1,343 results for "joan mitchell"

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...

Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...

Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...

Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...

GINA PHILLIPS is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...

Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...

Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...

Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

GINA PHILLIPS is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...

Robert Carroll was born in 1934 and was predominantly inspired by the 1950s growing up. Abstract Expressionism prevailed in the 1950s as a primary method of painting, and explored id...

Norman Carton Mid Century Modern Cityscape, ca. 1951 Oil on canvas painting (signed twice) Signed twice: hand signed on the front and also signed on the back Unique Frame included: T...

Three color lithograph on Gold Abaca paper with Jade glue and collage elements Published by Tamarind Institute, Collaborating Printer(s): Bill Lagattuta One strand of off-white heavy...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

GINA PHILLIPS is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...

GINA PHILLIPS is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Lithograph (stone) in red on white Arches paper with deckled edges Signed, dated '64 and annotated Trial and Artist's Proof in red crayon on the front bears Tamarind blind stamp A un...

Jazz: Miles ʻSomeday My Princeʼ 8 (Abstract Painting) Papers, oil, flashe, pencil, MSA gel. Unframed. This piece is part of a series based on trumpeter Miles Davisʼ lyrical jazz v...

Angela Fraleigh Through the half-drowned stars, 2015 oil, ink, and synthetic resin on canvas 66 x 90 x 2 in (167.6 x 228.6 x 5.1 cm) Angela Fraleigh (born 1976, Beaufort, SC) earned...

Eventide 35” x 65” oil on canvas $13,500.00 “Eventide” is a dynamic abstraction depicting the coastal tides at that magical time of day when sunset turn the waters and the botanical...

“Almond Blossom” is a contemporary floral painting inspired by Vincent Van Gogh, featuring almond trees in full bloom with branches of delicate white and soft pink blossoms set again...

The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian be...

Pauline Ziegen oil, aluminum leaf, mixed media on panel white, gray, white gold, navy, blue Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kansas where vast ...

This large abstract statement painting by Teodora Guererra features a palette that transitions from deep blue at the bottom of the canvas up to lighter blue followed by a lavender vi...

Gary Komarin Vessel, 2024 Acrylic on canvas/wood panel 76.2 x 61 cm 30 x 24 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, Gary K...

This decorative painting using paint on canvas is 'called 'Nature: Exterior' it is a collection of Purple and Blues: mostly Powder Blue, Cobalt and Lavender hues, and a little mid Gr...

"Petal Coruscation #1" is an abstract painting featuring hues of white, blue, yellow, orange and red. Cynthia Knapp is inspired by the works of Joan Mitc...

Muriel Chazalon (b. 1957) – The Pine Branch Oil on canvas, 2024, 29⅛ × 20⅛ in. (74 × 51 cm) The Pine Branch is a 2024 oil on canvas painting by Muriel Chazalon. The work depicts a f...

This print depicts a non-objective composition of organic shapes rendered in vibrant hues of color upon a field of a cool grey. This relief print is hand signed and titled to the low...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1956 publication Joan Miro. Published by Maeght Editeur, Paris, and printed by M...

