Art by Medium: Fabric

Artist: Vahe Yeremyan Title: Montecito View Medium: Oil on Canvas Year: 2025 Style: Impressionism Dimensions: 34" x 34" x 1" inch (87 x 87 x 3cm) Presentation: Unframed, Gallery Wrap...

A masterful copy by an unknown artist, after the portrait of "Beatrice d'Este" by Leonardo Da Vinci also known as ‘Portrait of a Lady’ or ‘La Dama con la reticella di perle (The Lady With a Pearl Hairnet)’. The original work originally created in the 15th Century is currently on display in the Pinacoteca Ambrosiana Museum of Milan. Beatrice d'Este was the Duchess of Bari/Milan and was believed to be one of the most attractive princesses of the Renaissance. Her impeccable style won her many admirers throughout Italy and France, and she became a trendsetter of the highest order. This copy of the original painting, is an oil on canvas done in the 18th Century, and in this exquisite portrait, the artist has masterfully depicted the fine details with draped hair, pearls, royal dress, ornate headgear and sumptuous jewelry in front of a dark background. Once again, capturing the imagination with another enigmatic smile. It comes housed in an elegant period giltwood frame with ebonized trims and ready to be displayed with hanging wire on verso. Art measures 28 x 18 inches Frame measures 34.5 x 24.5 inches There is much debate and controversy over who actually painted the "Beatrice d'Este" was it Leonardo da Vinci (1452–1519), or Giovanni Ambrogio de Predis (1455–1508). So we may never know who executed the original portrait which hangs in the museum, but that need not deter from an appreciation of its singularity. Following the portraiture convention established by painters of the Quattrocentro, the artist has chosen to portray his sitter in profile. In doing so, he magnificently captures the essence of his sitter, a girl on the threshold of womanhood. Bedecked in the adornments—silk, velvet, pearls and embroidery (brocade) crafted of spun gold threads—afforded her by birthright and marriage, Beatrice looks forward in noble serenity. And at the same time her profile with its upturned nose and slight smile betrays an innocence that must have been the basis of the oft-repeated epithet: la più zentil donna in Italia” (“the sweetest lady in Italy”). It is believed the lady is Beatrice d'Este (1475-1497), duchess of Bari and later of Milan, the wife of Ludovico Sforza (known as "il Moro"). One of the most beautiful princesses of the Italian Renaissance, she was known for her good taste in fashion. Beatrice was a member of the Este-Sforza family, which joined by marriage two of the oldest reigning and already powerful houses in Italy. The house of Este, which held court in Ferrara, traced its lineage to the 11th century Dukes of Saxony and Bavaria. Beatriceʼs father, Ercole I ruled the Ferrara commune for 34 years, catapulting the city-state (and the Estes with it) to an unmatched level of economic prosperity and cultural prominence. The family was renowned for its love of letters and patronage of the arts. The first time Leonardo da Vinci’s name resounded in the Ambrosiana, it was through the pen of its founder, Cardinal Federico Borromeo, who attributed this little panel to the great Master, describing it as “A portrait of a Duchess of Milan, by the hand of Leonardo”. Following the Cardinal’s statement, the portrait was for long assumed to depict Beatrice d’Este, the wife of Ludovico il Moro. However, scholars have recently been more cautious and vague in their statements, with regard to both the artist (anonymous Lombard or Emilian...

LeRoy Neiman, American (1921 - 2012) - Olympic Jumper, Year: 1989, Medium: Tapestry, signed and dated, Size: 84 x 60 in. (213.36 x 152.4 cm)

Rizaldy Celi Jr. (American, Filipino-Vietnamese, born 1983) "The Nightmare" 2025 Oil Paint, Canvas, Stretcher Bars The artist signed the side and the back of the painting. We ship al...

Melody This work is part of the Infinity Map series, dedicated to exploring the inner world and the search for personal points of reference. A young woman sits by an open window, lis...

