Vertical Art

Joseph Fiore (1928-2005) Untitled, ca. 1955. Oil on canvas, 18 x 24 inches. Measuring 24 x 30 inches in custom modernist frame. Signed lower left. Excellent condition. Joseph Albe...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper Condition: very good Provenance: from...

Bouquet of Roses by Harry Freckleton (English, 1890 - 1979) signed oil on board, framed : 25 x 21 inches board : 20 x 16 inches Provenance: private collection, Derbyshire, England C...

This second edition of Henri Matisse’s Blue Nude I is an authorized open-edition print, recreated with the permission of the Estate of Henri Matisse. The exceptional print quality pr...

5-3119B Blooming flowers in the spring garden a bold modern oil on canvas executed with palettes technique unframed ,signed lower left by Italian artist G.Ferzetti

Marilyn Monroe in the Waldorf Astoria Ballroom in New York City, 1956. All available sizes and editions: 20" x 24", Edition of 25 + 3 Artist Proofs 24" x 34", Edition of 25 + 3 Arti...

In this contemporary botanical cyanotype painting in watercolor, gouache, India ink, gold pigments and tea-toned cyanotype on cotton watercolor paper, meticulously detailed flowers a...

Elisabeth Grace, a visionary artist based in Denver, CO (USA), is renowned for her immersive large-scale paintings, collages, murals, and installation art. With a BA in oil painting ...

This stunning large Artist's Proof is an one-off, hand-painted with highlights by the artist , signed at front and on the back label too; this proof is 80% hand painted with original...

This exhibition poster for "Image after Image" at the Louisiana Museum of Modern Art, held from February 4 to May 29, 2005, was originally printed by Verlag der Buchhandlung Walter K...

Echoes of the Atelier III, acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an agei...

Oil on canvas realized by Alberto Gallerati in 1970s. Hand signed. Titled on rear. Very good condition.

A striking 1930's French post-impressionist oil on board portrait of a gentleman smoking a pipe by Antonin Guéton. Excellent quality and condition post-impressionist portrait. Sign...

'Tinderbox' - A girl called N - 2019 50x549cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist inventory PL20...

5111 Lady with pearl necklace by Lynn Lemay Custom wood frame Image size 23.5x19.5"

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Robert Rauschenberg, American (1925 - 2008) - Quarry, Year: 1968, Medium: Offset Lithograph, Image Size: 33 x 25 inches, Size: 34.5 x 26 in. (87.63 x 66.04 cm), Printer/Publisher...

This exquisite lithograph after Henri Matisse (1869–1954), titled Portrait de l’Artiste (Portrait of the Artist), from the album Portraits par Henri Matisse (Portraits by Henri Matis...

Evening in the Dunes of Hossegor France 19th C Original Oil by Issaac A. Josephi Soir dans les dunes d'Hossegor" (Evening in the Dunes of Hossegor) by Isaac A. Josephi (American, 186...

Signed and dated divisionist oil on canvas figure in landscape by French post impressionist painter Henri Lebasque. This stunning piece depicts a young girl in a white dress wearing ...

Libby Bothway's detailed and captivating pen illustration, captures the essence of iconic Parisian architecture. The monochrome drawing vividly showcases three adjoining classical Pa...

Columbus, Georgia-based artist Kellie Newsome specializes in dynamic and expressive animal portraits that radiate vitality and personality. Her unique style combines abstracted forms...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle M.A. (Miss M.A.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates...

Ancient Style Greek Black Figure Calyx Krater, 19th/20th Century Terracotta 17 x 14.5 inches A calyx krater is a type of ancient Greek pottery, specifically a type of krater (a bowl...

Robert Rauschenberg Rare 1960s Musee D'Art Moderne de la ville de Paris poster, 1968 Offset Lithograph Edition of 500 27 1/2 × 21 inches Unframed, not signed Accompanied by Certifica...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Burning Off, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition captures Wyeth’s poetic meditation on atmosphere and transformation. Burning Off depicts a summer morning’s sea fog gradually lifting from the landscape, revealing the tranquil geometry of field and horizon. Through restrained tonal contrasts and delicate textural nuance, Wyeth conveys both the mystery and stillness of the natural world in transition. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio and personal collection to embody the cyclical poetry of the seasons. Each image reflects Wyeth’s profound sensitivity to light, time, and emotion—his ability to evoke the spiritual essence of landscape through quiet realism. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: Burning Off, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

Medium: original lithograph. Printed in Paris in 1967 at the atelier of Clot, Bramsen et Georges and published in an edition of 2500 for "Les Temps Situationistes" (The Situationist ...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while longing for the summer left behind. Reflecting on the vibrant days spent painting en plein...

