Art by Medium: Chalk

Ink, chalk & mica on sculpted reclaimed paper Framed 26 x 17.75 x 2 in, white wood frame Katherine Filice is an award-winning American abstract artist born in 1963 who lives and wor...

Ink, chalk & mica on sculpted reclaimed paper Framed 26 x 17.5 x 2 in, white wood frame Katherine Filice is an award-winning American abstract artist born in 1963 who lives and work...

this plastic group, depicting "the Annunciation," is a sketch for a bronze that the artist would exhibit between 1957 and 1960 at his solo shows at the Strozzina in Florence, the Coc...

The work represents a carefully rendered and meticulously observed environmental portrait of a young girl absorbed in study in front of a book case. It celebrates the intelligence of womanhood from a woman's perspective. Initialed in cartouche lower right literature: "The Silver Pencil", Hardy, Harper's Monthly, June 1912, pg. 22 Elizabeth Shippen Green (September 1, 1871 – May 29, 1954) was an American illustrator. She illustrated children's books and worked for publications such as The Ladies' Home Journal, The Saturday Evening Post and Harper's Magazine. Education Green enrolled at the Pennsylvania Academy of the Fine Arts in 1887 and studied with the painters Thomas Pollock Anshutz, Thomas Eakins, and Robert Vonnoh.[2] She then began study with Howard Pyle at Drexel Institute where she met Violet Oakley and Jessie Willcox Smith. New Woman As educational opportunities were made more available in the 19th century, women artists became part of professional enterprises, including founding their own art associations. Artwork made by women was considered to be inferior, and to help overcome that stereotype women became “increasingly vocal and confident” in promoting women's work, and thus became part of the emerging image of the educated, modern and freer “New Woman”.[4] Artists "played crucial roles in representing the New Woman...

Suzanne Chamlin’s paintings are records of her observations and imagination. Painting on site Chamlin explores her expressions of light and color. Suzanne’s process centers on exper...

Suzanne Chamlin’s paintings are records of her observations and imagination. Painting on site Chamlin explores her expressions of light and color. Suzanne’s process centers on exper...

Chalk pastel on paper Christian Frederiksen is a Georgian artist born in 1989 who lives and works in Calgary, Canada. He loves to experiment with new ways of creating imagery by col...

Chalk pastel and acrylic on illustration board Christian Frederiksen is a Georgian artist born in 1989 who lives and works in Calgary, Canada. He loves to experiment with new ways o...

Delicate pastel and chalk drawing by Elisabeth Sauer (German, 20th century), titled “Pusteblume” (“Dandelion”), signed E.S. 85 lower right. The composition captures a cluster of sof...

The present work, drawn with black Conté crayon on a paper calendar sheet, Sylvia Spicuzza presents the viewer with a rhythmic vision of an urban lakefront. The beach scene is domina...

Questo ritratto femminile in gesso, h. 44 cm, è segnato con il numero di inventario 237 e corrisponde a "Ritratto di Albertina, 1959". nonostante non compaia la firma, la sua presenz...

As Florence Ingersoll-Smouse wrote in 1921 in her book devoted to Jean-Baptiste Pater, "a painter of the Fête galante, Pater is interesting both by his intimacy with Watteau, to whom many of his works are still attributed, and by his own value as an artist.” This sanguine, full of life and spontaneity, is typical of the preparatory studies made by the painter to be used later in the composition of his paintings. 1. Jean-Baptiste Pater, pupil and disciple of Antoine Watteau Antoine Pater, Jean-Baptiste's father, belonged to the petty bourgeoisie of Valenciennes where he worked as a merchant-sculptor. His brother Jacques was a local painter who was probably involved in his nephew's training. Born on December 29, 1695, Jean-Baptiste Pater was first trained with Jean-Baptiste Guider, a local painter whose death in 1711 was probably the reason for Jean-Baptiste’s departure alongside Watteau, who was visiting Valenciennes. Watteau's difficult character led to their separation in 1713. Back in Valenciennes, Jean-Baptiste Pater encountered difficulties with the powerful Corporation of Saint-Luke (to which he refused to belong) which forced him to return to Paris in 1718. He reconciled with Watteau shortly before his death (on July 18th 1721), inherited the commissions that Watteau had been unable to fulfil and completed some of his paintings. Pater was accepted by the Académie Royale in 1725 but did not produce his reception painting The soldier’s revels until three years later. Throughout his brief career (he died at the age of forty on July 25th 1736), he mainly had a clientele of amateurs and received only one royal commission, shortly before his death. 2. Description of the drawing and related artworks Pater had adopted his master Watteau's method of composition. His study drawings were carefully glued in a notebook and were used to animate his compositions. His paintings sometimes suffer from a somewhat artificial composition, since the figures seem to be pasted one next to the other. This point has also been made about Watteau’s. The theme of military scenes (which was at the time included in the genre of Fêtes galantes!) was one of Pater’s favourite subjects. Together with the Bathing Women...

