Arkansas - Lighting

5 French Louis XVI style wall sconces with 3 scroll arms and an urn top. (Priced each).

This chandelier from the early 20th century showcases the Neoclassical style, which emerged in Europe during the early 18th century. This design aesthetic emphasized symmetry and dre...

Petite pair of two candle mirrored wall sconces from the sumptuous Belle Époque era. Foliate scrolls with full leaf motif bobeche. Priced as a set. See...

Pair of elegant 1940s gilt metal two-light wall sconces with a floral and leaf bouquet design. Detailing of the sconces includes clear and amber/ deep orange glass leaves, and crysta...

19th century French gilt bronze and glass six-light chandelier French, Late 19th Century Height 30cm, diameter 72cm This very elegant late 19th century French six-light chandelier...

This interesting and decorative light fixture made in the great decades of silent films and the first motor cars shows many fine features. The iron is forged and worked in the fashio...

4 French Mid-Century (1940's) glass & gilt metal 2 arm wall sconces with flowering branches emanating from a tapered form back plate. (att: BAGUES) (PRICED EACH)

A large French twelve light bronze and crystal chandelier from the 1800’s. This statement chandelier has a bronze frame with cut crystal drops and cut crystal floral designs hanging from twelve scalloped chandelier arms...

Dress a powder room or girl's bedroom with this elegant pair of wall sconces with bright floral motifs. Created in Paris, France circa 1950 in the matter of Maison Bagues, each fixtu...

Vintage gilt bronze and tole 2-light bouillotte lamp. Round bronze base and oval gilt and painted tole adjustable shade with two arm candle lights and wreath finial.

An Interesting Early 20th Century Gilt Bronze and Crystal Twenty Six Light “Grotesque” Chandelier A unique Gothic Style, drop crystal, basket chandelier with different “Grotesque” faces and designs. Twenty four tiered perimeter lights (including 6 lanterns) and two tiered interior lights. Artists began to give the tiny faces of the figures in grotesque decorations strange caricatured expressions, in a direct continuation of the medieval traditions of the drolleries in the border decorations or initials in illuminated manuscripts. From this the term began to be applied to larger caricatures, such as those of Leonardo da Vinci, and the modern sense began to develop. It is first recorded in English in 1646 from Sir Thomas Browne: “In nature there are no grotesques”. By extension backwards in time, the term became also used for the medieval originals, and in modern terminology medieval drolleries, half-human thumbnail vignettes drawn in the margins, and carved figures on buildings (that are not also waterspouts, and so gargoyles) are also called “grotesques”. A boom in the production of works of art in the grotesque genre, characterized the period 1920–1933 of German art. In contemporary illustration art, the “grotesque” figures, in the ordinary conversational sense, commonly appear in the genre grotesque art...

A French single light iron chandelier from the mid-20th century. This vintage French chandelier features a delightful iron-shaped body adorn in scrolled accents, and a small balled bottom finial. There is a nicely sized single light, with painted candle sleeve, caged within the center of the lantern-shaped armature. The chandelier has wonderful aging and patina throughout and is a golden-bronze color. The light fixture has been rewired for the US and comes with a complimentary 3-foot chain and canopy painted to match. This French midcentury lantern...