Manhattan - Statues

A circa 1950's Mexican stone sculpture on a wood base. Measurements: Height: 10" Width: 9" Depth: 5.75

France, early 20th century. Pair of two lifesize sculptures, brother and sister, the boy sitting cross-legged and the girl on a stump holding a pla...

Life-size Victorian terracotta English setter. An unusual model with the seated dog in a very life-like stance. He is expertly detailed with a ruffled c...

Pair of large blue and white delft lions, Luneville, circa 1840.

These statues are commonly referred to as Wengzhong. They are so named after a mythological Ruan Weng Zhong who was a highly regarded general during the Qin Shi Huang period. Ruan is said to distinguished himself in fighting their arch rival; the Huns...

A pair of exquisite antique Italian Neoclassical alabaster figures, each presented on square plinth bases. Both figures are sculpted in full round, standing atop circular socles that...

Our Sphinx is Persephone, and she started as an old kingdom Egyptian relic. I then turned her musculature into mechanical appendages like she was an icon or idol off the set of the 1927 film, “Metropolis”. She was going to be an AI sphinx but I still wanted to incorporate Rhubarb within her adornment as she is a Nordic or Maritime sphinx. Big leafed rhubarb didn’t resonate with the mechanized look I had just executed beautifully. At the very least she is a North American sphinx with feather and wheat motifs. I included for symbolism and beauty (of course), ancient Egyptian and Greek floral references befitting a worldly creature. I took liberties and referenced eighteenth and nineteinth "Orientalism". The Sphinx is a mythological creature and not anything that moved across terrains anywhere that most of us have been. The AI sphinx was too fascist and severe for most gardens. I liked it deeply and may revisit that avenue once this sphinx’s’ plaster dust has settled. I love the Baroque, so I decided to go Baroque by giving the lions coat some seriously carved fur and curly cues. She looked like any one of the seventeenth century Louis’ characters crossed with a French poodle. That was a bad notion. I then created a sphinx that I like, a sphinx from my soul but seriously influenced by other artists. In the end she is uniquely elegant and powerfully poised, with distinct features. Compared to most sphinx throughout history her breasts are too high on her chest but seductive none the less (she is a contemporary sphinx). Her head is elongated, much like the busts of the Armana period in Egypt, but that’s just her hair and headdress, not her skull. Her rump and back are sensual. The Rhubarb Sphinx, embodies a history of sphinxes created by Europeans after the Napoleonic invasion and the extensive survey of Egypt which ignited a design frenzy of all things ancient Egypt. She is an esoteric garden folly...

A spirited late 19th century French cast stone sculpture of an adolescent male in a gay mood. The figure evokes the mood of Fragonard's painting 'L' indifferent. References: Beaux...

"The Ambassador to the Vatican." Impressive large white marble bust of moustached European gentleman in court dress or formal wear including ribbon sash and court metals.

Neoclassical pair of palatial antique French Louis XVI style hand-carved Carrera white and grey marble pedestals of unusual form embellished with raised three dimensional neoclassica...

Rare life-size 19th century English terracotta bulldog. At 21 inches high, he is sitting majestically with his head turned. He sports a wide brown c...

A good 19th century carved stone bust. The handsome figure in Greco-Roman attire with toga draped across the chest and a laurel wreath around his head. ...

Large pair of Staffordshire stone cupids.

Amazing cast iron bust of whimsical female figure in fabulously detailed Spanish matador outfit, complete with "lance" umbrella!