Portland - Art

A large Expressionist acrylic on canvas painting by William James ( Jack ) McLarty 1919-2011, the painting signed & titled "Laurelhurst park", 2003. Jack McLarty was very much a key ...

A fine & important oil on canvas maritime ship's painting by Thomas Buttersworth (1768-1842), "A French Frigate Driven Ashore in the Gale after Trafalgar, 22nd October, 1805". This c...

A large American Abstract Expressionist oil on canvas painting by Pacific Northwest artist Frederick Heidel ( 1915-2000), "Blue Landscape", Oregon, circa 1955. This is a large & earl...

A fine antique seascape oil painting on panel by the celebrated marine artist, Frederick Judd Waugh (1861-1940), depicting the Atlantic of the coast of Maine, circa 1910. The painting is finely executed with bold and decisive brush strokes with crisp edges, one can almost hear the roar of the ocean as the surf crashes upon the rocks. The painting is signed lower right "Waugh" and is housed in the original carved & gilded frame. Condition is very good indeed, this fine seascape by one of America's most acclaimed late 19th early 20th century marine artists is ready to grace your wall. The painting will be accompanied with a certicificate of authenticity & provenance. Frederick Judd Waugh was an American artist, primarily known as a marine artist. During World War I, he designed ship camouflage for the U.S. Navy, under the direction of Everett L. Warner. Waugh was the son of a well-known Philadelphia portrait painter, Samuel Waugh. He studied at the Pennsylvania Academy of Fine Arts with Thomas Eakins, and at the Académie Julian in Paris with Adolphe-William Bouguereau. After leaving Paris, he moved to England, residing on the island of Sark in the English Channel, where he made his living as a seascape painter. In 1898 he was recorded as living in Heath and Reach, Bedfordshire. In 1908, Waugh returned to the U.S., settling in Montclair Heights, New Jersey. He had no studio until art collector William T. Evans (a railroad financier and President of the dry goods firm, Mills Gibbs Corporation) offered him one in exchange for one painting a year. In later years, he lived on Bailey Island, Maine, and in Provincetown, Massachusetts. Waugh’s marinescapes were highly acclaimed, garnering him the Popular Prize at the Carnegie International Exhibition for five years in a row, a feat accomplished by no other artist. In 1914, he was a judge of the art exhibit on Monhegan Island, Maine during the 1914 Ter-Centenary celebration of the Voyage of Captain John Smith. In addition to his marinescapes, Waugh sometimes published work in periodicals, such as The Green Sheaf, to which he contributed at least one illustration. He also produced paintings and sketches on legendary and mythological themes; see, for instance, his 1921 sketch “Levitation in Dream No. 3”, and his c. 1912 painting “The Knight of the Holy Grail”. In 1918, Waugh was recommended to serve as a camouflage artist (or camoufleur) for the U.S. Navy, as a member of the Design Section of its marine camouflage unit. That section was located in Washington, D.C., and was headed by American painter Everett L. Warner. According to a biography of Waugh, “Many large ships, including the Leviathan, were painted according to his designs. Though the enterprise was of course a team effort in which no man played a solo part, he had every reason to be proud of his record. Only one ship with his system of camouflage was lost during the war”. Waugh was known to produce literary work, publishing a short poem in Pamela Colman Smith’s short-lived periodical The Green Sheaf; a fairy tale in The English Illustrated Magazine; and, in 1916, the book The Clan of Munes...

A very attractive antique oil on canvas landscape painting by the French Post Impressionist artist Max Bouvet (1854-1942), the painting circa 1890. The painting depicts a pastoral sc...

A highly important Flemish Old Master oil painting by Peter Van Lint (1609-1690), titled "Preparing for the Hunt", the painting is dated & signed by the artist, 1620. The painting wa...

An important antique Maritime ships oil on canvas painting of " The British Fleet in the Bay of Naples", by Tommaso De Simone (1805-1888), signed & dated 1860. The painting depicts t...

