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Are gallery prints worth anything?
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Whether gallery prints are worth anything varies. A gallery print is usually a reproduction of an original painting produced with a high-tech inkjet printer on canvas. Because these works are usually mass-produced and not numbered, they usually don't have the same value as limited edition prints made by an artist. However, there may be exceptions to this rule. A certified appraiser or experienced art dealer can help you determine if a particular gallery print has value on the secondary art market. On 1stDibs, shop a large selection of art prints.
1stDibs ExpertSeptember 16, 2024
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Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Four Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Sheet size (each): approx. 10" x 16.5"
Image size (each): approx. 6.88" x 11.75"
Reference: Upcott III, page 1330
Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition
Notes:
Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark.
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
1780s Old Masters Landscape Prints
Materials
Laid Paper, Engraving
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The artist de...
Category
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Materials
Lithograph
"Le port de New York" original lithograph
Located in Henderson, NV
Medium: original lithograph. Printed in Paris in 1964 by Mourlot Freres and issued in an edition of 2000 on Arches wove paper. Size: 10 x 7 1/2 inches (255 x 185 mm). Not signed.
Category
1960s Prints and Multiples
Materials
Lithograph
"L'Artisan Moderne" lithograph poster
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Medium: lithograph (after the poster). Printed in Paris in 1950 by Mourlot Freres, this multi-stone color lithograph faithfully reproduces the original Toulouse-Lautrec poster in a s...
Category
1950s Prints and Multiples
Materials
Lithograph
Untitled Composition (Poligrafa, Redfern, Serbian, Modern, School of Paris)
Located in Kansas City, MO
Vladimir Veličković
Untitled Composition
from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London"
Original Color Lithograph
Year: 1979
Edition: 100
Size: 10 x 7.325 inches (...
Category
1970s Modern Figurative Prints
Materials
Lithograph
Ozzy Farewell Tour (Silver), 2019 (Black Sabbath, Iconic, Metal, Rock)
Located in Kansas City, MO
Shepard Fairey
Ozzy Farewell Tour (Silver), 2019
Screen print on thick cream Speckletone paper
Year: 2025
Size: 24 x 18 inches (60.96 x 45.72 cm)
Edition: 450
Signed, dated and numbe...
Category
2010s Contemporary Portrait Prints
Materials
Screen


