2,384 results for "weapons"

19th century sword cane from England with a metal top, which opens to reveal a snuff compartment. The can itself is made from bamboo. The handle...

"Art is a Weapon" FRAMED Photography 30" x 44" in Edition of 7 by Brendan North Signed and numbered by the artist. Comes with COA issued by the Artist Size framed: 34' x 44' in ABO...

Mantel Clock "Atala and Chactas" Paris Bronze (fire-gilt and patinated), enamel Empire around 1810 Dimensions: H x W x D: 40 x 32 x 11 cm Description: Very rare and extremely high quality French mantel clock, so-called Pendule Au Bon Sauvage. Depicted are scenes from the love story "Atala or the love of two savages in the desert" written by Francois René Vicomte de Chateaubriand in 1801. At the beginning of the 19th century, this was probably the most famous love story in Europe, but today it has been forgotten. The story, set in present-day Louisiana (USA), is roughly rewritten about the forbidden love between Chactas, a young Indian, and Atala, the beautiful daughter of a Spaniard. Chactas is captured in a battle between two Indian tribes, chained to a palm tree and is to be sacrificed. Atala wants to save his life and convert him to Christianity. She unties him from the palm tree at night and they flee together into the wilderness of North America. Their love for each other grows stronger and stronger and they have prospects for a future together. The story takes a tragic turn when Atala, who must remain a virgin due to a vow made by her mother, can no longer withstand the conflict of her feelings and commits suicide. The main group of characters thus shows Chacta's liberation through Atala. Atala is leaning against a pile of logs. The animal fur thrown over the logs and the weapons leaning against the stack on the right give the impression of a night camp. The bronze is of rarely beautiful quality, finely chiselled and makes the scene appear very lively. The contrast of fire-gilded and patinated bronze adds tension to the composition. In the base we see the Entombment as the end of the tragic love story. This bronze work is also very detailed, the interplay of bright and matt gilding makes the flat relief appear much deeper than it is. The depiction of the mantel clock presented here shows that the exotic was only known from stories and that the bronzier had his own ideas about the appearance of this distant world. The Indian, for example, has very European facial features and his skin was not black in reality, of course. The palm tree was also certainly not found in the North American wilderness. The heart of the clock is a French pendulum movement, integrated into the wooden pile, with an eight-day power reserve and a lock plate striking a bell on the half and full hour. The pendulum is suspended on a thread, typical of the period. The classically shaped hands, so-called Breguet hands, are also typical of the time. The enamelled dial has black Roman hour numerals, Arabic quarter hours and bears the signature: Le Roy hr. de Madame A PARIS. Interesting facts: The period from 1795 to about 1815 saw the creation of probably the most spectacular group of bronzes: The "Au bon Sauvage" pendulums - depictions of the "Noble Savage". Today's viewers react to these objects with both fascination and irritation. Enthusiastic on the one hand about the obvious quality of the detailed bronzes and the allure of the exotic, on the other hand distanced and cautious because of the possible discrimination that is suspected behind them. The ambivalence of this feeling motivates the search for the conditions of origin of these pendulums. Europeans found their new ideal of the natural man primarily in fictional and realistic travelogues about the Indians of North America...

Chair designed by Finn Juhl in 1945, relaunched in 2003. Manufactured by House of Finn Juhl in Denmark. In the Autumn of 1945, Finn Juhl presented the 45 Chair...

Magic Mood. Wash your room in warm ambient light with our Lisbon Torchiere. A thick marble base with a polished brass stem and three perforated enamel...

Antique pendant/brooch with hand- carved Shell Cameo depicting the head of Medusa Gorgo. Cameo carved with great accuracy and attention to detail. Shield shaped frame in solid 18K. ...

A fine later casting of the famous Frederic Remington sculpture "The Scalp", cast in the 1970's or 1980's. Description: After Frederic Remington, American (1861 - 1909) - The Scalp...

Important 18/19th century Chinese Qing Dynasty bronze seated Guanyin Buddha statue with serene facial expression, seated in dhynasana on a double-lotus base, hands in anjali mudra, the upright body adorned with jewelry, wearing layered robes, the hair neatly tighted up in a high chignon. The bronze statue weighs over 17 pounds. The underside is engraved with a floral Lotus pattern symbolizing the indestructible ground of the universe and protection. Sealed inside the bronze statue are loose unknown religious items. High-quality Chinese bronze statues...

Title: 18th-Century Engraving of Mortar and Howitzer Design from Diderot's Encyclopédie Description: This original 18th-century engraving is a highly detailed technical illustrati...

