Art by Medium: C Print

Spectators standing next to polo mallets and riding helmets during a polo match in Palm Beach, Florida, 1968. Slim Aarons Palm Beach Polo 1964 C-Print Estate signature stamped and ...

'Blonde Beauties' by George Freston From left to right, actresses Julie Christie, Ursula Andress and Catherine Deneuve attend a Royal Film Performance of 'Born Free' at the Odeon, L...

Norman Parkinson Barbara Mullen, 1960 C print 40 x 30 inches Estate stamped and numbered edition of 21 on verso Irish-American fashion model Barbara Mullen photographed with dogs b...

Faye Dunaway Oscar Outtake (Stare) Los Angeles 1977 (printed later C-print 40 x 40 inches Signature stamped and numbered edition of 50 with certificate of authenticity from the Terr...

DINNER AT EIGHT, Jean Harlow, 1933/ Everett Collection. stunning and vivid photograph of the first sex symbol, Jean Harlow. 12x16 inches Archival Pigment...

Hotel Swimming Pool on Spanish Island of Ibiza, a view of the swimming pool and its placid water perhaps taken by Slim Aarons early in the morning before hotel guests arose 16 x 20"...

Guests Enjoy Swimming Pool under Green Palm Trees in Mexico, the portrait was taken by Slim Aarons at the Hotel Camino Real in Puerto Vallarta, Jalisco, in Mexico. 16 x 20" print. L...

Slim Aarons Estate Limited Edition C print 40 x 30 inches / 101 x 76 cm unframed. ' Poolside Party ' 1970 A poolside party at a desert house, designed by Richard Neutra for Edgar...

Slim Aarons Cortina d'Ampezzo 1982 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A rest from skiing at Cortina d'Ampezzo, Mar...

Faye Dunaway at the Beverly Hills Hotel, 1977 (printed later) C-print 60 x 60 inches Estate stamped edition of 50 with certificate of authenticity American actress Faye Dunaway take...

O'Brians Catch 1961 Slim Aarons Estate Stamped American actor Hugh O’Brian returns to the beach with a fish after a snorkelling expedition, Antigua in the West Indies, 1961. Prod...

Racing at Baden-Baden - Horse Riding and Horse Racing at Racecourse in Germany 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Racing at Baden...

TERRY EVANS (American b. 1944) "Terraced Plowing," September 4, 1990, Color photograph (chromogenic print, C Print) on photo paper, dated and hand signed...

'Lounging In Verbier' by Slim Aarons Holidaymakers in sun loungers on the slopes at Verbier, Switzerland, February 1964. This photograph epitomises the Travel, Lifestyle and Glamou...

Speedboat Landing - Speedboat Docking at Pier in Turquoise Oceanic Waters by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Spee...

Slim Aarons - Hotel De Paris In Monaco - Estate Stamped Edition Limited to 150 only The entrance to the Hotel de Paris in Monte Carlo, Monaco, June 19...

Slim Aarons - Cortina d'Ampezzo - Estate Stamped Edition Limited to 150 only Snowboarding in Cortina d’Ampezzo, March 1988 (Photo by Slim Aarons). This photograph epitomises the...

Elevated view looking down on sunbathers and parasols on the beach at La Scogliera beach in Positano, Italy, 1979. Slim Aarons Positano Beach 1979 (printed later) C print Estate st...

'Il Canille' 1980 Slim Aarons Limited Estate Edition Sunbathers lounge on the white-painted terrace of Il Canille, built into the rocks of Pizzolungo overlooking the waters off the...

Slim Aarons View From Il Pellicano, 1991 C print Estate stamped and numbered edition of 150 with Certificate of authenticity Aerial view with sunbathers and parasols and, dotted w...

Susanna Boylston Bolton 1965 (printed later) C print Estate stamped and numbered edition 1 of 150 with Certificate of authenticity Caption: A view from the umbrella boxes towards t...

