56 results for "Tiffany Lamp with Floral Motif"

Tiffany Studios Art Glass and Bronze Dogwood Table Lamp Dogwood Band table lamp New York, USA, c. 1910 Leaded glass, Patinated bronze Height: 21.5 Inches X 16 Inches Diameter (55 × 4...

A gorgeous Arts & Crafts style table lamp with pink rose stained glass shade In the manner of Tiffany Studios USA, Circa Late 20th Century Measures: 20.5"W x 20.5"D x 24"H. Ver...

Tiffany Studios Daffodil Table Lamp All I can say is these are the yummiest and most desirable blues in the Tiffany Studios candy store. Circa...

Tiffany Studios Apple Blossom Leaded Glass and Bronze Table Lamp, The patinated bronze base with with Acorn design in wonderful condition...

Tiffany Studios Style Stained Glass Table Lamp, bronzed patinated metal base with three bulb fittings below a tulip flower motif polychrome slag glass shade, unmarked. 21" H x 16.5...

Art Nouveau Tiffany Style Brown & Green Stained Glass Table Lamp, a Pair : This captivating pair of Art Nouveau Tiffany-style table lamps is a masterful tribute to the elegance and craftsmanship of the early 20th century. The stained glass dome...

Stunning and amazing floor lamp in the manner of Tiffany Studios. Very impressive handmade lamp with a wonderful base. Very fine handwork, colourful glass. The lamp has an amazin...

An exquisite Art Nouveau table lamp by Tiffany Studios & Co, dating from the early 20th century (circa 1900–1909). This elegant lamp features a bronze base with its original patina a...

Tiffany Style Floral Leaded Stained Glass Table Lamp 20thC Measures - 25 5/8" x 18" x 18"

Stunning and amazing lamp in the manner of Tiffany Studios. Very impressive handmade lamp with a wonderful Breccia marble base. Very fine handwork, colourful glass. The lamp has ...

Antique Tiffany-style floor lamp featuring a richly colored stained glass shade with intricate floral motifs. The ornate metal base complements the handcrafted glasswork, casting a w...

This beautiful lamp is in great condition with no nicks or chips. It has an interior bulb with which to illuminate the base, dual, individually controlled sockets. It stands on a cas...

This is a heavy Tiffany Style table lamp. Its shade is shaped as an umbrella. Its stained glass depicts different shades of blue, green, red and purple. These different shapes of geo...

Beautifully hand crafted Arts & Crafts leaded glass shade in purple and blues with other colors highlighting. Sitting on an antique iron base with handles in original paint. Its a m...

A very nice clean example of a leaded glass table lamp from the early part of the 20th century. The lamp was made by Lamb Bros. The ring on the top of the shade was done by Lamb Bros. The heat cap and finial are also the work of Lamb Bros. It's an antique leaded glass made famous by Tiffany. The floral shade is colorful and has just a couple, (I see just 2) that are closed and secure, not uncommon on these lamps. The condition is actually amazing as it has no broken tiles. The base is very art nouveau and a particularly nice example. A really nice antique lamp...

Exceptional Arts and Crafts, Art Nouveau table lamp, with bronze base, bronze and mica shade. The lamp features an organic vase form base, with stylized legs, and arms, which suppor...

An early 20th century stained glass and bronze table lamp by American brand Handel Company. The stain glass is made in the shape of trumpet vines and is signed HANDEL. The patinated ...

Antique Handel School Floral Leaded Stained Glass Table Lamp With Bronze Base Unsigned C1920 Measures - 17.75"h x 10.75"diam This table lamp, in the manner of Handel, features a le...

