887 results for "henry moore"

This exquisite lithograph after Edward Ardizzone (1900–1979), titled The Wreck, S.P.32., originates from the School Prints Ltd. series, published by School Prints Ltd., London, under...

ed.3/10 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hu...

This 21st century hand-carved stone portrait bust is expertly hewn from a striped gray and tan stone. The artist expertly and intentionally utilized the natural veining of the stone ...

Prise Patinated Bronze Bottle Opener by Henry Wilson Dimensions: W 3,6 x D 3,5 x H 12 cm. Materials: Bronze. Available in patinated and blackened finishes. Please contact us. Prise...

Edition of 6 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ke...

Manuel Carbonell – Pygmalion and Galatea (1962–63) This striking rendition of Pygmalion and Galatea, sculpted by Cuban-American master Manuel Carbonell, captures mythos and modernis...

This exquisite lithograph by Alberto Giacometti (1901–1966), titled Annette (Annette), from the album Les Lithographies de L'Atelier Mourlot, Paris (The Lithographs of the Mourlot Workshop, Paris), originates from the 1965 edition published by Redfern Gallery, London; printed by Mourlot Freres, November, 1965. This artwork reflects Giacometti’s masterful exploration of portraiture, where searching line and expressive repetition capture the psychological presence of the sitter with both immediacy and existential depth. Executed as a lithograph on velin d’Arches paper. 10 x 7.5 inches. Unsigned and unnumbered as issued. The impression reflects the exceptional quality associated with the Mourlot atelier, renowned for its collaborations with the most important artists of the twentieth century. Artwork Details: Artist: Alberto Giacometti (1901–1966) Title: Annette (Annette), from Les Lithographies de L'Atelier Mourlot, Paris (The Lithographs of the Mourlot Workshop, Paris), 1965 Medium: Lithograph on velin d’Arches paper Dimensions: 10 x 7.5 inches Inscription: Unsigned and unnumbered as issued Date: 1965 Publisher: Redfern Gallery, London Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Les Lithographies de L'Atelier Mourlot, Paris, published by Redfern Gallery, London, 1965 Notes: Excerpted from the album (translated from French), This album was published on the occasion of the exhibition, "The Mourlot Workshop" at The Redfern Gallery, 20, Cork Street London WI, December 7, 1965 to January 31, 1966. There were printed of this work M examples on velin d’Arches, and C examples on velin de Rives BFK, reserved for the artists, collaborators, and friends of the Imprimerie Mourlot and the Redfern Gallery. About the Publication: Les Lithographies de L'Atelier Mourlot, Paris (The Lithographs of the Mourlot Workshop, Paris), published in 1965 by the Redfern Gallery in London, stands as a landmark publication dedicated to one of the most important print ateliers of the twentieth century. Produced in conjunction with a major exhibition highlighting the achievements of the Mourlot workshop, the album celebrates the collaborative relationship between artists and master printers that defined modern lithography. Mourlot Freres, based in Paris, worked closely with leading figures of modern art, including Picasso, Miro, Chagall, Braque, and many others, providing the technical expertise necessary to translate their visions into lithographic form. The publication presents a curated selection of original lithographs that exemplify the range, innovation, and artistic excellence of the atelier, reflecting both the technical mastery of Mourlot and the creative diversity of the artists it supported. Printed with exceptional care and distributed through an international gallery context, the album represents a significant moment in the history of twentieth century printmaking, bridging the worlds of exhibition, publication, and artistic production. Today, it remains highly regarded by collectors and scholars as a definitive document of the Mourlot workshop’s central role in shaping modern graphic art. About the Artist: Alberto Giacometti (1901–1966) was a Swiss sculptor, painter, and draughtsman whose hauntingly elongated figures and existential vision redefined modern art and made him one of the most influential artists of the 20th century. Born in Borgonovo, Switzerland, into an artistic family his father, Giovanni Giacometti, was a noted Post Impressionist he was immersed in art from an early age before studying in Geneva and moving to Paris in 1922, where he became part of the city’s avant garde alongside Pablo Picasso, Alexander Calder, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which reflected the influence of Dali, Duchamp, and Man Ray. By the 1940s, he abandoned Surrealism to pursue a deeply personal exploration of the human condition, developing his iconic attenuated figures that embodied both fragility and resilience. His signature sculptures L’Homme qui marche I (Walking Man I), Femme debout, and Le Chariot expressed the isolation, endurance, and vulnerability of modern existence, echoing the existential philosophy of Jean Paul Sartre and Simone de Beauvoir. Giacometti’s figures stripped of mass yet monumental in spirit symbolized humanity’s search for meaning in a postwar world, while his paintings and drawings portraits of his brother Diego, his wife Annette, and his friends captured the psychological depth of perception with trembling, repetitive lines that blurred the boundary between body and soul. His friendships with Picasso, Calder, Miro, and Kandinsky shaped his understanding of form, motion, and space, while his philosophical engagement with Duchamp and Man Ray deepened his inquiry into the nature of reality and perception. Working obsessively in his modest Montparnasse studio, Giacometti pursued art as an existential act destroying and rebuilding his figures in an endless search for truth. His influence on postwar art was immense, shaping the work of Henry Moore, Francis Bacon, Louise Bourgeois, Lucian Freud, and later contemporary sculptors such as Antony Gormley and Anselm Kiefer. His aesthetic also resonated beyond sculpture, influencing fashion, photography, and architecture through his vision of form, isolation, and proportion. Giacometti’s work is represented in major museum collections including MoMA, the Tate Modern, and the Centre Pompidou, and continues to inspire artists, collectors, and thinkers worldwide. Standing alongside Pablo Picasso, Alexander Calder, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Giacometti remains a towering figure in modern art a sculptor philosopher who transformed the human form into a universal symbol of resilience and reflection. His highest auction record was achieved by L’Homme qui marche I (Walking Man I), which sold for 141.3 million USD at Sotheby’s, London, on February 3, 2010, reaffirming Alberto Giacometti’s enduring legacy as one of the most visionary, profound, and collectible artists in the history of modern art. Alberto Giacometti Annette...

