Art by Medium: Canvas

Artist: Philippe Alfieri, Italian/American (1921 - 2009) Title: Bedouin Woman in Purple Year: circa 1970 Medium: Oil on Canvas, signed l.r. Size: 36 x 48 in. (91.44 x 121.92 cm) Fram...

A stunning impressionist winter pastoral scene of a quaint snow-covered village. "Britton" is executed with sincere charm and nostalgia. Witty has portrayed this scene in a most inti...

I observed that her beauty comes from embracing herself. Her flexibility to switch from night to day and her open alms of embracing the two seasons. Therefore, embrace yourself like...

Contemporary Art, Abstract Painting Acrylic on canvas 205x330cm Signed FREE SHIPPING ROLLED UP About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Nacio...

Hubert Thornley British, (exh. 1858 -1898) Ships at Moonlight, Rochester Oil on canvas, indistinctly signed Image size: 13.5 inches x 11.5 inches Size including frame: 19.5 inches x ...

A bright impressionist painting with lilacs blossom trees is a beautiful wall decor, the painting is full of different purple colours, combinations of warm and cold shades are profes...

French artist Trimborn is renowned for his large-­scale, stunning landscapes in oil on canvas. Trimborn, trained as an architect, categorizes his work as “contemporary impressionism”...

"This abstract oil painting, measuring 22" x 28" inches, is a visual expression created during the pandemic. In this piece, I explored the chromatic relationship between color and fi...

Realistic early German portrait painting of Johann Ludwig-Mosley wearing his various military awards. The back features further documentation about the man's life and service. Curren...

This is a large original (oil and gold leaf ) painting, its outstanding visual presence promises to bring huge impact to your space. * Artist's Lifetime Warranty for the original ar...

In this piece, the artist depicts his subject in an abstract and impressionistic way, capturing the Arc de Triomphe busy street scene from the 20th Century with much life. The artist...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed.

Artist/ School: French Post Impressionist School, circa 1950's Title: Figures in a sloped Provencal village landscape Medium: oil painting on canvas, unframed canvas: 23.75 x 28.7...

Ocean with Crescent Moon - The painting was created in 2024 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 ye...

Unknown and unsigned painting of a bright beach scene with bold colors and 1980's inspired shapes. Image Size: 47.5 x 35.5 inches Frame Size: 50 x 3...

Antique American modernist Maine landscape oil painting. Oil on canvas. Signed. Framed. Image size, 40L x 36H.

Contemporary modernist American portrait oil painting. Oil on canvas. Signed. Measuring 20 by 40 inches.

Signed and titled post impressionist figures in landscape oil circa 1980 by French painter Max Michel Agostini. The work depicts park-goers on a path beside a lake on a sunny spring ...

Georgina Klitgaard Bearsville, New York Signed lower right Oil on canvas 26 1/4 x 32 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign ...

This abstract landscape painting by Danish artist Steffen Bue immerses the viewer into a new interpretation of color, form, and movement. With a zoomed-out perspective, Bue crafts a ...

Benjamin Weaver creates spatial tension through his use of contrasting colors arranged in a geometric framework. Imagery and color work both with and a...

Diana Kurz Clifford, 1961 Signed and titled on verso Oil on canvas 55 x 50 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Aus...

A beautiful 1920's French or possibly German post-impressionist oil on canvas portrait of a fisherman. Excellent quality work painted with quick, sketchy brush strokes against a mott...

Scarborough, Sept 30 [2022] Scarborough, Nov 15 Original Painting Oil Paint on canvas. Scarborough, Nov 14, is an original seascape painting by Malcom Ludvigsen. It’s a proper plein...

Finely painted vintage American modernist still life. Cubist composition with great color. Oil on board. Framed. Signed.