Faye Dunaway at the Beverly Hills Hotel, 1977 (printed later) C-print 60 x 60 inches Estate stamped edition of 50 with certificate of authenticity American actress Faye Dunaway take...

Holidaymakers in sun loungers on the slopes at Verbier, Switzerland, February 1964. (Photo by Slim Aarons) Chromogenic print size 72 x 48" inches / 183 x 122 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Guests by the pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. (Photo by Slim Aarons) Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. ski skiing winter sports...

'Verbier Vacation' 1964 Slim Aarons Limited Estate Edition Holiday-makers take the sun on a mountain top in Verbier, 1964. Slim Aarons Chromogenic C print Printed Later Slim Aar...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Holidaymakers relax beside the swimming pool of Il Pellicano Hotel in Porto Ercole, Tuscany, August 1980 Hotel Il Pellicano 1980 (printed later) C print Estate stamped and numbered...

Slim Aarons - Walking Up Cortina d'Ampezzo - Estate Stamped Edition Limited to 150 only Skiers walk up a mountain in Cortina d’Ampezzo, a ski resort in northern Italy, 1962 (Photo...

'Onassis In Office' 1956 Slim Aarons Limited Estate Edition Print Greek shipping magnate Aristotle Onassis (1906 - 1975) in the office aboard his y...

Sunbathers lounge on the white-painted terrace of Il Canille, built into the rocks of Pizzolungo overlooking the waters off the coast of the island of Capri, Italy, in August 1980. I...

Norman Parkinson 'Audrey Hepburn, Vogue' 1952 Silver gelatin print 36 x 36 inches Estate stamped and numbered on verso “The camera can be the most deadly weapon since the assassi...

Glamorous, Austrian actress Mara Lane lounging and sunbathing by the pool in a striking red and white striped bathing costume at the Sands Hotel, Las Vegas, 1954. (Photo by Slim Aarons) Typically 'Slim Poolside...

Slim Aarons Estate Print - Saint-Tropez Boucherie - Oversize A boucherie or butcher’s shop on Rue des Commercants in Saint-Tropez, on the French Riviera, August 1971. (Photo by Sli...

'New England Skiing' 1955 Slim Aarons Limited Estate Edition Limited to 150 only Two women recline on improvised sun-beds in Cranmore Mountain, New Hampshire, circa 1955 (Photo by...

'Lounging In Verbier' 1964 Limited Edition Estate Stamped Print Holidaymakers in sun loungers on the slopes at Verbier, Switzerland, February 1964. Produced from the original tran...

Slim Aarons Natale Rusconi in Venice 1978 (printed later) C print Signature stamped and numbered edition of 150 with certificate of authenticity from the Slim Aarons estate Natal...

Positano Beach Elevated view looking down on sunbathers and parasols on the beach at La Scogliera beach in Positano, Italy, 1979. Gorgeous print measuring a Supersize 48 x 72" inch...

Waterskiing from the Hotel Du Cap-Eden-Roc in Cap d'Antibes, France, 1969. Waterskiing at Hotel Du Cap-Eden-Roc 1969 (printed later) C print Estate stamped and numbered edition of ...

'Hotel Du Cap-Eden-Roc' 1969 Slim Aarons Limited Estate Edition Print Waterskiing from the Hotel Du Cap-Eden-Roc in Cap d'Antibes, France, 1969. Produced from the original transpa...

'Harbour Isle Beach' 1973 Slim Aarons Limited Estate Edition Print Holidaymakers on the beach at Harbour Isle in the Bahamas, March 1973. Produce...

'Kaufmann Desert House' 1970 Slim Aarons Limited Estate Edition January 1970: The Kaufmann Desert House in Palm Springs, California, designed by Richard Neutra in 1946 for businessm...