A large antique Chinese glazed Sancai pottery temple guardian figure, designed to ward off evil spirits and protect the owners tumb. Hand crafted, excep...

Japanese Koto Wakizashi Sword Japan Ca. 1400-1600s Length: 24.25” Blade Total Length: 27.25 Nagasa: 18.5” Koto wakizashi, with wild midare (Soshu?) hamon, including wild boshi. Hada indeterminate, with Shakudo & gold dragon menuki, beehive design fuchi kashira...

A great looking hand carved original wooden Folk Art Statue. A great piece for a suitable ambiance in a Cabin room or the office of a Hunter or Woodsman. More than likely one of the ...

MYTHOLOGICAL SCENE Italian oil on canvas painting cm.100x100, Alfonso Pragliola Italia 2010 In this oil on canvas, the painter makes his own personal and modern interpretation of Ant...

Antique Iron and wood horse shaped food chopper. The iron slab has been cut with a horse silouette, The superior and inferior edges have been slightly grinded, while the curved lower...

Beautiful tile mural with the "GENTLEMAN" motif finely painted. Tile mural size: 91.45"H X 59"W (232.5cm X 150cm) Tile size: 5.9"H X 5.9"W (15cm X 15cm) Origin: Portugal Productio...

Very unusual pair of chairs, hand carved, possibly using a chainsaw as well as other blades, of a fierce looking eagle with unfurled wings, its talons on the feet of a man on all fou...

Large and powerful print by Cleon Peterson. Hand signed on bottom right of print by Cleon Peterson and numbered on bottom left. Limited Edition of only 150. This print is number 149 ...

17th century arrowheads excavated from central highlands, Vietnam. Beautiful greenish patina which is typical of bronze artifacts. This type of artifact is common in ancient tools a...

Long Nose Scared Head McEwan Golf Club, Musselburgh. An elegant, early scared head (or "scare joint") long nose golf club by McEwan of Musselburgh, one of the earliest and most respe...

An 18th century carved oak statuette of Saint Catherine of Alexandria, probably South German, depicting a finely carved figure in pooling...

Period: 17th century Style: Rome and Antic Greece Condition: Perfect condition Material: Wool Width: 465 cm Height: 307 cm Depth: 1 cm In keeping with tradition, this magnificent ta...

Love Scene against the Wall - part 4 (Sidewinder) - 2005, 40x39cm, Edition 3/10. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inven...

Endlessness This graphite pencil drawing ‘Sands of Time – 23-03-24’ follows exactly one month after my last one ‘Cleopatra – 23-02-24’. They both are part of my series...

We kindly invite you to read the full description, as we aim to provide detailed technical and historical information to ensure the authenticity of our pieces. Unusual and refined pa...

A Native North American carved wood and painted effigy figure, Hopi Katsina or Kachina doll. A wonderfully playful, coloured and highly individual Hopi Katsina doll. Each doll repr...

Extremely fine quality Directoire/Empire gilt bronze mounted gilt brass skeleton clock with enameled chapter ring and openwork movement. Roman numerals for the hours and outer half...

An exceptional Victorian or Renaissance Revival sideboard, credenza, or bar cabinet In the manner of R.J. Horner Romania, Circa 1890s Walnut, with carved faces and hunting scenes...

Well-loved and richly worn, this petite bronze traveling shrine from North India depicts the Hindu god Ganesha. Attributed to 17th century or later, the palm-sized icon reveals its a...

A rare carved walnut wardrobe opening with four door-leaves and two drawers in the lower part. The doors bear architectural views in low reliefs, fluted pilasters and Ionic capitals. Upper Body Two door-leaves with carved architectural perspectives open the wardrobe framed by three fluted pilasters with Ionic capitals. Each door-leaf depict two semi-circular arcades whose cornice and base shows a central vanishing point. Likewise the pavement’s lines act for the artisan as a way to create depth. The vaulting instead leads us to think the vanishing point has to be situated where the handle is, between the two complementaries reliefs. The elegant moulded belt hides an internal secret space, accessible through a moveable plank in the upper body. Lower Body Two door-leaves identical to those of the upper body framed by three fluted pilasters with Doric capitals. The base of the wardrobe opens with two large drawers. The sides also bear panels depicting architectural perspectives. The external pilasters share their Ionic capital with the facade’s pilasters. Thus we can observe on the wardrobe’s sides the capital’s lateral parts with the elegant volute specific to the Ionic order. This palace wardrobe is topped by an overlapping cornice standing on three consoles for the facade and two consoles on each sides. Placed right above the pilasters each console are adorned by fully expanded leaves. During the 15th century a major interest for architecture and perspective studies arises and influences patrons tastes. The work of great theorists such as Leon Battista Alberti...

