Portuguese Prints

Surrealist framed print by Bruce Richards (American, born 1948): "Witness (Man Ray)". Numbered 2/45 and signed Bruce Richards '92.

This print originates from the second volume of ‘De Volken van den Aardbodem (..)’ by dr. H. Berghaus. Published by G.B. van Goor, Gouda, 1855. Dutch edition.

Two Prints of Eduardo Chillida’s "Mármol y Plomo" We are offering two prints of Eduardo Chillida’s art works "Mármol y Plomo," created during the 1980s as part of a special edition ...

This stunning print of Hummingbirds references a beautiful print from the 1900s by Ernst Haeckel as per similar pieces; reference Sea anemones and Mosses from Ernst Haeckels Kunstfor...

This is a digitally remastered framed Print of a panorama called "Birds on a Wire" painted by Hector Giacomelli, taken from the 19th Century original, Circa 1880.. The print is mad...

A complete set of “Three Aquatints” prints by Robert Mangold. Published by Parasol Press Ltd., on Rives BFK paper. Each signed, numbered and annotated A, B, C in pencil. Framed using...

Print Archival pigment print on Moab Entrada Measures: 20.00 x 20.00 in 50.8 x 50.8 cm Edition of 50 This work comes with a signed Certificate of Authenticity. Frances Goodman...

Cavalo de Troia (The Trojan Horse) - The drawing is a representation of the wooden horse, developed by Odysseus, which the Greeks used during the Trojan War to enter the city of Troy. The Trojans pulled the horse into their city as a victory trophy, not knowing there was a selected force of men hiding inside, who came out after reaching the city. Álvaro Siza started drawing at the age of six. With a great variety of drawings on his portfolio, many of them are inspired by mythology and historic scenes. “The drawings are what came to my mind in this very moment. I like mythology and expressing the stories in images. I have made a lot of mythological drawing...

Offered is an eye-catching limited edition archival print by artist Louis Shields, titled "Flight." Part of Shields' 2018 Dancer Series, this dynamic composition captures the fleetin...

Photograph Color photograph made with archival pigments on fine art rag paper with matte finish Size varies based on edition This work comes with a "Certificate of Authenticity". Luke Butler...

A tranquil, gorgeously composed, quite large limited edition print by American artist Will Barnet. The print is pencil signed, titled, dated (1980) and numbered (256/300) by the artist. This is one of Barnet's most sought after images. Clearly, a standout work. The print has been professionally framed. Framed dimensions: 30" H, 45.5" W, 1.75" D Barnet studied at the Boston Museum of Fine Arts School and then at the Art Students League in New York. He is the recipient of the following awards: Artist's Lifetime Achievement Award Medal The College Art Association’s Lifetime Achievement Award The Philadelphia Academy of Fine Art’s Lippincott Prize The American Academy and Institute of Arts and Letters’ Childe Hassam Prize. His work can be found in many permanent collections including: Albright-Knox Art Gallery Art Institute of Chicago Corcoran Gallery of Art Solomon R. Guggenheim Museum Metropolitan Museum of Art Museum of Modern Art Museum of Fine Art, Boston National Gallery of Art Phillips...

Print Archival pigment print Measures: 20.00 x 16.00 in 50.8 x 40.6 cm Edition of 100 This work is signed on a label on the verso. David Byrne, legendary frontman of American band The Talking Heads and author of How Music Works, was born in Dumbarton, Scotland in 1952. Byrne is a multi-intrumentalist most known for his high-energy performances and distinctive, wide-ranging voice. He formed The Talking Heads with fellow RISD student, Chris Frantz, and Frantz's girlfriend, Tina Weymouth, in 1975 while living in New York City. In 1990 he founded the world music record label Luaka Bop, which released music from artists including Os Mutantes, Tom Ze, and Zap Mama. Byrne's solo career has been broad and multi-disciplinary. Since the 1990s, Byrne has exhibited his visual artwork at numerous galleries including Pace/MacGill Gallery in New York City. In 2006 he released Arboretum, a collection of his philosophical drawings, published by McSweeney's. Byrne's drawings are what he calls "mental maps of imaginary territory." Says Byrne, "if you can draw a relationship, it can exist... the world keeps opening up, unfolding, and just when we expect it to be closed—to be a sealed sensible box—it shows us something completely surprising." In 2010, Byrne exhibited his piece "Guitar Pedals...