1,383 results for "joan mitchell"

SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...

Cathy Bennigson "Cartoon Sketch" Oil on Canvas 10 x 8 Inches Vividly colored Abstract Expressionist painting filled with light and energy, primarily in yellow, white, red, blue...

Sidney Goodman (1936-2013) The Tryout Oil on Canvas Hand signed lower right Dated 1965 Provenance: bears labels verso from Terry Dintenfass Gallery (partial label) George Krevsky Ga...

Cathy Bennigson "Calligraphy" Oil on Canvas 10 x 8 Inches Vividly colored Abstract Expressionist painting filled with light and energy, primarily in blue, pink, yellow, and wh...

Gary Komarin Cake, 2023 Acrylic on wood panel 50 x 24 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, Gary Komarin finds room in c...

Born and raised in Atlanta, Virginia Candler studied art history and English at Vanderbilt University. After working in education, she began pursuing her life-long interest in making...

"Hearts On Fire" Finding joy is so very unique to everyone. A gestural completely intuitive abstract by Canadian artist Darlene Watson brings us int...

Gary Komarin Cake, 2023 Acrylic on wood panel 50 x 24 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, Gary Komarin finds room in c...

Gary Komarin Orange on Creme, 2023 Mixed media on canvas 127 x 121.9 cm 50 x 48 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, G...

Incredibly scarce art card hand signed by Clyfford Still. (The postcard is open edition, but it was uniquely hand signed by the artist) The legendary, famously reclusive painter Clyf...

Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...

Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...

Patrica Crotty's abstract oil painting, "Blue Water," features organic shapes that appear to float in a watery blue landscape. Blues and pinks and greens and ochre yellows fill the c...

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe...

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

Gary Komarin Vessel, 2024 Acrylic on canvas/wood panel 76.2 x 61 cm 30 x 24 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, Gary K...

Octavia Art Gallery is pleased to present Aaron Collier: Of Rocks and Ruins. The “Everything You Need to Know” website that intends to prepare visitors for the breezy summit and sce...

Nature: Exterior Painting 2 follows on from Nature: Exterior Painting and is a decorative painting on Winsor & Newton cotton canvas. The canvas measures 30 inches high by 24 inche...

Amaranth Ehrenhalt (1928–2021) Pink, 1992 Watercolor and felt pen on thick paper 25.5 x 28 cm l 10 x 11 in. 39 x 41 cm l 15 1/3 x 16 1/8 in. (Frame included) Signed, titled and dated...

"Untitled," Joanne Greenbaum, 2009 Silkscreen on 320 gram Coventry Rag paper Dimensions: 41" x 35" Signed by the Artist in pencil An edition of 18 Through her use of vibrant color a...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

Amaranth Ehrenhalt (1928–2021) Punk, 1992 Watercolor and felt pen on thick paper 28 x 25.5 cm l 11 x 10 in. 41 x 39 cm l 16 1/8 x 15 1/3 in. (Frame included) Signed, titled and dated...

"Summers In Cali" Gestural, spontaneous, colourful, bold Joan Mitchell inspired capture of life in California. Hues pulled from the shore and sky, beach areas and the vibrant colo...

"Green Fields" 2019 Oil on Canvas 48 x 36 Inches Vividly colored Abstract Expressionist painting filled with light and energy, primarily in white, chartreuse, blue, turquoise, burgu...

Display Dimensions Variable JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Ph...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

Gary Komarin Creme on Chocolat (From Fifteen Vessels at Kit Mandor), 2018-2021 India ink and water-based enamel paint on Stonehenge creme paper with deckled edge 76.2 x 58.4 cm Esch...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

Drama Queen (Abstract painting) Acrylic / mixed media on linen - Unframed. This work is exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. This met...

"Summer Garden Bloom" is a contemporary still-life painting by French artist Natalya Mougenot, part of her ongoing exploration of everyday beauty and the emotional resonance of simp...

RUTH OWENS was born in 1959 to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her childhood was complicated by restrictions to mixed fami...

‘Starting with a drawing of "real" flowers, I create layers of thinly veiled surfaces. They become abstracted through the process of multiple printings. The essence of flowers become...

Cathy Bennigson "Dividing Line" Oil on Canvas 10 x 8 Inches Vividly colored Abstract Expressionist painting filled with light and energy, primarily in yellow, white, red, blue an...

GINA PHILLIPS is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...

GINA PHILLIPS is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for more information. ABOUT THIS ARTIST: Project: "Look Up" In 2019, ArtStar proposed to ET Projects an opportunity to create fine art, limited edition prints which would capture the memory of our events. We are excited by the prospect of printed imagery keeping alive the joy, camaraderie, and hope experienced under our umbrellas. ET Projects, a 501(c)3, was created in 2018 with the vision to bring communities together through the magic of art and nature. Shoreline Project was the first large scale immersive art...

RUTH OWENS was born in 1959 to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her childhood was complicated by restrictions to mixed fami...

Materials: clay, brass beads Esperanza Cortés is a Colombian born multidisciplinary artist based in New York City. Cortés has been exhibited nationally in galleries and museums incl...

Medium: acrylic paint and embroidered thread on canvas MONICA ZERINGUE received her Masters of Fine Arts from the University of New Orleans in 2006 and her BA in 1993. In 1999 she w...

Gary Komarin Vessel VII, 2020 Mixed media on paper 76.0 x 58.0 cm Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, Gary Komarin finds room...