Art Sz: 12 1/2"H x 16"W Frame Sz: 18 3/4"H x 22"W c1938 Conte Crayon w/ Gouache

Harold Town (1924-1990) is the ultimate chameleon of Canadian art. One of the founders of Painters Eleven, he remains one of the most fascinating characters from this important colle...

"Ritratto di fanciullo" in gesso di h. 44 cm, risalente al 1959. Viene riportato nell'Inventario dell'artista al n. 69 ed è accompagnato dall'autentica del professor Marco Fagioli.

Original pencil, chalk and crayon drawing on paper. Hand signed and dated on front by the artist. Framed. Artwork is in excellent condition. Certificate of authenticity included. A...

French School 19th Century Portrait of a Lady Coloured chalks on paper Image size: 10 x 7 inches Contemporary gilt frame

"Hiding on Saturn (No. 2)" is a 31.5 x 36-inch mixed media painting by Katherine Filice, made with ink, paper, charcoal, branches, stucco, and chalk on buried canvas. The surface is ...

ERNST LUDWIG KIRCHNER 1880-1938 (German) Aschaffenburg 1880 - 1938 Davos Title: Ball Playing Nudes Ballspielende Akte, 1932 Technique: Chalk Drawing on Smooth Wove Paper Paper s...

Pencil and coloured chalk on paper, signed bottom right Image size: 9 3/4 x 7 3/4 inches (3.75 x 3 cm) Mounted and framed Provenance Studio sale, Christies 18th May 1863 The Artis...

Black chalk, white smudge and highlights, on paper Image size: 10 3/4 x 5 3/4 inches (27.25 x 14.5 cm) A half-length portrait of a young Duke wearing a long wig...

Black chalk and white highlights on paper (originally washed in blue) Monogrammed and dated 1630 on the right This drawing, executed in black chalk and enhanced with white brushwor...

> chalk on sandpaper > signed and dated lower right Barbara Szüts was born in Bad Bleiberg in Carinthia (AUSTRIA) in 1952. She studied painting with Carl Unger at the University of ...

> wax-chalk drawing on Ingres with gold paint > signed and dated lower right Barbara Szüts was born in Bad Bleiberg in Carinthia (AUSTRIA) in 1952. She studied painting with Carl Un...

Yachtsman Painting by Keith Purser B. 1944, 2009 Additional information: Medium: Chalk pastel, woodcut and sand Dimensions: 31 x 38.5 cm 12 1/4 x 15 1/8 in Signed, titled and dated....

Provenance: Ivan E. Phillips, Montreal and New York, until 2023. The brothers Bartolomé Carducho and Vicente Carducho, both born and trained in Florence, settled in Spain where they made their careers. Vicente worked on numerous commissions for both the church and the Spanish court...

Scratching, pastel chalk. Signed and dated 'S. Schüffler 2021' lower right. From the series 'An Experiment on a Bird'. On white Mi-Teintes paper, Canson.

14" x 17.5" Unframed Original Conte Crayon and Watercolour Drawing Hand Signed by Joe Lasker

Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my ...

Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my ...

Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my ...

Framed Size: 70 x 88 cm Unframed Size: 60 x 77 cm Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before set...

13.5" x 17" Unframed Original Conte Crayon and Pencil Hand Signed by Joe Lasker

Red Chalk and Brown Ink

Sara Shields works in chalk pastels, coloured pencil, and ink to create large-scale drawings that evoke an otherworldly quality. She graduated from Centennial College’s Fine Arts Stu...

William Russell Flint was a Scottish artist and illustrator who was known especially for his watercolour paintings of women. He also worked in oils, tempera and printmaking. He was b...

New Landscapes is a series of landscapes painted over the past year. It includes the artist’s observations of oceans, wooded hills, and ponds in different seasons. In these landscape...

When a simple vertical line finds itself in the midst of accidental organic chaos, a sense of directionality and stability is introduced. The line itself can act as a tool used to di...

When a simple vertical line finds itself in the midst of accidental organic chaos, a sense of directionality and stability is introduced. The line itself can act as a tool used to di...

Inconscience by Yvon Pissarro (b. 1937) Conté chalk and pastel pencil on paper 50 x 65 cm (19 ³/₄ x 25 ⁵/₈ inches) Signed lower left, y. vey Provenance: Studio of the artist, Montpe...

Evasion by Yvon Pissarro (b. 1937) Conté chalk, crayon, pastel pencil on paper 65 x 50 cm (25 ⁵/₈ x 19 ³/₄ inches) Signed twice y. vey Provenance: Studio of the artist, Montpellier ...

Voisinage by Yvon Pissarro (b. 1937) Conté chalk and pastel pencil on paper 48.8 x 64 cm (19 ¹/₄ x 25 ¹/₄ inches) Signed lower right, y. vey Provenance: Studio of the artist, Montpe...