This charming late 19th-century oil painting by English artist Alfred Augustus Glendening (1840-1921) depicts a picturesque woodland view with sheep. Glendening was a distinguished painter of landscapes. Amid the gentle golden glow of British summertime, sheep graze on a country track flanked by several mature trees. It’s likely to be a view in Sussex or Kent and possibly painted at Knole Park near Sevenoaks. Born in Hampton on Thames, London, Glendening was raised in an area popular with Victorian artists. The river, with its zig-zagging steamboats and silvery waters, provided ample inspiration for a young impressionable mind. This fascinating environment delivered the building blocks for his artistic development, and one can imagine him sketching on the riverbank along with other painters. It would take a little time before he turned to art as a career but, once he pursued his calling, success was inevitable. Travel during the mid-19th century was becoming a little easier thanks to the emerging rail network, and Glendening filled his sketchbooks on various cross-country trips. In 1864, he debuted at The Royal Society of British Artists with a view from Cumbria’s picturesque Lake District. The following year, exhibiting ‘A Cornfield, Kent’ at the Royal Academy. Many of his works were centred around shimmering water with the Isle of Wight another frequent destination. Soon, the rising middle classes took note and he became a firm favourite - views in North Wales, the Highlands, Surrey, and Devon captured with a deft touch. His approach was predominantly naturalistic and lacked the grandiosity of many early Victorian painters. His tranquil vignettes are skilfully observed with dapples of light dancing across reflected foliage. The occasional bird picked out with weight and movement. Glendening’s exquisite draughtsmanship was matched by a keen understanding of tone and value, resulting in balanced compositions with blissful moods. By 1903, he’d exhibited 47 works at the Royal Academy - quite an achievement for a late starter. Today, various museums hold examples including at Southampton and Newport. Signed/dated lower left and held within a later frame. Provenance: Private collection, UK. Artist’s auction maximum: £32,000 for ‘Bramber Castle’, Oil on canvas, Christie’s, 19th Century Pictures...

Robert Azensky Fine Art is proud to present Early 20th Century Oil Painting Palo Alto, California Foothills Landscape Painting circle of Bruce ...

Mixed media on canvas Nino Tolomashvili is a Georgian painter born in 2003 who lives and works in Tbilisi, Georgia. After completing her schooling, she pursued her studies at the T...

Signed fauvist oil on canvas landscape circa 1910 by French painter Louis Valtat. This stunning piece depicts a view of Bagatelle Park in the north of France in summer when all of th...

In my creation, I infused the canvas with the serenity of a twilight embrace. The lavender field breathes a tranquil symphony, inviting viewers to inhale the painted essence of natur...

The second work of the triptych “What about stereotypes? ” Female silhouette combined with flowers - a decorative subject - but with a deep concept, a series of paintings were prese...

The painting is sold on a stretcher. The painting depicts nature in the golden evening time - when the sun gently touches the earth with its warmth. The rays pass through the treeto...