An important 18th century Italian Old Master tempera on copper panel Baroque painting, "The Road to Emmaus", circa 1700. The painting represents the early resurrection biblical story...

A fine antique large French Art Nouveau Bronze Figural Sculpture, titled "Prise de Corsaire" by Emmanuel Villanis (1858-1914), circa 1900. This very...

A fine antique Impressionist painting by the celebrated French Impressionist painter William Georges Thornley (1857-1935), a view of the Mediterranean sea from Antibes, France, circa...

A large & important Orientalist oil on canvas painting, Moorish Spain, by Pollok Sinclair Nesbit (1848-1922) ASRA, "The Gate of the Sun" Toledo, 1872. A member of The Royal Scottish ...

Antique French Art Deco Bronze bust sculpture of a beautiful young woman, by Marcel Andre Bouraine (1886-1948), and cast by the Etling foundry, Paris, circa 1920. The bronze depicts...

An important oil on canvas painting by the celebrated equestrian artist, Harry Hall (1814-1882), of the racehorse "Lord Lyon", 1866. Hall was the most important equestrian artist of ...

Italian 17th Century oil on canvas Baroque painting, attributed to Salvator Rosa (1615-1673), a coastal landscape scene with fishermen, circa 1650. The painting depicts a rocky coast...

An important & large Italian Baroque period oil painting on panel attributed to Daniele Crespi (1598-1630), "The Entombment of Christ", Milan circa 1620. See artist biography below. ...

A fine late 19th century antique French bronze sculpture group, of a pair of race horses & jockeys, by Paul Louis Emile Loiseau-Rousseau, Paris (1861-1927). The bronze circa 1895 de...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

A fine and important French oil painting of Napoleon & his army, by the French-American artist Raymond Desvarreux (1876-1963), the painting signed & dated 1906. The painting depicts Napoleon seated in his carriage examining battle plans...

A fine & large antique maritime oil painting of the war ship HMS Britannia, by Robert Strickland Thomas (1787-1853), the painting circa 1835. The painting depicts HMS Britannia broadside with several other war ships of the British fleet, most likely returning from the Mediterranean. In the foreground are several small boats with sailors variously occupied attending to them. A yacht with a crowded deck is visible on the left. In the center foreground there is a barrel or possibly a buoy in the water, a device commonly employed in some of Thomas's paintings. To the verso is an old auction label from the 1920s and another partial label, there are also some annotations on the stretcher with details of photographic images of the painting. There is also an old label of ownership "Mrs. Strange 6 Elvaston Place", this address was a large Georgian house in the prestigious London borough of South Kensington. The painting is in very good condition, this investment quality antique maritime painting...

A Op Art abstract color screenprint, "Planetary Folklore" 1968, by Victor Vasarely (1906-1997). This very striking work by Vasarely is comprised of various colorful geometric shapes, the work is signed lower right "Vasarely" and numbered lower left "2/250. This is an early and crisp impression in excellent condition and housed under glass in a gilt & silvered hardwood frame. This very eye-catching work by one of the 20th century's leading Op artists is ready to hang on your wall. 14" x 14.50" at sight without frame Numered 2/250 A Franco-Hungarian painter, Victor Vasarely (1906-1997) first studied medicine before turning to art. In Budapest, he frequented artists from the Hungarian Bauhaus...