Medium: lithograph (after the painting). Printed in Paris on smooth wove paper at the atelier Mourlot and published in 1954. Size: 9 1/4 x 6 3/4 inches (237 x 170 mm). Signed in the ...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Evan Venegas studied at the San Francisco Art Institute and earned his BFA in Painting in 1998. Evan Venegas creates artwork that lives at the intersection of geometry and atmosphere...

4 colour screenprint on Somerset Tub Sized Satin White 410gsm Edition 117 of 125 76 x 60 cm (29.9 x 23.6 in) Signed, numbered and dated on the back Mint. Minor imperfections may appe...

Artist: Jasper Johns, American (1930 - ) Title: Cup 2 Picasso Year: 1973 Medium: Lithograph, signed in the plate Size: 15 x 10.5 in. (38.1 x 26.67 cm) Frame: 19.5 x 17.25 inches Pri...

This body of work was inspired by the wrongful execution of a fourteen-year-old George Stinney Jr. Two little white Girls, one age 11, and the other age 7, went missing one afternoo...

Title: Nightlife Medium: Oil on canvas Size: 35.5 x 27.5 inches Frame: Framing options available! Condition: The painting appears to be in fair condition. Year: 2000 Circa A...

A large Mid-20th Century oil painting depicting a beautiful landscape on a sunny day of the Village Provençal in France. This piece has a strong presence with bold brushwork and heav...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique; this is not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Kenn Duncan (1928-1986). Portrait of Joe D'Allesandro, ca. 1973. Photographic period print measuring 11 x 14 inches. Measures 12 x 15 inches framed. Studio...

In this contemporary encaustic monotype, layers of pigmented beeswax on lightweight kozo paper create an undulating composition suggesting layers of the earth's crust and geological ...

Very rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Imagine," first released on the LP of the same name in 1971. The best-selling single of his s...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Cybernetic Lobster Telephone MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Merrill Chase, Chi...

Original and unique artwork by Hunt Slonem. Oil on wood, four bunnies bunnies. Painting is framed, as seen in the images. Dimensions of the artwork with the frame: 14.5 x 12.5 inche...

Jean-Michel Basquiat - Both Poles Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and never displayed This triptych is formed by three skate decks made of 7 ply grade A Canadian maple wood. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York This skateboard set reproduces Both Poles (1982), an iconic work by Jean-Michel Basquiat that encapsulates the tensions running through his visual language: past and present, earth and sky, history and immediacy. The original piece, executed in acrylic, oil stick, and collage, presents a fragmented scene dominated by a symbolic mountain, a crescent moon, and charged elements such as a sickle and a post. Here, Basquiat confronts “both poles” of his inner and outer worlds: excavation and invocation, memory and transmission. This edition brings that conceptual force into the urban language of skateboarding, becoming both a collectible object and a contemporary artistic statement. Transposed onto the skateboard format, the work becomes a visual declaration that bridges art and street culture, while preserving the expressive and conceptual intensity of the original. ABOUT THE ARTIST Jean-Michel Basquiat (1960-1988) was one of the most influential artists of the 20th century, famous for his ability to fuse urban culture, social criticism and art history into a unique style. Born in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his life and work were shaped by his multicultural heritage, the New York art scene and the social tensions of his time. Although his career was brief, his impact on contemporary art has been lasting and significant. Basquiat showed an interest in art from an early age. His mother, Matilde Andrades, took him to museums and encouraged him to draw. At the age of seven, a car accident left him hospitalized for a time, and it was then that his mother gave him a copy of the anatomy book Gray's Anatomy, which influenced his fascination with the human body and its visual representation. Despite his early talent, Basquiat's family life was turbulent. His mother was hospitalized for psychiatric problems and his relationship with his father, Gerard Basquiat, was troubled. This instability contributed to Basquiat dropping out of school at age 17 to pursue his artistic career on the streets of New York. As a teenager, Basquiat joined the New York graffiti scene under the pseudonym SAMO (an acronym for "Same Old Shit"), which he used to sign his cryptic and poetic messages on the streets of Manhattan with his friend Al Diaz. SAMO's graffiti were a mixture of philosophical and social commentary on popular culture, capitalism and religion, and soon attracted the attention of the underground art scene. In 1980, SAMO "died" when Basquiat and Diaz decided to end their collaboration, marking the beginning of Basquiat's transition from street graffiti to art galleries. Basquiat emerged as a talent to watch in 1980, when he participated in the group exhibition The Times Square Show, which included other emerging artists from New York's Lower East Side scene. That same year, he attracted the attention of critics and collectors who saw in his work an electrifying blend of street art and neo-expressionism, the predominant movement of the time. In 1981, art critic René Ricard published the influential essay The Radiant Child in Artforum magazine, which positioned Basquiat as one of the most promising artists of his generation. Shortly thereafter, he met renowned artist Andy Warhol, with whom he formed a close friendship and significant artistic collaboration. This association was instrumental in catapulting his career into the world of high art. The collaboration with Warhol was a pivotal point in Basquiat's career. The two artists, although coming from very different worlds, shared a fascination with fame and popular culture. Together, they produced a series of works that combined Warhol's pop art icons with Basquiat's raw, spontaneous style. However, this collaboration was also a source of controversy. Many critics accused Warhol of "exploiting" Basquiat, while others saw the collaboration as a creative dialogue between two genius minds. Although the criticism was mixed, there is no doubt that the relationship between the two artists helped cement Basquiat's reputation in the art world. Basquiat's style is a unique amalgam of influences. His work is characterized by the use of dismembered human figures, skeletons and internal organs, evoking the fragility of the body and mortality. Basquiat also used symbols that alluded to African-American and African history, such as crowns, masks and references to historical figures such as Toussaint Louverture. The use of text is another crucial aspect of his work. Words, phrases and numbers appeared in his paintings, often crossed out or overlapped, creating a sense of controlled chaos. These fragmented words provoked a non-linear reading of his works and conveyed multiple layers of meaning. His art also reflected his concerns about racial issues, especially the place of people of African descent in Western art history and in society at large. The crowns that Basquiat often drew on his figures were a symbol of power and resistance, a way of proclaiming himself "king" in a world that had historically excluded black artists from the upper echelons of art. In works such as The Death of Michael...

