Ruby Figurines and Sculptures

This exceptional snuff bottle exemplifies the refined lapidary art of Qing dynasty China, dating to the late 18th – early 19th century (circa 1780–1850). Carved from a single monolit...

An exquisite Imperial Russian silver miniature hippopotamus by Fabergé workmaster Julius Rappoport, St. Petersburg, circa 1908. This charming yet substantial figure is finely cast i...

Introducing a charming antique silver dog (possibly a Cavalier King Charles Spaniel) with ruby eyes, crafted for the Russian Imperial court by one o...

Allow us to present yet another treasure from our collection—an antique figurine from the era of the Russian Empire, crafted in the workshop of the illustrious Carl Fabergé. This exq...

Introducing a cute antique silver piggy with ruby eyes, crafted for the Russian Imperial court by one of Carl Fabergé’s finest jewelers, Julius Rappoport. Julius Rappoport created most of the elegant and funny silver animal figurines for the House of Fabergé. These pieces served various purposes—from wine jugs and bell buttons to lighters and decorative objects—or simply as delightful collectibles. His earliest works date back to 1890. Some of Rappoport’s creations are held in the Kremlin Armory and the Hermitage Museum. His figurines are renowned for their intricate detailing, while Fabergé’s works stand out for their exceptional realism—though the firm was not the first to craft silver animal figures...

Chaumet snake sapphire hairpin in 18 karats gold. This Chaumet hairpin features a serpent motif coiling around the top. The serpent is crafted in gold, its head adorned with two rose...

We present a unique collectible miniature silver figurine shaped like a bird with ruby ​​eyes on a stand made of natural Russian nephrite. Russia, Moscow, 6th Moscow Artel, 1908-1917...

Imperial Russian Silver Fish Fabergé, Workmaster Julius Rappoport St. Petersburg, 1908 A rare Imperial Russian silver fish produced by the House of Fabergé and executed by the distinguished workmaster Julius Rappoport, one of the firm’s principal masters responsible for its celebrated silver animal studies. This sculptural figure is finely cast and chased, displaying strong modeling and precise surface articulation. The stylized yet expressive head and compact proportions are characteristic of Rappoport’s animal figures created during the height of Fabergé’s Imperial production. The eyes are set with natural rubies, intact and original. The underside bears a complete and clearly struck set of Imperial Russian hallmarks: • Double-headed eagle (Imperial warrant) • “α” — St. Petersburg Assay Office • Female head facing right — 1908 date mark • 88 silver standard • “Фаберже” in Cyrillic • “I.P.” — maker’s mark for Julius Rappoport The presence of full assay and maker’s marks firmly places the piece in St. Petersburg in 1908, during the mature Imperial period of the firm. Dimensions: Length: 45 mm Width: 27.3 mm Height: 26.5 mm Weight: 18.8 grams Condition: Very good antique condition with light surface wear consistent with age. Hallmarks remain sharp and fully legible. Works by Julius Rappoport are represented in major museum collections, including the Kremlin Armory and the State Hermitage Museum. Imperial Fabergé silver animal figures...

This is an extremely unusual Imperial Russian silver perfume bottle, crafted in the form of an elephant figurine, a truly exceptional find for collectors of late 19th-century Russian...

Introducing a cute antique silver boar with ruby eyes, crafted for the Russian Imperial court by one of Carl Fabergé’s finest jewelers, Julius Rappoport. Julius Rappoport created mo...

23 grams of 18K yellow, & white gold, satin finish. 92 yellow diamonds, totaling 0.59 carats. 92 white diamonds, totaling 0.46 carats. 130 black diamonds, totaling 1.04 carats. 2 sma...

This “Royal Bouquet” tray and six goblets ensemble is offered as an individual commission from the Royal Bouquet monumental garniture and may be acquired independently or together wi...

Collector Edition Infinity Gauntlet — #100 of 200 Set with 6 Authentic Infinity Gems Marvel Official Collectible Certified by AGL An extraordinary opportunity to own #100 of just ...

“Summer Pond” is a monumental sculptural centerpiece that unites master craftsmanship with the poetic stillness of nature. Measuring 50 cm in diameter at its widest point and 51 cm (...

An exquisite floral miniature with chrysanthemums and a golden rooster was created inspired by the Eastern Asian Painting "Flowers and Birds." Chrysan...

An Exquisite 14K Gold, Diamonds, Emeralds, Rubies, Sapphires, and Semi Precious Stone Mounted Rhodonite Camel. Circa 1970, Italy A very good quality and unusual gold mounted jeweled object...

Spectacular, Art Deco, pendant, depicting an encased, renaissance cameo of a Cupid baby and mother lying on a cloud in sky background. This unique a...

Silver Gilt Victorian butterfly brooch. Crafted with beautiful gem-set wings and body. Colorful and delightful, the butterfly brooch is set...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

A huge statement piece! This colorful design is so eye catching! This titanium brooch is made out of many colorful precious and semi precious stones. The stones include Pearl, Rubies...

Alexandre Reza, A Rare Obsidian, Silver-Gilt, and Rock Crystal Circus Panther, mounted with Cabochon Sapphires and Rubies. "Panthère au cirque"" / Panther at the circus" - an exquisite jeweled mounted objet. 5.5" high x8" wide x 4.5" deep. In very good condition, no damages noted. Ready to place. In its original presentation box from Maison Alexandre Reza. Alexandre Reza (November 1, 1922 – January 15, 2016) was a Paris-based jeweler known for his diverse and rare collection of precious gemstones.He is lauded as the greatest gem collector of modern times. Alexandre Reza was born in 1922 in Moscow, of ancient Samarkand heritage. The son of a jeweler, he moved to France with his family when he was a child. He set out on his own at the age of eighteen, the same time as the onset of World War II. After the war, he began his career as a diamond expert, traveling extensively to source each stone, which served as the key design inspiration for his work.Early on, he supplied gems to jewelry brands such as Boucheron, Bulgari, Cartier, Chaumet, Harry Winston, Louis Gérard...

This monumental “Royal Bouquet” centerpiece is offered as an individual commission from the Royal Bouquet garniture and may be acquired independently or together with the complete se...

A perky and joyful Rooster is singing and playing the bayan to greet the sunrise. MOISEIKIN's Rooster design shot cup is made of Russian Nephrite known for i...

MOISEIKIN's rooster miniature "Early Bird Earns a Fortune" is a multi-functional interial miniature object suitable for a gift to yourself, family, friends and business partners. The...