A fine antique French oil painting on canvas by Isidore Alexandre Augustin Pils (1815–1875), the painting depicting Claude Joseph Rouget de Lisle (1760-1836) singing "La Marseillaise", circa 1849. Isidore Pils was an academic painter, very often painting military subjects. Claude Rouget de Lisle was a French army officer from the French Revolutionary Wars and famously wrote the words to "La Marseillaise" and first performed it to the Mayor of Strasbourg; Baron Philippe-Frederic de Dietrich. This painting dates to the middle of the 19th century and could be by the hand of Pils or possibly a talented copyist who was also a classically trained artist, the work appears to be unsigned. The painting is in excellent condition and is housed in a gilded frame. Isidore Pils produced a number of paintings with this famous scene and one such painting is housed in the collection of The Louvre in Paris. At sight without frame 26.50" x 22" Pils was born in Paris as the son of a soldier François Pils. At the age of twelve, he studied with Guillaume Guillon-Lethière for four years. In 1831 he became a student at the École des Beaux-Arts and studied under François-Édouard Picot. He competed for the Prix de Rome, which he won in 1838 for a history painting, St. Peter Healing a Lame Man at the Door of the Temple. Although in poor health, Pils then spent the customary three years at the French Academy in Rome at the Villa Medici, which then had Jean Auguste Dominique Ingres as its director. While in Italy he visited Naples, Venice, and Florence. Pils's earlier paintings have religious themes. In 1849 he completed his most famous work, Rouget de L'Isle Singing La Marseillaise, which now resides at the Musée historique de Strasbourg. After experiences travelling with French troops through the Crimea, his themes took on military and nationalistic subjects. He later produced many military scenes during the siege of Paris during the Franco-Prussian War of 1870. Pils was appointed professor of painting at the École des Beaux-Arts in 1863 but left the same year for two years in Algeria. In 1868 he was elected to seat #14 of the Académie des Beaux-Arts. Among his students were Adrien Moreau, Paul Adolphe Rajon, Julien Dupré, Luc-Olivier Merson, Ludovic Piette...

A large American Western, Native American oil on canvas landscape, by Frank Paul Sauerwein (1871-1910), "The Captive", 1901. This large oil on canvas depicts a Native American brave captively tied to a tree stump and being viewed by a rival tribe, who are evidently deciding his fate. Behind the collected tribe of elders, braves and children are a pair of conical tipi dwellings, to the background are grazing horses and another group of native people in a tree lined setting. The painting is indistinctly signed lower left, condition is good, the painting is housed in the original frame with a giltwood rabbet, the painting at sight is 40" x 26". Provenance; From a lifelong collection of 19th & early 20th Century Western Art, Portland, Oregon. Frank Sauerwein was a respected painter of western landscapes, Indian portraits, Indian genre scenes, and California missions. His promising career was cut short by his death of tuberculosis at age thirty-nine. The son of European-trained artist, Charles D. Sauerwein, Frank took his first art lessons from his father before studying at the Philadelphia School of Industrial Art, the Pennsylvania Academy of Fine Art, the Art Institute of Chicago and, finally, the Philadephia Museum School of Art. In 1891 he moved to Denver in hope of improving his health. In 1893, Sauerwein accompanied the artist Charles Craig on a trip to the Ute reservation in southwestern Colorado. This began Sauerwein's unyielding fascination with the Southwest and its Native inhabitants. After a trip to Europe, he returned to the American West, visiting Taos in 1899 and Santa Fe in 1900. That same year, Sauerwein visited the Navajo reservation, becoming good friends with trading post entrepreneur, Lorenzo Hubbell. He also spent time at Keam's Canyon on the Hopi reservation where he sketched local inhabitants. Sauerwein moved to Los Angeles in 1901, and then to Pasadena in 1902, but he maintained his contacts in the Southwest with Summer trips to the Grand Canyon, New Mexico Indian Pueblos, Taos, Santa Fe and Albuquerque. He especially loved the Grand Canyon which is the subject of a large number of his paintings. Rendered in a tight, academic style, Sauerwein's paintings clearly show the influence of German...

An important Old Master oil on canvas painting by the Flemish artist, Jan Cossiers, a follower of the style of Caravaggio (1600-1671). Born in Antwerp in 1600, Jan Cossiers was a pupil of his father, the painter Antoon Cossiers (died 1646/1647), and also studied under Cornelis de Vos...

