Art by Medium: Fabric

L.S. Lowry, Street Scene, 1965 Oil on canvas 50.8 x 60.9 cm (20 x 24 in) Hand-signed and dated 'L.S. LOWRY 1965' (lower right) and titled 'STREET SCENE' (on the canvas overlap) E...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Drawing inspiration from cultural icons and global events, Soren Grau's street art-infused Neo-expressionism invites art enthusiasts to be a part of a narrative larger than life. In ...

The Pilgrim and Angel Spanish School, 17th Century oil on canvas, gilt framed framed: 48 x 37 inches canvas: 43 x 32 inches provenance: private collection, Barcelona, Spain condition...

The Mill Wheel by Thomas Henry Thomas (Welsh 1834-1915) signed lower right corner oil painting on canvas, framed framed size: 12 x 16 inches condit...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2022 Style: Impressionism, Subject: Desert View...

Budd Hopkins, American (1931-2011) 'City Sun II', 1969 Oil painting on canvas. Hand signed and dated lower left. Verso: Artist, title, and year in pencil on stretcher. Dimensions: 36" H x 52" w. Frame: 37.25" h x 53.25" w. Budd Hopkins was one of the leading proponents of the "hard-edge" abstract minimalist school of painting in the 1950s and 1960s, Budd Hopkins (born 1931) created works that show the strong influence of Jackson Pollock and other leading painters of the Abstract Expressionism movement. Hopkins' paintings are now in numerous major collections, including the San Francisco Museum of Art, the Guggenheim Museum in New York, and the Hirshhorn Collection in Washington, DC. Recently, he has also been recognized for his research into the matter of UFOs and one of his books, "The Intruders", printed by Random House, was on the New York Times best-seller list and was the basis for a television show on CBS. Born in 1931, he is a graduate of Linsly Military Institute (now Linsly School) in 1949 and Oberlin College in 1953. He first displayed artistic abilities when, as a child recovering from a long-term illness, he began to create sculptures of ships made out of modeling clay. But it wasn't until he arrive at Oberlin that he made a serious study of art. Later, Hopkins included abstracted figures in his sculptural pieces. While moving away from Abstract Expressionism, Hopkins retained in his work the use of intense colors and hard-edged forms. His works of the 1980s, including Temples and Guardians, featured these "sentinels" who were, according to Hopkins, "participating in a frozen ritual, fixed – absolutely – within a privileged space..." Though Hopkins denied any connection, some critics viewed these ritualistic pieces as an extension of Hopkins' fascination with alien beings. Hopkins viewed his sculpted guardians not as human per se, but as magical, fierce, noble robots of the unconscious. He settled in New York after obtaining his degree and has had a residence there ever since. He and his wife, April Kingsley, and their daughter, Grace, divide their time between their home at Cape Cod, Mass., and that in New York City. In his work, he travels widely. He has exhibited in England, Finland, Italy and Switzerland. In 1963, Hopkins was selected by the Columbia Broadcasting System as one of the 15 painters featured in the network's first television special on American art. In 1958, Art News picked him as one of 12 Americans for exhibition in Spoleto, Italy, in the "Festival of Two Worlds." His brilliance has won him a number of fellowships and awards. In 1972, the West Virginia Arts and Humanities Council awarded him its Commission Prize. In 1976, he received the John Simon Guggenheim Fellowship for Painting and in '79 he received a fellowship from the National Endowment of the Arts. He also won a special project grant from the New York State Council on the Arts in 1982. He was friends with Robert Ryman and many of the other 10th street avant garde artists. He was an original member of March Gallery which showed Alice Baber, Elaine de Kooning, Mark di Suvero, Lester Johnson, Matsumi Kanemitsu. His work was handled by Poindexter Gallery. (a major gallery founded in 1955 in New York City by Elinor Poindexter. The gallery specialized in sculpture, abstract, and figurative art and featured the works of such artists as Richard Diebenkorn, Jules Olitski, Nell Blaine, Al Held, Willem de Kooning, Franz Kline, Earl Kerkam, Milton Resnick and Robert De Niro, among others. His art has been featured in the Metropolitan Museum of Art, Museum of Modern Art, Bronx Museum of Art, Brooklyn Museum, Whitney Museum, Corcoran Gallery, Guggenheim Museum, Queens Museum in New York, and the Public Library of New York. He was included in Young America 1960: Thirty American Painters Under Thirty-Six buy Lloyd Goodrich at the Whitney Museum of American Art in NYC. Artists included: Sonia Gechtoff, Edward Giobbi, Ron Gorchov, James Harvey, Budd Hopkins, Wolf Kahn, Alex Katz, Robert Natkin, Rudy Pozzatti, Dean Richardson, Frank Roth, William Wiley, and Noriko Yamamoto...

