Samit Borgosesia

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Antique, new and vintage area rugs and carpets are a simple way to add warmth and style to any space. Area rugs can be seasonal or changed with other decorative objects to refresh an interior. Carpet piles materials can vary from wool and cotton to silk and synthetic fibers, and the purpose of a floor covering can range from reducing noise to offering a place to sit.

Vintage rugs can ground a space, and arranging furniture around them creates a measured focal point. Key furniture pieces can be placed on the rug or just the legs, such as with furniture like coffee tables in your living room.

So, how can you tell if a rug is high quality or vintage?

The three main components that determine the quality of a piece are the dyes, the wool and the number of knots per square inch. Ultimately, however, if you want to be sure the rug you’re buying is truly an antique, it is best to consult an expert.

If you want a creative design that stands out, area rugs or carpets can provide layers of color. Rugs and carpets reflect a global heritage of textiles and weaving, such as ornately patterned Persian and Indian designs. Visually striking Chinese rugs can add a delicate touch of color, while modern rugs make a statement with their geometric patterns.

Turkish rugs, with their ruby reds and misted blues, their entwined botanical designs and rhythmic geometries, are as beloved today as they were in the 13th century. The West’s current infatuation with Moroccan and North African tribal rugs stretches to the mid-20th century, when modern furniture designers embraced bold geometric patterns and even bolder palettes as counterpoints to form-follows-function interiors. Alvar Aalto, Frank Lloyd Wright and Le Corbusier were among the designers who used these rustic, natural rugs to offset austere interiors.

If you properly maintain your antique and vintage rugs, they will last for many years. When you’re thinking about how to clean a rug, it is important to keep in mind that your vacuum is not too harsh for your favorite floor covering. Frequent vacuuming is in fact necessary to remove everyday dirt that otherwise wears down the pile. Omri Schwartz of Nazmiyal does, however, stipulate that “it’s best to use an ordinary suction vacuum without bristles, as the bristles can damage the rug’s pile.” Rotating the carpet every couple of years is also recommended — it ensures that the rug gets even foot traffic.

On 1stDibs, find a vintage rug or carpet to add a layer of beauty and function to your room.