Art by Medium: Monotype

This woodcut print on paper is composed of a central, circular shape in violet on a blue patterned background. The monotype brings to mind the tradition of Japanese printing while be...

This handmade cyanotype monotype presents a striking interplay of geometric abstraction and atmospheric depth. Layered translucent forms in deep Prussian blue and soft white overlap ...

Double Portals is a cyanotype diptych that plays with depth, geometry, and light. Composed of layered indigo gradients, the work creates a rhythmic sense of movement, drawing the vie...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

An encaustic (pigmented beeswax) monotype on Kawashi paper. The monotype may be oriented vertically or horizontally. Price shown is the unframed price. Signed and dated on recto. La...

Laura Moriarty's Ex Uno Plures 7 is a contemporary encaustic monotype on Japanese kozo paper. Layers of pigmented beeswax on lightweight paper create an undulating composition sugges...

Woven Spiral is an exclusive handmade cyanotype diptych that features modern, abstract rocky shapes rendered in deep indigo tones. Each panel captures the raw texture and organic geo...

This handmade monotype cyanotype explores repetition, rhythm, and flow through a singular serpentine form suspended in layered blues. The work is not mechanically reproduced; it emer...

Blue Mountains is a handmade cyanotype monotype that presents a quiet landscape of layered mountain forms in soft shades of blue. Created through the cyanotype process, the tonal var...

In this contemporary encaustic monotype, layers of pigmented beeswax on lightweight kozo paper create an undulating composition suggesting layers of the earth's crust and geological ...

Leaf collagraph with embossing on white BFK Rives Printmaking Paper. Approx. image size: 3" x 3" Paper size: 10" x 8" At the core of the dialogue between the artist and the work ...

In this contemporary encaustic monotype, layers of pigmented beeswax on lightweight kozo paper create an undulating composition suggesting layers of the earth's crust and geological ...

In this contemporary encaustic monotype, layers of pigmented beeswax on a scroll of lightweight mulberry paper create an undulating composition suggesting layers of the earth's crust...

In this contemporary encaustic monotype, layers of pigmented beeswax on lightweight paper create an undulating composition suggesting layers of the earth's crust and geological forma...

In this contemporary encaustic monotype, layers of pigmented beeswax on lightweight kozo paper create an undulating composition suggesting layers of the earth's crust and geological ...

Blue Diamond is a unique handmade cyanotype diptych on watercolor paper. Its layered gradients of deep indigo and radiant white form a luminous diamond shape, blending geometric prec...

“Pile of Stones” is an original handmade cyanotype monotype that distills the quiet presence of stacked forms into a refined, contemporary composition. Rendered in layered blues with...

This handmade cyanotype monotype presents a serene, atmospheric landscape composed of softly layered mountain forms rendered in nuanced shades of blue. Through the cyanotype process,...

The pale gray-green of this monotype calls to mind the celadon glaze of Japanese pottery. Each was made using freshly-cut long-stemmed wild iris (iris douglasiana) that grow along th...

This unique monotype cyanotype presents a refined exploration of form, color, and spatial rhythm. Soft, organic shapes emerge in layered tones of blue, arranged in a balanced composi...

Birch tree branches hang illuminated by t pale blue glow against a deep midnight sky. Neither woodcut nor screen print, this is a double-exposure cyanotype. That means different part...

In this contemporary encaustic monotype, layers of pigmented beeswax on a scroll of lightweight Japanese paper create an undulating composition suggesting layers of the earth's crust...

In this contemporary encaustic monotype, layers of pigmented beeswax on a scroll of lightweight Japanese paper create an undulating composition suggesting layers of the earth's crust...

In this contemporary encaustic monotype, layers of pigmented beeswax on lightweight paper create an undulating composition suggesting layers of the earth's crust and geological forma...

Rectangular Portal is a cyanotype monotype that plays with depth, geometry, and light. Composed of layered indigo gradients, the work creates a rhythmic sense of movement, drawing t...

Laura Moriarty's Ex Uno Plures 8 is a multicolored encaustic monotype on kozo paper. Layers of pigmented beeswax on lightweight paper create an undulating composition suggesting laye...

