Brooklyn - More Art

TWELVE CHAIRS GALLERY ZURA (b. 1969, Georgian-American) Golden Kolkheti Chair Brass Seat Height: 16 in. Arms Height: 26 in. More than a chair — this is a throne of presence, a sculpt...

TWELVE CHAIRS GALLERY A fabulous mid-to-late 19th-century cast iron window surround of exceptional scale—standing nearly six feet tall—now offered with the potential to be elegantly ...

This is an original square button with a fastening pin on the verso, created as merchandise for Roy Lichtenstein's exhibition at the Kupferstichkabinett in Berlin in 1981. This butto...

This is an original square button with a fastening pin on the verso, created as merchandise for Roy Lichtenstein's exhibition at the Kupferstichkabinett in Berlin in 1981. This butto...

This is an original square button with a fastening pin on the verso, created as merchandise for Roy Lichtenstein's exhibition at the Kupferstichkabinett in Berlin in 1981. This butto...

A large scale (84"x60") acrylic and oil painting by Debra Drexler, an artist based in New York and Hawaii. In this refreshing and abstract image, a blast of pink and magenta drips do...

In this series, Audrey Anastasi has shifted her focus away from naturalistic domestic settings to a dark, enigmatic, and some might say, unsettling, pl...

This limited edition watch was created to commemorate Christo and Jeanne-Claude's iconic The Gates project, held in New York's Central Park in February 2005. The watch face features ...

This is a large scale, contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Vertical elongated forms in rose pink, mauve, lavender and turquoise blue rise over a layered field of cream white brushed with violet. Washes of red and orange fade into hot pink in this vibrant abstract painting by the artist. You can see the influence of tropical colors in this canvas and a wistful yearning for the beach and the sea. Debra Drexler is an American painter, installation artist, curator and professor. Her work is informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific since 1992. She has participated in over thirty solo and over 100 group exhibitions in national and international venues including Front Room Gallery, Exit Art, The Drawing Center, White Box-The Annex, Art Finance Partners, Van Der Plas Gallery, Sideshow Gallery, and Denise Bibro Gallery in New York, as well The Honolulu Museum of Art and Maui Arts and Cultural Center. Debra Drexler is a Professor at the University of Hawaii, where she is Chair of the Drawing and Painting Area. She maintains studios in Brooklyn, NY and on the island of Oahu in Hawai’i. Debra Drexler's most recent work is highly experimental large-scale abstract painting. In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of the New York School. The reviewer, Jonathan Goodman, described the work as a “new non-objectivity” that comes out of the current moment. He states that Drexler's painting “quite accurately describes the spirit of abstract art today, in which painting is struggling to break free of the constraints of time." Debra Drexler frequently uses hot pink, a color with heavily gendered associations. Her hot pink brushstrokes...

Hommage to Picasso is a notable book published by XXieme Siecle Edition in Paris in 1971, celebrating the work of Pablo Picasso. This hardcover volume, bound in red cloth with a dust...

Le Corbusier Modulor Lacquer is a premium clear or colored wood finish designed to provide a hard, durable surface that dries through solvent evaporation or a curing process. Produce...

The title Mainosuutiset, translated from Finnish as Advertisement News, accompanies a striking image. The poster features a black face with white openings for the eyes and mouth, sym...

"Hardly" is a captivating poster featuring the artwork of renowned artist Wassily Kandinsky. Published by Art Unlimited in Holland for the Museum Boymans-van Beuningen in Rotterdam, ...

Sku: XX7014-R Artist: Pablo Picasso (after) Title: Picasso in his Posters - Image and Work, Volume I Year: 1992 Signed: No Medium: Book Paper Size: 12.25 x 9.75 inches ( 31.115 x 24....

Paper Size: 12.5 x 9.5 inches ( 31.75 x 24.13 cm ) Image Size: 8 x 6.75 inches ( 20.32 x 17.145 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Additio...

Paper Size: 10.75 x 9.5 inches ( 27.305 x 24.13 cm ) Image Size: 8.25 x 8.5 inches ( 20.955 x 21.59 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addit...

The 1975 first American edition published by Leon Amiel in New York from the XXieme Siècle Review is a meticulously crafted volume that showcases a wide range of modern and contempor...

1973 Maeght, Paris. By Alain Jouffroy and Joan Teixidor. Text in French. Hardcover, blue cloth in dust jacket and cardboard sleeve. As New. Livres d’artistes series. Portfolio ...

This is a book titled "Plakate Affiches Posters," published by Droste Verlag, Düsseldorf, in 1963. Featuring 138 reproductions of posters, it offers a curated selection by Christoph ...

Catalog for 2007 exhibition by Belgian artist Pierre Alechinksy. Monologue with two voices and a glossary and quick explanations.