"Witness Protection" is a dynamic abstract expressionist oil painting on canvas by Trixie Pitts. The painting is bright, intense, yet has breathing room. The dynamic style, full of e...

Unframed (sides painted white). Ashlynn Browning’s abstract works are a powerful exploration of psychological narrative through an intuitive, layered painting process. By merging ge...

Unframed (sides painted white). Ashlynn Browning’s abstract works are a powerful exploration of psychological narrative through an intuitive, layered painting process. By merging ge...

Unframed (sides painted white). Ashlynn Browning’s abstract works are a powerful exploration of psychological narrative through an intuitive, layered painting process. By merging ge...

Unframed (sides painted white). Ashlynn Browning’s abstract works are a powerful exploration of psychological narrative through an intuitive, layered painting process. By merging ge...

Unframed (sides painted white). Ashlynn Browning’s abstract works are a powerful exploration of psychological narrative through an intuitive, layered painting process. By merging ge...

This large abstract statement painting by Teodora Guererra features a palette that transitions from deep blue at the bottom of the canvas up to lighter blue followed by a lavender vi...

Patricia Crotty's oil painting "At the Reservoir" is a colorful abstract landscape that evokes a watery environment. Shapes in the upper and part of the canvas evoke land across the ...

Elegant Abstract Expressionist painting with soft geometric elements in black, white, red, yellow ochre, and blue: Cathy Bennigson "Back to Red" 2025 Oil on Canvas 36 x 36 Inches ...

Gary Komarin Cake, 2023 Acrylic on wood panel 50 x 24 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, Gary Komarin finds room in c...

"Singing Stones," is a complex composition, abstract painting by Laurie Barmore. Laurie Barmore is a master of color and composition, her colors just jump off the canvas with the mov...

Elegant Abstract Expressionist painting with soft geometric elements in black, white, blue, and red: Cathy Bennigson "Red River" 2025 Oil on Canvas 36 x 36 Inches This painting i...

Vividly colored Abstract Expressionist painting filled with light and energy, primarily in blues, white, chartreuse, yellow, turquoise, red, and black. "T's and O's" 2019 Oil on C...

Elegant Abstract Expressionist painting with geometric elements in white, yellow ochre, purple, and blue. Energetic brushstrokes: Cathy Bennigson "Fragments" 2025 Oil on Canvas 4...

Untitled Blue (Abstract painting) Acrylic on canvas - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositi...

Winter Killed Five Paths, 1983 Mixed Media Abstract, signed and title on revers. No frame needed for this work at the top is attached to plank of wood and ready to be hang, it will be rolled up for shipping. Terence La Noue was born in Hammond, Indiana in 1941. He received a Bachelor of Fine Arts from Ohio Wesleyan University in 1964. After going to Berlin as a Fulbright Meister Student at Hochscule fur Bildende Kunste in 1964-65 he went on to receive a Master of Fine Arts degree from Cornell University. In addition to the Fulbright Foundation fellowship, La Noue has twice received grants from the National Endowment for the Arts and the Guggenheim Foundation. He has had extensive teaching experience at Trinity College 1967-72, the City University of New York 1972-85 and at New York University in 1987. He lives between Arizona, Paris, France and Vermont. Terence La Noue, who has created powerful, compelling paintings for the last four decades, is considered one of the outstanding talents of 20th century American abstract art. Layering canvas, fabric, gauze, acrylic paint and cast elements forming a lively melding of many different materials, symbols and colors to create tapestry-like paintings, he conjures up colorfully rich abstractions that reveal a sense of myth, magic and mystery. His extensive world travels serve as inspiration for works that are abstract mixtures of Western and non-Western traditions and histories. India, South America, Morocco, Mexico and Nepal have been favorite destinations. Terence La Noue’s unique approach to painting and printmaking has achieved worldwide recognition. Beginning in Berlin in 1965 he has had over a hundred and thirty acclaimed solo exhibitions in London, Paris, Tehran, Stockholm, Hamburg, Dusseldorf, Cologne, New York, Washington, DC, Los Angeles, Houston, Chicago, Palm Beach, Dallas, Atlanta, Tucson and Scottsdale. His work is represented in the permanent collections of major museums including: The Museum of Modern Art in New York, The Metropolitan Museum of Art, The Whitney Museum of Art, The Corcoran Gallery, The Guggenheim Museum, The Brooklyn Museum, Brooklyn, New York, The Tate Modern in London in Japan, Singapore, France and Australia including the Center for Contemporary Art, Kitakyushu, Japan, the Power Institute of Fine Arts, Sydney, Australia, The Musee d'Art et Archeologie, Paris, France. Walker Art Center, Minneapolis, Minnesota, United States Carnegie Institute, Pittsburgh, Pennsylvania, United States Corcoran Gallery of Art, Washington D.C., United States Albright-Knox Art Gallery, Buffalo, New York, United States National Gallery of Australia, Sidney, Australia Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts United States Embassy, Beijing, China His work is also included in numerous university and city art museums throughout the US as well as major corporate collections. Terence la Noue worked extensively at Tyler Graphics from 1987 to 1993 and is represented in the National Gallery’s Kenneth Tyler Collection by a large body of work made in 1987 and 1991. La Noue’s work is characterized by an intensive layering process, which was well accommodated by the Tyler workshop. The artist found that through collaboration with Ken Tyler...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...