; a hand sculpted stone from a Mexican marble and Mexican onyx conglomerate, remits to primal sculptural-architectural language while displaying materials in a ...

Composed of black marble and travertine, this side table contrasts deep darkness with warm neutrality through its varicolored stone segments. The object is balanced by a subtle simpl...

An unusual English circa 1830 George IV, William IV period regency form armchair or bergere, the solid mahogany frame having shaped crest rail and scroll arms with caned back, sides,...

Albert Tormos hand-carved organic Table Lamp in Limestone, 1960 Hand-carved limestone lamp Made by French sculptor Albert Tormos. Made in France in the 1970s. His Signature "AT" c...

This painted limestone relief is an exquisite example of New Kingdom relief carving from the apogee of Egyptian artistic production. Carved in raised relief - a labour-intensive tech...

A set of three antique deer antler trophies on hand carved, Black Forest wooden plaques. They are dated. All of them from the 1930s. Measurement'...

MidCentury Era Mint Pair of Art Deco Style White Alabaster Wall Sconces / Lights Elevate your interior with this stunning pair of sculptural layered alabaster wall sconces, handcraf...

Beautiful neoclassical altar shrine with original gilding and color. Great and unique item. Italy, circa 1760-1800 Weathered, losses and old repairs. More photo's available on reques...

Beautiful giltwood angelhead. Italy, circa 1650-1750 Weathered and small losses. Measurement here below inclusive the wooden base. H:18,5cm W:11cm D:11,5cm

Early 20th Century Jacobean style draw leaf dining table. Features a rectangular form with two 15" draw leaves over a serpentine cut skirt, connected to a robust baluster-turned tre...

Note that we arrange the shipping ourselves to ensure a smooth, secure, and reliable delivery. This allows us to provide the best possible service and care for your purchase. Stunni...

**A Masterpiece of Elegance: The Emerald Green Murano Glass Console by JustFurnituress** At the heart of Italian design, JustFurnituress presents an entry console that is more than ...

Beautiful and unique handcarved white marble winged angel head ornament that once adorned a facade. Italy, circa 1650-1750. Weathered and small losses and old repairs/ restorations (...

A 19th century Louis XV style French armoire, or wardrobe, from the Loire Valley. Made of solid cherry with scroll carving on the door panels and simple carved details at the top and...

A beautiful Austrian 20th century, carved wood bird, mounted on a stand for hanging. The tradition of these in Austria called "Viechtauer" birds goes back to the early 19th century w...

* Kindly note that we arrange the shipping ourselves to ensure a smooth, secure, and reliable delivery. This allows us to provide the best possible service and care for your purchase...

Rare hand-crafted miniature chalet table lamp. This enchanting table lamp is a rare mid-century piece, handcrafted in the form of a miniature house. Constructed from delicate transl...

Shaped pill box in 925/1000 sterling silver gold plated with translucent fired enamels on guilloché and hand-painted floral miniature, with fine hand engravings. Viennese Art Nouveau...

* Kindly note that we arrange the shipping ourselves to ensure a smooth, secure, and reliable delivery. This allows us to provide the best possible service and care for your purchase...

This mirror is the result of a collaboration between designer Axel Chay and OROS, mixing the universe of its two creators. Paying homage to the know-how associated with wood, it evok...

This is an old wood carving made in Japan. It is a female figure by an unknown artist, and is estimated to have been made in the late Showa period (1960s-1980s). The statue is carved...

Antique pewter table lamp with floral decorations. Three spherical legs keeping it stable and lifted from the surface. Flower collar under f...

An exceptional circa 1805 Irish late George III neoclassical hall bench of solid mahogany construction, the rectangular seat with satinwood and ebony 'zigzag' border inlay above flat...

Small 19th century Swedish empire birch sofa circa 1860 Good quality Swedish empire period birch sofa upholstered in kalim woven fabric. Small sofa or a very comfortable single cha...

3 Branch Stone Candelabra, Animal Birds Design, Morocco 1970s Typical Moroccan Folk Art piece from the 1970s ! Entirely made of stone : hand-carved shapes figuring birds + engrave...