This is a vintage Marc Riboud photo of a Menashe Kadishman sculpture in the Billy Rose sculpture garden at the Israel Museum. Hand signed and editioned. This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. the actual photo measurement is between 9.25 X 14 to 10.5 X 13.5 inches (22.9 X 35.6 to 26.7 X 34.3 cm.) This is hand signed and editioned in pencil, on print mount recto; and stamped on the reverse with photographers name and copyright info. In a folding jacket with a printed credit and title. The first copy was awarded to the President of the United States, the second to the President of the State of Israel, the third to the Mayor of Jerusalem and the fourth to the Baron Edmond de Rothschild. Rare Cornell Capa and Baron Edmond De Rothschild “Jerusalem: City Of Mankind” Photo Album 1973. It has been produced by the international fund for concerned photography, INC, New York for the women’s division of the American Friends of the Israel Museum, New York. 15 copied were reserved for participating photographers. Color prints are made by dye transfer process from original transparencies and black and white enlargements are made from original negatives under the photographers supervision. Design and production – Arnold Skolnick / Bhupendra Karia. Color prints by Berkey K & L Custom Services INC, New York. Black and white prints by Igor Bakht Werner Braun – Moonrise over the Knesset Robert Burroughs – At the Western Wall. Cornell Capa – View from the Israel Museum sculpture garden. Leonard Freed – Reading from Sephardic Torah scrolls. Ernst Haas – In the Arab quarter, Old City. Charles Harbutt – Easter, Holy fire. Ron Havilio – Wallscape. Bhupendra Karia – Midday prayers, Al Aqsa grounds. Marc Riboud – Ecumenical landscape Billy rose garden, Israel museum. Ted Spiegel – Benedictine nun, Mount of Olives. Micha Bar-Am – Via Dolorosa on Friday. Marc Riboud (French: 1923 – 2016) was a French photographer, best known for his extensive reports on the Far East: The Three Banners of China, Face of North Vietnam, Visions of China, and In China. Riboud was born in Saint-Genis-Laval and went to the lycée in Lyon. He photographed his first picture in 1937, using his father's Vest Pocket Kodak camera. As a young man during World War II, he was active in the French Resistance, from 1943 to 1945. After the war, he studied engineering at the École Centrale de Lyon from 1945 to 1948. He moved to Paris where he met Henri Cartier-Bresson, Robert Capa, and Chim, David Seymour, the founders of Magnum Photos. By 1953 he was a member of the organization. His ability to capture fleeting moments in life through powerful compositions was already apparent, and this skill was to serve him well for decades to come. Over the next several decades, Riboud traveled around the world. In 1957, he was one of the first European photographers to go to China, and in 1968, 1972, and 1976, Riboud made several reportages on North Vietnam. Later he traveled all over the world, but mostly in Asia, Africa, the U.S. and Japan. Riboud has been witness to the atrocities of war (photographing from both the Vietnam and the American sides of the Vietnam War), and the apparent degradation of a culture repressed from within (China during the years of Chairman Mao Zedong's Cultural Revolution). In contrast, he has captured the graces of daily life, set in sun-drenched facets of the globe (Fès, Angkor, Acapulco, Niger, Bénarès, Shaanxi), and the lyricism of child's play in everyday Paris. In 1979 Riboud left the Magnum agency. Riboud's photographs have appeared in numerous magazines, including Life, Géo, National Geographic, Paris Match, and Stern. He twice won the Overseas Press Club Award, received the Lifetime Achievement Award at the 2009 Sony World Photography Awards and has had major retrospective exhibitions at the Musée d'Art Moderne de la Ville de Paris and the International Center of Photography in New York. Riboud was made an Honorary Fellow of the Royal Photographic Society in 1998. One of Riboud's best known images is Eiffel Tower Painter, taken in Paris in 1953. It depicts a man painting the tower, posed like a dancer, perched between the metal armature of the tower. Below him, Paris emerges from the photographic haze. Lone figures appear frequently in Riboud's images. In Ankara, a central figure is silhouetted against an industrial background, whereas in France, a man lies in a field. The vertical composition emphasizes the landscape, the trees, sky, water and blowing grass, all of which surround but do not overpower the human element. An image taken by Riboud on 21 October 1967, entitled "The Ultimate Confrontation: The Flower and the Bayonet," is among the most celebrated anti-war pictures. Shot in Washington, D.C. where thousands of anti-war activists had gathered in front of the Pentagon to protest against America's involvement in Vietnam. Select Exhibitions 1958 Photographs From The Museum Collection (Museum of Modern Art, New York) 1959 30th Anniversary Special Installation - Towards the "New" Museum (Museum of Modern Art) 1960...