A very attractive American Impressionist watercolor & gouache painting, "The Spanish Peaks" Colorado mountain landscape scene, by Charles Partridge Adams (1858-1942), circa 1900. Thi...

A large American Abstract Expressionist acyrilic on canvas painting by Pacific Northwest artist Frederick Heidel ( 1915-2000), titled "Wire Performance", Oregon, 1993. This is a larg...

A large & important Orientalist oil painting by Nasreddine Dinet (born Alphonse-Etienne Dinet) France 1861-1929. The painting depicts two young North African Berber (Amazigh) women, a tender "rights of passage" portrayal of one young naked woman placing a robe over another. Possibly a cermony for puberty or marriage, both young women are wearing traditional Berber silver anklets & wrist bangles and traditional Berber tattooes. Dinet painted several versions of this and other paintings of Berber people, the painting is of large size and is housed in the original carved & gilded frame. Condition is very good, this very beautiful painting is ready to hang on your wall. The painting at sight without frame 44" x 32" Nasreddine Dinet ( Alphonse-Étienne Dinet ) was born in Paris and was a French orientalist painter he was one of the founders of the Société des Peintres Orientalistes [Society for French Orientalist Painters]. He became so enchanted with Algeria and its culture, that he converted to Islam, and was proficient in Arabic. In addition to his paintings, he translated Arabic literature into French. Born in Paris, Alphonse-Étienne Dinet, was the son of a prominent French judge, Philippe Léon Dinet and Marie Odile Boucher. In 1865 his sister Jeanne, who would become his biographer, was born. From 1871, he studied at the Lycée Henry IV, where the future president Alexandre Millerand was also among the students. Upon graduation in 1881 he enrolled in the École nationale supérieure des Beaux-Arts and entered the studio of Victor Galland. The following year he studied under William Bouguereau and Tony Robert-Fleury at the Académie Julian. He also exhibited for the first time at the Salon des artistes Français. Dinet made his first trip to Bou Saâda by the Ouled Naïl...

An important painting of two female nudes by the celebrated African American artist, Robert Colescott (1925-2009), titled "Conversation", 1959. A rare & ear...

African contemporary oil on Panel figurative painting by Zacharia Mbutha, Born 1949, Kenya. A colorful painting by one of East Africa's most famous artists depicting three figures o...

An important Irish Modernist oil on canvas painting by Henry Robertson Craig (1816-1984), titled "Young Bathers", circa 1960. This very beautiful painting of children seated on the...

A good antique antique oil on canvas New England landscape painting by Milton H. Lowell (1848-1927), signed, circa 1890. A very beautiful painting of a New England cottage...