George Trollope and Sons. Exhibited at the Paris Universal Exhibition in 1878 winning a Gold Medal for Excellence. The set forms the four sides of a complete panelled room that was exhibited as a boudoir room or petit salon at the Paris Exhibition 1878 . The main feature and centrepiece of this boudoir room is the Rosso Antico marble fireplace surmounted by an open display niche carved in cedar wood. Each side of the room is composed of various panels and are as follows: One side with a grand Rosso Antico marble fireplace flanked by two doorways. One side with French doors originally opening onto a balcony, flanked by two large bookshelves. One side with a window flanked by two mirrors. The opposite side with three large mirrors. The complete room measures: 21 ft / 6.4 m wide, 17 ft / 5.18 m deep, and 12 ft / 3.65 m high. It could also be used in a number of different combinations to suit various room layouts. The mirrors could be replaced with windows or further bookcases. Each side is decorated with various sizes of finely carved panels and holds ornate Corinthian style columns surmounted with cherubim's on the capitals. Three cherubs are formed at the top of each corner with three columns, at the column bases there are circular carved pedestals to display statues. Published & illustrated in the ‘Illustrated Catalogue of the Paris International Exhibition’. The main part of this room, the Rosso Antico marble fireplace is surmounted by a large open display niche carved in cedar wood are illustrated with a line drawing in the Paris Universal Exhibition catalogue on page 209. The whereabouts of the seminaked caryatids and the marble bust of Alexander Pope are unknown. The bust of Alexander Pope was copied from the original one in Westminster Abbey, London. The Corinthian columns now flanking the niche above the fireplace are also in cedar wood having the identical carved fluting to the rest of the room and were made to replace the caryatid figures. Those Corinthian columns are period to the room and can only have been made shortly after it arrived back to London and before it was reassembled and fitted into the house built by George Trollope and Sons in the 1880's, and where we removed it all from. George Trollope made clever use of Alexander Pope's early 18th-century poetical successes in Great Britain and France by using ‘The Rape of Lock’, a mock-heroic narrative poem Pope wrote in 1712 about Petre who cut off a lock of Arabella’s hair without her permission, as the theme of the boudoir room or petit salon at the 1878 Paris Exhibition. In the original exhibition display of the room set, tapestries depicting the Rape of Lock were hung where the mirrors are now positioned. Alexander Pope's The Rape of the Lock is a humorous indictment of the vanities and idleness of 18th-century high society. Basing his poem on an actual incident among two families of his acquaintance, Pope intended his verses to quench hot tempers and to encourage his friends to laugh at their own foolishness. The poem is an outstanding example in the English language of the genre of mock-epic. The 'epic' was considered one of the most serious of literary forms; it had been applied, in the classical period, to the trivialities of love and war. Pope’s mock-epic is not to mock the form itself, but to mock his society in its very failure to rise to epic standards, exposing its pettiness by casting it against the grandeur of the traditional epic subjects and the bravery and fortitude of epic heroes: Pope’s mock-heroic treatment in The Rape of the Lock underlines the ridiculousness of a society in which values have lost all proportion, and the trivial is handled with the gravity and solemnity that ought to be accorded to truly important issues. The 18th-century society in this poem fails to distinguish between things that are important and things that are not. The poem mocks the men it portrays by representing them as unworthy of a heroic culture. Therefore the mock-epic follows the epic in that its main concerns are serious and moral. The point that the theme must now be satirical rather than earnest is symptomatic of how far the culture has fallen. Retaining the original exhibition label The back of the panelling still retains two original labels printed with the 'Union Jack' and printed adjacent to it, 'The Secretary Royal British Commission for the Universal Exhibition 1878 Champ de Mars Paris'. Adjacent to that and below, printed and written in ink vertically: Exhibitor: (and signed in ink) George Trollope & Sons. Address: (written in ink) Halkin Street West. London. Allotment in Block: (written in ink) a2. In the printed floor plan 'a2 square' is in the very first line to the right of the floor plan and handwritten in ink with a 'diamond shape' also written with '101' within it. This pin points where George Trollope's stand was located. With thousands of items being displayed at the Exhibition, this label would have been the floor plan for the craftsmen, so they knew the correct place to install the boudoir room or petit salon. The firm continued expanding house building and interior decoration side of the business and by 1849 was also trading as an estate agency, letting and controlling property for the Grosvenor Estates. A separate branch of cabinet-makers, bearing the family name, was opened at West Halkin Street, London. becoming known as 'The Museum of Decorative Arts' (looked after by George Robinson). Here Trollope and Sons also sold high-class antique furniture made by other makers. In 1851, the firm became formally known as George Trollope and Sons. West Halkin Street, London. The address was recorded in the listing for the firm in The Furniture Gazette Directory, 1876 & 1877. Period Press Coverage & Art Critic Review. everal newspapers also thoroughly describe George Trollope and Son's stand including the different tapestries that were hung where the mirrors are now, illustrating the poem 'The Rape of Lock', by Alexander Pope. Marius Vachon, a French Art Critic and journalist, who wrote for the journal ‘La France’ published an extensive review of the Trollope and Sons stand in a book called Les Merveilles de l'Exposition de 1878 (The Wonders of the 1878 Exhibition). Note: In the World Fairs translation it states door frame, Marius Vachon had originally written ‘chambranle’ in French, 'chambranle' loosely translates to a frame around something, and should read in its correct context: ‘fireplace in rosso antico’. We have taken the extract below written by Marius Vachon in its translated form from: Les Merveilles de l'Exposition de 1878, (The Wonders of the 1878 Exhibition). This puts into perspective the importance of this fine quality room interior when he viewed it at the exhibition in 1878: Marius Vachon: English furniture is very curious to observe; irreproachable from the point of view of execution, the furniture of our neighbours always reaches the last degree of respectability and