Shepard Fairey War By Numbers Letterpress on Cream Cotton Paper with Hand-deckled Edges Year: 2024 Size: 20.5 x 15.25 inches (52.07 x 38.74 cm) Edition: 450 Signed, dated and numbere...

A nice little bronze Grand Tour souvenir bronze of the Dying Gaul a famous sculpture of antiquity preserved in Rome. This bronze has nice detail. The patina is worn in some places and it is in estate found condition. We haven’t tried to clean or polish it. Some patina loss minor nicks and surfaces scratches, please see the detailed photos. For this interested this from Wikipedia about the original sculpture: The Dying Gaul, also called The Dying Galatian[2] (Italian: Galata Morente) or The Dying Gladiator, is an ancient Roman marble semi-recumbent statue now in the Capitoline Museums in Rome. It is a copy of a now lost Greek sculpture from the Hellenistic period (323–31 BC) thought to have been made in bronze.[3] The original may have been commissioned at some time between 230 and 220 BC by Attalus I of Pergamon to celebrate his victory over the Galatians, the Celtic or Gaulish people of parts of Anatolia. The original sculptor is believed to have been Epigonus, a court sculptor of the Attalid dynasty of Pergamon. Until the 20th century, the marble statue was usually known as The Dying Gladiator, on the assumption that it depicted a wounded gladiator in a Roman amphitheatre.[4] However, in the mid-19th century it was re-identified as a Gaul or Galatian and the present name "Dying Gaul" gradually achieved popular acceptance. The identification as a "barbarian" was evidenced for the figure's neck torc, thick hair and moustache, weapons and shield carved on the floor, and a type of Gallic carnyx between his legs.[5] Description The white marble statue, which may originally have been painted, depicts a wounded, slumped Gaulish or Galatian Celt, shown with remarkable realism and pathos, particularly as regards the face. A bleeding sword puncture is visible in his lower right chest. The warrior is represented with characteristic Celtic hairstyle and moustache with a Celtic torc...

Ray gun is one of Oldenburg’s most iconic motifs, and the artist’s tongue-in-cheek alter ego. Oldenburg took the name from a weapon used in the show “Buck Rogers in the 25th Century ...

Sensational image by Gustave Doré Woodcut engraving Published C.1880 Unframed. Free shipping

A German Expressionist bronze sculpture "Polospielers" (Polo Players). Signed and marked 'Fred Voelckerling, 1919' on the base. In very good condition, normal wear and patina. Dimensions: 45x28x36.5 cm The aesthetic composition is depicting two polo players on horseback, in full competition. The horses' movement has a special elegance and sobriety, and the finish is of remarkable sensitivity, the anatomical elements are distinguished, without the stylization becoming of a trivial naturalism. The polo players are caught in a moment of maximum tension, struggling to keep both the horses in check and the clubs in play. The whole ensemble exudes the emotion of movement and competition, being a perfect example for the expressionist sculpture. Alfred (Fred) Hans Voelckerling (1872-1945) was a German artist who worked as both a sculptor and a painter. He has created many works of art that have been exhibited in different countries. His works are very impressive and often show people or animals in different situations. Voelckerling's art is well known and admired by many people around the world. After graduating from the Dresden school for arts and crafts where he worked in the studio of Robert Diez...

Vintage Peter Muir Yew Wood Longbow. A very good archery long bow, produced by Peter Muir, the Scottish bowyer (bow-maker) from Edinburgh. The bow is fitted with two horn nocks, a mo...

Early 20th Century Sable Shaped Letter Opener. A letter opener with a very distinct sable style design - early 20th century or even late 19th century. Shows a nice patina. About O...

An warior axe from the Fang tribe (Gabon) with a rich aged using patina from the 19th century Totally uncleaned blade Length wooden handle 49 cm, iron blade 15.5 x 10.5 cm Tribal pat...

This prestige weapon was commissioned by Emperor Menelik II of Ethiopia as a diplomatic gift for the renowned French Armenian merchant and honorary French envoy Matig Kevorkoff, a pr...