"The Days Bag" by ROBERT CLEMINSON (British, 1864-1903) signed oil on canvas, framed framed: 24 x 32 inches canvas: 16 x 24 inches provenance: private co...

This painting is signed and dated by Barnabè in the lower right. Barnabè's still-lives of simple everyday objects such as water pitchers, coffee cups, vases and bowls are painted in ...

Across the panels of this large diptych by Milly Ristvedt, passages of crimson, indigo, orange and burnt umber move and vibrate in a contemplative narrative. The piece is made more p...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Minimalist geometric painting Opening Act 4 by Scott VanderVoort features bold black and cream shapes that create a striking interplay of form and negative space. Known for his refin...

Large scale French still life of a vase with flowers by André Vagh Weinmann. The painting is signed and dated bottom right. Presented in a very fine patinated wood frame. An imposin...

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of A...

A large minimal abstract painting on paper by Yasmin Brandolini. Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: 17 Year: 1986 Medium: 40 x 60 in. (101.6 ...

A magnificent bouquet in a purple vase looks impressive against a green background. The flower arrangement includes wildflowers. The combination of garden flowers with them is also v...

Merger, 100x80cm

➡️Still Life from J Robert⬅️ 🟢Jacques Robert (1921–1997) was a French writer, journalist, and screenwriter. Born on June 27, 1921, in Lyon, France, he began his career in journalis...

Artwork sold with frame (50 x 58 x 4 cm)

Turkey. In this painting, I poured my passion for the serene beauty and timeless strength of the coast into every brushstroke. The blend of impressionism and realism brings the fortr...

Pocket Ripe Red Pomegranate 2 is an original oil painting by Dani Humberstone as part of her Pocket painting series featuring small scale realistic oil paintings, with a nod to baroq...

Rikke Bjørn As a Danish artist based in Copenhagen, Rikke’s work revolves around the exploration of geometric compositions, where colour, shape, and surface converge. Through non-ob...

Gerdine Duijsens’ spirited and evocative figures are instantly recognizable and unforgettable. Through lush, bold colors and energetic marks, her paintings emit a sense of pleasure a...

Artist: Vahe Yeremyan Work: Print on Canvas Subject: Stacks, SIZE: 13" x 16" x 0.8''inch, 33x41x2cm Unframed, Stretched on the wooden bar, Gallery Wr...

marsh, water, calm, green, blue, teal, aqua, dusk, lake, trees, reflection Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity

Bernhard Zimmer has created a positive stir at major international art fairs (Art Basel, Kunst Köln, etc.). His lively and mysterious compositions pique the taste of the serious art ...

Nude in the Studio, in Front of the Mirror - Portrait in Oil on Artist's Board Elegant seated nude woman by Pau Milosevich (American, b. 1936). A woman is seated in a studio, in fro...

In this contemporary abstract painting in oil on canvas, thoughtfully combined sections of varying textures and areas of pattern, stripes, circles, dots and undulations are lively in...

Pocket Greenish Blackbird's Egg is an original oil painting by Dani Humberstone as part of her Pocket painting series featuring small scale realistic oil paintings, with a nod to bar...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Big scale abstract oil painting by Polish artist Klaudia Lata. Painting is in orange colour with darks accents. KLAUDIA LATA (born in 1993) Graduate of painting at the Academy of F...

Archipelago at Dusk, 1948 Oil on canvas, likely depicting a coastal scene from the Söderhamn archipelago bathed in the warm glow of dusk. Lindberg masterfully captures the tranquilit...

Item is in excellent condition and has only been displayed in a gallery setting. The painting includes a stainless steel frame that has a built in black light; framed dimensions are approximately 37" x 29". The black light heightens the color experience of Meda's paintings. Massimo Meda...

One of our finest living contemporary American Realist artists, Willard Dixon, has painted 'View From the Window; featuring green leaves, grey branches, purple lilac and orange turni...

An idyllic scene with a view from the sand dunes out to an azure blue sea under a billowing sky. Daniel Sherrin (1868-1940) A seascape from the sand dunes Signed Oil on canvas 16 x ...