comfort. One thing to be noticed is that for large pieces of furniture, the English upholsterer is transformed into a sort of architect; everything he makes takes on a monumental aspect. The first object that catches the eye when one enters the furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. The boudoir (or petit salon), of carved cedar wood, is an attempt to reproduce the style which prevailed in England during the first decade of Queen Anne's reign, and all the details have been studied, but not copied, from examples of decorative work of the time. The fireplace is in "rosso antico" movement, and the ceiling is in portable plaster. The panels painted on canvas represent scenes from the heroic-comic poem "The Abduction of the Hairpin," (The Rape of Lock) written by Alexander Pope in 1712, the eighth year of Queen Anne's reign, in which the customs and mores of the time are satirized in a pleasing manner. The apotheosis of the Loop and its sidereal transformations will form the decoration of the ceiling. In these illustrations of Pope's charming poem, the costumes and accessories have been taken from models of the time; and the bust of the poet, copied from his tomb in Westminster Abbey, occupies the niche in the centre of the mantelpiece. M. Marius Vachon, the period writer of the above continues with: Now we shall mention at random the magnificent dining table of Messrs. Johnston and Co., their oak mantelpiece, their boudoir table; Mr. Watt's drawing-room mantelpiece stepped in the old style and imitating the Japanese; Mr. James Shoolbred's great The Decorative Arts Society on Trollope and Sons The boudoir or petit salon is mentioned again in the Decorative Arts Society: Trollope did not exhibit such highly rated objects at the 1878 Paris Exhibition as at previous exhibitions; items included a large mirror frame carved in limewood in Renaissance style and a satinwood cabinet in Adam revival style, with a similar armchair (illus. Meyer (2006), p. 242) and probably two rooms; one was a boudoir in cedar wood in Queen Anne style and the other was a boudoir decorated by the firm in the theme of Pope’s The Rape of Lock. In the above extract, it is quite clear that the two rooms mentioned are in fact the very same room, because the fireplace and niche are illustrated in The Paris Universal Exhibition catalogue on page 209 and Marius Vachon describes the rest of the room set in the above… Trollope and Sons exhibition pieces listed and described by Meyer in an article he wrote for: The Decorative Arts Society 1850 to present, Journal 25 in 2001., where he points out the importance of George Trollope and Sons and mentions a table by Trollope exhibited at the 1867 exhibition that sold for £40,000 in 1996. He also mentions a cabinet exhibited by Trollope at the International Exhibition of 1862 that sold at Sotheby's in 1997 for £150,000. Interest was not as strong in the 1990's as it is today for rare exhibition pieces, high quality items were abundant back then, it was a golden era when the most beautiful works of art just kept coming onto the market. But there are exceptions as in this instance, when a unique, gold medal-winning exhibition work of art comes onto the market for the very first time. Meyer continued researching and writing about the great exhibitions and released his book in 2006, 'The Great Exhibitions, London, New York, Paris and Philadelphia 1851- 1900, where he mentions only in passing, The Boudoir Room or Petite Salon exhibited by Trollope, he even states that an image was not reproduced and that Trollope's exhibits in 1878 were not up to the quality and class of the items Trollope exhibited in London in 1862 and Paris in 1868. This is probably because Meyer didn't know of the line drawing illustrating the Roso Antico Fireplace, Niche and Panelling reproduced in The Illustrated Catalogue of the Paris International Exhibition 1878 shown in the above which Geering recently uncovered. John Meyer continues in the DAS journal: Undoubtedly they (Trollope) are a firm worthy of further research as they were right at the forefront of the furniture business in London from 1860 to 1880. Our research shows that the Petite Boudoir was awarded the gold medal for excellence in 1878 (see Journal La Liberté 23-10-1878 with the list of all medals attributed), something George Trollope and Sons did not achieve at the London 1862 and the Paris 1867 exhibitions. Jonathan Meyer joined Bonham's in 1977. He was Director at Sotheby's in charge of 19th Century Furniture from 1994 to June 2007. He was also chairman of the Fine Arts Faculty for The Royal Institute of Chartered Surveyors. In the original description from the article in Les Merveilles de l’exposition de 1878, M. Marius Vachon states: The first object that catches the eye when one enters the (English) furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. Suggesting, it was in his opinion the very best on display in the English section, and being awarded the gold medal for excellence can only add weight to this. Adjacent to the original label that was printed by The Secretary - Royal British Commission for the Universal Exhibition 1878 in stencil ‘TO BE KEPT’, i.e. ‘to be returned’. This confirms why it came back to London. We removed the Boudoir Room or Petite Salon from a Trollope house, part of a grand high-class housing estate in London which around the time of the exhibition Trollope and Sons were in the process of building, and where the room set was installed directly after it returned from the exhibition in 1878 until now. Worthy of note is the machines that did the carving for the Boudoir Room or Petite Salon and also did all of the decorative carving (most of which was linenfold carving) for the Houses of Parliament, London. This machine, the engraving and description of which we copy from Engineering, was specially designed by its inventor, Mr. Jordan, for assisting in the production of the vast amount of carved decorations required for the walls and ceilings of the Houses of Parliament, London, and it was so employed during the entire progress of the work. The late Sir Charles Barry was so well satisfied with it, that he frequently declared it would have been impossible to have accomplished the work without it. The Department of Woods and Forests employed five of the machines at the Government Works, Thames Bank, for several years; and the machines have now passed into the hands of Messrs. George Trollope and Son, and are still used in the same building. They also exhibited the new technique of xylatechnography and sgraffito, methods of impressing coloured design into soft wood and engraving veneer to reveal the base wood. The newspaper, La Liberte October, 23rd 1878 listing the medal winners of the Paris 1878 exhibition. Third column, ''GROUPE III MOBILIER ET ACCESSOIRES'', (GROUP III FURNITURE AND ACCESSORIES). Medailles d'or. (Gold Medals) where G Trollope et fils (G Trollope and Sons...

