Polish Prints

1960's Japanese woodblock print titled " In front of the garden" by Japanese asian and modern & contemporary artist Tomizaburo Hasegawa. The Art w...

Very abstract signed and numbered (21/150) Gabriel Godard lithograph of woods.

Anatomy Display – Antique Engraving by Michael Vandergucht, 1686 This fascinating late 17th-century engraving depicts an anatomy display, showing a skeleton, an écorché (a flayed fi...

Copperplate engraving of the nativity printed on hand laid paper. The piece has an incredible level of fine detail for the diminutive size of the work. ...

1970s Original rare gorgeous Patrick Nagel "Swimmers" Lithograph. Signature printed. Copyright 1979 Mirage Editions Inc. Santa Monica. Printed in the U.S.A This lithograph is in exce...

A Rare 17th Century Engraving: Saint Sebastian on "Chain-Laid" Paper This powerful 17th-century engraving captures Saint Sebastian in a moment of stoic martyrdom. A hallmark of Baroq...

This pair of engravings is made in the sanguine style, using red chalk. They represent the preparatory work for the Atlanteans of the Farnese Gallery in Rome, according to Carracci. ...

A pair of fine engravings of two Swedish monarchs by Samuel Blessendorf for Puffendorf’s History of Sweden, in antique birch frames, 1663 and 1696. Engravings of Swedish King Karl X Gustav (b. 1622 - d. 1660) dated 1663 and his successor, King Karl XI (b. 1655 - d. 1697) from 1696 by Samuel Blessendorf, a Prussian enamel painter and engraver, born in Berlin in 1670. He designed and engraved these portraits for Puffendorf’s History of Sweden by Freiherr Samuel von Pufendorf (1632-1694), Historiographer to King Karl X of Sweden. Freiherr Samuel von Pufendorf (b 1632 – d 1694) was a German jurist, political philosopher, economist and historian. He was born Samuel Pufendorf and ennobled in 1684 when he was made a baron by Charles XI of Sweden a few months before his death at age 62. Among his achievements are his commentaries and revisions of the natural law theories of Thomas Hobbes...

Early 19th Century Botanical Engraving by John Curtis – Hand Coloured Natural History Plate An original early 19th-century hand-coloured botanical engraving from the celebrated natural history publications of John Curtis (1791–1862), one of Britain’s most respected botanical and entomological illustrators. This beautifully detailed plate illustrates a flowering plant in scientific profile, showing bloom structure, leaves, buds, and root system with precision typical of early Victorian natural history illustration. Curtis’s work bridges science and art — created for study, yet prized today for its elegance and balance. These engravings formed part of the golden age of British botanical publishing, when artists collaborated with engravers and colourists to produce plates that were both accurate and visually refined. Each impression was printed from an engraved plate and then carefully coloured by hand, meaning no two examples are ever exactly identical. The composition has the clarity collectors seek: • Central botanical specimen • Naturalistic colour palette • Fine line engraving • Period scientific titling This makes it ideal as a single framed piece or as part of a gallery wall of antique botanical studies. About John Curtis John Curtis was a leading figure in British natural history illustration. He is best known for British Entomology and botanical works that combined taxonomic accuracy with graceful composition. His engravings are held in major museum collections and remain highly collectable in the decorative arts market. Period Early 19th century, circa 1820–1840. Technique Copperplate engraving with original hand colouring on laid paper. Condition Good antique condition consistent with age. Light toning and minor handling marks may be present, as expected with early 19th-century works on paper. Please see the images. Why Collect Curtis Botanical Prints...

Roy Lichtenstein Crying Girl 1963. Edition of an unknown number. Signed bottom right. Colors very nice with one area shown with a press te...

A gorgeous original signed lithograph by Andre Renoux, with a matching coffee table book. This is titled ‘Boucherie de L’ile et La Chamaille’, it dates from 1976. It is signed and nu...

Giorgio De Chirico lithograph "Gli Archeologico", 1970. Lithograph on Velin with paspartout and frame, edition size: 300, lower left numbered 183/300. Signed lower right. Measurement...