Nevada

Medium: original lithograph. Executed for Derriere le Miroir (No. 128) in 1961, and published the same year by the Maeght atelier. Sheet size: 15 x 22 inches. There is a center fold,...

Medium: original color etching. Catalogue reference: Kraemer 23. Executed in 1906, this impression on cream laid paper is from the rare 1906 first edition of "Histoire des Peintres I...

Medium: original lithograph. Printed by the Atelier Pons and published in Paris in 1963 by San Lazzaro for the art revue XXe Siecle. Size: 12 1/8 x 9 inches (310 x 230 mm). Not signe...

The English title is "Woman of Royal Blood". This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful T...

Medium: original lithograph. This is one of the Berlin Scenes executed by Rudolf Grossmann during the years before World War I and published in Germany by Bruno Cassirer from 1911-14...

This rustic, weathered driftwood planter is great. Its that unexpected element that would add so much interest when placed in that perfect spot. A true art piece, serving form and ...

Medium: original lithograph. This lithograph is from the rare 1951 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spr...

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier Clot, Bramsen et Georges and published by Philippe Lebaud in a limited edition of 190 for the "Variati...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible art. Size: 1...

Medium: original lithograph. Printed in Paris in 1902 for the special Felix Vallotton issue of L'Assiette au Beurre on the theme of Crimes et Chatiment...

Medium: original lithograph. This lithograph was printed in 1950 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Medium: original lithograph. This lithograph was printed in 1952 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Medium: original color etching. Executed in 1965 for the deluxe limited edition "Paroles Peintes II" portfolio, published in Paris by Lazar-Vernet. A rich, magnificent impression, on...

Medium: original etching. Signed both in the plate and in pencil. Catalogue reference Schneiderman 202. Executed in 1881, and printed on laid paper with full margins. Plate size: 7 x...

Medium: lithograph (after the the sketch). Executed as a sketchbook drawing during the middle 1950's and subsequently made available by Picasso for publication as a lithograph. This ...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible art. Size: 1...

"Pleasures of Winter" Maintains the appropriate markings along with "New York, Published by N. Currier 152 Nassau Street. (The firm was located here in lower Manhattan from 1837-1872) The lithograph portrays a woman leaving her stately home with her two children, being escorted by two drivers to ride in a double seated horse drawn sleigh. In the background is a snowy field with other houses and a loaded horse drawn timber sleigh. In addition to the Amon Carter Museum in Dallas, an example of "Pleasures of Winter" is in: The Library of Congress The Springfield Museum (Massachusetts) Gift of Lenore and Sydney Alpert) Metropolitan Museum of Art (Gift of Colgate 1962) Museum of Fine Arts Boston (Donated by Lee M. Friedman) Dimensions: actual= 16 1/2" h x 23 13/16" w matte= 19 1/2" h x 25 1/4" w folio= 21 9/16" h x 27 1/2" w with frame= 26 1/4" h x 32 1/4" w frame= 1 1/4" burl bird's eye maple It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is minor foxing and a tideline upper center (see images). The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in it's original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs. This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...

Medium: original etching. This impression on laid paper was printed in 1882 for the "A Group of Etchers" portfolio and published in New York. Image size: 5 3/4 x 8 1/2 inches (147 x ...

Medium: pochoir (after the collage). Printed by Jacomet for XXe Siecle in 1957 (issue number 8) and published in Paris by San Lazzaro. Sheet size: 12 3/8 x 9 1/2 inches (315 x 243 mm...

Medium: serigraph. Printed in 1936 and published in Paris by Arts et Métiers Graphiques. Image size: 7 1/2 x 6 inches (188 x 150 mm). Signed in the plate, not hand-signed.

Medium: pochoir (after the painting). Issued for XXe Siecle (No. 7) and printed by Daniel Jacomet. Published in Paris by San Lazzaro in 1956. Sheet size: 12 1/4 x 9 1/2 inches (313 x...

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Muse...

Medium: pochoir (after the pastel). Printed in Paris in 1966 at the atelier Daniel Jacomet and published in an edition of 350 for the Vuillard Douze Pastels portfolio. Image size: 9 ...

Medium: collotype (after the woodcut). Printed in 1925 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. Image size: 8 x 4 3/4 inches (205 x 11...

