156 results for ""blade runner""

Original Australian film poster for the cult 1982 science fiction film starringHarrison Ford, Rutger Hauer and Sean Young. The film was directed by Ridley Scott. This poster is conse...

Original British film poster for the cult 1982 science fiction film starringHarrison Ford, Rutger Hauer and Sean Young. The film was directed by Ridley Scott. This poster is conserva...

Original US set of 8 lobby card for Ridley Scott's 1980s sci-fi film has become a true cult classic. Thirty-five years on a sequel (Blade Runner 2049...

Original US large colour still for Ridley Scott's 1980s sci-fi film has become a true cult classic. Thirty-five years on a sequel (Blade Runner 2049) was ...

An all-time classic, Ridley Scott's landmark Sci-Fi "Blade Runner" was released in 1982. Although initial reception was mixed, the film has become regarded as one of the most influen...

Original vintage poster. U.S. One-Sheet (27 × 41 in.), Warner Bros. Directed by Ridley Scott, starring Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos. Iconic futuristic...

The Billboard series by photographer Eduardo Rezende unfolds as a visual dialogue between art and urban architecture — a fusion that challenges the monotony of metropolitan life. Kno...

Blade Runner 1982 Unframed Original Vintage Cinema Lobby Card Extra Large 16x20" inches / 41x50 cm paper size Unframed (framing options available - please enquire) Condition: Excel...

Blade Runner 1982 Unframed Original Vintage Cinema Lobby Card Extra Large 16x20" inches / 41x50 cm paper size Unframed (framing options available - please enquire) Condition: Excel...

BLADE RUNNER Authentic original vintage one sheet movie poster Artist: John Alvin Condition: A Dimensions: 27.2 x 40.9 in. / 69.1 x 104 cm. Circa: 1982 Linen Backed The poster is in...

'Nihon Noir arose from my fascination with Japan and my desire to translate the feeling that struck me on my first visit, that somehow you have been transported to a parallel future ...

Elegant and unique, this set of two double old-fashion glasses is part of the CIBI Collection by Cini Boeri designed in 1973 whose post-modern silhouette was featured in the 1981 cul...

One of the most important and collectible French Vogue editions ever published. The Issue that Celebrated 100 Years of Cinema —and Defined an Era of Supermodel Glamour Published in ...

NAMED ONE OF WATCHPRO MAGAZINE’S “HOT 100” - THE TOP 100 INFLUENCERS OF THE U.S. WATCH INDUSTRY. HOW CAN WE SERVE YOU? We’re new to offering our carefully curated collection on 1stD...

Giant silos seem to twist to the heavens. Salvador Brazil – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with c...

Worlds End by Vivienne Westwood and Malcolm McLaren. Pink cotton oversized blouse. Oversized turn up cuffs with Velcro fastening, signature using Bla...

The Goonies: The Goonies is a 1985 American adventure comedy film co-produced and directed by Richard Donner from a screenplay by Chris Columbus, based on a story by executive producer Steven Spielberg. In the film, a band of kids who live in the "Goon Docks" neighborhood of Astoria, Oregon, attempt to save their homes from foreclosure and, in doing so, they discover an old treasure map that takes them on an adventure to unearth the long-lost fortune of One-Eyed Willy, a legendary 17th-century pirate. During the adventure, they are chased by a family of criminals who want the treasure for themselves. Artist: Struzan, Drew Edition Details: Year: 2020 Class: Cinema Status: Official Released: 10/08/20 Run: 725 Technique: Screen Print Size: 24 X 36 Markings: Signed & Numbered About Artist: Drew Struzan is an American artist, illustrator, and cover designer known for his more than 150 movie posters, which include The Shawshank Redemption...

SOIR Panier Passer aux informations produits Mugler "Blade Runner" Black Wool Fur Collar Suit Mugler "Blade Runner" Black Wool Fur Collar Suit Mugler "Blade Runner" Bla...

Inspired by the angular architecture and dark moods of Ridley Scott’s 1982 masterpiece Blade Runner, the Fold Table Lamp deploys folded aluminum fins to reflect an ambient glow forwa...

Inspired by the angular architecture and dark moods of Ridley Scott’s 1982 masterpiece Blade Runner, the Fold Table Lamp deploys folded aluminum fins to reflect an ambient glow forwa...