A fine & large antique oil painting on canvas by Raimond Louis Lecourt (1882-1946), the cliffs at the Atlantic Ocean, Etretat, Normandy, France, circa 1910. Lecourt was the quintessential painter of scenes of Normandy France, this is a large and very fine example of his work. The painting depicts the Falaise d' Amont located near Etretat, Normandy, the Falaises (cliffs) are on the Atlantic coast and are a very impressive formation of flint cliffs with huge naturally created archways. The painting is beautifully rendered and in some areas the artist has employed impasto technique (thickly applied paint) to provide texture to the ocean & cliffs, in the foreground of the cliffs is a flock of herring gulls circling overhead. The painting is signed "Lecourt" lower right with a dedication, the painting is housed in the original sponge decorated gesso frame, also created by the artist. Condition is excellent, this charming painting is ready to hang on your wall. The artist was born in Le Havre, and studied at the National School of Fine Arts and the Regional School of Fine Arts of Rouen, he studied under Charles Lhuillier and Léon Bonnat. He received the Croix de Guerre 1914-1918 Military medal during WW1. Lecourt studied at the Le Havre School of Fine Arts under the direction of Charles Lhuillier , then with Léon Bonnat at the Paris School of Fine Arts . He then lived in Fontaine-la-Mallet , where he painted in the Normandy region, which was his favorite subject. In 1899, Lecourt obtained the honorary prize for the upper course with the city's silver medal. A municipal scholarship which allowed him to enter the Paris School of Fine Arts in the studio of the painter Léon Bonnat . There he found his comrades from Le Havre who had preceded him there: Othon Friesz , Raoul Dufy , the brothers René and Henri de Saint-Delis . He debuted at the Salon of French Artists in 1901 with his painting Le Herseur . He completed his studies in the studio of Luc-Olivier Merson and it was around this time that he got into the habit of spending his holidays in Fontaine-la-Mallet with his comrade Othon Friesz . He settled there permanently in 1907, after a trip to Brittany from where he brought back numerous sketches and portraits. During the First World War , he was mobilized on August 1, 1914 in the same regiment and behaved like a hero, decorated with the Croix de Guerre and the Military Medal . During an engagement at Courcy - Brimont , September 14, he was injured by a gunshot to the right forearm. He continued to draw with his left hand then, after a long rehabilitation, he regained the use of his right hand. He became a member of the Society of French Artists, also exhibited at the Salon des Indépendants, and made regular submissions to the Salons. Many paintings by him appear in museums & galleries in Denmark , Germany, the United States, Japan, and in England where the "Dogs of the Duchess of Manchester" painting was exhibited and won Lecourt great acclaim. After the outbreak of World War II, Lecourt takes the German Occupation of France very badly. After General Philippe Petains's handshake with Hitler in Montoire-sur-le-Loir, he returned his military medal to the Chancellery, accompanied by this comment: "We have no need for decorations in a country which no longer has the sense of honor" During this period, he resided with Charles Toussaint, a Le Havre broker and companion from the 74th infantry regiment, at the Frescinet manor, a property which would disappear under the bombings of the September 11, 1944. At this time, he painted mainly on wood, as canvases were rare and expensive at this time. In the winter of 1943-1944, he was hit by a military truck which skidded on the ice, during the fighting for the liberation of the port of Le Havre, the village of Fontaine-la-Mallet, where he lived, was raised to the ground under heavy bombing. His house, his studio, his notes and sketches were destroyed. However he went back to work with courage, but something had broken inside him. The following winter, he caught a cold and contracted pneumonia which took him away in eight days, unable to be properly treated following the refusal of an American army colonel, to give to civilians penicillin that only the Americans had at the time. His friends mourned him and others said that he was a gifted painter of Cauchoise (Normandy) painting, and who knew so well how to render plough horses, Normandy cows...

A good antique miniature French School oil on panel painting, a post battle cavalry scene, James Alexander Walker (1831-1898), British, circa 1875. The painting depicts two French cavalry officers riding through a rural landscape, each on horseback, one is evidently wounded and is being supported by the other. The painting is signed to the verso of the walnut panel it is painted on and titled "Hors de Combat", meaning out of combat due to injury. Walker's auction record for a painting was at Christies London, for more than $191,000 in 2007. The painting is housed in the original ebonized frame with gilded Fleur de Lis decoration, condition is good, unrestored antique condition and ready to hang. James Alexander-Walker (1831 – 1898), was a British painter of French descent for his battle scenes. He was born in Calcutta, but from 1871 he lived in Paris where he made historical scenes of soldiers. He died in Paris...

Fernand Léger (1881-1955) Femme sur fond jaune (Woman Against Yellow Background), 1952 Created in 1952, this original color lithograph is hand signed in ink by Fernand Léger (1881 - 1955) in the lower right margin. Printed by Fernand Mourlot, Paris out of the total edition of 150 unnumbered proofs on Arches wove paper. We at Bloomsbury Fine Art & Antiques can...