Art Nouveau desk lamp, circa 1905. Brass and copper frame. Rare iridescent glass shade signed Quezal. Electrified and in very good condition. Height: 60.5 cm Width: 21 cm Depth: 35 cm Weight: 2.6 kg Quezal Art Glass Quezal Art Glass – The Journal of Antiques and Collectibles – April 2003 By Malcolm Mac Neil Some of the most beautiful and alluring art glass made in America during the early part of the 20th Century was made by the Quezal Art Glass and Decorating Company. Often in the shape of blossoming lilies with brilliant gold interiors and colorfully decorated with floral and other motifs inspired by nature, Quezal art glass ranks right alongside the iridescent glass of Louis Comfort Tiffany and Frederick Carder. Quezal artisans created an extensive range of decorative and useful items, including vases, compotes, finger bowls, open salts, candle holders, and shades for lighting fixtures, which are equivalent in terms of beauty and quality of craftsmanship to Tiffany’s Favrile and Carder’s Aurene glass. In recent years, glass collectors have discovered anew the special charms and appeal of Quezal art glass, and collector desirability for this lovely glassware has increased dramatically. The Quezal Art Glass and Decorating Company was incorporated a century ago, on March 27, 1902. It was founded by Martin Bach, Sr., Thomas Johnson, Nicholas Bach, Lena Scholtz, and Adolph Demuth. The factory was located on the corner of Fresh Pond Road and Metropolitan Avenue in Maspeth, Queens, New York. In October 1902, the trademark “Quezal” was successfully registered. By 1904, roughly fifty glassworkers were employed at the works. Martin Bach, Sr. was the president, proprietor, and guiding force behind this successful company. Born in 1862 in Alsace-Lorraine to German parents, he emigrated to the United States in 1891. Before his emigration, Bach worked in Saint-Louis, France, at the Saint-Louis Glass Factory. After Bach arrived in this country, he was hired by Louis C. Tiffany as the latter’s first batch-mixer or chemist at the newly established Tiffany Glass and Decorating Company, in Corona, Queens. After a period of about eight years, Bach left Tiffany and established his own glassworks. By this time, Bach had already started his small family. He and his German-born wife, Anne-Marie Geisser, whom he married in the fall of 1889, in Paris, France, had three children. Two daughters, Jennie and Louise, were born in France and a son, Martin, Jr., was born in Corona. Bach was assisted by Thomas Johnson, an English immigrant, and Maurice Kelly, a native of Corona, both of whom were gaffers or master glassblowers. Johnson and Kelly helped pave the way for Quezal’s early accomplishments and later recognition. Thomas Johnson, like Bach, was a founding member and also previously employed by Louis C. Tiffany. Johnson’s association with Quezal, however, was relatively short lived. Around 1907, Johnson left for Somerville, Massachusetts, where he became involved in making Kew Blas...

Tiffany Style Stained Glass Table Lamp characterized by its vibrant floral motifs and classic Art Nouveau aesthetic. The dome-shaped shade is handcrafted using the traditional copper...

This stunning Handel Cherry Blossom leaded glass lamp is circa 1910. The 12" wide x 6" tall shade is decorated in pink flowers with multiple shades ...

This large and impressive lamp was done by the Duffner & Kimberly Co. ca. 1910. They made some of the most impressive leaded glass lamps of the period. They were the chief competito...