Gordon B. Coutts (Scottish/American, 1868-1937) A very fine and large orientalist oil on canvas titled "Ashura Rituals, Tangier" (Arabic: عاشوراء‎ ʻĀshūrā’ - Urdu: عاشورا‎ - Persian: عاشورا‎ - Turkish: Aşure Günü). Signed and inscribed: 'Gordon Coutts/TANGIER' (lower right), circa 1920. Provenance: The Fisher Art Museum, University of Southern California. Gordon Coutts led a peripatetic career, born in Aberdeen, Scotland, he then studied and travelled to Glasgow, London, Paris and Rome before settling in Melbourne, Australia in 1891. In 1896 he moved to Sydney, where he taught at the Art Society of New South Wales, before returning back to Europe in 1899. With the climate of northern Europe detrimental to Coutts' poor health, he moved with his wife, Alice Grey, to the United States where he became a frequent exhibitor at the Bohemian Club in San Francisco. In 1920 he travelled to Tangiers, Morocco where, dressed as an Arab, he passed from tribe to tribe observing the lifestyle, customs and practices of the the village people and Bedouins. The present work depicts the celebration of Ashura. The day of Ashura is commemorated by Shi'ite Muslims; "A day of pain, pilgrimage and pageantry, it is one of the holiest in their religion. The word Ashura means 10, and refers to the tenth day of Muharram, the first month of the Islamic calendar. This is a period of mourning and cleansing, which marks the martyrdom of Hussein, grandson of the Prophet Muhammad...

Stunning Medieval Inspired wall mirror, Carved Walnut Wood, Spain, 1930s. One of a kind carved walnut mirror framed by a spanish knight. This finely car...

Set of 4 original prints of 'McIan's Costumes of the Clans of Scotland'. Included are: Mac Lachlan, Mac Innes, Ferguson and Mac Quarie. This is the reprint of the famous 1845 version, published by David...

"The Arms Collector" - An Exceptional Orientalist Watercolor by Filippo Indoni This captivating watercolor, titled The Arms Collector, is an exceptional work by the renowned Itali...

Bowenite is often mistaken as Jade. Bowenite is a hard, compact variety of the serpentinite species antigorite. It has been used for tools, weapons, and jewelry by the Māori in New Zealand (it is also called Tangiwaite or Maori Greenstone), and this gemstone was used for jewelry by Fabergé. Bowenite is also the state mineral of Rhode Island in the USA. It typically ranges in color from dark green to light olive green and in shades approaching yellow. Bowenite was named by James D. Dana in 1850 after George T. Bowen, who analyzed it in 1822. This is Bowenite from the New Zealand company of Tuarangi Jade Jewellery. The Maori classification system for pounamu describes four varieties: Kahurangi, Kawakawa, Inanga, and Tangiwai ((Bowenite) is the type of serpentine). This beautiful, elegant, long necklace is made of high-quality natural Bowenite. The bowenite beads are top quality, pure, uniform, and soft green, and they're sumptuous in how they look and feel. The beads are very old. Each bead was cut by hand and polished by a craftsman. The beads are much older than the necklace. Authentic, natural color. No thermal or other mechanical treatments were used. Even holes in the beads were drilled by hand. Therefore, each bead is not ideal but perfect at the same time. This necklace alternates beads of jade...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Ap-Pa-Noo-Se, A Saukie Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. For his portrait Ap-Pa-Noo-Se (A Chief When a Child) is wearing a feathered headdress, long ornamental earrings, multiple chain necklaces...

This Mercury by Montagne has lovely patina and surface and is a pleasingly different depiction of Winged speed as he is seated! It is an arresting pose and elegant and covers all fa...

Introducing the captivating Silver-Gilt & Jewel Mounted Dagger, a true masterpiece of craftsmanship. This Mughal-inspired dagger knife, made from 1.1 kg of silver, serves as an exquisite collectible to adorn your living room. Its regal design features a gold-polished surface adorned with an array of large, all-natural gems. As the name suggests, this dagger is embellished with Navratna, a combination of nine precious gemstones...

Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...

This is a truly exceptional set of 18th century Samurai armor that is sure to impress any collector or enthusiast. The patinated iron used in its construction has aged beautifully, giving the armor a truly unique appearance that is sure to catch the eye. The brocade silk and cotton padding used to line the armor not only provide a comfortable fit for the wearer, but also add an extra layer of decorative flair. One of the most striking features of this armor is the crests of the Hirate samurai clan that adorn it. These crests are a symbol of the clan's identity and heritage, and their presence on the armor speaks to the deep connection between samurai warriors and the clans they belonged to. The Kabuto...

Mushroom lamp designed by h220430, Satoshi Itasaka. This work's theme is nuclear. We human being treats this difficult materials for electric energy or weapon. This woks tell us su...