In this contemporary encaustic monotype, layers of pigmented beeswax on lightweight kozo paper create an undulating composition suggesting layers of the earth's crust and geological ...

Emily Mason Untitled (For Douglas), 1990 Carborundum etching and monotype on paper Pencil signed, dated and inscribed "For Douglas" Vintage wood frame included This work was created ...

In this contemporary encaustic monotype, layers of pigmented beeswax on a scroll of lightweight mulberry paper create an undulating composition suggesting layers of the earth's crust...

In this contemporary encaustic monotype, layers of pigmented beeswax on lightweight kozo paper create an undulating composition suggesting layers of the earth's crust and geological ...

James Nares Untitled flower monotype, 1988 Monotype on hand made paper Pencil signed and dated by James Nares on the lower right front Frame included: floated in the original wood fr...

Although these look like screen prints or woodcuts, they are a form of 19th-century photography, cyanotypes. The normal color is dark blue. However, this unique celadon color that ca...

Gary Denmark (American, born 1953). A monotype art print on Arches paper. Titled, "Being in Salgadoland," produced 1993. An abstract work with shapes a...

This long narrow monotype was made by carefully arranging hundreds of individual blades of fresh-cut native Californian wild grass. The species of tall marsh grass is called Gray Rus...

In this contemporary encaustic monotype, layers of pigmented beeswax on lightweight kozo paper create an undulating composition suggesting layers of the earth's crust and geological ...

In this contemporary encaustic monotype, layers of pigmented beeswax on lightweight kozo paper create an undulating composition suggesting layers of the earth's crust and geological ...

Abstracted still-life painting on panel of a black vase with a flower and a seed pod David Konigsberg Black Vase, 2023 11" x 9" oil and monotype collage o...

Andrea Belag New Moon, 1990 Monotype on Wove Paper 42 × 30 inches Hand signed and dated on the front Published by Pelavin Editions, with blind stamp on the front Unique Unframed Love...

The pale gray-green of this monotype calls to mind the celadon glaze of Japanese pottery. Each was made using freshly-cut long-stemmed wild iris (iris douglasiana) that grow along th...

The pale gray-green of this pair of monotypes calls to mind the celadon glaze of Japanese pottery. Each was made using freshly-cut branches from eucalyptus trees which grow in the w...

Although this looks like a screen print or woodcut, it is actually a form of 19th-century photography, a cyanotype. This pale blue-gray is a very difficult color to achieve with the ...

This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...

Monica DeSalvo’s “Sunny Side Down” is a surreal mixed media collage over an asymmetrical digital inkjet photo montage on Yupo paper with blue, green, teal, white, and purple. The abs...

Cloud Ocean 1 is a meditative monotype on paper by Katherine Warinner, where organic textures and flowing forms evoke sea spray, mist, and cloudlight. Cool hues of ultramarine and sl...

Monotype ev edition 1/3 with hand coloring. The plate (image of ballet slippers) is 15 x 14 inches and the overall paper size is 23 1/2 x 22 inches. Kim Frohsin spent 12 years workin...

With ethereal layering and rich tonal contrast, Cloud Ocean 2 continues Warinner’s exploration of water and air. Swirls of cerulean, charcoal, and silvery white create depth and moti...

These are two separate 40 x 26 inch cyanotypes (unique monotypes) made using the same tree branches flipped over facing the opposite direction, the result being a symmetrical mirror ...

This unique multistep technique is a combination of a painting and a photograph or monotype. Cyanotypes are a kind of alternative photographic process from the 1800s. The chemicals a...

Though this may look like a woodcut or screen print, it is a kind of photography. Cyanotypes are a 19th century alternative (cameraless) photographic process. This monotype was print...

"Tree Bottles for Two People" is an exclusive handprinted unique cyanotype made by layering paper cutouts of bottle silhouettes using uv-light and multiple exposures. This artwork ...

Collaged monotype still-life silhouette of a cat. David Konigsberg Black Cat, 2023 15" x 18.5" monotype, collage and oil on panel This contemporary still-li...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...

Agapanthus are also known as "The Lily of the Nile". The crisp silhouettes of the giant agapanthus blooms were hand-printed using living fresh cut agapanthus flowers from the artist'...