Design-For-Today, a short lived modernist avant-garde magazine, 1933 to 1935, UK. A rare and hard to come by complete bound set. Articles, images, designs by British architects and designers, as well as emigres ones . Gerald Summers, Wells Coates, Marcel Breuer, Alvar and Aino Aalto, Walter Gropius, László Moholy-Nagy, Barbara Hepworth, Henry Moore, Ben Nicholson, Betty Joel, Serge Chermayeff, Keith Murray, Charles Boyton, Ronald Grierson...

Uday Mondal - Untitled, 20 x 14 inches (unframed size) Acrylic & Pastel on Paper Inclusive of shipment in roll form. Style : His paintings present details of the society in a responsible, lucid and coherent fashion. They are thought-provoking and give a new perspective to art. The most interesting things about his artworks are that they transcend politics, religion, and gender striking a chord with the viewers. About the Artist and his work : Born : 1976. Education : 1999 : BFA in Painting from the Indian Art College, Rabindra Bharati University, Kolkata 2002 : MFA in Painting from MS University, Baroda. Solo Shows : 2006 : Gallery Beyond, Mumbai 2005 : Jehangir Art Gallery, Mumbai 2001 : Solo Show at Baroda. Group Shows : 2010 : IMA Foundation, London & Jehangir Art Gallery by Pink Ginger Arts, Mumbai 2009 : ‘Art Expo’ Mumbai ; ‘Cutting Chai’ curated by Sandhya Bordewekar, Sarjan Art Gallery, Baroda & Online show ‘IMA foundation’ London. 2008 & 09 : ‘Spandan IV’ Gallery Articulate, Yash Birla Group, Mumbai 2006,07 & 08 : ‘Summer Show’ CIMA Art Gallery, Kolkata 2008 : ‘Emerging India’ Henry Moore Gallery, London by Art Alive Gallery 2007 : ‘Singapore Art Fest’, Singapore ; “Synchrome 4’ Tao Art Gallery, Mumbai & Akar Prakar, Kolkata & ‘Reality Bytes’ three men show...

Signed and dated "52" in pencil Otto Neumann (1895-1975) was a German Expressionist painter and printmaker. His monotypes evolved from sharp, angular, black and whites to late abst...