Claire Burch (American, 1925-2009) Untitled, 20th century Oil on canvas 24 x 30 in. Framed: 31 2/3 x 37 3/4 x 1 1/2 in. Signed lower right: Claire Burch After attending grade school in Brooklyn, Burch completed a commercial art course at Washington Irving High School in Manhattan and received her B.A. in English from NYU. In the suburbs of Great Neck, New York, she first began writing poetry and articles which were published in Life magazine, The New Republic, Mademoiselle, McCall's, Saturday Review, Redbook, Good Housekeeping, and numerous literary quarterlies and anthologies.[1] Burch also developed a career as a psychiatric writer, publishing two books on the subject: Careers in Psychiatry and Stranger in the Family. In the early 1970s Burch became a playwright and painter. Her play Ten Cents a Dance was optioned to be directed by José Quintero, the famous O'Neill interpreter. Burch wrote a total of seven plays and several folk operas, but eventually moved on to filmmaking and video anthropology—she was an early adapter of video as a medium. In 1978, Burch moved to California with her longtime companion Mark Weiman, publisher and owner of Berkeley's Regent Press. She had endured a series of illnesses and wanted to escape the harsh climate of Manhattan. Burch gained insight and inspiration from insanity and the often unexpected behavior associated with it. She would often videotape homeless people in People's Park and Telegraph Avenue in Berkeley, which were collected in her film People's Park in Berkeley: Then and Now. The film documented the dispute between homeless activists and the University of California from the riots of 1969 through 1996 by interviewing park "regulars," and profiling the events surrounding the deaths of park supporters James Rector and Rosebud Denovo.[2] She also produced documentaries on noted cultural figures such as James Baldwin (whom she knew as a teenager), Timothy Leary and Country Joe McDonald. Also of note was Oracle Rising, a film about the legendary psychedelic newspaper The SF Oracle published in the Haight-Ashbury district during the Summer of Love. Her last completed film was Elegy for the Naked Guy...

Vintage American oil painting. Oil on canvas. Framed. Measuring: 14 by 11 inches overall, and 12 by 8.75 painting alone. Unsigned. Excellent condition, ready to hang and enjoy.

These faces are not portraits of specific people, but emotional records of a collective condition. They carry the weight of fear, disappointment, suppressed anger, endurance, and fra...

70 x 40 x 1.5 inches vertical, monochromatic red landscape oil painting on canvas This large vertical rusty red and orange monochromatic landscape oil painting imparts feelings of r...

Rooted in introspection and emotional nuance, Xenia Gray’s figurative mixed media works capture the quiet tension between solitude and connection. Her paintings often depict the huma...

Elizabeth Geisler’s dazzling contemporary water reflection acrylic paintings bridge realism with abstraction. Up close, the paintings appear ambiguous and loose, yet with a little di...

Signed "A Dovianne" in the lower left corner. A vibrant and highly detailed historical scene depicting a ceremonial procession of mounted figures crossing a grand city square in Geneva, richly adorned with festive banners and flags. The composition is animated by a rhythmic procession of elegantly dressed horsemen, accompanied by soldiers and attendants, creating a dynamic sense of movement and civic pageantry. At the center of the scene, a monumental statue anchors the composition, reinforcing the public and historical significance of the event. The surrounding architecture, carefully rendered, is decorated with numerous flags suggesting a moment of national celebration or official ceremony within the city. The artist demonstrates strong academic training in the rendering of figures, horses, and perspective. The palette is lively yet balanced, combining warm earth tones with vibrant reds, blues, and gold accents, while the softly illuminated sky provides atmospheric contrast. This work belongs to the tradition of 19th century European historical painting, with particular appeal for collectors interested in Swiss subjects, civic celebrations, and narrative compositions. défilé à genève painting, geneva parade painting, swiss historical painting, military parade oil painting, horsemen procession art, 19th century history painting, geneva city scene oil, swiss flags painting, ceremonial parade artwork, cavalry painting...

Gorgeous mid-century Belgian landscape by Gustav Pynaert (Belgium, 1900-1968), c.1950. This piece showcases mature trees and a flowering tree in bloom alongside the river, using loos...

A wonderful realistic portrait of the Penobscot, a mid-19th century coastal sidewheel steamer, rendered in Cameron’s hallmark marine portrait style - technically meticulous, historically informed, and visually serene. Executed with crisp linework and a soft, luminous palette, the ship is shown in profile navigating calm Atlantic waters under both steam and sail, her red paddle box emblazoned boldly with her name. Commissioned in 1843 by Menemon Sanford’s Steamship Line and constructed in New York, the Penobscot was a near twin to her sister ship, the Kennebec, but became especially prized for her seaworthiness. Measuring 228 feet in length with a 48-foot beam and twin 14-foot paddlewheels, she carried schooner rigging fore and aft, providing the added stability necessary for coastal and offshore passages. Initially assigned to the Maine coastal excursion routes, she would later be reassigned to the elite New York–Philadelphia line and eventually sold and renamed Norfolk for pre-Civil War service along the southern coast. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...