Art nouveau lamp circa 1910. Brass and copper base. Iridescent glass tulip signed Quezal. In perfect condition and electrified. Total height: 38.5 cm Base diameter: 15.5 cm Width: 30 cm Quezal Art Glass Quezal Art Glass – The Journal of Antiques and Collectibles – April 2003 By Malcolm Mac Neil Some of the most beautiful and alluring art glass made in America during the early part of the 20th Century was made by the Quezal Art Glass and Decorating Company. Often in the shape of blossoming lilies with brilliant gold interiors and colorfully decorated with floral and other motifs inspired by nature, Quezal art glass ranks right alongside the iridescent glass of Louis Comfort Tiffany and Frederick Carder. Quezal artisans created an extensive range of decorative and useful items, including vases, compotes, finger bowls, open salts, candle holders, and shades for lighting fixtures, which are equivalent in terms of beauty and quality of craftsmanship to Tiffany’s Favrile and Carder’s Aurene glass. In recent years, glass collectors have discovered anew the special charms and appeal of Quezal art glass, and collector desirability for this lovely glassware has increased dramatically. The Quezal Art Glass and Decorating Company was incorporated a century ago, on March 27, 1902. It was founded by Martin Bach, Sr., Thomas Johnson, Nicholas Bach, Lena Scholtz, and Adolph Demuth. The factory was located on the corner of Fresh Pond Road and Metropolitan Avenue in Maspeth, Queens, New York. In October 1902, the trademark “Quezal” was successfully registered. By 1904, roughly fifty glassworkers were employed at the works. Martin Bach, Sr. was the president, proprietor, and guiding force behind this successful company. Born in 1862 in Alsace-Lorraine to German parents, he emigrated to the United States in 1891. Before his emigration, Bach worked in Saint-Louis, France, at the Saint-Louis Glass Factory. After Bach arrived in this country, he was hired by Louis C. Tiffany as the latter’s first batch-mixer or chemist at the newly established Tiffany Glass and Decorating Company, in Corona, Queens. After a period of about eight years, Bach left Tiffany and established his own glassworks. By this time, Bach had already started his small family. He and his German-born wife, Anne-Marie Geisser, whom he married in the fall of 1889, in Paris, France, had three children. Two daughters, Jennie and Louise, were born in France and a son, Martin, Jr., was born in Corona. Bach was assisted by Thomas Johnson, an English immigrant, and Maurice Kelly, a native of Corona, both of whom were gaffers or master glassblowers. Johnson and Kelly helped pave the way for Quezal’s early accomplishments and later recognition. Thomas Johnson, like Bach, was a founding member and also previously employed by Louis C. Tiffany. Johnson’s association with Quezal, however, was relatively short lived. Around 1907, Johnson left for Somerville, Massachusetts, where he became involved in making Kew Blas glass, under William S. Blake at the Union Glass Company. Maurice Kelly’s tenure with Quezal was also brief. Kelly worked at Quezal from January 1902 until July 1904, but by November 1904, he was making Favrile glass at Tiffany Furnaces, where he would happily remain until 1918. To this day, the belief still exists that there once existed a man named Quezal, who worked for Louis C. Tiffany, and it is after him that Quezal glass is named. In truth, however, the founders of the Quezal Art Glass and Decorating Company named the company and its products after one of the world’s most beautiful birds, the elusive and rare quetzal, which dwells in the treetops of the remote tropical forests of Central America. A rare company promotional brochure provides a vivid description of the quetzal: Of all the birds of the America’s, it is the most gorgeous. No more splendid sight is to be seen in all the world than a quezal, flying like a darting flame through the depths of a Central American forest. Its back is of a brilliant metallic green, so vivid it shines even in the twilight of the woods like a great emerald and its breast is a crimson so deep and bright that every motion of the wonderful creature is a flashing of rubies among the trees and giant creepers. It bears a true golden crown upon its head – a helmet of bright yellow and green, shaped just as the helmet of old Aztec kings were shaped. Its tail is composed of lacelike plumes, extending more than two and one-half feet beyond its body. The quezal was certainly an appropriate designation for the company’s resplendent glassware. One of the most prized characteristics of Quezal art glass is the shimmering and dazzling brilliance reflected in the iridescent surfaces on the interior as well as exterior of the glass. The radiant rainbow colors in metallic hues, including gold, purple, blue, green, and pink, to name only a few, were certainly inspired by the quetzal and its feathers. Not surprisingly, lustrous feathers, in shades of opal, gold, emerald, and blue, are among the most common decorative motifs encountered on Quezal glass. The enduring hallmark of Quezal art glass is its unique expression of the Art Nouveau style, based on organic shapes and naturalistic motifs coupled with technical perfection in the execution. Vases, compotes, drinking vessels, and shades for lighting fixtures were often fashioned to resemble flowers such as crocuses, tulips, calla lilies, casablanca lilies, and jack-in-the-pulpits. Variously colored inlaid threads of glass, pulled and twisted by hooks, simulate naturalistic floral and leaf patterns, lily pads, clover leafs, and vines. Opal, gold, and green colors prevail and the glass is generally opaque. Red is the rarest color of all. Compared with Tiffany’s Favrile glass, the crisp, vivid, and colorful decoration of Quezal art glass is distinctively precise, symmetrical, and restrained. Other Quezal wares recall shapes and styles favored in ancient Egypt, Persia, Greece, and Rome, as well as the Italian Renaissance and the Georgian period in England. This is especially true of classic-shaped vases and bowls of translucent amber glass, which have a single surface color such as iridescent gold or blue. Still, others were inspired by traditional Chinese and Japanese forms. The Gorham Manufacturing Company in Providence, Rhode Island, and the Alvin Silver Manufacturing Company in Sag Harbor, Long Island, purchased Quezal art glass, which they in turn embellished in their shops with silver overlay decoration in the fashionable Art Nouveau style and later resold. Gorham’s silver overlay designs mostly include stylized floral motifs. Alvin’s silver designs are wonderfully organic. One sumptuous design is of a group of sinuous iris blossoms with carefully articulated petals surrounded by attenuated meandering vines. Collectors should note that not all silver-deposit pieces are marked with a maker’s mark since the silversmith had to be quite careful not to damage the glass underneath. A rare 1907 retail catalog survives from Bailey, Banks, and Biddle Company, a luxury goods retailer in Philadelphia, which reveals original retail prices of Quezal art glass. A surprising revelation provided by this catalog is that Quezal art glass was nearly twice as expensive as comparable French imported glass made by such renowned firms as Gallé and Daum. Hock glasses, a stemmed glass used primarily for drinking German white wine, were sold by the dozen and retailed between $50 and $75. Fingerbowls were also sold by the dozen and retailed between $50 and $100. These high retail prices were nearly the same as those charged for Tiffany’s Favrile glass, and suggest Quezal art glass was also marketed towards the high-end or luxury market. Electricity was a brand new invention in the late 1800s and American glass manufacturers developed novel approaches for concealing the electric light bulb, which was rather harsh to the eye and perhaps unflattering to the domestic interior. Tiffany, Steuben, and Quezal responded to this need with the most extraordinary and beautiful art-glass shades, all of which were  hand-made and exquisitely fashioned. Many other companies also made art glass shades for table and floor lamps, electroliers, hallway fixtures, and wall sconces, but it was Quezal that excelled in this area and was the most prolific. Quezal art glass shades were available in an infinite variety of shapes, sizes, colors, and decorations. Some shades are formed and decorated as lilies while others are bell-shaped and have ribbed or textured decoration. Rims are usually plain but sometimes are notched or ruffled. Common motifs include feather or hooked feather, leaf and vine, applied flowers, drape, fishnet, King Tut, and spider webbing. The workmanship shown on most Quezal shades...