'Lounging In Verbier' 1964 Slim Aarons Limited Estate Edition Print Holidaymakers in sun loungers on the slopes at Verbier, Switzerland, February 1964. Produced from the original...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Brigitte Bauer photographed in Tahiti wearing Estée Lauder makeup and hair styled by Kenneth. American Vogue, 1 May 1965. Brigitte Bauer in Tahiti. American Vogue, May 1965 C print ...

Mouche at Praia do Vau, Portugal wearing a Nina Ricci swimsuit. British Vogue magazine, January 1973. Mouche at Praia do Vau, Portugal for Vogue, January 1973 C print Estate stamped...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

'Walking Up Cortina D’Ampezzo' 1962 Slim Aarons Limited Estate Edition Skiers walk up a mountain in Cortina D’Ampezzo, a ski resort in northern Italy, 1962. (Photo by Slim Aarons) ...

'Conca dei Marini' 1984 Slim Aarons Limited Estate Edition Print A bay in Conca dei Marini, on the Amalfi coast in Italy, August 1984. Produced from the original transparency Cer...

'Leisure In Antibes' 1969 Slim Aarons Limited Estate Edition Print A woman sunbathing in a motorboat as it tows a waterskiier, in the sea off the Hotel du Cap-Eden-Roc in Antibes o...

'C. Z. Guest' Palm Beach 1955 Slim Aarons Limited Edition Estate Stamped Print American socialite Mrs. Winston F. C. Guest (aka C. Z. Guest, 1920 - 2003) with a Great Dane at her o...

'Bahamas Speed Week' 1963 Slim Aarons Limited Estate Edition Print Gordon Butler's Chevrolet Corvette Sting Ray at the Bahamas Speed Week at the O...

'Pool By The Sea' 1969 Slim Aarons Limited Estate Edition Guests round the swimming pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1969. (Photo by Slim Aarons) C Print ...

'Beauty And The Beast' 1959 Slim Aarons Limited Edition Estate Print - Oversize Mrs. George (Daphne) Cameron sits on a tiger pelt in the trophy room of Laddie Sanford’s Palm Beach...

'Bahamian Hotel' 1973 Slim Aarons Limited Edition Estate Print- Oversize A hotel on the coast at Great Harbour Cay, Bahamas, March 1973. (Photo by Slim Aarons) C Print Produced ...

