Belgium Decorative Boxes

“Cannabis” or “The World of Plants” by Line Vautrin, gilded bronze box. “Finely chiseled gilt bronze box, the lid depicting a central plant whose leaves, veins, and roots radiate sym...

Wonderful art deco box in silver plate, mid 20th century. This is a fine art deco style decorative silver plated box with a very distinct sunburst design. Great as a decorative box...

Porcelain bronze mounted box, Art Nouveau style Made of hand-painted crackled, glazed high quality bronze mounted porcelain. Signed on the bottom. An all over polychrome floral deco...

Art Deco - Box - Decorative Box Materials: Macassar wood and nickel-plated metal Measures : 13x11cm H: 4.5cm Superb quality, the best of French Art Deco. There is no visible designe...

“Le lion” gilt bronze compact by Line Vautrin. Gilt-bronze compact depicting a stylised lion’s head in relief, surrounded by small arrow-like marks. This motif belongs to the talisma...

Porcelain lided box decorated with the iconic Flora motif : Pretty porcelain box whose lid is decorated with the morif "Flora". The edge of the lid and t...

“Heureux parmi la foule” (Happy among the crowd), silvered bronze box by Line Vautrin. Generously sized silvered bronze box. The lid carved with a decoration of a multitude of faces,...

A complete malachite box from around 1930 in a hexagonal shape, with a loose lid This is the kind of malachite what's coming from Congo the box meassures 8.2 x 8.2 cm and has a tota...

Elegant mid-20th century decorative box in polished onyx, beautifully inlaid with various semi-precious stones such as lapis lazuli, jasper, marble, and agate. The geometric pietra d...

Chinese decorative box in red lacquered leather Antique Chinese - Asian decoration Measures : 34x19cm H:12,5cm Materials : Leather, Metal, Wood, Lacquered

Art Nouveau silver plated repousse tobacco or jewelry box The top, front, sides and back are beautifully cast and feature panels with images of birds...

Swedish antique pine hand crafted wooden barrel. Made to be used as a washing basin or a grain storage. Fine quality of bentwood. It is a true piece from the early 19 century. Beaut...

Box - Decoration - 1950s Measures : 17x9cm H: 5,5cm Bronze turtle-shaped trinket or jewelry box. Material: Solid cast bronze. Function: Can be used as a trinket box, jewelry box, or...

Handpainted crab terrine by Michel Caugant dating from the 1950s. Michel Caugant was the son of a French pâté maker, he designed terrines for his father's factory. The terrine was m...

Beautiful antique tramp art box with mirrored panels on the sides and top, pointed feet and a triangular lid, partly covered with green velvet inside and decorated with a small mirro...

This 19th century painters box has centuries of patina. Layers and layers of paintresidues, scratches and handling has transformed this utilitary item to ...

Line Vautrin was inspired by the Armenian alphabet to create this very pretty compact whose lid and reverse are entirely carved with the characters o...

Wedgwood Jasperware Lidded box, England, 20th century. This is a quintessential piece of Wedgwood Jasperware. Lidded box in the famous Jasperware blue and white decor. Neo-classic...

Faux Tortoise Decorative Box in the style of Hermes, 1970s Hollywood Regency - Vintage - Design The chic pattern has been popular in interiors for centuries. Measures : 23x13cm H:6cm...

Old wooden box, jewelry, or trinket box made of inlaid wood pieces, marquetry box with a geometric chevron design, circa mid-20th century. This wooden box is of high quality and a f...

A unique Art Deco chest, perfect as a jewelry or trinket box. Decorated with Egyptian motifs in bas-relief, the top depicts a hunting scene with a chariot drawn by horses, reminiscen...

Lovely 19th century burl walnut tea box from England. Very beautiful box with a beautiful brass decoration on its front and top. Superb pati...

France / 1930 / box / metal / Art Deco / Vintage / Mid-century An Art Deco tin box with the image of Mercury, God of trade and communication, surrounded by detailed decorative elements typical of this artistic movement. This French metal box...

"Japanese Kusuri Dansu – Apothecary Box With Yosegi Marquetry & Raden Inlays " A finely crafted Japanese Kusuri Dansu (薬箪笥), or apothecary chest, featuring exceptional geometric marq...