Otto Neumann (1895-1975) was a German Expressionist painter and printmaker. His monotypes evolved from sharp, angular, black and whites to late abstract prints in a variety of colors. Neumann lived through revolutionary changes in the art world of prewar and postwar Germany. He was a prolific artist in Germany during a time of the country’s unprecedented academic and intellectual growth. His early work shows the influence of both French masters like Cezanne and the contemporary style that was then being developed by German Expressionists like Kirchner. A master printmaker, Neumann was also inspired by the works of Albrecht Durer, whose allegorical subject-matter and unmatched drawing technique Neumann would emulate throughout his career. A lifetime preoccupation with the human figure informs his work, with frieze-like human figures recalling ancient Greek art...

"Untitled" is a painting by American artist David Smith. David Smith’s paintings from the 1930s rarely come to market, and when Untitled (Billiard Players) surfaced at a Christie’s auction in 2018, it created quite a stir, realizing an impressive price of $1.15 million. Painted around the same time, Untitled shares many similarities with Untitled (Billiard Players). Both paintings affirm Smith’s place among the American artists when ideas and style began to intermingle and coalesce around Picasso’s innovations. Uniquely positioned in temperament and ability, Smith was a man of considerable ambition whose direct-metal configurations would have much to do with achieving new ideas about abstraction. Yet all along, he insisted he was a painter, not a sculptor who painted. Paintings by Smith...

Bronze Oni Mask by Splady Art Studios Design by Alexander Yoshikawa Dimensions: W 11 x D 18 x H 25 cm. Materials: Bronze. "Oni Mask" is inspired by the prote...

From a single piece of silver cloud alabaster, the artist has carved a poetic and modern depiction of a reclining figure. The composition of negative and positive spaces changes as t...

Karl Josef Dierkes (1924 Dalhausen - 2008 ibid.), Reclining Female Nude, circa 1960. Bronze 26.5 cm (length), x 11 cm (height) x 7 cm (depth), signed “K.[arl] J.[osef] Dierkes” on th...

Stunning restored lead and aluminum original English 1850s birdbath please look at pictures and video for overall details & measurements feel free to reach out with any additional qu...

Otto Neumann (1895-1975) was a German Expressionist painter and printmaker. His monotypes evolved from sharp, angular, black and whites to late abstract p...

Otto Neumann (1895-1975) was a German Expressionist painter and printmaker. His monotypes evolved from sharp, angular, black and whites to late abstract prints in a variety of colors. Neumann lived through revolutionary changes in the art world of prewar and postwar Germany. He was a prolific artist in Germany during a time of the country’s unprecedented academic and intellectual growth. His early work shows the influence of both French masters like Cezanne and the contemporary style that was then being developed by German Expressionists like Kirchner. A master printmaker, Neumann was also inspired by the works of Albrecht Durer, whose allegorical subject-matter and unmatched drawing technique Neumann would emulate throughout his career. A lifetime preoccupation with the human figure informs his work, with frieze-like human figures recalling ancient Greek art...

Dimensions of the Print : H 17 x W 12.5 the sculptor ‘s drawings are mostly inspired by primitivism style, « Mother and child » is frequently in the artist’s field of research. This...

Exceptionally beautiful balanced sculptural stone formed in the Danian age 63 million years ago. Impressive find and a exquisite natural decoration for the sophisticated interior des...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

Edition: 15 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken...

This exquisite lithograph after Clarke Hutton (1898–1984), titled Harlequinade, S.P.13., originates from the School Prints Ltd. series, published by School Prints Ltd., London, under...

This exquisite lithograph after Russell Reeve (1895–1970), titled The Circus, S.P.17., originates from the School Prints Ltd. series, published by School Prints Ltd., London, under t...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

Mario Almaguer (b. Marianao, Cuba, 1955) He moved to the U.S. in 1994 to Miami where since has been living and working. Essentially self-taught, he embraced sculpture as his mean for expression. Without any kind of formal academic education or training in the arts, perseverance and praxis made him an artist. His work has been influenced by cuban master Agustin Cardenas and british Henry Moore. In his early years until 1994 he produced a large amount of small and medium scale wooden sculptures. From 1994 to the present, Almaguer creates and produces steel sculptures. It's with his works on steel where he encounters a strong expression with a striking liberty hard to deliver in wood. His monumental sculptures were recently exhibited at Miami Dade...

This exquisite lithograph and pochoir after Henri Laurens (1885–1954), titled Nature morte (Still Life), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubis...