Medium: lithograph (after the the sketch). Executed as a sketchbook drawing during the middle 1950's and subsequently made available by Picasso for publication as a lithograph. This ...

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier of Rene Guillard and published by Philippe Lebaud in a limited edition of 190 for the "Variations sur ...

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). No...

This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 6 1/4 x 12 in...

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his famous "Elles" portfolio; this is a beatiful limited edition replica published in Paris by Claude Tchou...

Medium: copper plate engraving (after the drawing). Printed in Paris in 1928 on Abbey Mills Greenfield laid paper and published in an edition of 250. Size: 8 3/8 x 6 1/4 inches (212 ...

Medium: lithograph (after the watercolor). Printed in Paris in 1951 at the atelier Dreux-Barry and published in an edition of 1000. Sheet size: 12 1/4 x 9 1/4 inches (310 x 235 mm). ...

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H. Every for the "Beauties of Claude Lorraine" portfolio. The ...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...

Medium: etching (after the painting). This beautiful piece was etched by Auguste Lauzet after Stanislas Lepine, and published in Paris in 1892 by Chamerot et Renouard, for the very r...

Medium: original lithograph. Printed in 1968 in psychedelic colors by Mourlot and published by Art In America. Size: 12 x 8 3/4 inches (302 x 225 mm). Signed in the plate, not hand-s...

Fine quality three character mid 19th century (circa 1850) watercolor on pith paper; a Chinese painting; depicting an Emperor with. perhaps, a concubine by his side and a page or eun...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...

Medium: original lithograph. Printed in Paris in 1965 at the Mourlot Frères atelier and published by the Pierre Matisse Gallery in an edition of 1200 for the "Miro Cartones 1959-1965...

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Muse...

Medium: original lithograph. Printed in 1930 in an edition of 250 and published in New York by The Downtown Gallery. Size: 10 x 6 3/4 inches (252 x 172 mm). Signed in the plate; not ...

Medium: original lithograph. Catalogue reference: Mourlot 672. Printed in 1970 for the art revue Derrière le Miroir (issue number 186) and published in Paris by the Maeght atelier. S...

Vintage 1950s circle skirt in a brown and black striped corduroy style fabric. Unlined with side metal zip and hook closure. Fits like a modern XS. Th...

Medium: original woodcut. (Catalogue reference Roethel 124). Printed in 1975 on Arches paper for the "Homage to Kandinsky" special edition of the art revue XXe Siecle. Image size: 7 ...

Medium: original lithograph. Issued in 1975 for XXe Siecle (issue no. 45), published in Paris by San Lazzaro. Sheet size 12 1/8 x 9 1/2 inches (310 x 240mm). Not signed.

1940's French bronze ashtray stand from a gentleman's lounge. It's construction and aged patina make this a functional work of art. Looks straight out of Yves Saint Laurent home deco...

Medium: original lithograph. Printed in 1975 for the art revue XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/8 x 9 3/8 inches (310 x 238 mm). Not signed.

Medium: original etching. This impression on laid paper was printed in 1909 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 9 1/2 x 6 3/8 inches (241 x 1...

Medium: original etching. Executed ca. 1880; this is a good impression with full original margins on laid paper from "The Portfolio" edition, published in London by Seeley, Jackson &...

Medium: lithograph. Printed in 1961 for the art revue Derrière le Miroir (issue No. 125-126) and published in Paris by the Maeght atelier. Size: 15 x 22 inches (380 x 555 mm). This i...

Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 4 x 5 3/4 inches. Signed in t...

Medium: original etching. Printed in 1881 and published by Cassell & Company. Plate size: 5 7/8 x 8 5/8 inches (150 x 220 mm). Sheet size: 8 x 11 3/8 inches (204 x 288 mm). Signed in...

Non typical large size fine quality Art Deco French perfume bottle, circa 1935; very profound and well made and completely original with it's container, top and dauber in excellent c...

Medium: original lithograph. This lithograph is from the rare 1950 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spr...

Medium: original lithograph. Published in London in 1898 by The Studio. This beautiful lithograph on wove paper measures 11 x 7 3/4 inches (sheet size). Signed by Robert Anning Bell ...