Arts & Crafts Box with Decorative Hand made marquetry Decor, circa 1910 About: A wooden box from the Arts & Crafts period, Made in Austria. Very Small piece of marketery is missing...

A beautiful antique 19th century Capodimonte porcelain jewelery box in high relief and hand painted decoration with bronze gilt frame 10.5 x 7.5 cm, height 3.4 cm Perfect condition, ...

19th century non-combustible cast-iron travel strongbox by Bauche-Fichet, France Antique travel safe in non-combustible cast iron from northeastern France (Gueux, Marne). It is decor...

Lovely Lidded Art Deco Ceramic Box 1930s This is a wonderful lidded ceramic art deco box. Great design and lovely colors - a true modernist piece with a lot of elegance. Would be gr...

Porcelain casket on legs from Weimar Manufactory. 1970s. Germany. The box is almost like a woman's handbag – you open it and you can get lost in e...

Decorative Art Deco Box in Hand Hammered Copper 1930s. A wonderful hand made decorative box in hand hammered copper. Features intricate patterns and shapes and floral decorations on...

“Allez laissez couler les jours”, gilt bronze compact by Line Vautrin. Gilded bronze compact with a rebus-decorated lid, enhanced with hot-fired enamel, by Line Vautrin. The finely s...

Leather trunk Spanish, 17th century Boiled Leather, wood and iron Measures: 22 x 53 x 32 cm. Provenance : - collection Metz-Noblat, Château de Clevant, France Rectangular trunk of the form and size of a small suitcase with wrought iron hinges and lock-plate. Wood, covered with leather, cut and embossed with every surface of the thick cow hide covered in interlace, zoomorphic features. The construction method is boiled leather, often referred to by its French translation cuir-bouilli: a process used to change flexible, vegetable-tanned leather into rigid, moulded objects. For shaping of the vegetable-tanned leather, heat and moisture were used, as indicated by the term boiled leather. No written medieval sources describing the production of decorated cuir bouilli objects survive, so knowledge of the process relies on the important studies of the Scottish leather historian John William Waterer. A large range of methods, materials and techniques could be used in various combinations. The vegetable-tanned leather, made supple with moisture and heat, was stuffed, shaped and nailed to the rigid wooden coffer support. The stuffing material was probably modeled beeswax or stearin wax. To shape the leather, to create its topography, « Cushions » were made by lacing a thread through an awl hole and attaching the flexible leather and stuffing to the rigid wooden support on the bottom. Then the decoration was done: lines were incised through the upper layer of the leather (epidermis) with different thicknesses of knives or needles. Contours were created with deep v-shaped cuts, decoration with thin incision and final details with a needle point. For the incision and pouncing stage, the leather was probably kept heated and moistened for suppleness. Once dry, the leather would be hard and rigid. the saturated leather is worked over a form, possibly even damp sand, with the pattern shaped using bone or wooden tools. Compare to metal, leather was lighter and it offered protection from cuts and punctures. Cuir bouilli objects were produced by specialist leather workers and needed skillful craftsmanship. The surface is filled with roundels shaped foliages enclosing animals, lions and peacocks. The foliate arabesques creating a vegetal connection tweet the animals create the impression of a lush verdant space . The vegetal pattern here employed in combination with geometrical pattern came from the pre-islamic artistic traditions of the Byzantine and Sasanian empires. An aspect of Islamic geometry Is the basic symmetrical repetition and mirroring of the shapes that create a sense of harmony. The decoration of this truck is inspired by the islamic « arabesque » a form of vegetal ornament composed of spirals, intertwining plants and abstract curvilinear motifs. An arabesque character is given to the birds of the decorations through extreme stylisation. This arabesque maintained the classical tradition of median symmetry, freedom in Detail and heterogeneity of ornament. The presence of the peacocks is a paradisiacal allusion: in popular Islamic literature they were among the original inhabitants of the garden of Paradise expelled with Adam and Eve. Peacock as a decorative motif may have originated in the West, despite their eastern provenance. There was an ancient belief that the flesh and feathers of peacock do not decay. This led to the peacock becoming a christian symbol for Christ’s resurrection. Renowned for their decorative wall hangings, seventeenth-century Spanish leatherworkers also produced utilitarian objects, such as this trunk. A similar trunk is on display at the Metropolitan museum of art ( 09.158.1). Related literature : Davies L. 2006. Cuir bouilli. Conservation of leather and related materials, 94-102, Oxford: elsevier Butterworth-Heinemann Grabar, Oleg. The Mediation of Ornament. Princeton: Princeton University Press, 1992 Gabriela Germana Roquez, "El mueble en el Peru en el siglo XVIII...