The Winding River Valley by George Mulready Freezor (British, 1865-1962) signed oil on canvas, framed framed: 32 x 38 inches canvas: 29 x 33 in...

In this artwork, I've poured my soul into capturing the fleeting beauty of nature. The acrylic and ink dance with collage elements, creating a textured tapestry that almost breathes ...

Blue woman, 2022, 80x100 cm

Benjamin Eisenstat (1915-2001). View of Cohansey River, Greenwich NJ, ca. 1960's. Oil on linen canvas 16 x 22 inches. Signed lower right. Signed, titled by artist on verso. Origi...

Bernhard Zimmer has created a positive stir at major international art fairs (Art Basel, Kunst Köln, etc.). His lively and mysterious compositions pique the taste of the serious art ...

Landscape mixed media on canvas 97x37 cm this artwork have a frame 47x110 cm Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Pai...

Antique American impressionist moonlit seascape oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 35 by 30 inches overall. Handsom...

This work reflects on the divergence between outward image and inner impulse. What is presented externally may appear composed and complete, yet an underlying imprint continues to ca...

Signed lower right 'F.H. Cutting' for Francis Harvey Cutting (American, 1872-1964) and dated '1932-1948'. Born in Iowa in 1872, Francis Harvey Cutting ...

A charming 1950s Modern painting of a little red house, titled "Corner of the Brick House with Last Snow Bank, Calais, VT" by notable Chicago artist, Harold Haydon. Painted near the...

Mid-Century still life of chrysanthemums in copper vase, oil on canvas signed R Colao bottom left. A wonderfully colourful and vibrant still life, beautifully...

Vintage Impressionist Oil Painting of Paris with Figures & Shops by American Artist, Caroline C Burnett (1877-1950) Art measures 24 x 20 inches...

This painting captures the dramatic tension of the sea beneath a gathering storm. The sky, heavy with movement, mirrors the rhythms of life—unpredictable, raw, and beautiful. Just as...

Mountains are not just an impressive sight; they are also a test of your patience and your readiness to overcome the challenges of the climb to reach your goal. The journey will not ...

Antique American impressionist landscape oil painting. Oil on canvas. Signed. Framed. Measuring 20 by 25 inches overall and 16 by 20 painting alone.

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts delicate butterflies in ascension placed in a wonderful gold tone landscape. Slonem t...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

In this abstract floral composition, three roses rise from the darkness toward the light — a visual metaphor for resilience, hope, and transformation. Rich textures and expressive la...

Antique American impressionist fall landscape oil painting by Leonard Rodowicz (1898 - 1981). Oil on board. Signed verso. Framed. Measuring 16 by 19 i...

Pocket Red Cherry 217 (canvas size 5x5cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a ...

Michiel Schrijver 'The Silent Balcony’ 30 x 40 cm (Framed included in price 34 x 44) acryl on canvas Dutch Painter Michiel Schrijver lives and works in the center of the Netherland...

"Spilled Wine" Spilled wine is an accident, a mistake, a moment after which everything changed. This is life, which we cannot control and cannot predict. A little drama, a little com...

A wonderful composition of one of Slonem's most iconic subjects of birds. The thick use of paint is greatly recognizable as he slathers on layer after layer of oil paint with multico...

"My interest in the formal and pictorial aspects of painting is in addition to my interest in the sensuality of the oil medium, nuanced edges, and subtleties of light. Each painting ...

Signed lower left, 'Taylor' for Jonathan Taylor (American, born 1968) and painted circa 2000. This listed California artist first studied art at the College of the Atlantic in Bal H...

THE WATERFALL - Oil on canvas cm. 40x50 by Paolo De Robertis, Italy 2011. To create this beautiful painting, De Robertis drew inspiration from the natural landscapes of the French painter Gustave Colbert, who was also an excellent landscape painter, considering nature as one of his main sources of inspiration. A stream flows between the rocks free from vegetation in the middle of the undergrowth. On the right a small waterfall descends from a rocky spur and falls down forming a small basin...

Artist: Vahe Yeremyan Title: Pacific Coast Medium: Oil on Canvas Year: 2025 Style: Impressionism Dimensions: 43" x 67" x 1" inch (109 x 170 x 3cm) Presentation: Unframed, Gallery Wra...