“I still look at and learn from the art of the past, and enjoy making interpretations of works which I admire.” Henry Moore Infanta, Floating Balance, Point in Time, and Visionary are monoprints with Chine collé from Suzanne Benton's Paintings in Proust series. This grouping also includes the dry-point etching with Chine collé. Infanta (edition of 10). The monoprints (unique prints) employ the collage technique, chine collé (glued paper). Collé papers are pre-inked and hand-painted. Dimensional printing plates emboss texture onto the prints. The plates are inked individually for each solo print. The images and collé papers are then laid onto the plate and adhere to the printmaking paper as the plate and paper run through the etching press. Other monoprint series have been devoted to Indian and Turkish miniature painting...

From deluxe Roman numeral edition of 20. hand signed Il Teatro from Imagines. Horse and rider. He attended the Accademia di Belle Arti in Florence in 1917. Although he never abando...

“I still look at and learn from the art of the past, and enjoy making interpretations of works which I admire.” Henry Moore Infanta, Floating Balance, Point in Time, and Visionary are monoprints with Chine collé from Suzanne Benton's Paintings in Proust series. This grouping also includes the dry-point etching with Chine collé. Infanta (edition of 10). The monoprints (unique prints) employ the collage technique, chine collé (glued paper). Collé papers are pre-inked and hand-painted. Dimensional printing plates emboss texture onto the prints. The plates are inked individually for each solo print. The images and collé papers are then laid onto the plate and adhere to the printmaking paper as the plate and paper run through the etching press. Other monoprint series have been devoted to Indian and Turkish miniature painting...

“I still look at and learn from the art of the past, and enjoy making interpretations of works which I admire.” Henry Moore Infanta, Floating Balance, Point in Time, and Visionary are monoprints with Chine collé from Suzanne Benton's Paintings in Proust series. This grouping also includes the dry-point etching with Chine collé. Infanta (edition of 10). The monoprints (unique prints) employ the collage technique, chine collé (glued paper). Collé papers are pre-inked and hand-painted. Dimensional printing plates emboss texture onto the prints. The plates are inked individually for each solo print. The images and collé papers are then laid onto the plate and adhere to the printmaking paper as the plate and paper run through the etching press. Other monoprint series have been devoted to Indian and Turkish miniature painting...

Pol Bury (Belgian, 1922-2005) screen print of Statue of Liberty Hand signed and numbered 27/ 62 in pencil Dimensions: 24.25 X 17.5 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

Alistair Grant Wailing Women - 1968 Print - etching, with Aquatint   16'' x 24'' inches Edition: signed and marked in pencil 36/50 image size = 8.75 x 13.5" Unframed in Excellent Con...

Edition: 15 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken...

Konstens Göteborg, Nedslag i fyra sekel, Scandinavian Artists, 19 and 20thc. Gothenburg Museum of Art (Swedish: Göteborgs konstmuseum) is located at Götaplatsen in Gothenburg, Sweden. The museum holds the world's finest collection of late 19th century Nordic art...

An Amedeo Modigliani-inspired brass bust featuring two Minimalist figures. Wonderful slight oxidation to finish over entire brass surface. Nicely scaled piece that can stand alone, y...

edition 1/6 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ke...

Vintage Modernist Nude Rubenesque Women, Terracotta Sculpture. The sculpture is super heavy and made beautifully. Placed on a wooden block. Possibly by F. Kahn. (it's hard to read ...

Provenance: Private collection, U.S.A (acquired April 1996) The wonderful early bronze age marble vases found in the Greek Cyclades islands, with their distinctive bulbous bodies, h...

Artist Commentary: Stoneware; Cone 5/6 Oxidation Firing; Slips & Oxides Keywords: abstract, contemporary, clay, ceramic, vessel, brown, black, white, abstract, minimal, surface texture, zen, meditative Artist Biography: Beverly Morrison...

Artist Commentary: Dark Chocolate Brown Stoneware; Cone 5/6 Oxidation Firing; Slips & Oxides; Faux metal detailing "A relic of nature." Keywords: abstract, textured, ceramic, clay,...