This is a contemporary abstract acrylic on canvas painting in the style of Joan Mitchell or Willem de Kooning, predominantly blue, black, green, Pantone's Color-of-the Year "very per...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1956 publication Joan Miro. Published by Maeght Editeur, Paris, and printed by M...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1956 publication Joan Miro. Published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, this work reflects Miros dynamic midcentury evolution, defined by bold chromatic contrasts, spontaneous gesture, and poetic abstraction. Executed as a lithograph on velin paper, this work measures 9 x 7.85 inches (22.86 x 19.94 cm). Unsigned and unnumbered as issued. Printed by Mourlot Freres, Paris, one of the foremost ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Sans titre (Untitled), from Joan Miro, 1956 Medium: Lithograph on velin paper Dimensions: 9 x 7.85 inches (22.86 x 19.94 cm) Inscription: Unsigned and unnumbered, as issued Date: 1956 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Edition: MM Catalogue raisonne reference: Cramer, Patrick, and Isabelle Monod-Fontaine. Joan Miro: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, Geneva, 1989, no. 39; Miro, Joan, and Raymond Queneau. Joan Miro Lithographe II : 1953-1963. Maeght, 1972, nos. 230-238. Condition: Well preserved, consistent with age and medium Provenance: From the 1956 publication Joan Miro, published by Maeght Editeur, Paris Notes: Excerpted from the album (translated from French), This album has been printed by the printing press of R. Blanchard in Paris on behalf of Maeght, Editeur, 13, rue de Teheran, Paris VII. The original color lithographs were printed on the presses of Mourlot Freres. The photographs of the works are by E. Catala-Roca, Y. Hervochon, Pierre Matisse Gallery, Soichi Sunami and Robert. Miros photograph, page 83, is by Sabine Weiss. About the Publication: The 1956 publication Joan Miro, issued by Maeght Editeur in Paris, stands as one of the defining postwar monographs produced by the renowned publisher whose collaborations with modern masters reshaped the landscape of fine art printmaking. Conceived as both a scholarly work and an artistic object, the publication brings together extensive photographic documentation of Miros work alongside original color lithographs printed by Mourlot Freres, the premier Parisian atelier responsible for lithographic editions by Picasso, Chagall, Braque, Leger, and Calder. Produced under the direction of Maeght Editeur—a central force in modern art publishing, exhibition culture, and the creation of Derriere le Miroir—the publication reflects the publishers commitment to merging literary content, critical scholarship, and original prints into unified, collectible works of art. The printing of the text and photographic elements was undertaken by R. Blanchard in Paris, while the lithographs were executed by Mourlot Freres with the technical refinement that distinguished their collaborations with the twentieth centurys most important artists. The publication offers a synthesis of Miros creative evolution during the early and mid-1950s, contextualized within Maeghts broader program of championing avant-garde innovation. Today, Joan Miro (1956) remains an essential publication in the artists printed oeuvre, valued for its craftsmanship, historical relevance, and its role in disseminating Miros work internationally at a pivotal moment in postwar modernism. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012. Joan Miro lithograph, Miro 1956 album, Miro Maeght Editeur, Miro Mourlot...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1956 publication Joan Miro. Published by Maeght Editeur, Paris, and printed by M...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on paper (two sheets) mounted on canvas. Signed on rear support, gallery labels verso. 35.25 x 46.2...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1956 publication Joan Miro. Published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, this work reflects Miros dynamic midcentury evolution, defined by bold chromatic contrasts, spontaneous gesture, and poetic abstraction. Executed as a lithograph on velin paper, this work measures 9 x 7.85 inches (22.86 x 19.94 cm). Signed in the plate and unnumbered as issued. Printed by Mourlot Freres, Paris, one of the foremost ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Sans titre (Untitled), from Joan Miro, 1956 Medium: Lithograph on velin paper Dimensions: 9 x 7.85 inches (22.86 x 19.94 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1956 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Edition: MM Catalogue raisonne reference: Cramer, Patrick, and Isabelle Monod-Fontaine. Joan Miro: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, Geneva, 1989, no. 39; Miro, Joan, and Raymond Queneau. Joan Miro Lithographe II : 1953-1963. Maeght, 1972, nos. 230-238. Condition: Well preserved, consistent with age and medium Provenance: From the 1956 publication Joan Miro, published by Maeght Editeur, Paris Notes: Excerpted from the album (translated from French), This album has been printed by the printing press of R. Blanchard in Paris on behalf of Maeght, Editeur, 13, rue de Teheran, Paris VII. The original color lithographs were printed on the presses of Mourlot Freres. The photographs of the works are by E. Catala-Roca, Y. Hervochon, Pierre Matisse Gallery, Soichi Sunami and Robert. Miros photograph, page 83, is by Sabine Weiss. About the Publication: The 1956 publication Joan Miro, issued by Maeght Editeur in Paris, stands as one of the defining postwar monographs produced by the renowned publisher whose collaborations with modern masters reshaped the landscape of fine art printmaking. Conceived as both a scholarly work and an artistic object, the publication brings together extensive photographic documentation of Miros work alongside original color lithographs printed by Mourlot Freres, the premier Parisian atelier responsible for lithographic editions by Picasso, Chagall, Braque, Leger, and Calder. Produced under the direction of Maeght Editeur—a central force in modern art publishing, exhibition culture, and the creation of Derriere le Miroir—the publication reflects the publishers commitment to merging literary content, critical scholarship, and original prints into unified, collectible works of art. The printing of the text and photographic elements was undertaken by R. Blanchard in Paris, while the lithographs were executed by Mourlot Freres with the technical refinement that distinguished their collaborations with the twentieth centurys most important artists. The publication offers a synthesis of Miros creative evolution during the early and mid-1950s, contextualized within Maeghts broader program of championing avant-garde innovation. Today, Joan Miro (1956) remains an essential publication in the artists printed oeuvre, valued for its craftsmanship, historical relevance, and its role in disseminating Miros work internationally at a pivotal moment in postwar modernism. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012. Joan Miro lithograph, Miro 1956 album, Miro Maeght Editeur, Miro Mourlot...