We offer for sale a pair of iconic lounge chairs of 20th-century modern French design. Designed in the 1950s by Janine Abraham and Dirk Jan Rol, a close-knit couple in both their pri...

This richly carved wooden chest is a fine example of an Italian cassone from the 17th century. The cassone, also known as a bridal chest, was an essential piece of furniture in the h...

A pair of vintage low Mid-Century modern French armchairs made of hand crafted polished Beechwood and Bentwood, designed and produced by Baumann France in good condition. The detaile...

Sculpted from glowing, semi-precious white onyx, Riflesso di Luce is more than a fountain — it’s a living sculpture where light and water meet in harmony. With its clean architectura...

Set of 4 circa 1950's Italian carved and giltwood parrot sconces. Sold in pairs. Measurements: Height: 22" Depth: 5.5" Width: 15.5"

Another stunning hand-painted oil on canvas work of religious art. This antique oil painting was first hand-painted on canvas and later mounted onto a zinc backplate .. a traditiona...

A beautiful Austrian 20th century, carved wood bird, mounted on a stand for hanging. The tradition of these in Austria called "Viechtauer" birds goes back to the early 19th century w...

A vintage pair of Mid-Century modern Italian lounge chairs made of hand crafted Walnut designed by Paolo Buffa, in good condition. The detailed club armchairs are composed with a lon...

Beautiful mineral stone flush mount from the European late 20th Century. This wonderfully stylish and small size light fixture comes with a stunning carved and superbly polished whi...

* Kindly note that we arrange the shipping ourselves to ensure a smooth, secure, and reliable delivery. This allows us to provide the best possible service and care for your purchase...

19th century Chinese black lacquered tray table circa 1880. Beautifully hand painted and decorated tray table.  Black lacquered base colour, profusely painted in gold leaf, depictin...

Blue dumortierite clip with fast shipping to the US, Europe, and more. Beauty without the wait. DAR Proyectos carves the uniquely Peruvian gemstones into our classic laundry peg. Th...

This fine Roman marble head fragment, with broad nose, soft lips, and bearded chin, captures the likeness of one of the most important playwrights of all time. Skilfully carved, it p...