Arts & Crafts Leaded Stained Glass Table Lamp 20thC. Measures - 28"H x 15.25"W x 15.25"D. A fine Arts & Crafts leaded stained glass table lamp from the 20th century. The lamp f...

Arts & Crafts Leaded Stained Glass Table Lamp 20thC. Measures - 22.25"H x 14"W x 14"D. A n Arts & Crafts style table lamp featuring a leaded stained glass shade. The shade disp...

Arts & Crafts Leaded Stained Glass Table Lamp 20thC. Measures - 20"H x 16.25"W x 16.25"D. An Arts & Crafts style leaded stained glass table lamp from the 20th century. The lamp...

2 Augarten table lamps, Vienna, circa 1960s High quality porcelain with original shades Original condition.  

Logistics and International Shipping We provide a comprehensive export service so that your only concern is enjoying your acquisition. • Door-to-Door Service: Pieces located in our A...

Daum Freres Nancy; Edgar Brandt, Table light, circa 1925, Daum Nancy shade is variegated and mottled art glass with powder fusions of, white, orange...

Tables lamp "Jugendstil, Art Nouveau, Liberty" Material:Bronze Country: France To take care of your property and the lives of our customers, the new wiring has been done. We have sp...

Colorful and ornate, this vintage Tiffany style chandelier features a stunning stained glass shade composed of vibrant leaded glass in floral and geometric motifs. When illuminated, ...

A French Sevres style hand painted porcelain lamp in Tiffany blue. Decorated with a late 18th century scene in the style of Andre Vincent Vieillard 1717-1...

A high quality and most elegant American late 19th century Louis XVI st. Ormolu Bouillotte lamp, signed Caldwell. This charming lamp is raised by an Ormolu socle surrounded by a pier...

A Vintage Tiffany Arts and Crafts Lampshade A lovely lampshade in good sound condition, made in leaded jewelled glass with a floral pattern, the shade is set in brass mount and ceil...

Tiffany Studios Fleur-de-lis candleholders with snuffers, set of two c. 1910 patinated bronze 8¾ h × 6⅜ w × 7⅜ d in (22 × 16 × 19 cm) Impressed to underside of each example 'TIFFANY...

This lacquered bronze “Volcano” humidor by Tiffany Studios New York features a dramatic design of a submarine volcano surrounded by sea urchins, created by Munich artist Ludwig Viert...