Please contact me for best shipping rates and speediest delivery. Ellen Powell Tiberino, matriarch of the Tiberino artist dynasty that includes her artist-husband Joseph and three artist-children (Raphael, Gabriel, and Ellen), often looked to Black women and girls as subjects, in the contexts of motherhood, pregnancy, and childhood, as well as subjects drawn from her neighborhood communities. Her work is expressionistic and passionate with dramatic gestures and dark colorism in her figures, but it is also intimate and highly personal. At this point in her career, Tiberino had been struggling with cancer, and as a result, her palette became brighter and more colorful than her former dark palette. "Three Sisters" includes Ellen Powell Tiberino’s self-portrait in the front of the composition, nursing an infant. Tiberino’s two sisters, Joyce and Anne, sit behind her. Tiberino likely paints from memory or imagination here, since her four children were well beyond nursing age when she created this painting. "Three Sisters" is likely among the last large-scale canvases Tiberino completed, opting to work on a smaller scale and while seated as her illness progressed. Tiberino ultimately lost her battle in 1992. "Three Sisters" comes from a private Main Line, PA collection, acquired directly from the artist immediately upon its completion. Framed in original wood strip frame. It is in excellent condition. Tiberino graduated from the Pennsylvania Academy of the Fine Arts in 1959, where she was awarded a prestigious Cresson scholarship to study in Europe. After returning to the US, she lived and worked in New York until she married fellow artist (Joseph) and returned to her hometown of Philadelphia where she continued to create oil paintings, oil pastels drawings, sculptures, murals, and mosaics. In Philadelphia, she was part of social and professional circles that included Moe Brooker, Barbara Bullock, Walter Edmonds, Charles Pridgen, Leroy Johnson, John Simpson, James Dupree...

In creating this painting, I was inspired by the tranquil beauty of water lilies. I aimed to capture their serene essence and the dynamic interplay of light on water. This piece blen...

Portrait Of Siamese Twins, circa 1810 English School Large circa 1810 English School Regency period portrait of young gentlemen twins, oil on canvas. Unique bust scale portrait of...

Godefroy de Hagemann (1820-1877) was a member of the Hanover dynasty, of German Princes. His full name was Godefroy Auguste Christian Volfgann baron de Hagemann, or Godefroy de Hagem...

Mid-century oil on canvas, " Composition ii " by Romanian/French artist Philippe Lepatre. The work is signed LP and dated Viii 1968 to the bottom righ...

"The Black and White Maze" is a piece by Eustace Mamba made from sewn mixed media. This piece measures 30"h x 40"w unframed. "Black Subjectivity and Afro-Pessimism continue to infl...

Vintage 20th Century Painting of Lush Green Ireland Village by Irish Artist, Liam Reilly Art measures 24 x 18 inches Frame measures 28 x 22 inches This stunning painting captures t...

17th century French School circle of Nicolas Poussin (French 1594-1665) "Figures in Arcadia" oil on canvas, unframed canvas: 16 x 20 inches provenance: private collection, England condition: very good and sound condition Nicolas Poussin was a renowned French painter of the 17th century. He is considered one of the greatest figures of classical French Baroque art...

Canadian artist Pat Service grew up surrounded by the rugged beauty of the BC landscape—forests, sea and sky. In this, one of her earlier landscape paintings Service has captured a v...

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of A...

This primitively rendered but admiring tribute to George Washington has a distinguished artistic lineage. The painter was undoubtedly in the presence of a much admired print engraved...

My interest is to convey elements of the classical arcadian landscape paintings of the 17th and 18th century, inviting the viewer to reflec...

Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame; framed dimensions are approximately 27x33 inches. Americo Makk...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* Kyiv IceCream Festival is an homage to Ukraine. It's very symboli...

Dejame - original abstract acrylic canvas painting. framed , Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in t...

In my paintings, I chose the main character Gestalt wooden figurine of a man) and trying to "animate" his\her

Bernardo Strozzi, also known as “Il Cappuccino” and “il Prete Genovese”, (Genoa, Italy, 1581 – Venice, Italy, 1644) Title: Portrait of a man with white collar Medium: Oil on canvas D...

This contemporary abstract painting radiates a bold, lively, optimistic spirit through its vibrant use of color and bold, intuitive style. The artist’s distinct approach combines an ...

"Great Gable and Black Sail Youth Hostel Emmerdale" by ARTHUR TERRY BLAMIRES (b.1930) signed and dated, 1995 oil painting on canvas, framed canvas: 20 x 3...

In The Wool Winder, Emma Ekwall captures a moment of quiet domestic intimacy between a young woman and a man as they wind wool together—she with focused care, he with gentle attentiv...

Naomi Jones’s evocative figurative painting captures the essence of feminine serenity and nature-inspired symbolism. This soulful portrait features a peaceful woman with flowing aubu...

This vibrant 20th-century French Impressionist painting by Charles Ducant captures the timeless allure of a bustling Parisian street scene, immersing the viewer in the charm and ener...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...