#5-2752b Tuscan Country House Landscape, a country scene painting , oil on artist board displayed in a gilt-silver wood frame, signed lower left by Wane. Image size 17 H x 12.5 W

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Samson Olatubos...

Red Grooms Mr. Chuck Berry, 1978 Original silkscreen in colors with 3D construction and die-cut collage on paper Signed and numbered 9/25 AP in graphite pencil on the front Pencil si...

This exquisite lithograph after Henri Matisse (1869–1954), titled Mademoiselle L.L. (Miss L.L.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates f...

Landscape (80x100 cm) is an original, one-of-a-kind abstract painting by Italian contemporary artist Marilina Marchica. The work belongs to her ongoing research on architecture, memo...

The Garden View French School, early 20th century signed with initials lower corner watercolour painting on artist paper, framed Glass covering framed: 13 x 10.5 inches board: 10 x 8...

Mascot, photograph from Richard Heeps' series, Man's Ruin. Captured at the Hot Rod Hayride this Jesus on a Cross, was meant to protect the Hot Rodders in their cars. There is somethi...

This is an exclusive handprinted limited edition cyanotype of a Sandy Shore with Foam. Details: + Title: Sandy Shore with Foam + Edition Size: 100 + Stamped and Certificate of Aut...

This is a well done self portrait of the listed American artist Bernard Stafford Good. Painted in 1937, it is a fine example of American illustration art produced by the Brandywine School of Southeastern Pennsylvania and Delaware of the period. It also relates to Norman Rockwell and his illustrative style of the early twentieth century. The portrait is oil on c...

Vintage landscape post impressionist framed oil painting on thick board, signed in the bottom left and dated 1960. This is a bright and cheerful oil painting in a Montparnasse frame...

This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves of Bauhaus architecture, while at the same time exploring bright an...

This exquisite lithograph by Marc Chagall (1887–1985), titled Paradis I (Paradise I), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This radiant and dreamlike composition envisions the Garden of Eden as a symbol of divine harmony and innocence, where life, color, and spirit coexist in perfect unity. Through lyrical forms and glowing tonal contrasts, Chagall expresses a vision of creation that transcends narrative, merging spiritual wonder with emotional warmth. Paradis I embodies the artist’s enduring fascination with the sacred origins of life and the poetic balance between the earthly and the eternal. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Paradis I (Paradise I), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Paradis...

This ethereal monochromatic underwater nude photograph captures a young woman wrapped in flowing translucent fabric. The sepia-toned composition emphasizes texture and movement, wher...

This striking extra-large Artist’s Proof is No. 2 of only three in existence. 80% of the painting is hand-painted in oil and gesso on giclee by Shizico Yi, the proof is a unique, one...

Stamped, verso, on canvas with certification of authenticity for Dora Masters (American, 1916-2003), bearing stamped wax seal and painted circa 1955. Provenance: Acquired from the a...

Yoshitomo Nara Lollipop Print on paper 20 3/10 × 14 3/10 in 51.5 × 36.4 cm