Rare Chinese opium smoker's kit, including a lacquered boiled cardboard pillow-box and a pipe showing signs of intensive use. The pipe fits perfectly inside the box. The curved shape...

Nice Odette Dijeux mid-century decorative box, circa 1950, Belgium. White and brown enameled ceramic. Signed underneath Odette Dijeux . Each piece of this artist is unique and po...

“Tout ou Rien” (“All or Nothing”) by Line Vautrin, silvered bronze box. A “toutou” in familiar french language is a dog. It’s inscribed “RIEN” on the necklace, introducing the expres...

"Imperial Manufacture Of Tula, Russia, End Of The 18th Century. Steel Sewing Box" Russian work from the imperial factory of Tula from the end of the 18th century. inlaid with copper ...

Michael Elkan Box in Live Edge Maple Burl American Craft Movement 1980s This is a truly wonderful trinket or jewelry box in maple burl made by renowned American Craft Movement wood ...

Box - Decoration - Art nouveau Measures : Ø10cm / 14 cm H:15cm Materials : copper - Brass Original pre-war Art Nouveau pot Made of copper and brass – two metals that contrast beauti...

Swedish antique pine and birch wooden flour box. All made by hand, the lid is perfectly adjusted to the barrel. Fine quality of bentwood. It is a true piece from the late 18 century ...

Gilt bronze box with miniature of Napoleon Bonaparte painted on porcelain from the 19th century. 7.5 x 9.5 cm, height 3.4 cm

Beautiful old camel on wheels, trinket or spice box, vintage toy from the second half of the 20th century, made of solid red-colored wood, probably from India. The object has a beau...

France / 1900 / sewing box / oak / antique / rococo A large French antique sewing box in oak hand crafted in France around 1900. This beautiful ...

“Cailloutis”, ruby-red enameled gilt-bronze compact by Line Vautrin, France. Circular compact in gilt bronze, the lid decorated with the emblematic Cailloutis pattern. The surface, s...

Vintage Industrial compact four drawer Oak archive cabinet, storage desk organizer, 1930s. Dimensions:H.30cm-W.40-D.60 cm

La Sirène au Bateau (The mermaid with the boat) by Line Vautrin, silvered bronze box. Silvered bronze box whose lid is decorated with a Mermaid carrying a boat at arm’s length. This ...

Puzzle by Line Vautrin – Box in gilded bronze Large and wide box in gilded bronze whose lid is carved with a puzzle by Line Vautrin. The chiselled puzzle p...