A fine and important painting by the celebrated American Hudson River School painter William Trost Richards (1833-1905), the painting depicting the coastline at sunset Atlantic City, NJ, signed and dated 1875. This watercolor is fresh to the market from a private American collection, in the same family hands since the 1920's and housed in the original bronzed frame, condition is all original, we at Bloomsbury Fine Art had the work professionally remounted in archival acid free materials and UV glass. Condition is excellent. Framed: 20.25" tall x 30.25" wide x 1" deep At sight: 10.5" tall x 20.5" wide William Trost Richards was born in Philadelphia and began to draw at a young age. At thirteen he was forced to leave school to support his family and found a job designing ornamental metal fixtures. He continued to study art, eventually taking classes at the Pennsylvania Academy of the Fine Arts and exhibiting his first work there in 1852. In 1855 he made the first of several trips to Europe to look at art. An admirer of the great American landscape artists of his day, Frederic Edwin Church and John F...

Very rare original Signed E.A. Artist's Proof, color lithograph, "New York", by Bernard Buffet (1928-1999). Circa 1980. A Landscape image by the celebrated French Modernist figurative artist Bernard Buffet, titled "New York". The color litho shows buildings and skyline in New York City, this is a rare image from a series of New York views produced by Buffet. The artwork is signed in pencil lower left "E.A", Artist's Proof in French, from the limited edition numbered prints (which was limited to 150) , it is also boldly signed "Bernard Buffet" lower right. Condition is excellent, we at Bloomsbury Fine...

A very elegant antique Art Deco bronze sculpture, statue by Josef Lorenzl, Austria, 1925. This beautiful bronze sculpture portrays a beautiful young woman, she is modeled as a nude t...

Monumental modernist oil on panel painting by Louis Demott Bunce (1907-1983), from an installation for the Oregon Centennial Exposition, 1959. A rare & important and monumental abstract painting by the celebrated Oregon artist Louis Bunce, the artist was commissioned to paint a mural for the 1959 Oregon Centennial & Trade Fair in Portland, the installation was titled " Gay Garden Way ", it was painted for the exterior of the Horticultural building. The mural having abstract plant abstractions, according to Bunce in his own words it was "the rounded shapes of flowers and the sun", the mural created a major furor from the conservative art public. The painting signed and dated by the artist lower left, the work was sold in the late 1980s through the celebrated Laura Russo Gallery, this painting is featured in Roger Hull's book; "Louis Bunce, Dialogue with Modernism". The painting is in good condition and ready to grace your wall. Louis Bunce attended high school and the Museum Art School before leaving for the Art Students League in New York. He established a New York connection that began when he first attended classes there in 1927 and continued over the years with frequent visits. He became friends with many promising artists, including Jackson Pollock and David Smith. In 1939 he worked for the WPA Easel Project in New York and by the time he returned to Portland he was an established artist on the East Coast. He worked at the WPA art center in Salem as an Instructor and Assistant Director. His work included murals, two of which are in the Post Offices in Grants Pass and St. Johns. Their subjects, mining and orchard farming, are activities of each region. "I have always been visually drawn to the landscape, at first the desert and mountain regions of Wyoming; then the lush and gentle color of the Pacific Northwest and the urban landscape of New York." From 1942-1945 he worked as an illustrator, a tool designer, and in assembly for the Oregon Shipbuilding Corporation. After WWII, Bunce joined the faculty of the Museum Art School in Portland, where he had been a student in 1925-1926. He taught there until his retirement in 1972. He excelled at producing screen-prints and introduced this technique to Oregon. While maintaining a national reputation throughout the 1950s and 1960s, some of New York's most prestigious galleries represented him. Theater buffs will remember his murals and portraits for Portland Civic Theater's 1938 production of Pride and Prejudice. In a career that made him one of the most recognized names in Oregon's art history, Bunce had many styles: cubism, expressionism, surrealism and abstractionism. His 1958 mural in the Portland International Airport presents this abstract style: "whirling propellers and shadows of the concourse as seen from above." It was controversial at the time as being too abstract for a public art project. Louis and wife Eda opened a full-time art gallery in Portland in 1949, called the Kharouba. Located first at 1016 SE Morrison, then at SW 11th and Alder, the gallery represented many of the leading artists of the day: Josephine Cameron, William Givler, Clifford Gleason, Jack Hammack, Charles Heaney, Frederick Heidel, George Johanson, Jack McLarty, Rick Norwood, C.S. Price, Arthur Runquist, Jolan Torok, Charles Voorhies...