Arthur William Devis. English ( b.1762 - d.1822 ). Portrait Of Charlotte Shore, Daughter Of The Governor General Of India, The 1st Lord Teignmouth. Oil On Canvas. Oval Image size 26.2 inches x 20.5 inches ( 66.5cm x 62cm ). Frame size 34.6 inches x 28.7 inches ( 88cm x 73cm ). Available for sale; this original oil painting is by Arthur William Devis and dates from around 1792 to 1795. This painting was created when the sitter and the artist were both in India, the sitter's father being the Governor General of India from 1793 to 1798. The painting is presented and supplied in a 19th century decorative frame. The painted surfaces and the frame have benefitted from some restoration, cleaning and conservation, which was performed on our instruction, supervision and approval. The canvas is lined. This antique painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. Provenance: By descent in the family of the sitter. Exhibited: Preston, Harris Museum and Art Gallery, 2000, Arthur William Devis, no.52. Charlotte was the eldest child of the first Baron Teignmouth, a title that was created in 1798 for Sir John Shore. The title became extinct in 1981 on the death of the seventh Baron. This portrait was almost certainly painted by Devis in India at a time when the sitter’s father was Governor General. As such, this is a historically significant piece. John Shore was an anti-slavery campaigner, born in London but brought up in Romford. In 1769 he went to work in Bengal where he was one of the first to learn a number of local languages. In 1785 he returned to England and on 14 February 1786 he married Charlotte, the only daughter of James Cornish, a medical practitioner at Teignmouth. The couple’s first child, Charlotte, the subject of this painting, was born the following year, on January 26, 1787. The family quickly returned to India, where John Shore served as Governor from 1793 to 1798. John and his wife had three sons and six daughters over the following fifteen years. Sir John Shore left Calcutta for the final time in March 1798, sailing back to England with his wife and young family. The family settled in Clapham and Sir John became the first president of the British and Foreign Bible Society. He was involved with the Clapham Sect and their anti-slavery campaign. This adorable original oil on canvas depicts Charlotte, the eldest child and first daughter of the first Lord Teignmouth, aged around five to seven years old. (On the basis that the family returned to England in 1798 when Charlotte would have been 11 years old, this painting was almost certainly created in India, during the time when her father was the Governor General of India. We also know that the artist was painting portraits in India the decade up to 1795, when he returned to England.) Charlotte is an attractive child, with thick dark brown curly hair framing her beautiful angelic features. She has fair skin, rosy cheeks and rosebud lips. Her dark eyes are wide and engaging. She has the sweetest expression on her face and we feel that she is kind and good natured. She is wearing a simple white gown, typical of the day, with a low neckline and three- quarter length sleeves and a pale blue sash around her waist. Arthur William Devis was one of the major English artists of the early nineteenth century, noted particularly for his portraits. His life was dynamic and engaging and he produced some of the definitive images of his generation. Devis was born in London on 10 August 1763, the nineteenth child of the artist Arthur Devis and his wife Elizabeth Faulkner. There were several artists in the family and Devis showed an early genius for art. He received some artistic training from his father and then studied at the Royal Academy Schools where he received a Silver Medal, and the good opinion of Sir Joshua Reynolds. Devis became extremely well-travelled, and even circumnavigated the world; when he was about twenty, he was appointed draughtsman on the British East India Company's ship Antelope in a voyage to the East Indies, under Captain Henry Wilson. The vessel was wrecked off the Pelew Islands, on which the crew took refuge. The island was uninhabited, but the sailors formed a friendly alliance with neighboroughing islanders and took part in the wars of the natives. The crew then built themselves a small vessel and sailed for Macao. During this voyage Devis received two wounds from arrows shot from the coast, one in his body, the other in his check, which caused a permanent injury to his jaw. Devis left the rest of the crew at Macao, spent a year in China, then proceeded to Bengal. He settled in India for ten years, establishing a modestly successful practice and receiving several lucrative commissions from British colonialists, of which this painting of young Charlotte is likely to be one. In 1795 he returned to England and worked with great zeal, earning himself a reputation as a serious artist. He painted a number of important historical pieces, including “The Conspiracy of Babington in the reign of Queen Elizabeth” and “Cardinal Langton and the Barons forcing King John to sign Magna”. He soon became established as one of the most talented British artists of his day. It is known that Devis created other portraits of the Shore family between 1797 and 1817. Devis is particularly noted for being involved in the creation of the posthumous cult of Horatio Nelson. After the battle of Trafalgar, he went out to meet the Victory, and painted the acclaimed piece ‘The Death of Vice-Admiral Lord Viscount Nelson, K.B., in the cockpit of H.M.S. Victory, 21 Oct. 1805.’ For this work Devis made various sketches on board HMS Victory, including of Nelson’s body during the autopsy by Dr. Beatty, the ship’s surgeon. The completed picture has become the definitive image of Nelson’s heroic end; it was engraved by W. Bromley (1812), and presented by the Right Hon. Lord Bexley to the gallery of Greenwich Hospital in 1825. At 8 feet 7 inches by 6 feet 4 inches it is of stunning proportions. Devis’ large oil sketch for the piece was purchased by Queen Victoria, December 1852 Devis was also commissioned by Dr. Beatty to produce a half-length painting of Nelson as Vice Admiral, which was lent to Emma Hamilton, who later lost it whilst travelling. Either the original or a copy of this portrait was exhibited at the Royal Academy two years after the Battle and many copies were made of it, including one in the National Maritime Museum. Devis exhibited a total of sixty-five pictures at the Royal Academy between 1779 and 1821. His equestrian portrait of ‘Alexander Sinclair Gordon, Esq.’, was engraved by Anthony Cardon in 1805; ‘The Battle of Waterloo,’ engraved by John Burnet in 1819; ‘An Indian Interior,’ by P. W. Tomkins in 1797; ‘The Little Mountaineer,’ by E. Scriven in 1809, who also engraved Devis's illustrations to J. J. Howard's translation of the ‘Metamorphoses of Ovid,’ London, 1807. Thus images of Devis’ work have become well known through the years. Today there is a portrait of Arra Kovger by Devis in the British Museum, and a portrait of Governor Herbert (painted in Calcutta in 1791) in the National Portrait Museum. Despite his artistic talent, Devis was seemingly completely incapable of managing his financial affairs. He therefore failed to maintain the status in society that his talent deserved. Where money was concerned, he was generous beyond his means and was sadly declared bankrupt in 1800. In 1804 he was imprisoned for debt. Between 1802 and 1810 he received continual assistance from John Biddulph of Ledbury, but these well-intentioned interventions did not produce the results hoped for, and Devis continued to be hopelessly unreliable. Towards the end of his career he at last began to receive Royal patronage, but it came too late. When he died suddenly from apoplexy in 1822 he left his second wife and young children penniless. He was buried in St. Giles’s churchyard. Works by Arthur Devis are now very much in demand; his depiction of Bengali weavers made an eyecatching £130,000 in a UK auction...

