Monotype Art

Charles Eaton (American, 1857–1937) Signed in pencil lower recto under the mat Charles Eaton was a painter and printmaker associated with Tonalism and the broader American landscape...

Charles Eaton (American, 1857–1937) Signed in pencil lower recto Charles Eaton was a painter and printmaker associated with Tonalism and the broader American landscape tradition at ...

This piece titled "who's there?" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece measures 30"...

This piece titled "an ancient conversation" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece m...

This woodcut print on paper evokes the peacefulness of looking across a stream towards a thicket of trees in a forest in shades of violet, from lilac to dark eggplant purple. The mon...

Carlos Rene Aguilera (Cuba, 1965) 'El abrazo', 2001 monotype print on handmade paper Deponte 300 g. overall size: 26 x 19.7 in. (66 x 50 cm.) Ref: AGC-301 Un...

This piece titled "held like a dream" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece measure...

Forget the Destination, 2023 by a.muse is a one-of-a-kind work on paper. The art is a visual poem on wanderlust, inviting viewers to embrace the unknown. For a traveler without a map...

This piece titled "casting out, calling in" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece m...

This piece titled "said the zinnia" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This diptych piece m...

Geometric abstract monotype print by David Collins on Asian paper, a unique print with no other editions. Geometric shapes in navy, coral and light blue are layered on a background t...

The artwork will be sent unframed Linocut and Monotype print „Loneliness 1 ” 2021 Limited edition, print unique number 3/5 Paper Fabriano Rosaspina 220 g Paper size 15,75x19,69 inch...

David Humphrey Two Kitties, 2003 Monotype Hand signed and dated by the artist on the lower right front 20 × 31 1/2 inches Unframed Published by, and acquired from Tamarind Institute ...

This woodcut print on paper evokes the peacefulness of looking across a stream towards a thicket of trees in a forest in shades of light grass green, yellow, sky blue and dark violet...

The artwork will be sent unframed Linocut and Monotype print „Loneliness 3 ” 2022 Limited edition, print unique number 6/6 Paper Fabriano Rosaspina 220 g Paper size 19,69x15,75 inch...

A Professor of painting at Southern Methodist University in Dallas since 1984, Barnaby Fitzgerald spent his childhood in Italy before receiving a Magistero degree in printmaking at t...

2011 Unique work on paper Monotype on Steinbach 250gsm paper 100 x 70 cm Hand-signed by David Shrigley Unframed in mint condition housed in the original packaging David Shrigley (bo...

This is a monotype print meaning that it is a unique print with no other editions. This geometric abstract monotype on Asian paper layers shapes in cobalt blue, maroon, red, black, g...

Bernal Ghost by John Hogan mixed media monotype unique yellow brown blue green unique framed landscape print New Mexico landscape John Hogan A graduate of Northeast Louisiana State...

Abstracted still-life painting on panel of a striped flower on a striped collaged background. David Konigsberg Fleur, 2023 9" x 12" oil on panel This contemporary still-life paintin...

Geometric shapes in yellow, coral red and light sky blue are layered on an indigo blue background. Available unframed, please inquire with the gallery for framing costs. Signed on r...

Geometric shapes in yellow, red, green and blue on a soft gray background. Available unframed, please inquire with the gallery for framing costs. Signed on recto, titled on verso. ...

This is a monotype, a unique print with no other editions. The square print on delicate Asian paper layers geometric shapes in navy, light yellow, green and dark coral on a light blu...

This is a monotype print, a unique print with no other editions. This geometric abstract monotype on delicate Asian paper layers shapes on a background that transitions from dark cob...

Architectural rendering in blue, white red and black, features a Bay Area building with blue sky in this Monotype ev edition 2/4 with hand coloring. the plate is 12 1/2 x 21 inches a...

Abstract monotype on paper with geometric shapes on a background transitioning from pale yellow to dark red. A pointed star in black shapes contrast the circular and floral shapes in...

This is a monotype print, a unique print with no other editions. This monotype on delicate Asian paper layers geometric shapes in yellow, coral, red and blue on a soft blue gray back...

Monica DeSalvo’s “What about the numbers?” is a 48 x 24 inch surreal collage built on a digital enlargement of collaged monotype fragments and a black a...

Monotype and lithograph in colours, on Somerset Satin paper, with full margins Edition of 30 61.3 x 48.7 cm (24 x 19.2 in) Framed 68 x 55.5 x 4 cm, 26.8 x 21.9 x 1.6 in Signed, numbe...

Monotype ev edition 2/7 with hand coloring. The plate (image) is 15 x 14 inches and the overall paper size is 29 1/2 x 22 inches. The artist spent 12 years creating monotype ev's, an...

