Palm Beach Tea Caddies

A good quality Georgian 18th century mahogany rectangular tea caddy having replacement brass axe drop handle to hinged lid enclosing cavity with attractive inlaid decoration throughout. Tea was of course a very precious commodity throughout the 18th and 19th centuries and the purpose of a tea caddy was not just to preserve the and extend the life of the precious tea leaves...

This is a beautiful hand carved wood jewelry box in the style of Dean Santner. The boob shaped box twists open easily to reveal a compartment w...

Rare serpentine form English Regency tea caddy. The base with sloping sides, the interior with two fitted compartments.

PRESENTING a LOVELY 19C Anglo Indian Bombay MOP (Mother of Pearl) Sadeli Mosaic Trinket Box from circa 1875-85. Gorgeously detailed and hand-crafted ‘sadeli mosaic’ inlay, from the Bombay Area, with deep greens with silver, pewter, mother of pearl, bone and ebony in geometric patterns. The box case, is made of sandalwood but completely covered in MOP, bone, faux ivory, ebony and mosaic inlay. Edged with faux ivory and banded with a different pattern of sadeli mosaic. Some minor damage to the top (repair is obvious in pics) and ivorine replacements to some edging, but it still a BEAUTIFUL BOX and of real QUALITY! The mosaic work is FABULOUS! Box opens to reveal its original blue velvet lining. It sits on 4 (recently added) silvered button feet. SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

1920s Antique Moroccan Silver Plated Footed Tea Caddy with hinged lid. This authentic Moroccan brass silver plated box has a beautiful etched geometri...

A very handsome George III tea caddy, made from Mahogany and beautifully inlaid with panels and highly decorative foliate marquetry to the front and top. The top has a handsome cast ...

The burgundy / brown lacquer is decorated with gold depicting figures and buildings in a landscape. The caddy stands on four carved wooden feet in the shape of claws. The interior contains a single pewter canister...

George III octagonal mahogany and boxwood inlaid box with unusual Price of Wales feather inlay, the edges strung in boxwood or holly, retaining pleasing old finish and original lock,...

A gorgeous box made of blue glass beautifully decorated with white details. Frame of brass. original lock and key. Made during 19th Century Russian Empire period. Small lockable boxes...

A very beautiful, fine quality, inlaid Tea Caddy from the English Georgian, Sheraton Period, Circa 1780. The Tea Caddy is all handmade with very fine quality features; * Beautifully...

Oval Tea Caddy with Silver Mounts From our Tea Caddy collection, we are delighted to offer this Georgian Silver and Tortoiseshell Tea Caddy. The Tea Caddy is of oval shape with a Tortoiseshell exterior mounted with engraved silver stringing, a silver shield plaque below the silver escutcheon and a silver looped handle. The interior features a floating tea shelf...

A fine Regency period rectangular tea caddy, veneered in panels divided by fine metal stringing. Silver metal escutcheon and key. Complete with an initialled plaque on the lid and ro...