Helen Pashgian

Untitled (GR12)

2016

An exceptional 4 column tower work by Vasa Mihich. Great colors used on this piece which tend toward the pastel. Great for an entryway or room that has a lot of natural light. On ...

This amazing Triangular sculpture by Vasa Mihich can completely transform any spot and be future forward as well in the vision of what sculpture and 3 dimensional form can do in spac...

Illumetric: Cube, 2014 Acrylic, Steel, LED lighting 8 x 8 x 11 feet (244 x 244 x 335 cm) Edition of 3 Shana Mabari is a Los Angeles-based artist exploring the intersections of ...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Lime Green and yellows Acrylic on 3 panels Each panel is 24 x 24 x 2 inches can be oriented vertically or horizontally Overall measurement for horizontal install with 1-2 inch recommended spacing, 24 x 76 x 2 inches horizontally We are amazed by Ginny Fox's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

This minimalist, Zen like sculpture is formed from Linden wood, also known as Basswood, which was considered sacred in Slavic mythology. This sculpt...

This minimalist, Zen like sculpture is formed from Linden wood, also known as Basswood, which was considered sacred in Slavic mythology. This sculpt...

These Robert Therrien “Chapel” works are consider Therrien’s iconic works - especially those done in the color red. A work very similar to this one was used on the cover of his first...

All puzzles are cleated 360 degrees on the back and can be hung in any direction - Acrylic, maple and uv resin David E. Peterson. The materials that I use are extremely important...

Artist : Sam McPherson Title : Pebbles, wall installation Materials : Ceramic, black porcelain, steel Date : 2019 Dimensions : 32"x 12"x .5" Description : Wall pebbles are installed with a pin on the back of each piece. These can be installed in your space in any arrangement. Shown is a set including 90 pebbles in a geometric design. Each pebble ranges from .5" up to 3". When installing these I recommend they are approximately 1 to 2 inches apart. To discover the unseen hidden beneath or within an object inspires Sam McPherson to share her imagination and fascination of ‘what could be’. McPherson tries to use these ideas in her work to create something that requires the viewer to invest in the piece to see what it has to offer, to reward curiosity, and to those unwilling to stop and look closely to explore and discover, they may never know. Abstract, abstract art, contemporary art, ceramcs, porcelain, contemporary ceramics, mixed media, fibers, fiber arts, contemporary fine art, ceramic artists, sculptural ceramics, hand-build porcelain, crocheted, Betty Woodman, Toshiko Takaezu, Richard T. Notkin, Tony Marsh, Eva Hesse, Lee Bontecou, Judith Scott, wall sculpture, contemporary sculpture, minimalist sculpture, minimalism, Richard Serra, Rachel Whiteread, Ursula von...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 33.25 in. x 17 in. COA provided Danielle Weigandt explores the construct of events in time and their role in our lives. Time ...