This visceral and sculptural chair is designed and made by renown artist Zhipeng Tan. Size and color is customizable upon request, lead time is 45-60 days. We ship internationally. Since graduating with an industrial design degree from the China Academy of Art in Hangzhou, Zhipeng Tan has focused on the ancient technique of lost-wax casting. Through this foundry process, rich in heritage and tradition, Tan explores his interest in organic forms. Often inspired by his environmental surroundings, such as water and plants, he explores anthropomorphic themes, as well. Though trained as an industrial designer, he has become an accomplished self-taught sculptor, eagerly exploring the elastic and permeable boundaries between art and design and finding a harmonious fusion of sculpture and furniture, provocative objects of both beauty and utility. Though from his early work, one may sense the influence of Joan Miró, Henry Moore and Constantin Brancusi, and in his more recent pieces there is a nod to the Post-Pop sensibilities of Jeff Koons and Takashi Murakami, the work of Zhipeng Tan is thoroughly original, an expression of his exuberance and imagination. In all of his work, one may see an exploration of our fundamental humanity and a desire to discover worlds within worlds. From the 33 Step Chair...

At once elegant and contemporary—this sublime sculpture of a reclining figure is by Jeremy Guy. Chiselled from black granite and honed to a smooth, velvet-like finish, the subject ma...

Artist Commentary: Black stoneware; cone 5/6 oxidation firing "Inspired by my nieces voluptuous pregnant belly " Keywords: vessel, ceramic, classic, minimal, clay, black, classical, minimal, round Artist Biography: Beverly Morrison...

Mother and Child, with a base by Baltasar LOBO (1910-1993) A bronze group with a dark brownish green patina Signed on the base " Lobo " Cast by " Susse Fondeur Paris " (with the fou...

Edition 2/15 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under K...

An Amedeo Modigliani-inspired terra cotta bust featuring two Minimalist figures. Wonderful rust finish over entire surface; illegibly signed to base. Large-scale piece that stands 15...

The Lotus side table is a great accent piece in the interior. It is handmade by renowned Chinese artist Zhipeng Tan and can be customized in size and ...

A small 12.5cm., 5" high biomorphic pottery sculpture of a mother in a reclining pose holding two children. brown glaze. The bottom stamped 'art pot...

Toro Bull Patinated Bronze sculpture on marble base, artist signed, 16.5h x 8w x 6d, base 6"h x7.5"w x6"d Heriberto Juárez (March 16, 1932 – August 26, 2008) was a self-taught Mex...

Artist Commentary: Black stoneware; cone 5/6 oxidation firing; Slips and Oxides "With some individuals you have to get really close before you get to see the heart inside." Keywords: abstract, contemporary, ceramic, expressive Artist Biography: Beverly Morrison...

This superb British 1930's modern art tempera painting is by noted interwar artist Blair Hughes-Stanton. Painted in 1936 it is part of the myth se...