Rare early American impressionist landscape painting by Blanche Huntington Stanley. Oil on canvas. Exhibited. Signed. Handsomely framed.

In crafting this piece, I layered acrylics, oils, and colored pencils to weave a tapestry of emotion, capturing the cleansing renewal after a downpour. Its vibrant streaks and abstra...

Ruby Red Rose Oil on canvas gallery wrapped 40" x 30" Red roses symbolize all the qualities that speak to a powerful and genuinely beautiful love story. They represent devotion, p...

Bude in October by Georgie Dowling [2021] original Oil paint on canvas Image size: H:25 cm x W:35 cm Complete Size of Unframed Work: H:25 cm x W:35 cm x D:2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look A 35x25cm palette knife oil painting on canvas depicting a view towards the sea in Bude, Cornwall. A boat in the water...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Rafael de Soto - Village street - Oil on canvas Oil measurements 41x33 cm. Without frame.

Mickaël Doucet is a French, Paris-based artist whose work largely focuses on vibrancy of color and minimalistic interiors, one bouncing off the other to create bright, dynamic scene...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...

Bringing in the Harvest British School, late 19th century signed lower corner oil painting on canvas, framed framed: 29.5 x 55.5 inches canvas: 24 x 50.5 inches provenance: private c...

Signed, verso, 'M. Rosera' (American, 20th century) and dated 1963. A substantial mid-century abstract comprising contiguous and overlapping forms in variegated tones of coral, purp...

Artist: Varvarov Anatoly Viktorovich Title: Under the cover of a Crane, Sise: 35.5x43.5 inches, (90x110 cm) Medium: Oil on Canvas Hand painted, original, one of a kind. This oil pai...

Contemporary Art, Abstract Painting Acrylic on canvas 150x180cm Signed About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Nacional de Pintura, Escultura...

Signed Adolfo Perez Frameless

A very nice, detailed 19th Century landscape of travellers on the crossroads of the Penzance Road in Cornwall by British artist Peter Deakin. The details of the work are as follows:...

In this oil painting, I poured my fascination with the interplay of light on architecture and water. I strove to capture the essence of a serene harbor town, where vibrant colors dan...

Original acrylic on canvas painting titled “Dreaming” by the well known American artist, Michael Patterson. Signed by the artist lower right. Executed in 2022. Condition is excell...

