Art by Medium: Mesh

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating how beauty, meaning, and emotional impact can be created from industr...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Double layers of stainless steel mesh acrylic painting on lower screen and torched on upper screen, mounted on canvas. Mirang Wonne is a prolific artist who uses innovative media an...

Oil, acrylic, pastel, and mesh. Unframed and un-stretched canvas.

This painting was created by Heather Hartman for her exhibit "Kudzu Season," at Channel to Channel Gallery. A black silhouette of Kudzu leaves crowd...

Elfi Schuselka (Austrian, b. 1940), Abstract Composition, Acrylic on Tarlatan, with dried paint elements, mounted on dried paint square, signed to verso. 39.5" H x 36.5" W. Provenanc...

This abstract geometric wall sculpture was done by fiber artist, Jin-Sook So (b. 1950, Korea). So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transpar...

Jin-Sook So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transparent steel mesh cloth, which she burns, paints, electroplates in gold or silver, sews an...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints. Each recovered shopping cart is unique, but they all are woven with upcycled materials like rope, paracord, grocery bags, rope lights, beads, fabric, and bottle caps. The cart is with a protective zip tie blanket to trap trauma and prevent its escape. For me, my Emotional Baggage Carts are a release, for you, they are an opportunity to look within and recognize any emotional baggage you, yourself may be carrying and release it. Theda Sandiford...

"Hallowed Ground" 47" x 33" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and generated in ...

Elfi Schuselka (Austrian, b. 1940), Untitled, Mixed Media on Tarlatan and dried paint, with foamcore elements, 1980, signed and dated to verso, unframed. 36.5" H x 39" W. Provenance:...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of contemporary art, illustrating the creation of beauty, meaning, and emotional impact fr...

A pair of original wire mesh figurative sculptures by American contemporary artist Randy Cooper.

Elfi Schuselka (Austrian, b. 1940), "Align #3", Acrylic on Tarlatan, 1980, signed to the verso, on backing paper with descriptive studio label. 36.5" H x 37" W. Provenance: From the ...

Elfi Schuselka (Austrian, b. 1940), "Roundabout", Acrylic on Tarlatan with foamcore elements, 1982, signed to the verso, on backing paper with descriptive studio label. 46" H x 43.5"...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Ulysses, 2012 Canvas, pigment, reinforcing mesh (Signed on bottom) 39 2/5 H × 60 1/5 W × 47 1/5 D in. 100 H × 153 W × 120 D cm Unique The sculpture "Ulysses" was exhibited in the so...

Elfi Schuselka (Austrian, b. 1940), "Spiritz II", Acrylic on Tarlatan, 1980, signed and dated to the verso, titled in pencil on backing paper with studio label. 36.5" H x 39.25" W. P...

Elfi Schuselka (Austrian, b. 1940), "Friday Night February 13th", Acrylic on Tarlatan, with foamcore elements, unsigned, with descriptive paper label. 43.75" H x 47" W. Provenance: F...

Elfi Schuselka (Austrian, b. 1940), Mixed Media on Tarlatan and dried paint, with foamcore elements, 1981-83, signed and dated to verso. 42.25" H x 44.25" W. Provenance: From the Col...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Geometry of Hope: Moss Lichen is an intricate wall-mounted sculpture by Jeanne Heifetz that blurs the boundaries between drawing, fiber art, and contemporary sculpture. Slender green...

Geometry of Hope: Amber, Coral is part of Jeanne Heifetz's Geometry of Hope series, in which drawing, fiber, sculpture, and light converge in delicate, architectural compositions. Ha...

Geometry of Hope: Ruby, Steel is part of Jeanne Heifetz's Geometry of Hope series, in which drawing, fiber, sculpture, and light converge in delicate, architectural compositions. Han...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

"Phoenix" Textile Painting 28" x 22" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and gene...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

"Inheritance Banner IV" FRAMED Textile Painting 24 x 16 in by Neama El Sanhoury Medium: fabric appliqué on linen mesh "Fragments of Time" series: Ultimately, El Sanhoury’s work is...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

"Inheritance Banner III" FRAMED Textile Painting 24 x 16 in by Neama El Sanhoury Medium: fabric appliqué on linen mesh "Fragments of Time" series: Ultimately, El Sanhoury’s work i...

FROM A VANISHED GREEN is a multilayer oil, gouache and acrylic painting on paper, with additional use of tyvek and polyester mesh. Through layered silhouettes of hand cut tyvek shape...

"Inheritance Banner II" FRAMED Textile Painting 24 x 16 in by Neama El Sanhoury Medium: fabric appliqué on linen mesh "Fragments of Time" series: Ultimately, El Sanhoury’s work is...

"Piper's Cloth" Textile Painting 114" x 35" inch by Neama El Sanhoury Medium: fabric appliqué on linen mesh ATT: ships rolled in a tube "INHERITANCE" series: Neama’s unique metho...

"Elephant" Textile Painting 28" x 22" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and gen...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

VOID is a multilayered composition created with paper, painted tyvek and silkscreen cut-outs. The panel was initially created as part of the “Kudzu Season” series, exhibited in the C...

CHROMASEEDS is a multilayered composition created with paper and tyvek cut-outs painted with oil, acrylic, and gouache, sealed with polyester mesh layers. The plants represented in the piece are Gaillardia flowers, commonly known as blanket flowers, native to North America and often bred for their decorative, ornamental shape. In her creative process, Hartman anthropomorphizes the flowers, paying attention to their dance-like growth movement. Here, their shadows dance in the prismatic light of the rainbow, while the wind catches their seeds, cultivating the garden. The vibrant, rainbow light was achieved by painting a prismatic shape on tyvec and black paper, creating a reverse silhouette...

CREEPING AND CLIMBING by Heather Hartman was created for her exhibit, "Kudzu Season." This painting is a rendering of Kudzu vines on a blue atmospheric back...

"Vestiges I" 32" x 83" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and generated in a tho...

This piece by Heather Hartman was created for her show titled "Kudzu Season," at Channel to Channel Gallery. In this piece, layers of paper, painted tyvek and silkscreen create a dreamy lavender and pale yellow atmosphere that recedes into space. Several fibrous kudzu vines...

This piece by Heather Hartman, made for her show "Kudzu Season," is one of a series of four paintings representing the four seasons relative to the Kudzu growth cycle. "Waning," is the autumnal piece of the series. Peach and magenta undertones outline a hazy vision of leaves bustling in the sunshine. The dark silhouette of a kudzu vine...

This painting is part of a series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the ...

"Abstract Melange II" Abstract Collage 35" x 29.5" inch by Neama El Sanhoury Fabric Collage on Cotton Mesh on Wood ARTIST BIO Neama El Sanhoury's upbringing in what she describes a...

"Three Chairs" (Triptych) steel mesh, gold, silver and background rust steel board, 35" x 42 1/2" x 2", 2010. This three-piece mixed media textile work was done by artist, Jin-Sook ...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

Double layers of stainless steel mesh acrylic painting on lower screen and torched on upper screen, mounted on canvas. Mirang Wonne is a prolific artist who uses innovative media an...

Double layers of stainless steel mesh acrylic painting on lower screen and torched on upper screen, mounted on canvas. Mirang Wonne is a prolific artist who uses innovative media an...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...