Tiffany Studios’ Pond Lily Desk Set is a rare model, with only three extant sets known. The set is decorated with a dazzling array of lily pads, lily buds, dragonflies, and moths. The dragonfly and moth was a leitmotif of the Art Nouveau, but Louis Tiffany encountered the creatures and explored their form and significance throughout his childhood and artistic life, beginning as a youngster who sketched au plein air in the woods and wetlands surrounding his father’s summer house. At his Laurelton Hall estate, an artwork of nature coaxed into form over decades, Tiffany observed these insects in the teeming saltwater marshes and wetlands of Oyster Bay. The crown jewel of his Laurelton Hall garden was a water lily pond filled with varieties of colored water lilies, a novelty that debuted at the 1900 Exposition Universelle. Tiffany proceeded to make a series of designs based on the pond lily which he displayed to much acclaim in the 1902 Turin Prima Esposizione Internazionale d'Arte Decorativa Moderna. Product Details: Item #: T-21399 Artist: Tiffany Studios New York Country: United States Circa: 1905 Materials: Patinated Bronze Signed: blotter ends, inkstand, calendar frame, pen tray and rocker blotter each impressed "Tiffany Studios New York"; the inkstand, pen tray, rocker blotter and blotter ends further impressed with firm's respective model numbers Literature: Martin Eidelberg, Nina Gray and Margaret K. Hofer, A New Light on Tiffany...

Antique French 19th Century Porcelain Hexagonal Table Lamp In very good condition commensurate with age.

Among the most visually alluring and technically excellent of all Tiffany Studios New York's desk accessories, the exciting design for this refined but robustly rounded inkwell features green blown glass in pinched triangular forms that appear to dance in perfectly coordinated movement around the circumference of the piece. The negative space between the blown green glass appears in the form of stylized flowers with Minimalist linear accents in patinated bronze. Artist: Tiffany Studios New York Country: United States circa 1900 Dimensions: 3.75" height, 6.25" diameter Materials: Leaded glass, bronze Signed: "Tiffany Studios New York 25055” along with the Tiffany Studios monogram...

A wonderful pair of Tiffany Studios Poppy flower bud centers candelabrum, in the Art Nouveau Design finished in doré bronze gold finish Stamped: Ti...

Stunning moon shape chandelier pendant light 1900s. This rare ceiling lamp from the very early 1900s could be the perfect lighting solution for an entrance or any other small livin...

American Victorian Tiffany-style stained glass hanging shade with beige top and floral design edge.

Crafted in the Art Nouvea period and style of Louis Comfort Tiffany, this bronze beaded single bulb stained glass hanging lamp, is lush with opalescent, nature-toned, warm colors des...

A very popular Flower design used by several Art Glass Shade makers in a Rose Flower design with root beer color banding surrounding the shade . Custom made in Los Angeles for a popu...

A magnificent Late 19th century oversized Persian Kerman Lavar rug handwoven in the 4th quarter of the 1800s.  This rug features a truly stunning Art Nouveau floral design that evokes a sense of fluid, naturalistic elegance. The design includes a beautiful central medallion set against a serene cream color field, creating a captivating focal point. The rug's diverse and intricate color palette includes a beautiful range of hues, such as vibrant turquoise blue, verdant green, rich red, and earthy brown. The intricate design and use of color are so refined that the rug's aesthetic remarkably resembles the famous "Wisteria Lamp...

Pendant Light with Frosted Glass Dome and Stained Glass Border, circa 1970s A charming vintage pendant light from the 1970s, featuring a frosted glass dome paired with a hand-crafte...

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely circa 1880-1900 hand made Chinese Chinoiserie side end lamp table single drawer Please note th...

Incredible Art Nouveau style double arm wall sconces are perfect for wall mounting in a living room of classic style. Body of large wall lamps in brass with cast horns, round glas...

A hand-painted French blue and white lidded vase, signed for Tiffany & Co, featuring exquisite porcelain craftsmanship.

Verly glass bowl with dancers Verlys Glassmaking was a company that operated in France in the 1920s and 1930s. The company was known for its high-quality glassware and innovative tec...

I am offering for sale a chandelier that showcases the extraordinary craftsmanship of Italian artisans. Made in Italy around the 70s by the historic company Longobord, this vintage c...

Sterling silver lamp with a smooth shaped steam with a small decoration in the middle. The base is embossed and chiselled completely by hand with floral designs. The lamp cap is in ...

This early 20th-century French Art Nouveau ceiling lamp features a mottled red and blu glass bowl in the style of Nancy glass, mounted on a forged wrought iron frame with decorative ...

Peacock bowl signed by Verly’s Verly Glass Production was a French glass factory that was active in the 1930s. Originally founded in the 18th century, the company specialized in the ...

Tiffany Vase Designs Group of Three Porcelain Vase designs. Paris, [1920’s]. Group of three original watercolour designs on paper, with marginal stamps “Planche d’aquarelle” with...

Tiffany Vase Designs Group of Three Porcelain Vase designs. Paris, [1920’s]. Group of three original watercolour designs on paper, with marginal stamps “Planche d’aquarelle” with ...