Analog Collage 6.5 x 7 inches Collage on Paper Exhibition History: THE COLLAGE SHOW Morgan Jesse Lappin is a collage artist and curator based in Brooklyn. He seeks to explore the boundaries of collage, identify artists pushing the medium forward, and inspire others along the way. In 2013, he founded the Brooklyn Collage Collective, which consists of four core members: Morgan Jesse Lappin, Jessie Laura, Joseph Karwacki, and Michele Luger. The Brooklyn Collage Collective has worked and exhibited with other collage artists all over the world, including New York, London, Australia, and Italy. Lappin's art is a combination of comedy and chaos, with elements of music, vintage horror and sci-fi. His work ranges from seven-foot-long cartoon metropolises, to fictional album covers, to take-out Greek diner coffee cups embedded with video animations. He also uses nostalgic material from his childhood in the ‘90s, such as VHS Tape...

Born in Queens, New York, Joseph Karwacki makes drawings that come directly from his experience of living in Queens. His graphic design studies at New York City College of Technology...

Jessie Laura was born in Lima, Peru. She creates analog collages, using art to examine her everyday reality. "My work explores the workings of the mind. Nature, structure, paradoxe...

Michele Luger addresses the unknown, the hidden away, and deep feelings of nostalgia, for a place or time you've never lived. In her collage work, she explores the ways in which we mask...

Analog Collage VoIce of Treason 12 x 12inches Collage on Paper Exhibition History: THE COLLAGE SHOW Morgan Jesse Lappin is a collage artist and curator based in Brooklyn. He seeks to explore the boundaries of collage, identify artists pushing the medium forward, and inspire others along the way. In 2013, he founded the Brooklyn Collage Collective, which consists of four core members: Morgan Jesse Lappin, Jessie Laura, Joseph Karwacki, and Michele Luger. The Brooklyn Collage Collective has worked and exhibited with other collage artists all over the world, including New York, London, Australia, and Italy. Lappin's art is a combination of comedy and chaos, with elements of music, vintage horror and sci-fi. His work ranges from seven-foot-long cartoon metropolises, to fictional album covers, to take-out Greek diner coffee cups embedded with video animations. He also uses nostalgic material from his childhood in the ‘90s, such as VHS Tape...

VoIce of Treason 12 x 12inches Collage on Paper Exhibition History: THE COLLAGE SHOW Morgan Jesse Lappin is a collage artist and curator based in Brooklyn. He seeks to explore the boundaries of collage, identify artists pushing the medium forward, and inspire others along the way. In 2013, he founded the Brooklyn Collage Collective, which consists of four core members: Morgan Jesse Lappin, Jessie Laura, Joseph Karwacki, and Michele Luger. The Brooklyn Collage Collective has worked and exhibited with other collage artists all over the world, including New York, London, Australia, and Italy. Lappin's art is a combination of comedy and chaos, with elements of music, vintage horror and sci-fi. His work ranges from seven-foot-long cartoon metropolises, to fictional album covers, to take-out Greek diner coffee cups embedded with video animations. I also use nostalgic material from my childhood in the ‘90s, such as VHS Tape...

Jessie Laura was born in Lima, Peru. She creates analog collages, using art to examine her everyday reality. "My work explores the workings of the mind. Nature, structure, paradoxe...

Picasso in His Posters - Image and Work, Volume IV by Luis Carlos Rodrigo, published by Arte Ediciones in 1992, is a significant volume in the comprehensive series dedicated to Pica...

KROUTVOR, Josef. Poselstvi Ulice (Message of The Streets). 250 color illustrations, including 62 full-page. Small folio, black cloth, Prague: Comet, 1991. A fine copy in a fine dust ...

Michele Luger addresses the unknown, the hidden away, and deep feelings of nostalgia, for a place or time you've never lived. In her collage work, she explores the ways in which we mask...

Jessie Laura was born in Lima, Peru. She creates analog collages, using art to examine her everyday reality. "My work explores the workings of the mind. Nature, structure, paradoxe...

This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Magenta and blue forms central to the painting are surrounded by rose pink, mauve, lavender rise over a field of blue. You can see the influence of tropical colors in this canvas and a wistful yearning for the beach and the sea. Debra Drexler is an American painter, installation artist, curator and professor. Her work is informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific since 1992. She has participated in over thirty solo and over 100 group exhibitions in national and international venues including Front Room Gallery, Exit Art, The Drawing Center, White Box-The Annex, Art Finance Partners, Van Der Plas Gallery, Sideshow Gallery, and Denise Bibro Gallery in New York, as well The Honolulu Museum of Art and Maui Arts and Cultural Center. Debra Drexler is a Professor at the University of Hawaii, where she is Chair of the Drawing and Painting Area. She maintains studios in Brooklyn, NY and on the island of Oahu in Hawai’i. Debra Drexler's most recent work is highly experimental large-scale abstract painting. In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of the New York School. The reviewer, Jonathan Goodman, described the work as a “new non-objectivity” that comes out of the current moment. He states that Drexler's painting “quite accurately describes the spirit of abstract art today, in which painting is struggling to break free of the constraints of time." Debra Drexler frequently uses hot pink, a color with heavily gendered associations. Her hot pink brushstrokes...