A fine & large antique oil painting on canvas by Raimond Louis Lecourt (1882-1946), the cliffs at the Atlantic Ocean, Etretat, Normandy, France, circa 1910. Lecourt was the quintessential painter of scenes of Normandy France, this is a large and very fine example of his work. The painting depicts the Falaise d' Amont located near Etretat, Normandy, the Falaises (cliffs) are on the Atlantic coast and are a very impressive formation of flint cliffs with huge naturally created archways. The painting is beautifully rendered and in some areas the artist has employed impasto technique (thickly applied paint) to provide texture to the ocean & cliffs, in the foreground of the cliffs is a flock of herring gulls circling overhead. The painting is signed "Lecourt" lower right with a dedication, the painting is housed in the original sponge decorated gesso frame, also created by the artist. Condition is excellent, this charming painting is ready to hang on your wall. The artist was born in Le Havre, and studied at the National School of Fine Arts and the Regional School of Fine Arts of Rouen, he studied under Charles Lhuillier and Léon Bonnat. He received the Croix de Guerre 1914-1918 Military medal during WW1. Lecourt studied at the Le Havre School of Fine Arts under the direction of Charles Lhuillier , then with Léon Bonnat at the Paris School of Fine Arts . He then lived in Fontaine-la-Mallet , where he painted in the Normandy region, which was his favorite subject. In 1899, Lecourt obtained the honorary prize for the upper course with the city's silver medal. A municipal scholarship which allowed him to enter the Paris School of Fine Arts in the studio of the painter Léon Bonnat . There he found his comrades from Le Havre who had preceded him there: Othon Friesz , Raoul Dufy , the brothers René and Henri de Saint-Delis . He debuted at the Salon of French Artists in 1901 with his painting Le Herseur . He completed his studies in the studio of Luc-Olivier Merson and it was around this time that he got into the habit of spending his holidays in Fontaine-la-Mallet with his comrade Othon Friesz . He settled there permanently in 1907, after a trip to Brittany from where he brought back numerous sketches and portraits. During the First World War , he was mobilized on August 1, 1914 in the same regiment and behaved like a hero, decorated with the Croix de Guerre and the Military Medal . During an engagement at Courcy - Brimont , September 14, he was injured by a gunshot to the right forearm. He continued to draw with his left hand then, after a long rehabilitation, he regained the use of his right hand. He became a member of the Society of French Artists, also exhibited at the Salon des Indépendants, and made regular submissions to the Salons. Many paintings by him appear in museums & galleries in Denmark , Germany, the United States, Japan, and in England where the "Dogs of the Duchess of Manchester" painting was exhibited and won Lecourt great acclaim. After the outbreak of World War II, Lecourt takes the German Occupation of France very badly. After General Philippe Petains's handshake with Hitler in Montoire-sur-le-Loir, he returned his military medal to the Chancellery, accompanied by this comment: "We have no need for decorations in a country which no longer has the sense of honor" During this period, he resided with Charles Toussaint, a Le Havre broker and companion from the 74th infantry regiment, at the Frescinet manor, a property which would disappear under the bombings of the September 11, 1944. At this time, he painted mainly on wood, as canvases were rare and expensive at this time. In the winter of 1943-1944, he was hit by a military truck which skidded on the ice, during the fighting for the liberation of the port of Le Havre, the village of Fontaine-la-Mallet, where he lived, was raised to the ground under heavy bombing. His house, his studio, his notes and sketches were destroyed. However he went back to work with courage, but something had broken inside him. The following winter, he caught a cold and contracted pneumonia which took him away in eight days, unable to be properly treated following the refusal of an American army colonel, to give to civilians penicillin that only the Americans had at the time. His friends mourned him and others said that he was a gifted painter of Cauchoise (Normandy) painting, and who knew so well how to render plough horses, Normandy cows...

Signed figures in landscape oil circa 1910 by French post impressionist painter Paul Madeline. This beautiful work depicts two small children on riverside path picking wildflowers fr...

This painting beautifully captures a realistic view of an artist's studio. The boxes covered in oil paint fingerprints, the small dent in the wall, the palette, tubes of paint scatt...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Banks of the Seine, Vernon (near Giverny, Normandy) French School, signed and dated 1991 oil on canvas, framed framed: 24.5 x 27.5 inches canvas : 18 x 21 inches Provenance: private ...

This artwork captures a solitary moment in a remote desert setting. The scene focuses on a vintage motel, "Desert Inn," with its bright yellow façade standing out against the dark, m...

The Sporting Gentlemen Attributed to Dean Wolstenholme Snr (1757-1837) oil on canvas, framed framed: 18.5 x 22 inches canvas: 14 x 18 inches provenance: from a collection in the UK c...

LOOK FOR FREE SHIPPING. PRICE NEGOTIABLE Late Afternoon is an impressionist landscape painting that was painted near Brenham and Chappell Hill. Late Afternoon is contemporary oil la...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...