This large landscape oil painting by John Traynor captures a scene in New England. Cows are visible in front of a long picket fence, with a red barn and house behind the fence and lush green trees on either side and along the hills in the horizon. Fluffy, almost abstracted clouds sit above the hills, with a patch of blue skies shining through toward the top of the image. The painting is 48" x 72", and 58" x 82" framed. It is professionally framed in a classic, antiqued, gold leaf frame. It is signed by the artist in the bottom right-hand corner of the canvas, and is wired and ready to hang. John C. Traynor's painting style is reminiscent of some 19th century painters and the Dutch Masters. He uses his knowledge of light and color to create a certain mood in each of his works. The creation of atmosphere is an important element in Traynor's paintings. Painting outdoors, on location, is a prime source of inspiration and ideas for his landscapes. John travels extensively, painting the landscapes around him. John was born in 1961 and spent his early years in Chester and Mendham, New Jersey. His art studies began at Delbarton School in Morristown, New Jersey, and from there he furthered his education at Paier College of Art in New Haven, Connecticut. He studied figure painting at the Art Students League of New York, as a merit scholar, with Frank Mason. Traynor continued his studies in Vermont with Mr. Mason on landscape painting, drawing with Carroll N. Jones Jr. of Stowe, Vermont and sculpture with Brother Jerome Cox...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

Steven H. Rehfeld (American, born 1954) "Yosemite" 2007 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. In Yosemite, Steven H. Rehfeld captures the raw...

Oil on canvas mounted to Masonite Signed in red, u.r. $7000.00 + $350.00 framing This artwork is offered by ClampArt, located in New York City. “Bruce Sargeant is a mythic figure ...

Sveta Hessler (Russian, born 1973) "Love for Meadow V" 2025 Acrylic paint and mixed media on canvas, stretcher bars Signed on verso. In "Love for Meadow V", Sveta Hessler masterfull...

Kitovras, 120x120 cm, acrylic on canvas

70x70cm, print on canvas Edition 20 pcs.

As an Antique sculpture, Dario Moschetta creates strength and movement in this artwork. Moreover, experimental technique brings an unique texture to the figure. Hair are waving alon...

Figurative Art, Painting on Canvas Artist: Oleg Kateryniuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2023 Style: Contemporary Art Tit...

"Accepting the Light" is a symbolic figurative painting in the naive style, which belongs to the series "Canvases of the Inner Master”. The work continues the artist's central theme:...

Mixed media still life of black and white bottles inspired by Giorgio Morandi still life paintings Morandi Bottle 41 (Geometric, Abstract Still Life of Bottles in Black and White) b...

Framed 29.5 X 37.25 sight 28.5 X 36.25 Hedva Yardeni was born in 1969 in Jerusalem to a traditional jewish family. She grew up in Jerusalem, Israel. During 2004 yardeni settled in ...

Flowers - Oil on canvas cm.100x80, Lorenzo Renzi, Italy, 2003 The painting recalls the works of the Neapolitan painter Gasparo Lopez dei Fiori in its pic...

Abstract Composition by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 45.5 x 32 inches condition: the work is in overall very sound and good conditio...

Portrait of Richard Synnot, dated 1840 attributed to Francis Grant (1803-1878) Large early 19th Century portrait of Richard Synod, oil on canvas. Excellent quality and condition bu...

Moonlit tonal seascape with sailboat, calm waters, and sepia elegance - Vintage Oil by British Artist, David James. Dramatic skies and beautiful reflections are a feature of this lan...

Our mindsets dictate our product and output. The mind presides over our endeavors The Power of mindsets should be trained and nurtured towards achieving the best and making great i...

Vivid Berkeley school figurative abstract titled "Easter Lily and Spring Dancers" by Patricia Gren Hayes (American, 20th Century), 1976 with wash and varnish added 1983. Signed "Gren Hayes", titled and dated "1976 washes, 1983 washes/demo" on verso. Presented in a new bronze colored frame. Image size: 23.5"H x 29.5"W. Bay Area Figurative / Bay Area Feminist Art Movement artist, Patricia Gren-Hayes, studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez...

Today marks the thirty-fifth anniversary of our wedding. Thirty-five years together. I dedicated a painting to this date. The subdued tones and soft light highlight a timeless bond, ...