Art by Medium: Fabric

Justin Wheatley was born and raised in Clinton, Utah. He holds a Bachelor of Fine Arts from Utah State University with an emphasis in drawing and painting, and a Masters of Arts fro...

Between the Worlds (From the "Sacred Light" series) "Between the Worlds" is a painterly exploration of sacred feminine power, which mystically creates and balances reality. At the ce...

Mattia Traverso (Genoa 1885 - Genoa 1956) - Large Banquet Scene with Putti and Nymphs. 102 x 161 cm (without frame) - 123 x 181 cm (with frame). Oil on canvas, in a carved and gild...

Alejandro Rubio Moonlit Valley, 2022 Acrylic on canvas 60 x 48 inches This one-of-a-kind oil painting on canvas is stretched across wooden stretcher bars.

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Vintage American modernist oil painting by Morris M. Shulman (1912 - 1978). Oil on board, circa 1955. Housed in a vintage frame. Signed. Image size, 28 by 20.

Impressive early American impressionist beach scene oil painting by Carl W. Brandien (1886 - 1965). Framed. Oil on board. Signed. Image size, 9H by 12L.

In this painting, the artist quotes a man rising from the grave, dazzled by the light of the risen Christ from the masterpiece of Hans Memling, "The Last Judgment”.. Julita Malinows...

The Forest French artist, signed and dated dated 1949? oil on canvas, unframed Canvas : 25.5 x 20 inches Provenance: private collection, France Condition: overall good condition Des...

Mid Century "October Song" Minnesota Autumn Forest Landscape Highly detailed mid century landscape depicting a glorious autumn scene, of a tranquil stream running through a forest f...

Gail Lehman (American, born 1950) 'East Wind' 2022 Acrylic paint, gesso, canvas, stretcher bars The artist signed the bottom right and back of the painting. Vibrant shades of orange...

French artist of the first half 19th century oil painting on canvas, unframed canvas: 12.5 x 9.5 inches provenance: private collection, France condition: overall very good - aging signs...

Jules Herve (French, 1887 - 1981) Bassin des Tuilleries and the Louvre, Paris, n.d. Oil on canvas 18 1/2 x 21 3/4 inches Signed lower left; signed on the reverse Provenance: Dominio...

This painting presents a quietly dignified portrait of a horse, rendered with a restraint and sensitivity that places it firmly within the tradition of British sporting and animal pa...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses thick textured oils and hand embellished piece...

"Spilled Wine" Spilled wine is an accident, a mistake, a moment after which everything changed. This is life, which we cannot control and cannot predict. A little drama, a little com...

Hendricks Hallett Ships at Sunset Signed lower left Oil on canvas 22 x 27 inches Hallett, originally from Massachusetts, pursued his studies in Antwerp and Paris. He is primarily r...

An original French animal painting by Émile Godchaux (1860–1938), dating to circa 1925, depicting two hunting hounds on an autumn woodland path. Signed at the lower left, the work co...

Mediterranean Village Landscape, Expressive Spanish Impressionist Painting Artist: Josep Maria Riera i Aragó (Spanish, born 1954) Title: Mediterranean Village Landscape Date: 19...

Ky Anderson All the Parts of a Sun and Flower, 2025 oil on canvas 32 x 30 in. (and502) Of her recent work, Ky Anderson states, "After taking a couple of months off from painting, I ...

This piece, "Moon Over the Marsh", by artist Dennis Sheehan is a 30x40 oil painting on canvas featuring a landscape at sunset. Remaining light from the setting sun burns the sky in a...

A Stallion and a Unicorn explores the duality of action and aspiration, grounding us in the tension between lived reality and imagined possibility. The stallion embodies patriotism r...

Brow is a unique acrylic on canvas painting by contemporary artist Ramon Enrich, dimensions are 55 × 70 cm (21.7 × 27.6 in). The artwork is signed, sold unframed and comes with a c...