A magnificent large rare and most impressive Italian baldachin tabernacle altar niche / altarpiece. circa 1800 Exquisitely hand-crafted in Italy in the early 19th century, this extraordinary one of kind masterpiece originally a prominent altarpiece fixture in a Catholic church, typically displaying a Santo or Jesus altar figure statue inside. Exceptionally executed throughout, parcel gilt polychrome painted, gessoed and carved wood two-piece architectural baldachin form, with dome top vaulted ceiling, raised on eight fluted Corinthian columns, over a shaped platform base with elaborate molded frieze, further raised on integral bracket risers in marbleized faux marble paint decorated finish. Breathtaking visually striking aesthetic, very fine quality craftsmanship, lavishly decorated with extraordinary detail throughout, even the unseen interior of the dome profusely decorated with the most intricate painstaking hand applied 24k gold leaf ornamentation, the exterior in brillant gilded finish, enhanced by beautifully aged warm rich dark patina! Dimensions: (approx) 45" Tall, 26.5" Wide, 26.5" Deep *Additional photos available upon request* Condition Report: A superb museum quality example, in overall very good antique condition, especially considering its 200 years old. Attractive appearance, with nicely aged distressed patina, authentic antique character and charm throughout, including scattered nicks, chips, losses, exposed gesso, fading, acrecetions, possible old touchups and restorations, all expected wear commensurate with age, use, handling and exposure. Overall strong, sturdy, stable, structurally sound. The floral dome painting likely later. Central hole and discoloration where altar figure was once placed. Overall a truly remarkable work of art! -- We here at Lynx Hollow Antiques absolutely love decorating with religious antiques and have a special place in our heart for them. We have an extensive collection from around the world, spanning all regions and religions, including old world European Baroque period altarpiece, Spanish Colonial altar table, Roman Empire reliquary monstrance, architectural salvaged building elements, church architecture model, apprentice prototype, baptismal font, sacristy liturgical items, sanctuary vessel, vestment chest, monastery refectory table, Gothic court cupboard...

19th Century Burmese Elephant Howdah Seat. The upholstered seat cushion is newer than the wood seat. The cushion is probably 1960-70s. Has zipper on the back. Recently professionall...

Beautiful Baroque angel. Unique period piece made out of wood . Hand-carved Italy, circa 1750 Weathered. Small losses and old repairs/restorations on arms and legs. Measurement her...

Rare 19th century mahogany and porcelain 4 poster bed circa 1889. Debenham antiques are pleased to offer this stunning and unique 4 poster bed of grand proportions.  Quite likely to...

A superb heavy tribal bracelet from the Horn of Africa, attributed to the Ethiopian, Somali, or Nubian regions. Crafted from high-grade silver, this substantial piece is richly decor...

Embrace the essence of wabi-sabi with our walnut bench, meticulously crafted from a walnut wood. This bench is a celebration of natural beauty, showcasing the unique imperfections th...

Group of sculptural 19th century Italian gilded fragments mounted with fossil coral and adorned with hand-gilded shells with rock coral bases. This exclusive eight-piece collection ...

This is a good quality hand made hardwood lidded box with fine quality hand carved floral themes, which we date to the late 19th C / early 20th C Art Nouveau period, Circa 1900. The...

A sculptural statement piece rooted in nature, the Black Forest Sideboard is defined by its bold, hand-carved legs—monumental forms that evoke ancient tree trunks or forest columns. ...

Experience the unique aroma of scented cedar with this bench, sculpted from a single piece of wood. Its graceful arched base below the seat magnifies the exquisite wood grains and na...

This is a 1930s French Art Deco hand-carved oak box, showcasing a unique blend of craftsmanship and geometric flair characteristic of the Art Deco period. Solid oak wood, noted for i...

Impressive 19th century Moroccan center table crafted in walnut having a rectangular top with a center medallion, diamond form corners and a border with inlaid geometric forms of bon...

A solid wood backrest, both structural and decorative, distinguishes this upholstered armchair. Its solid, flowing wooden frame connects to the upholstered seat, creating a visual an...

A great looking hand carved original wooden Folk Art deer head wall decoration. A great piece for a suitable ambiance in a trophy room or the office of a Hunter or Woodsman. More tha...

VERY RARE SEATED DOG From our Black Forest collection, we are delighted to offer this rare Swiss Black Forest Carved Dog Tobacco Jar. The Tobacco Jar beautifully modelled with an o...

Embrace the essence of wabi-sabi with our walnut bench, meticulously crafted from a walnut wood. This bench is a celebration of natural beauty, showcasing the unique imperfections th...