Antique oil on canvas of a Russian or Polish nobleman, painted by Rembrandt van Rijn in 1637. There is much controversy about this painting, currently housed in the National Gallery of Art in Washington D.C. and has previously been owned by such luminaries as Catherine the Great and Andrew Mellon. It has been referred to as both a Polish and Russian nobleman, the sitter wears a Russian sable hat...

A fine antique oil painting by Wilfred Constant Beauquesne (1847-1913), of a French cavalry soldier on horseback, 1883. The painting titled "The Despatch Bearer", depicts a French cavalry soldier riding his horse frantically to deliver despatches to the front. The soldier in full uniform with his cavalry trooper's sword hanging from his sadle & the horse hair from his Cuirassier helmet...

Important, Impressionist original oil painting on artist's board, a landscape of Hong Kong circa 1950s, by the renowned Chinese Artist Hu Shanyu (1909-1993). Hu Shanyu was born in G...

A fine pair of antique Italian oil on panel paintings Nature Morte of two pairs of gamebirds, in the Trompe-l'oeil style, by Michelangelo Meucci (1840-1909), signed & dated Firenze 1...

FRANK BRANGWYN ( U.S./U.K./Belgium, 1867-1956) watercolor, gouache, and charcoal on paper, "The Scourging of St. Alban," study for the mural painted for Christ's Hospital, West Horsh...

A good antique cast bronze sculpture an Egyptian Revival bust "The Queen of Babylon", by the 19th century French sculptor Paul Auguste Gagne, circa 1875. This rare & unusual bronze b...

A fine pair of antique oil paintings Scottish Highland Scenes by George Frederick Buchanan (1800-1874) Landscapist George Frederick Bucha...

A very attractive French surrealist color etching by Andre Masson (1896-1987), signed & numbered. The etching is titled in French "La Sibylle et les Astres", translated as "The Sybil...

A very good antique oil on panel costume genre painting by the celebrated Northern Italian artist, Francesco Vinea (1845-1902), the painting dated signed and dated 1873. Vinea studied at The Academy of Fine Arts in Florence and then worked as a designer of illustrated periodicals, he returned to Florence and studied under professor Enrico Pollestrini. Vinea unapologetically produced incredibly high quality humorous and whimsical scenes that were always elegant and depicted figures in period costume situated in lavishly ornamented interiors. Vinea became quite famous and wealthy in his lifetime and his work was particularly sought after in France, England and The United States. The 19th Century American art collector James Jackson...

An important & fine antique George IV period oil painting; a portrait of John & Sara Ogle of Kirkley Hall Northumbria, England, by Sir John Hayter RA, signed & dated 1829. Sir John ...

An early drawing of a female nude by the celebrated African American artist Robert Colescott (1925-2009), shown at the Smith Tower Gallery, Seattle, in 1960, signed & dated. The dra...

A very good Impressionist oil painting of the Oregon High Desert by the celebrated Pacific Northwest WPA artist Arthur Runquist (1891-1971), circa 1942. Arthur Runquist was at the fo...

A good antique bronze sculpture of a brown bear by the celebrated French Animalier sculptor Antoine-Louis Barye, circa 1870. The bronze depicts a brown bear in a dynamic pose, head h...

A good antique oil on panel landscape painting by the Flemish artist, Francois Backvis (1857-1926). The painting circa 1880 depicting the parable of the lost sheep from the gospels of Matthew & Luke. The painting shows a stormy landscape with the shepherd and his flock, the shepherd is holding the lost sheep under his arm in front of a large stone crucifix...