Monotype 32 x 25 inches framed

Monica DeSalvo’s “A Bus Tour in the Woods—Stage 5” is a 22 x 30 inch triptych with three collages on acrylic monotypes with black, gray, dark and lime greens, orange, pink, purple, a...

Los Alamos Hills monotype by John Hogan, landscape cliffs, greens, yellow white John Hogan A graduate of Northeast Louisiana State University with a bachel...

Unique monotype

Unique monotype

unique monotype 14" x 18" paper size 9" x 11.5" image size unframed

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University in Dallas. Among others, she has had solo exhibitions in Dallas at The...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University in Dallas. Among others, she has had solo exhibitions in Dallas at The...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University in Dallas. Among others, she has had solo exhibitions in Dallas at The...

Dallas artist Gail Norfleet is best known for her color monotypes, paintings, collages, and paintings on glass. Norfleet earned her BFA at The University of Texas, Austin, and her MFA at Southern Methodist University. Among others, she has had solo exhibitions in Dallas at The McKinney Avenue Contemporary and the former Delahunty and DW Galleries. Gail’s studio and the studios where she teaches serve as the settings for her recent body of work titled "The Studio." The studio is a rich visual environment that has inspired artists for centuries. Gail’s studio is strung with brightly colored Mexican papel picado...

Luis Miguel Valdes (Cuba, 1949) 'Untitled', 2015 monotype on paper Guarro Biblos 250g. 29 x 33.9 in. (73.5 x 86 cm.) ID: 1D201506 Hand-signed by author ______________________________...

Ed Baynard (American, 1940- 2016) Untitled Monotype with handcoloring on paper! 1981 28-1/2 x 36-3/4 inches (72.4 x 93.3 cm) (paper size) Frame is included. Approx - 34.5 x 40.75...

A Professor of painting at Southern Methodist University in Dallas since 1984, Barnaby Fitzgerald spent his childhood in Italy before receiving a Magistero degree in printmaking at t...

Faith Bayless Title: Ma + Pa Medium: Woodcut on Monotype Date: 2018 Dimensions: 6"x4"x0.25" COA provided

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. Pierre Obando completed his MFA at Hunter College and completed his undergraduate studies at New World School of the Arts, Miami, Fl. His work was featured in the Queens International Biennial in 2004, and 2006 at the Queens Museum of Art. His work has been in group exhibitions at Angela Hanley Gallery, Los Angeles, CA; Rockland Center for the Arts, West Nyack, NY; Rush Arts Gallery, New York, NY; MACO Mexico Art Fair in Mexico City; Nina Freudenheim Gallery, Buffalo, NY; Royale Projects, Indian Wells, CA; The Painting Center, New York, NY; and Dean Project, New York, NY. In 2008, he had a solo exhibition at Heskin Contemporary, New York, NY and in 2009, at project space show at Rush Arts Gallery, New York, NY. He has participated in the Atlantic Center for the Arts Artists-in-Residence Program. In the fall of 2012, he participated in the group show Caribe Now, at the Nathan Cumming Foundation, which was organized by El Museo del Barrio, New York, NY. Contemporary Pattern and Decoration piece, The original movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis, Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch were early proponents of this style. The artist lives and works in New York City. Education: 2001 MFA, Painting, Hunter College, New York, NY 2000 Study Abroad, Slade School, UCL, London, United Kingdom 1997 BFA, Painting, New World School of The Arts, Miami, FL Solo Exhibitions: 2015 ‘Like New’, Thierry Goldberg Gallery, New York, NY 2009 ‘Nowhere’, Rush Arts, New York, NY 2008 ‘Noise’, Heskin Contemporary, New York, NY Group Exhibitions: 2018 ‘Revival: Contemporary Pattern and Decoration’, El Museo at Hostos, Bronx, NY Including artists: Abelardo Cruz Santiago Pierre Obando Antonio Pulgarín Keisha Scarville Mickalene Thomas and others. 2017 Locust Projects Contemporary in Miami benefit auction including artists Dara Friedman, Trenton Doyle Hancock, Larry Bell, and more 2017 ‘Browsing Chamber’, Torch Gallery, Amsterdam, Netherlands 2015 ‘#BemisPainters, 1982-2015’, Bemis Center, Omaha, NE 2015 ‘Spat Spell’, Thierry Goldberg Gallery, New York, NY 2013 ‘Un-Natural Constellations’, Newman Popiashvili Gallery, New York, NY 2012 ‘Caribe Now’, Nathan Cummings Foundation/El Museo del Barrio, New York, NY 2012 ‘Lucid Fence’, Dean Project, New York, NY 2012 ‘Abstract Gambol’, Heskin Contemporary, New York, NY 2012 ‘Reenacting Sense’, Yace Gallery, Long Island City, NY 2010 ‘Continuing Color Abstraction’, The Painting Center, New York, NY 2009 ‘West/East’, Royale Projects, Indian Wells, CA 2009 ‘Alternative Abstraction’, Nina Freudenheim Gallery, Buffalo, NY Including works by Stephen Antonakos, Warren Isensee, Gary Lang, Melissa Meyer and Katherine Sehr...