Toni Flynn attended the Art Students League in New York City, the storied institution where Jackson Pollack, Robert Rauschenberg, Alexander Calder, and Georgia O’Keefe studied. At th...

Roger Shimomura Nisei Trilogy – Portfolio Year: 2015 Suite of 3 Lithographs with Title & Colophon pages Edition: 50 Paper: Rives BFK, White Paper Size: 18.5 x 27 inches (each) Signed...

"Concertina Pageant" is an abstract painting featuring hues of red, green, orange, blue and white. Cynthia Knapp is inspired by the works of Joan Mitchell, Helen Frankenthaler and G...

Gary Komarin Cake , 2023 Acrylic on wood panel 127 x 61 cm 50 x 24 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, Gary Komarin fi...

Al Dickstein New York school Abstract Geometric work. Came in with small collection of his work including signed letters and a signed card and some monogrammed pieces. Signed and ins...

RUTH OWENS was born in 1959 to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her childhood was complicated by restrictions to mixed fami...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1956 publication Joan Miro. Published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, this work reflects Miros dynamic midcentury evolution, defined by bold chromatic contrasts, spontaneous gesture, and poetic abstraction. Executed as a lithograph on velin paper, this work measures 9 x 14.5 inches (22.86 x 36.83 cm), with centerfold as issued. Unsigned and unnumbered as issued. Printed by Mourlot Freres, Paris, one of the foremost ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Sans titre (Untitled), from Joan Miro, 1956 Medium: Lithograph on velin paper Dimensions: 9 x 14.5 inches (22.86 x 36.83 cm), with centerfold as issued Inscription: Unsigned and unnumbered, as issued Date: 1956 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Edition: MM Catalogue raisonne reference: Cramer, Patrick, and Isabelle Monod-Fontaine. Joan Miro: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, Geneva, 1989, no. 39; Miro, Joan, and Raymond Queneau. Joan Miro Lithographe II : 1953-1963. Maeght, 1972, nos. 230-238. Condition: Well preserved, consistent with age and medium Provenance: From the 1956 publication Joan Miro, published by Maeght Editeur, Paris Notes: Excerpted from the album (translated from French), This album has been printed by the printing press of R. Blanchard in Paris on behalf of Maeght, Editeur, 13, rue de Teheran, Paris VII. The original color lithographs were printed on the presses of Mourlot Freres. The photographs of the works are by E. Catala-Roca, Y. Hervochon, Pierre Matisse Gallery, Soichi Sunami and Robert. Miros photograph, page 83, is by Sabine Weiss. About the Publication: The 1956 publication Joan Miro, issued by Maeght Editeur in Paris, stands as one of the defining postwar monographs produced by the renowned publisher whose collaborations with modern masters reshaped the landscape of fine art printmaking. Conceived as both a scholarly work and an artistic object, the publication brings together extensive photographic documentation of Miros work alongside original color lithographs printed by Mourlot Freres, the premier Parisian atelier responsible for lithographic editions by Picasso, Chagall, Braque, Leger, and Calder. Produced under the direction of Maeght Editeur—a central force in modern art publishing, exhibition culture, and the creation of Derriere le Miroir—the publication reflects the publishers commitment to merging literary content, critical scholarship, and original prints into unified, collectible works of art. The printing of the text and photographic elements was undertaken by R. Blanchard in Paris, while the lithographs were executed by Mourlot Freres with the technical refinement that distinguished their collaborations with the twentieth centurys most important artists. The publication offers a synthesis of Miros creative evolution during the early and mid-1950s, contextualized within Maeghts broader program of championing avant-garde innovation. Today, Joan Miro (1956) remains an essential publication in the artists printed oeuvre, valued for its craftsmanship, historical relevance, and its role in disseminating Miros work internationally at a pivotal moment in postwar modernism. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012. Joan Miro lithograph, Miro 1956 album, Miro Maeght Editeur, Miro Mourlot...