Inspired by the angular architecture and dark moods of Ridley Scott’s 1982 masterpiece Blade Runner, the Fold Table Lamp deploys folded aluminum fins t...

From Alexander McQueen's Fall/Winter 1998 "Blade Runner" collection for Givenchy, this sheer black lace gown features striking a blue underlay. Inspired by the retro-futuristic costu...

Joyce × James Jean Hong Kong Exclusive, 2017 Pistil and Stamen — Diptych Art Deck Set A pristine, sealed diptych art deck set from one of the most signi...

A true trip of adventure and nostalgia, "The Goonies" was released in 1985 to great success. The film was created by executive producer Steven Spielberg, director Richard Donner...

Original 8x10 inches Publicity Film Still for Batman Returns (1992) starring Michael Keaton, Danny DeVito and Michelle Pfeiffer and directed by Tim Butron. Publicity (film/productio...

Archival pigment print Signed and numbered, verso 40 x 52 inches 48 x 65 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. Please note tha...

Inspired by the angular architecture and dark moods of Ridley Scott’s 1982 masterpiece Blade Runner, the Fold Table Lamp deploys folded aluminum fins t...

Archival pigment print Signed and numbered, verso 8 x 10 inches, sheet (Edition of 15) This artwork is offered by ClampArt, located in New York City. Please note that prices increa...

Archival pigment print Signed and numbered, verso 8 x 10 inches, sheet (Edition of 15) This artwork is offered by ClampArt, located in New York City. Please note that prices increa...

Archival pigment print Signed and numbered, verso 40 x 53 inches 48 x 63 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. Please note tha...

Archival pigment print Signed and numbered, verso 30 x 36 inches 40 x 48 inches 48 x 57 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. ...

Archival pigment print Signed and numbered, verso 20 x 24 inches 30 x 40 inches 40 x 53 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. In 1999, Lori Nix and Kathleen Gerber transplanted themselves to New York City, bringing an urban feel to their photos. In the series, "Some Other Place" (2000-2002), neighborhood sidewalks, city parks, and forays into the wilderness were reconstructed, but with a darker sensibility than their earlier series. Nix and Gerber’s subdued color palette and increasingly complex compositions also reflect this change. Lori Nix and Kathleen Gerber have been making art collaboratively for over sixteen years. Originally from the American Midwest, now based in Brooklyn, they construct meticulously detailed model environments and photograph the results. For the last decade they have found inspiration in their urban surroundings, imagining a future mysteriously devoid of mankind. Their miniature fake landscapes and interiors reflect a love of science fiction and dystopian entertainment (think “Blade Runner,” “Planet of the Apes,” “Logan’s Run...

Archival pigment print Signed and numbered, verso 42 x 25 inches 50 x 32 inches 70 x 40 inches 84 x 48 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. With the series, "Lost" (2003-2004), Nix and Gerber continue their investigation of the constructed landscape, this time examining feelings of isolation and loneliness. Like much of their previous work, this group of photographs...

Archival pigment print Signed and numbered, verso 30 x 48 inches 40 x 65 inches 48 x 78 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. ...

Archival pigment print Signed and numbered, verso 16 x 20 inches (Edition of 7 + 3 APs) 20 x 24 inches (Edition of 7 + 3 APs) 30 x 40 inches (Edition of 7 + 3 APs) This artwork i...

Archival pigment print Signed and numbered, verso 8 x 10 inches, sheet (Edition of 15) This artwork is offered by ClampArt, located in New York City. Please note that prices increa...

Archival pigment print Signed and numbered, verso 18 x 24 inches 30 x 40 inches 40 x 53 inches 48 x 64 inches (Total edition of 15) This artwork is offered by ClampArt, located in ...

Archival pigment print Signed and numbered, verso 30 x 41 inches 40 x 55 inches 48 x 65 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. ...

Archival pigment print Signed and numbered, verso 30 x 38 inches 40 x 50 inches 48 x 60 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. ...

An inverted mountain range the dining table places the peaks of the Martian landscape at the centre of the communal domestic experience of the small colony. This epically large piece is made from CNC’d aluminum, a sophisticated manufacturing process that melds the exceptional digital modelling capabilities of MAD Architects...