Abandon by Yvon Pissarro (b. 1937) Conté chalk on paper 50 x 65 cm (19 ³/₄ x 25 ⁵/₈ inches) Signed centre right, y. vey Provenance: Studio of the artist, Montpellier Artist biogr...

West Hills Race Meeting November 13, 1926 Drawn on stone 4/35 signed Paul Brown lower right Art Sz: 13"H x 22"W

Waves by Yvon Pissarro (b. 1937) Conté chalk on paper 70 x 100 (27 ¹/₂ x 39 ³/₈ inches) Signed and dated Yvon Pissarro 1986 Provenance Studio of the ar...

Original pencil, chalk and crayon drawing on paper. Hand signed and dated on front by the artist. Framed. Artwork is in excellent condition. Certificate of authenticity included. A...

Classic fox-hunt drawing in conté crayon with charcoal highlights by Paul Desmond Brown (1893-1958) Titled, 'Getting Along' depicting two hunters clearing a stone fence...

Original drawing by Patricia Traub.

Original drawing by Patricia Traub

Sir William Rothenstein 1872 - 1945 Portrait of Cecil Day Lewis Black and white chalk on paper Image size: 13 ½ x 9 inches Period gilt frame

The pair consists of the present work and an engraving after it by the hand of Giles DeMarteau (Liège 1722 – 1776 Paris) titled Woman in Fantasy Costume, after Jean Baptiste Le Prince, and measuring, 10 ⅜ x 8 ⅝ inches (26.5 x 22 cm). DeMarteau's engraving is inscribed at the bottom: Le Prince inv. del. / Demarteau sc. / A Paris ches Demarteau Graveur du Roi, rue de la Pelterie à la Cloche...

Medium: Conte Crayon, Pen and Ink on Paper Dimensions: 16.00" x 10.50 Signature: Signed Lower Right

Image of a mother reading to her child.

Gerson Leiber's body of work reflects his interest in geometry, order, the use of a limited palette, light and shadow. He utilizes all of these components within his bold chalk and c...

Jill Greenberg Slow Death 2024 Signed in pencil, verso Charcoal, oil, pastel, and Conté crayon on paper 11.75 x 8.25 inches, sheet Contact gallery for price.

Jill Greenberg Gold Canines 2024 Signed in pencil, verso Charcoal, oil, pastel, and Conté crayon on paper 11.75 x 8.25 inches, sheet Contact gallery for price.

Evelyn de Morgan Study of a Standing Female Nude 1855 - 1917 Black chalk and pastel on grey paper Image size: 12 ½ x 19 inches (48.2 x 31.7 cm) Pre-Raphaelite style frame Provenance J.S. Mass & Co., Ltd., London, J.X. Reynolds & Co., Ltd. Once she had graduated from the Slade School of Art, Evelyn continued to draw every day for the rest of her life. Her drawings are enlightening not only for their skill and subject matter, but also for their ability to teach us her working process. From loose compositional sketches, Evelyn swiftly progressed to detailed life studies for the figures in her paintings. Choosing to draw mainly on a grey wove paper in pencil and pastel, Evelyn produced hundreds of figure studies. Her rigorously-examined double studies of clothed and nude figures are particularly fascinating and underline the artist’s obsession with the human form and her desire for accuracy. A deep understanding of anatomy is obvious in this drawing and looking at the work you feel as though you can reach out and feel the muscle and bone under the skin, that you could feel the pulse of life through the soft skin. Evelyn de Morgan Born into a landowning family, from an early age Evelyn De Morgan, née Pickering, demonstrated a precocious artistic talent and a passionate desire to pursue a career as an artist, writing in her diary on her seventeenth birthday ‘Art is eternal, life is short… I have not a moment to lose’ (Evelyn De Morgan’s Diary, 30 August 1872, De Morgan Foundation Archive). Her maternal uncle, the artist John Roddam Spencer-Stanhope encouraged her talents and accompanied her on her first formative journeys to Italy where she discovered the Renaissance masters, particularly Botticelli. Overcoming initial parental opposition, Evelyn enrolled at the newly formed Slade School in 1873, one of the first women to do so. The Slade revolutionised women’s artistic education by allowing female students to study the nude from life alongside their male counterparts. Whilst at the Slade she began to submit work under her middle name Evelyn, rather than her Christian name Mary, as its gender ambiguity offered a chance for her work to be judged on its own merit. One of her tutors, Edward Poynter...

LeRoy Neiman (American, 1921-2012) Statue of Liberty, July 4, 1986 Signed and Dated Lower Left Acrylic Paint and Chalk 24 x 16 inches 37.5 x 29.25 inches with frame Mr. Neiman's ki...

I thought the sun rose in your eyes 2022 Signed and titled, verso Graphite and conté on paper mounted to panel 16 x 12 x .875 inches This work is offered by CLAMP in New York City.

Cat Nap Conté crayon on paper 8.25 x 12.5 inches Contact gallery for price. This work is offered by CLAMP in New York City.