Embriachi workshop marquetry casket Northern Italy, 15th century Alla certosina inlays (bone, stained bone, pewter and wood) H 28.2 x W 18 x D 14 cm This beautiful casket of rectangular form is richly decorated with the characteristic geometric patterns of the Embriachi style. The intricate geometric patterns are fashioned by juxtaposing lighter and darker pieces of wood, (colored) bone, horn and pewter. The lid and base are framed by a broad band of horn. When ivory became scarce in Europe due to disrupted trade routes, bone was substituted. The attention to Symmetry and balance created an harmonious visual effect Enhancing the overall aesthetic appeal of the casket. The application of geometrical motifs is in Italy known as marquetry ‘alla Certosina’, named after the Certosina Church in Pavia with its famous altarpiece decorated in this way. This is ‘intarsia technique’, a term derived from the Arabic 'tarsi', which means ‘incrustation' recalling ancient mosaics made from various materials. These geometric elements not only enhance the aesthetic appeal of the caskets but also demonstrate the versatility and skill of the artisans in creating multifaceted works of art. ‘Alla Certosina’ became famous through the Northern Italian Embriachi family who achieved a particularly high standard in working in this technique. Venice in particular was known for the production of these luxurious boxes. The caskets, hexagonal or rectangular, surmounted by a lid decorated in several registers constitute the secular, albeit equally renowned component of the workshop’s production, in addition to mirror frames and various everyday objects. The method of fabrication of those objects was based on two concepts that underlay pre-industrial production: standardization and modularity, thanks to a distribution of skills according to the different phases of fabrication. even the realization of the marquetry motifs (in the form of ingots from which portions of the desired size were cut) were therefore entrusted to various specialized craftsmen, as were the assembly phase. Today better known thanks to the extensive research work recently carried out by Michele Tomasi, this workshop owes its name to its founder and owner, the Florentine Baldassare Ubriachi (or degli Embriachi), a merchant and banker established in the Tuscan capital before he settled in Venice in 1395. Together with sculptor Giovanni di Jacopo, who directed the workshop, from the last years of the fourteenth century, Baldassare oversaw a production that was truly original, and still easily recognizable today, comprising monumental altarpieces and various objects, primarily triptychs and caskets. The precise location of the workshop is unknown, except that it originated in Florence and in ca. 1431 there was apparently a workshop in Venice, in the area of S Luca. They employed local workers specializing in 'certosina' (inlay of stained woods, bone and horn), and the workshop produced items carved in bone (usually horse or ox) with wood and bone marquetry. The geometric decoration of Embriachi caskets reflects the artistic complexity and attention to detail that characterized their work. this inlaid casket is a testament to the skill and artistry of the Embriachi family and serves as a stunning example of the decorative arts of the late Middle Ages. Related Literature : E. Berger, Prunk-Kassetten: Europäischen Meisterwerke aus acht Jahrhunderten / Ornamental Caskets...

Arts & Crafts Wine Cave with Decorative Metal Work, circa 1920s Box from the Arts & Crafts period, Made in France A very special item with decorative metal work on top. Definitely o...

Very Decorative Box in Leather and Metal Studs, Europe, 1950s. This mid-century decorative box is clad in warm brown leather and features intricate stud detailing. The box has a dom...

Beautiful old tramp art box, jewelry box or trinket, trinket box, made in the first half of the 20th century, Belgium. Beautiful form of folk art, anyone could make a tramp art obje...

Measures : 18x8 cm H:8cm Materials : Gold Plate,Silver Plate,Steel,Cast,Hand-Crafted Silver-plated peanut-shaped box by FB Rogers, believed to be from the 1960s. Made of silver-plat...

Mid Century Italian Box in Carved Alabaster and Brass 1950s Small lidded box constructed in carved alabaster with a rectangular form and softly rounded body. The surface is worked w...

Arts & Crafts Wine Cave with Decorative Metal Work, circa 1920s Box from the Arts & Crafts period, Made in France A very special item with decorative metal work on top. Definitely o...

La balayeuse du Sacré-Coeur (The sweeper of the Sacred Heart) by Line Vautrin, gilt bronze box. Generously sized gilt bronze box. The lid chiselled with a decoration of a multitude o...

Antique Incombustible Cast Iron Safe Safe - Antique - Coffre-fort Measures : 50x33cm H:38cm Wear consistent with age and use : See Photos

Belgium / 1900 / box / De Beuckelaer /tin / Art Nouveau / Art Deco A beautiful decorated tinnen buiscuit box by De Beuckerlaer, made in Belgium around 1900. Decorated with 4 diffe...

Decorative Art Deco Style Lidded Box in Wood and Silver 1970s. A very interesting and beautiful lidded box with an art deco inspired lid in silver. Great abstract and timeless desig...

Antique large wooden double folding picture frame for traveling 1870s With original patina on all parts It is possible to clean or restore th...

Reeds with Human Faces and The Riverbed, a set of two boxes. (Les roseaux à visage humain et le lit de la rivière) by Line Vautrin. Set of two gilt bronze boxes, titled Reeds with Hu...

“Les Roseaux à visage humain” (“Reeds with Human Faces”) is a double-sided silvered bronze box by Line Vautrin. The front side representing reeds (rushes) in motion, with their flowe...