Norman Akers Tears, 2018 Monotype on paper by renowned native American artist (Osage Indian) Signed and numbered 1/1 Frame included Monotype (unique) Pencil signed, numbered 1/1 and titled in graphite pencil on the front Published by Tamarind Institute, Albuquerque New Mexico with label from Chiaroscuro Contemorary Art, Santa Fe, NM Provenance Tamarind Institute Frame included Measurements: Frame: 18.5" vertical x 15.5" horizontal x .75 inches deth Artwork: 11.5" vertical x 8.5" horizontal Norman Akers (Native American, Osage), b. 1958 Biography Norman Akers was born and raised in Fairfax, Oklahoma. He is a member of the Osage Nation. He received a BFA in Painting from the Kansas City Art Institute in 1982, and a Certificate in Museum Studies from the Institute of American Indian Arts in 1983. In 1991, he received a MFA in Fine Arts from the University of Illinois, Urbana-Champaign. Akers had solo exhibitions at the Lawrence Arts Center, Lawrence, Kansas, Jan Cicero Gallery in Chicago, Illinois, and the Gardner Art Gallery, Oklahoma State University, Stillwater, Oklahoma. He has participated in numerous group exhibitions including, Unlimited Boundaries, The Dichotomy of Place in Contemporary Native American Art, Albuquerque Museum, Albuquerque, New Mexico, Who Stole the Tee Pee...

This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...

Monotype ev edition 1/3 with hand coloring. The plate (image of ballet slippers) is 15 x 14 inches and the overall paper size is 23 1/2 x 22 inches. Kim Frohsin spent 12 years workin...

Monotype EV edition variée 1/4, with heavy hand coloring: mixed media, featuring satin wedding shoes. Signed front in pencil by Kim Frohsin, who is strongly associated with the Bay ...

monotype EV —edition variée 1/4 with heavy hand coloring in mixed media. Plate/image is 10 x 10 inches. Paper dimension is 18 x 18 inches. Pink, blue and white candy still life of B...

Monica DeSalvo’s “Up-sun-down” is a surreal mixed media collage over a digital inkjet photo montage printed on Yupo paper. The abstract montage of blue, tan, sage green, yellow, and ...

Striking, large, black and white city landscape in South America at night. A couple strolls towards the neon lights of a vintage 1950's theater, reflected in the wet sidewalk, with palm trees and tropical plants. Hand painted monotype ink creates a dramatic, film noir painting...

"Arroyo" is a woodcut and monotype signed by Carol Summers. The print is a break from the usual bright coloring of Summers' images, though is rendered in his typical style and fields of unmodeled color. A pair of trees stand front and center before an arroyo, a Spanish term for an intermittently dry creek, running out to the ocean. A white sunrise glows in the distance beyond the sea. The playfulness of the image is enhanced by Summers' signature printmaking technique, which allows the ink from the woodblock to seep through the paper, blurring the edges of each form. 14.25 x 14 inches, artwork Numbered from the edition of 120 This print was commissioned by the Madison Print Club, Madison, WI Carol Summers (1925-2016) worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for its large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world, and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction, and Icarus) was shown for the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content, and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision that would have a significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain, and Greece. However, as evidenced in Aetna’s Dream, Worldwind, and Arch of Triumph...

Monotype ev edition 5/6 with hand coloring. the overall paper size is 23 1/2 x 23 inches. Kim Frohsin spend 12 years making monotype ev's, and works from this series are included in ...

Woman with red hair in a hat with feather, in green, black and white, Monotype ev edition 5/6 with hand coloring and mixed media work. Kim Frohsin spent 12 years working on monotype ...

Airplanes and biplanes are featured in 'Centennial Flight' on a grey and silver grid with heavy hand coloring. Monotype ev is 32 x 32 inches. Kim Frohsin spend 12 years working on mo...

Monotype EV Ed 5/7 with heavy hand coloring with mixed media. Portrait of the artist's mother. Signed front in pencil by Kim Frohsin, who is strongly associated with the Bay Area Fig...

Girl's shoes, heels or tap shoes in bronze, black and gold, featured in this Monotype ev edition 8/8 with hand coloring. Kim Frohsin spent 12 years working o...

Monotype ev edition 3/4 with heavy hand coloring. The plate is 28 x 28 inches and the overall paper size is 33 1/2 x 32 inches. Signed, titled and dated. Kim Frohsin spend 12 years w...

James Nares Fountain, 1987 Monotype on paper Hand signed and dated lower front Unique Frame included Measurements: Framed 41.5 by 34 inches Work 30.25 by 22.25 inches Dazzling Jame...