Toni Flynn attended the Art Students League in New York City, the storied institution where Jackson Pollack, Robert Rauschenberg, Alexander Calder, and Georgia O’Keefe studied. At th...

This contemporary semi-abstract impressionist painting "Lilacs flowers in a vase" offers a luminous vision of spring: a vibrant bouquet of purple and blue lilacs rising from a vase ...

Up for sale we have a Tor Hoff (1925-1976) abstract important Norwegian painting. Painting depicts a vibrant blue abstract painting with metallic s...

"Hearts On Fire" Finding joy is so very unique to everyone. A gestural completely intuitive abstract by Canadian artist Darlene Watson brings us int...

11 x 14" vintage silver gelatin photograph of Australian-born coloratura soprano Dame Joan Sutherland photographed in their New York City apartment in ...

This piece is a wonderful Mid Century pertinent example of Nannot de Groot's works from the prime of his career with thick use of impasto oil paint, and gestural brushwork throughout. In 1957 it was a transitional year from painting figures in his New York studio to his new studio into the countryside. And in 1959 he and his wife came back to Provincetown Massachusetts and rented a small cabin that was in a field belonging to Mary Cecil Allen on the west end. It was a small space, and there was a tree that was outside the front door, he was inspired and painted this tree over and over, and soon it was the beginning of a whole new series. The brush landscape that was outside of the window of the cabin became a focal point of this series and every year it would change, picking up inspiration to depict the tree in a new way each year. This piece is signed and dated 59' by the artist upper right corner and it comes housed with the original Mid-Century wood frame with gold rim and hanging wire on verso ready to be displayed. Art measures 49.5 x 39 inches Frame measures 51.5 x 40 inches Nanno de Groot was born on March 23 of 1913, in Balkbrug, Holland. He started drawing at six years of age. Although his father prevented him to study art at an early age, he moved to the United States in the year of 1941, and in 1946 at age 33 he discovered Picasso and he dedicated the rest of his life to painting and drawing. He worked for a year as a cartoonist for the San Francisco Chronicle. After his marriage to the New York School artist Elise Asher...

RUTH OWENS was born in 1959 to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her childhood was complicated by restrictions to mixed fami...

RUTH OWENS was born in 1959 to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her childhood was complicated by restrictions to mixed fami...

Angela Lane’s three-dimensional abstract canvases are organic structures that synthesize distinct elements. The core of the work is the painter’s pursuit ...

Angela Lane’s three-dimensional abstract works are organic structures that synthesize distinct elements. The core of the work is the painter’s pursuit of ...

As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...

Toni Flynn attended the Art Students League in New York City, the storied institution where Jackson Pollack, Robert Rauschenberg, Alexander Calder, and Georgia O’Keefe studied. At th...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...