Watershed, oil on canvas is 36 x 55 inches. The painting features a walking pathway and rolling foothills up close, and into the distance with a clear blue sky. A serene and calming painting by Willard Dixon, who is one of the finest American contemporary realist painters living today. Dixon has painted coastal landscapes for 35 years, capturing the undeniable beauty of the West with its grand and humble spirit. The same sensitivity can be found in Dixon’s contemporary still life scenes that offer viewers a resting place to contemplate objects: fruit, glassware, orbs and bowls — and his portraiture, which largely focuses on his artist friends and illustrious colleagues. Dixon’s work can be found in a wide array of distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art, and the Smithsonian National Portrait Gallery. Watershed — 36 x 55 inches. Oil on canvas, and traditionally framed in streamlined, minimal oak. The artist was born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish, Irene Zweig, Andra Norris Gallery, Burlingame, CA 2015: REAL with Elizabeth Barlow Gallerie Citi, Burlingame, CA. 2014: Stillness and Activity / A father and daughter exhibition, Gallerie Citi, Burlingame, CA. 2013: Outwin Boocher Portrait Competition 2013 Exhibition” Smithsonian National Portrait Gallery, Washington, D.C. Hey Everybody / Portraits, Diablo Valley College 2012: Artistic Visions of the Golden Gate Bridge”, George Krevsky Gallery, S.F., CA. Introduction Two/ Gallerie Citi, Burlingame, CA. 2011: California: A Landscape of Dreams/ Fresno Art Museum 2010: Self Portrait Invitational/ Julie Nester Gallery, Park City UT 2009: On Beauty /I. Wolk Gallery, St. Helena, CA. 2008: At Water’s Edge / I. Wolk Gallery, St. Helena, CA. 2007: San Francisco Scenes/ George Krevsky Gallery, S.F., CA Ten Years- A Retrospective/ Dolby Chadwick Gallery, S.F., CA. 2006: Our Planet, Our Home/ SFMOMA Artists Gallery, S.F. CA 2005: 2005 Spring Group Show/ Earl McGrath Gallery, L.A., CA 2002: H2O’02, Paintings of Water/ Fischbach Gallery, NYC Scene in Oakland 1852-2002 Oakland Museum Oakland, CA The Garden/ Art Foundry Gallery, Sacramento, CA The Moving Still Life/ Fischbach Gallery, New York, NY Bay Area Printmakers/ works from Trillium Press, Art Foundry Gallery, Sacramento, CA California Landscape Paintings/ College of Marin Art Gallery, Kentfield, CA Bay Area Printmakers/ SF Museum of Modern Art/Artists Gallery, San Francisco, CA Visions: Northern California/ Bank of America, San Francisco, CA 2001: Opening Exhibit: Group Show, Fischbach Gallery, NY, NY 2000: Hackett Freedman Gallery Artists/ Shasta College Art Gallery, Redding, Ca 1999: Homage to the Art Institute, Artists Who Transformed American Culture, Hackett Freedman Gallery, San Francisco, CA 1999: What is Art For? What are Museums For? What are You For? curated Curated for the Oakland Museum by William T. Wiley & Mary Hull Webster, Oakland, CA 1998: Paintings of Marin County Past and Present/ The North Point Gallery, San Francisco, CA 1997: 10th Anniversary Exhibition/ Hackett Freedman Gallery, S.F., CA 1996: Rediscovering the Landscape of the Americas/ Gerald Peters Gallery, Santa Fe, NM (traveling exhibition) Contemporary American Realist Painters/ Halls Crown Center Gallery, Kansas City, MO 1996: Foundation for the Future: Celebrating 125 Years at the San Francisco Art Institute/ One Bush St., S.F., CA 1996: New Work by Selected Gallery Artists, Tatistcheff/Rogers Gallery, Los Angeles, CA Flower Paintings/ Contemporary Realist Gallery, S.F., CA 1995: Facing Eden: 100 Years of Landscape Art in the Bay Area / De Young Museum, S.F., CA Contemporary Still Life Painting/ David Klein Gallery...

Oscar Domínguez (San Cristóbal de La Laguna, 1906 – París, 1957) "Le Chat" 1956-1957 Oil on canvas 39 x 61 cm. Condition: Good condition. Provenance: Private Collection, Paris,...

This painting is optimism, itself, especially when you consider it was likely painted during the harsh decade following the end of World War II. The aftermath of the horror—you may r...

William Hart (1823 - 1894) Pastoral Landscape, 1877 Oil on canvas 9 1/2 x 14 1/2 inches Signed and dated lower left Born in Paisley, Scotland, William Ha...

Certified Kimono Meister work / Certificate of Authenticity included. One-of-a-kind Japanese textile art made from vintage obi fabrics. Sustainable artwork for modern interiors, col...

Still Life 1972 Oil on canvas 38 x 61 cm (41,4 x 64,2 cm with frame) Signed and dated in the lower right corner Provenance : Ariel Gallery No. 6988 Playing on human folly, his “Meme...

This mid-century abstract composition employs a dynamic interplay of geometric planes and gestural brushwork, rendered in a vibrant yet balanced palette of pastel pinks, acid yellow...

Bay Area Coastal Shoreline painting with sail boats and figures Canvas on wood panel No visible signature 6 x 9.75 unframed, 8 x 12 framed

Susan Kiefer The Night Follows Day Oil on Canvas 2020 Size: 24 x 24 x 1.5 inches (61 × 61 × 3.8 cm) Signed and dated verso COA provided *On premium stretcher frame with painted side...