A wonderful & whimsical 19th century oil on panel painting of puppies in a farm stable, by the celebrated artist George Armfield (1820-1893), the painting circa 1860. This lovely oil...

Antique American watercolor painting, landscape harvest farm scene by Frank F. English (1854 - 1922), Bucks County, Pennsylvania, Circa 1900. A very attractive painting by the celebrated Pennsylvania artist Frank F. English, the location is in Point Pleasant, Bucks County, Pennsylvania. The painting depicts a scene of blue skies with two farmers tossing hay with pitchforks & two horses harnessed to a hay wagon, with barns to the background. The painting signed lower right " Frank F. English", condition is excellent this very charming painting is ready to hang on your wall. Biography Frank F. English was born in Louisville Kentucky in 1854. In the early 1880s, he studied for five years in the evening classes of the Pennsylvania Academy of the Fine Arts. His instructors included Thomas Eakins, James P. Kelly and Thomas Anshutz. However, English's reputation primarily rests with his outstanding facility as a watercolorist; most of his known paintings are executed in this medium. English's propensity for its use coincides, appropriately enough, with the watercolor's growing popularity among other American painters. The American Water Color Society brought the medium special prominence by the late 1860s, and acceptance on the level of oil painting in 1876. That same year, the society was invited to display its works at the Philadelphia Centennial Exposition. Its members exhibited 116 watercolors, and their public exposure was enormous. It is safe to assume that during the 159-day Centennial, Frank English was among the nearly 10 million exposition attendees, surpassing attendance records at all preceding world's fairs. At age twenty-two, English, traveled to Philadelphia to see works by the Society's notables such as Samuel Colman, R. Swain Gifford, Louis Comfort Tiffany, Albert Fitch...

An original French Surrealist lithograph in colors by Jean Cocteau (1889-1963), titled "Tete un Profil", 1950. This wonderful original lithograph by Jean Cocteau depicts a beautiful ...

A very beautiful antique Art Nouveau bronzed Carrara marble sculpture bust of a young maiden circa 1900, by Gustave Van Vaerenbergh (1871-1927). The sculpture portrays a beautiful young maiden made from Cararra marble, she is wearing a laurel wreath in her hair. She wears a bronzed bodice with leaf decoration in relief and is raised on a varigated grey & white socle base. The sculpture is signed to the rear " G. V. Vaerenbergh" and numbered "1173", the bust is in excellent condition. Gustave Van Vaerenbergh attended classes at the Academy of Fine Arts in Ghent, Belgium from 1888 to 1890. Like many artists from a modest background (he was the son of a shoemaker) , Gustave Van Vaerenbergh went to work in companies where he could use his artistic talent and education for commercial purposes. In 1901 he moved to Saint-Josse-ten-Noode , and a year later to Schaerbeek where he would live for the rest of his life. He went to work there as a " mouleur en plâtre " (modeller or maker of matrices for plaster statues) at the company A. Carli Frères in the L'Olivierstraat in Schaerbeek, a company that produced commercial statues. This successful company, which was active from the beginning to the middle of the twentieth century , initially had about 20 employees and at its peak about 100 employees. The statues were distributed worldwide. Antonio Carli, a sculptor, was the founder of the Atelier A. Carli Frères, together with family members. They came from Bagni di Lucca...

A very attractive mid 19th century marine oil painting, by the celebrated French artist Charles Hoguet (1821-1870), Dieppe 1851. The painting depicts three masted fishing boats with ...

"Parterre at Casa de Mateus," Acrylic on Paper over Wood Panel, Tom Fawkes (1941- present), painted 2007. This painting is so wonderfully detailed & depicti...

A fine & large antique French Art Deco Bronze leaping stag sculpture/statue, by Georges H. Laurent (1880-1940), circa 1925. Georges H. Laurent was known for his animal subjects and t...

Abstraction is important to me because it allows me to be able to work with feelings, that can't always be explained with words. So I use color and movement and forms to speak for m...