Marzio Masturzo (Active in Naples and Rome in the second half of the 17th century) Attributable Battle between Christian and Turkish cavalry Oil on canvas 78 x 144 cm - 99 x ...

Provenance: Christie’s. The panels with carved figural vignettes- floral vines at the top, the bottom with small ones with figures at various tasks in landscapes with houses, the lar...

This 18k gold ring features an intaglio attributed to James Tassie, circa 1760-1780. The deep, red cast glass intaglio is embossed with an image of Hercules and Omphale, standing in ...

This flat shadow puppet was crafted on the island of Java by a puppet artist using buffalo hide and mounted on bamboo sticks. It features movable arms, controlled by outer bamboo rods. It was used in Wayang...

Full Moon Night (from "In the Floating World" series) Fuji Xerox copy print Signed, dated, and numbered 11/50 in pencil. Image: 29.5 x 41.5 cm. Sheet: 29.5 x 41.5 cm. BSS No. : E-199...

Vintage Peter Muir Yew Wood Longbow. A very good archery long bow, produced by Peter Muir, the Scottish bowyer (bow-maker) from Edinburgh. The bow is fitted with two horn nocks, a mo...

Ancient Greek city-states such as Corinth were defended by the hoplites (derived from the hopla or round shield), citizen-soldiers primarily armed with swords, spears and shields. S...

Tennis Player heavy oil impasto on canvas framed. Elisabeth Sabala Abelló (Barcelona, 1956). She studied industrial design at the School of Arts and Crafts in Barcelona ​and has a degree in Fine Arts, a specialty in painting, from the Central University of the same city. Sabala is a convinced figurative who has given all the prominence of her work to the representation of the human being in its most trivial aspects. At a time when the artistic landscape extols abstract and conceptual art focused on the great universal themes, Sabala continues to focus on the small defects that bring us closer to the collective and the human. The artistic progression of Sabala takes place, at first, from a bleak period to another vitalist and, later, from the representation of isolated characters (In the super, Reading the stories of​ the paintings) to the recreation of great concentrations of its peculiar individuals characterized in an endless number of situations (The Great Dance, The Girls of the Choir). Sabala's work is vital and touching, as well as scathing and satirical: it confronts its characters in the most varied situations, capturing, at the same time, the viewer's attention with an unusual juxtaposition of colors that do not seek chromatic harmony, but expression and movement through matter. In 1980 she won the first prize of a painting of the City of Castelldefels, and the following year she debuted individually in the Caixa Catalunya room, in Barcelona. In 1984, she was selected for the XXIII Joan Miró Drawing Prize, taking part in a traveling exhibition in Japan. He won the first prize of the International Painting Competition of Pollença (Mallorca) in 1985, and the following year he took part in a collective held at the Martano gallery in Turin. That same year of 1986 she obtained the Scholarship of Plastic Arts of the Generalitat de Catalunya. Sabala continues to hold personal shows in Barcelona, ​​Mallorca, Madrid, and Italy, and in 1989 she debuted in New York with an individual exhibition held at the Scott Alan Gallery. Since then she will reiterate his presence both in that city and in Paris, Berlin, Monaco, Amsterdam, Los Angeles, Mexico City, Hong Kong, etc. His works have been present at Interactive, ARCO, Art Forum, Art Jonction and New Art, as well as in various Spanish museums. • Studies: Fine Arts, University of Barcelona • Industrial Design, School of Arts and Crafts, Barcelona Main exhibitions Spain: • Barcelona: ◦ Arcs & Cracks​, 1990, 1992, Anna Benach 1993, Helena Ramos 1993 ◦ Maria Jose Castellvi 1996, 1997, 1999, 2001 “a wedding is a wedding” + Performance “Ella” ◦ 2004, 2006 “Fashion satisfaction” + Performance ◦ 2008 “Women's weapons” • Girona: ◦ Helena Ramos 1990, 1991, 1993, 1995 ◦ Cyprus Art...

Rare artwork by the tribe of Zulu in Africa, the native weapon to attack the enemy and animal, and protect oneself. It's a typical form to have a Cowhide Shield with Spear and Mallet...

Three Antique Oceania Engravings – Guam Chamorro Life, Distillery & Costumes, 1836 Description: This set of three original 19th-century engravings illustrates scenes of daily life a...

Japanese Edo Period Musha Ningyo Seating Samurai, Ca. 1800 DIMENSIONS Height: 16 inches Width: 19 inches Depth: 10 inches ABOUT Musha Ningyō (武者人形)- Literal meaning: "Warrior Dolls...