Sheila Metzner’s unique photographic style has positioned her as a contemporary master in the worlds of fine art, fashion, portraiture, still life and landscape photography. Looking at Metzner’s photographs is a captivating experience. Innocent, sensual, and sexual, each photo, regardless of subject, exhibits and elicits deep emotion. It is nearly impossible to just glance at Metzner’s photos; they beg to be studied. She says, “Photography in its most basic form is magic…This image, caught in my trap, my box of darkness, can live. It is eternal, immortal. The child in the image will not age as the living child will.” Sheila Schwartz was born in 1939 to an orthodox Jewish family in a poor section of Brooklyn. While attending the School of Industrial Art in Manhattan (now the High School of Art and Design), she was awarded the Mayor Robert F. Wagner scholarship to the college of her choice. She chose Pratt Institute, where she majored in visual communication. Her fondness for painting and sculpture also led her to study with abstract artists Jack Tworkov and James Brooks. After graduating in 1961, Sheila worked as an assistant to Lou Dorfsman at CBS Network Advertising. Five years later, she was hired by the Doyle Dane Bernbach advertising agency as its first female art director, and in 1968 she met and married director, creative director, and painter Jeffrey Metzner. While pregnant with their first child, she was riding in a cab with her mentor and friend, photographer Aaron Rose, discussing whether or not to give up her career in advertising. “He said, ‘You should be a photographer. You live like an artist. You have a good eye, you’d be good at it.’ ” Metzner started taking pictures, amassing them slowly over the next 13 years, while raising her and Jeffrey’s five children—Raven, Bega, Ruby, Stella and Louie. Jeffrey’s two daughters from a previous marriage, Evyan and Alison, were also a regular part of the family. “When they were really small, I’d be with them during the day, photographing and printing at night. At eight or nine in the evening, when they were all asleep, I’d take a shower to wake up and put on high heels and lipstick, which I wore then, to give me the feeling of being ready to work.” She continues, “My children never interfered. When I couldn’t travel because of them, I would find a place in upstate New York and call it Antarctica or Egypt. I found microcosms.” Nine years later, Metzner had accumulated a box of 22 pictures. One of them, a black-and-white photograph titled “Evyan, Kinderhook Creek,” caught the eye of John Szarkowski at the Museum of Modern Art, which he included in his famous and controversial exhibition “Mirrors and Windows: American Photography since 1960.” The New York Times art critic Hilton Kramer loved the picture and soon it became the dark-horse hit of the exhibition. Later that year, Metzner’s first solo show at the Daniel Wolf Gallery in New York drew record crowds. Metzner was now ready to work in color, but not just conventional color. Of her subjects, she once said, “If I use a rose, I want it to be the essential rose—the rose Beauty brought to her father from the Beast’s garden.” Now she aspired to an essential kind of color. “I wanted something that would last. I was looking for Fresson even though I didn’t know they existed.” The Fresson family works outside of Paris and specializes in a labor-intensive four-color “process de charbon” method, which they invented in 1895. Some prints can go up to seven colors, and are pigment prints, the only true archival color print. Metzner is one of just ten American photographers with whom they are willing to work. Fresson prints are the perfect complement to Metzner’s style—soft, sensuous, and grainy, the prints resemble paintings, with a finish which Metzner describes as “a glaze on fine porcelain. The moment I saw the neutral gray,” she adds, “I knew it was perfect.” In 1980 Metzner showed her Fresson color prints at her second solo exhibition at the Daniel Wolf Gallery. This show led to commissioned editorial work for such magazines as Vanity Fair, Vogue, and Rolling Stone. She secured an exclusive contract with Vogue for the next eight years. Metzner considers her portrait of actress Jeanne Moreau for Vanity Fair a turning point in her career. “It gave me a chance to show my work to a broader audience. I wasn’t just producing photographs for the art world.” Of Sheila’s foray into fashion, critic Carol Squiers says, “At a time when fashion photography was caught between sterility and the snapshot, Metzner created a sumptuous vision that stimulated the entire field.” Metzner also started doing commercial photography around this time. Her first client was Valentino, soon to be followed by Bloomingdale’s, Perry Ellis, Revlon, Shiseido, Saks Fifth Avenue, Paloma Picasso, Victoria’s Secret, Levi’s, Ralph Lauren, and fragrances for Chloe and Fendi (the Fendi campaign won a Fragrance Foundation Recognition Award). Her work also appeared on John Mellencamp...

'Nelda And Friends' by Slim Aarons Set to become another Slim Aaron favourite - it's better known cousins 'Poolside Gossip' and 'Desert House Party' (also listed) are considered to...

Slim Aarons Estate Print - Pool At Las Brisas - Oversize Guests in the pool at the Las Brisas Hotel, Acapulco, Mexico, February 1972. (Photo by Slim Aarons) Chromogenic print pa...

Austrian GP John Watson's Penske PC4 Ford. Championship: Formula 1 1976 (Formula 1, 1976) Event: Austrian GP Date taken: Sunday, August 15, 1976 Location: Red Bull Ring...