Alistair Grant was a familiar feature of the London art scene. Best known as a printmaker, his entire teaching career was spent in the printmaking department at the Royal College of Art, where he was to become Professor. Over the years he taught printmaking to many who were to become leading UK artists. Grant was at the top of his profession and a groundbreaker in his explorations of mixed media techniques. Grant was also a wonderful painter. In the early 1980s his imagery had turned to an open expressionist style, with sweeping brush marks and the introduction of new vibrant colour. Inspired by the Normandy coastline around Etaples and Le Touquet. Grant would create cyphers from the shapes and forms in the landscape, which he would offset against curtains of colour. They evoke bright or misty days, blazing skies or sunsets, beaches or harbours. The paintings and prints are descriptions of places he loved and constantly returned to. One could describe him as a French reflection of the St. Ives School where painters explored the landscape in similar fashion, as they still do. There is a wonderful sense of freedom in these images, and a great joie de vivre. Grant was a supreme colourist. He also co-authored an important book on the life and works of fellow English artist Henry Moore, whom his abstract figurative style resembles. This print is from the late 1960s and show the strong influence of figurative abstraction and surrealist elements in his work. Although best known as a printmaker, Grant also painted throughout his career and in the 1980s he adopted an expressionist style using vibrant colours. He was born in London and studied at Birmingham College of Art (1941-43). After serving during the war, Grant returned to art school and the Royal College, where he was taught by Carel Weight and Ruskin Spear. Grant was to work in the printmaking department of the Royal College for 35 years (1955-90), ending his career as Emeritus Professor of Printmaking at the RA. He showed with Julian Trevelyan. Grant showed at the Royal Academy, Artists International Association, and New English Art Club, and was a prize-winner at the Krakow Print Biennale in 1972. The TATE, The Victoria & Albert Museum, British provincial and many overseas galleries hold Grant’s work. His work is amongst the finest of modern British printmaking alongside richard smith, joe tilson, peter blake, patrick caulfield, alan davie, terry frost, david hockney and howard hodgkin. Select Group Exhibits 1951 New Editions Group,Auckland,New Zealand 1952-54,78 Redfern Gallery, London 80,83,84,86 1956 Nutida Engelsk Grofik, Stockholm 1957 National Arts Council of Southern Rhodesia 'Looking at People', South London Art gallery 1959 Tel Aviv Museum, Israel Arte Britonico Maderno Figurotiro, Galeria,Buchloz, Bogota The London Group 1960 Graven Image, Whitechopel Gallery, London Sixteen Pointers, A I.A. Gallery, London 1961 Museo de Arte, Barcelona Senfelder Group, Arts Council, London 1962 Towards Art Gulbenkian,R.C.A .London Contemporary British Pointers, Birmingham 1964-66 Curwen Gallery 1966 Crabowski Gallery, London 1967 A.A.A. Gallery, New York Schuman Gallery, New York 1968 Camden Arts Centre, London 1969 Pratt Centre, New York Art for lndustry, Arts Council, London 1970 University of South Florida, Miami 1971 Portland Museum,Oregon 1972 Art Gallery of Ontario, Toronto, Canada 1976 R.C.A.Printmakers,Waddington Gallery,London 1988 'Exhibition Road',R.C.A,London 1989 Berkeley Square Gallery, London 1989,90 Austin Desmond Gallery, london 1990 Scottish Gallery, London 1991 Big Little Picture-Show,W.Jackson,London 1992 'Winter Seen III',W.Jackson Gallery,London 1993 1 st Egyptian Print Triennale, Giza, Egypt 1994 Art '94, london, with Art First La Galerie du Touquet (with Alain Morcot) 1995 Art...

Pankaj Panwar Pastel on Paper, 6 x 9 inches (Unframed Size) 2017 (Each) Set of 2 works ( Delivered unframed ) Born : 1961. Education : 1988 - M.F.A. (Sculpture) from Fine Arts Faculty, M.S. University, Baroda. 1986 - B.F.A. (Sculpture), Kala-Bhavana, Visva-Bharati University, Santlniketan.1989-1990 - Post-Experience Diploma in Sculpture, Royal College of Art, London, UK . Professor in Sculpture, Kala-Bhavana, Visva-Bharati University, Santiniketan, W.B. India. Select Solo Exhibitions : 2008 Aicon Gallery, Palo Alto. Grosvenor Museum, Chester, UK. R. C. A., London, UK . Leeds City Art Gallery, Leeds, UK Art-Heritage, New Delhi. Select Group Exhibitions : 2008 Shaptarishee, Sculpture in Steel, organized by Depika Jindal, by curated Alka Pandey, Habitat center, New Delhi . Edge of Desire – Idioms of Indian & Italian Contemporary Art, NGMA, Kolkata, Bombay; New Delhi. The Human Figure, Gallery Threshold, New Delhi. Entrusted, Charles Wallace Trust, New Delhi . Continuity, Disjuncture, Creativity, Akar Prakar, Kolkata. Tale of Two Cities, Birla Academy, Kolkata; Mumbai . Hundred and Fifty years of Art of Bengal, CIMA, Kolkata; Mumbai. Multi Media Art...

Alistair Grant Girl III - 1968 Print - Lithograph 23½″ x 31'' inches Edition: Signed in white pencil, titled and marked Artist Proof Alistair Grant was a great and justly-rever...

Motherhood by Baltasar LOBO (1910-1993) A bronze group with a nuanced greenish dark brown patina Signed " Lobo " Cast by " Susse Fondeur Paris " (with the foundry mark) Artist's cas...

Sculptor Studio with the Endless Column, 2016 Acrylic on canvas 82 43/64 H x 107 7/8 W in. 210 H x 374 W cm The artist's reference to fundamental myths...

Ben Nicholson (1894–1982) was a leading figure in British Modernism. His innovative approach to abstract composition shaped painting and sculpture in the 20th Century. Nicholson was...

Famous tourist poster of Hans Erni ( 1909- 2015 ) for the Bernese Oberland in Switzerland. It uses his surrealist way of representing the landscape. ...