Blue Iris. Stillife, Oil on Canvas, Floral, Flowers, Iris, Horisontal, Rectangular, Impressionism, Interior, Blue, Green, Medium. This painting was created in 2025. It's a rectang...

A beautifully atmospheric 19th-century English pastoral landscape depicting cattle resting peacefully within an expansive rural setting at sunset. Rich in warmth, light, and idyllic ...

John Philip Capello (American, b. 1939), "The Game of Time", Oil on Canvas, 1967, signed lower right, signed, titled, dated, and artist's stamp verso, giltwood frame. Image: 28.5" H...

Clara Berta’s acrylic and mixed-media paintings blend texture and color to create harmony, mystery, and depth on the painted surface. Her paintings transform spaces into Zen environm...

Provenance: Marquis of Leganés, Diego Mexía de Guzmán y Dávila (1580–1655), inventory number 464, listed as “Portrait of the Maestre de Campo Juan de Castro dressed in a red garment,...

A Fine depiction of an American Steamer Ship "Fantasy" in the open ocean. For this wonderful depiction of a 19th Century sailing ship, Nemethy uses a Fine technique which depicts the...

shipped in roll Acrylic on canvas Size: 60 x 90 x 2 cm Style: Modern minimalistic and pop art Professional-grade acrylics on canvas Signed by the artist with certificate of authenti...

Size: 91×66 cm (overall size with stretching 101×76 cm) Year: 2026 Materials: acrylic on canvas Shipping: rolled Svetlana Brazhnikova’s artwork "July" is an expressive, sun-drenched...

In this contemporary painting in oil on canvas, a cheerful interior scene is bright and inviting with a still life arrangement of coral red flowers in a green glass bottle next to a ...

Subject : Bouquet de Lilas (Title - FR) / In this unique work of oil painting, the artist, who is an adept of contemporary realism and fiction, enjoy painting Interiors spaces and st...

Vintage American modernist abstract expressionist figural painting. Oil on canvas. Framed. Signed.

Portrait of a Mrs Ann Jennings, dated 1728 Enoch Seeman (1689-1744) Large 18th Century English School half-length portrait of a Mrs Ann Jennings, in straw hat and dress, oil on can...

Colorful jungle at sunset. Plants palms and colorful flowers weave together bursting out of the frame. Sunset Jungle - Landscape Painting - Oil on Canvas By Marc Zimmerman This mas...

Artist: Alex Kalenyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on canvas Year: 2020 Style: Impressionism Title: Warm Autumn Size: 8" x 10" x 0.8'' ...

LANDSCAPE Original impressionist acrylic painting. SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smell and the pure scent of his environm...

Well painted English late 20th-century marine scene of a Yacht racing off The Fast Net Lighthouse which is situated off the coast of Ireland. Ian McLean wa...

A beautiful landscape oil painting depicting a stately tree with green mountains in the background by California artist Genevieve Rogers (American, 20th Century). Unsigned but acquir...

Bucolic woodland landscape with rustic bridge over a river, this is an English style oil on canvas original painting dating to the 19th century. A woman crossed the bridge, and anoth...

An oil painting by Contemporary American Painter, Nelson H. White, known for his impressionist paintings of natural landscapes. "Long Beach, Sag Harbor 04.16.2026" was painted at a b...

The original artworks by Canadian artist Julie Naima feature visually appealing abstract compositions with organic shapes that evoke a sense of tranquility and serenity. The harmonio...

"Bolonia IV" by Conrado López is a striking original 2024 painting depicting a female nude figure executed in acrylic, gold leaf, and oil on canvas. Measuring 39.37 x 25.59 x 1.18 in...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

A MOMENT ALONE Oil on canvas Size: 37 x 31 cm (including frame) An evocative mid-century figurative painting depicting a solitary figure seated in an armchair, executed in oil onto ...

This contemporary abstract landscape painting captures Canada's oceans and coasts in winter. Canadian artist Fiona Ackerman's unique visionary style-a refined sense of colour, and h...

A jewel-like sculptural miniature, this one-of-a-kind object combines charred wood, sumptuous soft textile elements, and shimmering bronze details in an intensely tactile composition...

Artist: Alexander Shandor Title: Autumn Harvest Medium: Oil on Cardboard Year: 2020 Style: Impressionism Dimensions: 16" x 28" x 0.2" inch ( 41 x 71 x 1cm) Presentation: Unframed, ...

The artwork is print on silk and it is limited edition. My soul is petrified, and the winds, time, and ocean are slowly shaping it into outwardly ideal forms. "My Soul" by Natalia ...

Artist: Alexander Shandor Title: Fabulous winter Medium: Oil on Cardboard Year: 2022 Style: Impressionism Dimensions: 18" x 27.5" x 0.2" inch (45 x 70 x 1cm) Presentation: Unframed,...