The MAD Martian collection began with a question: What would the Chinese colonization of a Martian planet look like? This naturally led to more questions such as at what point does survival stop and architecture begin? Once survival is assured, what memory of Earth or love for their new home would these interplanetary colonizers recreate first? The MAD Martian collection is the result of Ma Yansong’s meditation on these issues. Ma is famed for his design philosophy of ‘Shanshui City’, which integrates elements of traditional Chinese landscape design and painting into large-scale urban architecture. The resulting forms are closely tied to elements of the natural environment, conveying both elegant and gnarly lines. With this collection, M continues to employ the Shanshui City design philosophy, putting the contours of the natural environment front and center of the design language, but transplanting it into a science fiction narrative. Ma conceived of the collection as being Noah Beyond The Ark. Timber, used to build the ark, saved the great Old Testament patriarch from the deluge. In MAD Martian, Ma reasoned that in the future, highly advanced materials will catapult those few lucky chosen ones into safe extra-terrestrial environments, beyond the apocalypse. To convey this idea, the first seven pieces in the collection were made using a combination of old and new techniques: advanced machining with hand-finishing and cutting-edge form making finished with artisanal detailing. The MAD Martian collection employs the design language of science fiction, established during the mid-20th century. Traces of the 1960s Space Race aesthetic are visible in the suspension lights, whereas the candelabras and the fish tank take their cue in part from later masterworks such as Alien and Blade Runner. This collection is the result of a two-year research and design development process. It started with a conversation between Yu Wang, co-founder and Director of Gallery ALL, and Ma about the theme of MAD Martian, and what a furniture collection of Chinese interplanetary pioneers would look like. On agreeing to produce the collection, the focus quickly turned to researching the history and current material language of science fiction movies, with specific reference to colonization of other planets and the ‘Space Odyssey,’ generally. Numerous discussions were had between the creative team at Gallery ALL, MAD architects...

An impressively constructed brutalist sculpture as coffee or cocktail table with a free form glass top. Unsigned as far as we can tell, this piece is incredibly intricate in construc...

Archival pigment print Signed and numbered, verso 30 x 39 inches 40 x 51.5 inches 48 x 62 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City...

This chair caused a sensation at the iSaloni 2025 exhibition in Milan, where it was presented for the first time. The Vero armchair is on the verge of art and functionality. Simpli...

'Nihon Noir arose from my fascination with Japan and my desire to translate the feeling that struck me on my first visit, that somehow you have been transported to a parallel future ...

Mineral Tige 30 Hanging Lamp by SLIDE Studio Dimensions: Ø 30 x H 80 cm. Materials: Polyethylene and brass. Available in different sizes. Prices may vary. This product is suitable f...

"Nihon Noir arose from my fascination with Tokyo and my desire to translate the feeling that struck me on my first visit, that somehow you have been transported to a parallel future ...

James Jean × Avant Arte Sculpture Edition of 41 / Print Edition of 56 2025 Sold Out A complete, sold-out matched duo from James Jean's Sun Tarot Nebula collection, the artist's c...

RoboCop 1987 Unframed Original Vintage Cinema Lobby Card Extra Large 11x14" inches / 28x36 cm paper size Unframed (framing options available - please enquire) Condition: Excellent ...

The MAD Martian collection began with a question: What would the Chinese colonization of a Martian planet look like? This naturally led to more questions s...

Michael Wolf The Transparent City by Geoff Manaugh & Natasha Egan. Published by Aperture, New York, 2008. Stated 1st Ed hardcover with dust jacket. "Chicago, like many urban centers ...

The MAD Martian collection began with a question: What would the Chinese colonization of a Martian planet look like? This naturally led to more questions s...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Chorus Mysticus Edition of 25 signed and numbered by the artist In this nude photograph, the artist refers to Chorus Mysticus from Goethe's Faust. CHORUS MYSTICUS (Goethe's Faust) ...

Archival pigment print Signed and numbered, verso 40 x 50 inches 48 x 63 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. Please note tha...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

RoboCop 1987 Unframed Original Vintage Cinema Lobby Card Extra Large 11x14" inches / 28x36 cm paper size Unframed (framing options available - please enquire) Condition: Excellent ...

Antique World War 2 flare gun model M-8. Untouched original surface. Looks like something out of Blade Runner or Star Wars. Tiny chip at top of one grip.

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Inspired by the angular architecture and dark moods of Ridley Scott’s 1982 masterpiece blade runner, the fold lamp reflects an ambient glow both forward and backward via two fins of ...