Lithuania - Interior Paintings

The central theme of "Journey of Love" revolves around the feeling of uncertainty that often accompanies the onset of a romantic relationship between two young people. As we gaze at the artwork, we witness the subtle apprehension in their eyes and body language, hinting at the initial hesitancy that comes with opening one's heart to another. Adewale beautifully captures the vulnerability of these young souls, making it evident that they are navigating uncharted waters, unsure of what the future may hold for their budding connection. The woman, almost positioned in front of the young man, symbolizes her subtle dominance in the relationship. This arrangement not only suggests her strength and independence but also highlights the significance of women in guiding the course of love. The painting subtly challenges traditional gender norms, emphasizing the equal partnership and influence both individuals have in shaping their shared journey. Moreover, "Journey of Love" doesn't shy away from portraying the doubts and fears that can plague the minds of those in the early stages of a relationship. The artist masterfully captures the subtle tension in their clasped hands, portraying the emotional tightrope that they walk together. This poignant aspect of the artwork resonates deeply with viewers who have experienced the vulnerability and anxiety that come hand in hand with falling in love. However, amidst the uncertainty and challenges depicted, Adewale's artwork also showcases the hope that drives these young hearts forward. In the gentle smiles and the glimmer of optimism in their eyes, we see the belief in the magic of love, the idea that their journey will be one of shared joy and personal growth. It is precisely this hope that allows them to face the challenges head-on and continue on their path despite the unknown future. The journey of love, as depicted in the artwork, is not without its trials and tribulations. Adewale subtly incorporates various elements in the background, such as swirling winds and turbulent skies, as metaphors for the external forces that may try to sway their commitment. The young couple's ability to withstand these challenges and remain standing together is a testament to the strength of their bond. As viewers immerse themselves in the layers of the "Journey of Love," they cannot help but reflect on their own experiences with love and relationships. The artwork becomes a mirror that allows them to ponder the uncertainties they have faced, the doubts they have battled, and the triumphant moments that have shaped their romantic endeavors. In conclusion, "Journey of Love" by Busari Adewale...

Figurative oil painting on a square canvas. A mystical being, a sprite from another dimension, connects with an invisible world where peace exists without thought. Created with profe...

"Port Said” Landscape Oil Painting 5" x 8" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She dr...

The painting is about a brand of popular portable audio players manufactured and marketed by Sony since 1979. The original Walkman was a portable cassette player and its popularity made "Walkman" an unofficial term for personal stereos of any producer or brand. By 2010, when production stopped, Sony had built about 200 million cassette-based Walkmans. The Walkman brand was extended to serve most of Sony's portable audio devices, including DAT players, MiniDisc players/recorders, CD players (originally Discman then renamed the CD Walkman), transistor radios, mobile phones, and digital audio/media players. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Morakinyo Femi...

"Woman in Blue” Oil Painting 53" x 27.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan Gallery, Cairo: Annual exhibitions from 1999 to 2018 Galerie la Sirène, Le Mans 2010 Galerie Ghislaine Eonnet-Dupuy, St Briac 2008 2009 Green art gallery Dubai 2009 Galerie La Medina, Tunis 2001 Italian Cultural Institute, Cairo 1999 Gallery Lézard d'Ailleurs 1998 Influence Gallery 1997 Bruno Delarue Gallery Etretat 1997 Jolymont workshops in Brussels 1996 Gallery Lézard d'Ailleurs St Rémy de Provence 1995 Etienne Causans Gallery 1995 Gallery Art 50 1994 Gallery Art 50 1993 Anne Vignial Gallery 1992 Galerie Escalier Rouge, Ouagadougou 2002 City of Arts, Florence Foundation 1992 Galerie Peinture Fraiche...

"Fayoum Studio 1" Oil Painting 24" x 32" inch by Mohamed Abla Mohamed Abla was born in Mansoura (North of Egypt) in 1953. There he spent his childhood and finished school. In 1973 h...

"Damsel" is a work of art that immediately draws the viewer's attention to the glorious charm of the woman at its center. Adewale's portrayal of her low-cut hairstyle is a powerful statement that challenges conventional norms of beauty. With her hair styled so boldly, the subject exudes a sense of self-assuredness, breaking free from societal expectations and embracing her uniqueness. The woman's choice of a vibrant yellow dress further reinforces the celebration of feminine allure. Yellow, a color often associated with happiness and positivity, complements the woman's radiance, illuminating the canvas with her inner glow. This striking hue symbolizes her inner strength and vibrant spirit, echoing the confidence and dynamism that emanate from her presence. The blue background, in contrast, serves as a calming and harmonious setting, providing a perfect backdrop for the woman's portrayal. The serene blue not only accentuates her poise and elegance but also serves as a reflection of her depth and wisdom. It suggests that beneath her external charm lies a profound reservoir of inner grace and strength, making her all the more captivating and multidimensional as a subject. "Damsel" is more than just a beautiful portrait; it is a celebration of the richness and diversity of womanhood. Adewale's brushwork masterfully captures the subtle details of her facial features, highlighting the delicate contours of her lips and the gentle curves of her cheekbones. The artist's attention to detail emphasizes the individuality and uniqueness of the subject, celebrating the fact that each woman possesses her own distinct brand of charm and beauty. This artwork is not merely a passive representation but a self-conscious portraiture that actively engages the viewer. As we gaze upon the woman in "Damsel," we become participants in this celebration of femininity. Adewale invites us to appreciate and honor the beauty that exists within all women, encouraging us to recognize and celebrate the allure that each woman carries in her own unique way. In its essence, "Damsel" is a testament to the empowering nature of art. It breaks away from conventional stereotypes and standard definitions of beauty, presenting a woman who embraces her identity unapologetically. The artwork's appeal lies not only in its visual aesthetics but also in the powerful message it conveys to society, urging us to appreciate and cherish the diverse expressions of feminine charm. In conclusion, "Damsel" by Busari Adewale...

"Sojourner" by Morakinyo Femi is a captivating artwork that presents a young man seated in a fashionable attire, adorned with striking jewelry and sport...

An 8th ball is a form of the pool using two sets of seven colored or patterned balls, together with one black ball and one white cue ball, the aim being to pocket all of one's own ba...

Contemporary figurative oil on canvas painting by Polish artist Malgorzata Rozmarynowska. The artwork shows family of five, parents with three children. They are standing in one line...

"Saint” Figurative Oil Painting 53" x 27.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept an...

"Lady in Black” Oil Painting 53" x 27.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...