Pitcher (Contemporary Graphic Black & White Still Life Collage of Kitchen Jug) David Konigsberg Pitcher, 2023 15" x 15" monotype and oil on panel This con...

Monotype Dimensions : 42 x 29 1/16 inches image and paper Peter Voulkos (popular name of Panagiotis Voulkos; January 29, 1924 – February 16, 2002) was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. While his early work was fired in electric and gas kilns, later in his career he primarily fired in the anagama kiln of Peter Callas, who had helped to introduce Japanese wood firing aesthetics in the United States. After serving in the United States Army during the Second World War, Voulkos studied painting and printmaking at Montana State College, in Bozeman (now Montana State University), where he was also introduced to ceramics; Frances Senska...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...

Both the natural world and architectural grit have a place in Lisa Breslow's work, highlighting the pull of New York City that is created by these opposing forces side-by-side. She ...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. Pierre Obando completed his MFA at Hunter College and completed his undergraduate studies at New World School of the Arts, Miami, Fl. His work was featured in the Queens International Biennial in 2004, and 2006 at the Queens Museum of Art. His work has been in group exhibitions at Angela Hanley Gallery, Los Angeles, CA; Rockland Center for the Arts, West Nyack, NY; Rush Arts Gallery, New York, NY; MACO Mexico Art Fair in Mexico City; Nina Freudenheim Gallery, Buffalo, NY; Royale Projects, Indian Wells, CA; The Painting Center, New York, NY; and Dean Project, New York, NY. In 2008, he had a solo exhibition at Heskin Contemporary, New York, NY and in 2009, at project space show at Rush Arts Gallery, New York, NY. He has participated in the Atlantic Center for the Arts Artists-in-Residence Program. In the fall of 2012, he participated in the group show Caribe Now, at the Nathan Cumming Foundation, which was organized by El Museo del Barrio, New York, NY. Contemporary Pattern and Decoration piece, The original movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis, Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch were early proponents of this style. The artist lives and works in New York City. Education: 2001 MFA, Painting, Hunter College, New York, NY 2000 Study Abroad, Slade School, UCL, London, United Kingdom 1997 BFA, Painting, New World School of The Arts, Miami, FL Solo Exhibitions: 2015 ‘Like New’, Thierry Goldberg Gallery, New York, NY 2009 ‘Nowhere’, Rush Arts, New York, NY 2008 ‘Noise’, Heskin Contemporary, New York, NY Group Exhibitions: 2018 ‘Revival: Contemporary Pattern and Decoration’, El Museo at Hostos, Bronx, NY Including artists: Abelardo Cruz Santiago Pierre Obando Antonio Pulgarín Keisha Scarville Mickalene Thomas and others. 2017 Locust Projects Contemporary in Miami benefit auction including artists Dara Friedman, Trenton Doyle Hancock, Larry Bell, and more 2017 ‘Browsing Chamber’, Torch Gallery, Amsterdam, Netherlands 2015 ‘#BemisPainters, 1982-2015’, Bemis Center, Omaha, NE 2015 ‘Spat Spell’, Thierry Goldberg Gallery, New York, NY 2013 ‘Un-Natural Constellations’, Newman Popiashvili Gallery, New York, NY 2012 ‘Caribe Now’, Nathan Cummings Foundation/El Museo del Barrio, New York, NY 2012 ‘Lucid Fence’, Dean Project, New York, NY 2012 ‘Abstract Gambol’, Heskin Contemporary, New York, NY 2012 ‘Reenacting Sense’, Yace Gallery, Long Island City, NY 2010 ‘Continuing Color Abstraction’, The Painting Center, New York, NY 2009 ‘West/East’, Royale Projects, Indian Wells, CA 2009 ‘Alternative Abstraction’, Nina Freudenheim Gallery, Buffalo, NY Including works by Stephen Antonakos, Warren Isensee, Gary Lang, Melissa Meyer and Katherine Sehr...

Silver and orange monotype EV —edition variée ed 3/5 with heavy hand coloring. A final work from the artist's mportant Cautionary Tales series, that was her focus throughout 2015. Th...

NOTE: It is impossible to buy this pair of works and ALSO the very similar "Foggy Iris Triptych" because two of the works in the triptych are these two here. The price is lower for p...