Art by Medium: Paint

Acrylic on canvas. Original art by Daria Kusto. Shipped well protected, rolled in a tube, unframed from Spain.

This piece is from my private collection of 20th Century -21st Century artists, many of which are from the School of Paris era. Pelayo produced this lithograph in colors. The Latin American spirit...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

This surreal collage gives me a sense of play and admiration. The outline of the human figure adds intimacy to the composition. The value of things, their lines and shapes, seem to p...

Oil painting on canvas. Animals emerging from within. This is an attempt to interconnect the coexistence of different species. I invite the viewer to reflect on the symbiotic and oft...

Diptych, consists of two sheets of cardboard, each sheet is 85-61 centimeters. Syria paintings of flowers, in all their forms and shades. I love to ...

Impressionist oil on canvas in lovely pastel green-blue shades, this summertime painting of trees, river and path is in the In the style of Camille Pissaro and other French impressio...

French Post-Impressionist, circa 1930's Interior Still Life oil on canvas, unframed Canvas: 14 x 18 inches Stamped canvas Provenance: private collection, UK Condition: very good cond...

In creating this piece, I melded the fluidity of acrylics with the richness of oils to give life to a scene where the vibrancy of expressionism, the elegance of fine art, and the sof...

This exquisite painting, titled "Rocky Path With Figures" is a captivating example of Thomas Barker of Bath's talent. Despite its small size, measuring only 13 x 11 cm, this piece sh...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Oil on canvas, 24 ½ x 19 ½ inches unframed, 32 x 27 inches framed, signed and inscribed “Adrian Dornbush/ Flower Still Life” verso, a remnant of exhibition label verso, stamped “1454” verso, original frame Exhibited: i) Midwestern Artist’s Exhibition Representative Work from Missouri, Kansas, Oklahoma, Nebraska & Colorado, Kansas City Art Institute, February 1 to March 2, 1931, no. 34 (see catalog with a listing of work with this title); and ii) Special Display and Sale of Late Oil Paintings Produced by Cedar Rapids Own Artists from the Little Gallery, at Newman’s Department Store, Cedar Rapids, Iowa, March 1932 (see [Advertisement], The Gazette (Cedar Rapids, Iowa), March 15, 1932 – listing a work with this title, together with paintings by fourteen other artists, including Grant Wood, Marvin Cone...

Signed Adolfo Perez Frame size 75x66 cm.

"Digal" (2018) is a mixed media painting on canvas by Inés Silvalde, measuring 22.5 x 27.6 x 5 cm, presented with frame. This piece, part of the Influencers de Taberna series, portra...

Wayne Ensrud, American (1934 - ) - Yellow Bouqet, Year: circa 1980, Medium: Watercolor on Paper, signed, Size: 32 x 22.5 in. (81.28 x 57.15 cm), Frame Size: 41.5 x 32 inches

19th Century German School Br: Venus aus Chemnitz 50 Jahre alt 58 24/5 39, 1839 Oil on canvas Signed lower left 25.5 x 20 inches 30.5 x 24.75 inches, framed The gentleman is Johann ...

Title: 1960's British Surrealist Oil Painting - Abstract Botanical Study Medium: Oil on board, unframed Size: 6 height x 4 width Condition: Good Provenance: all the paintings we hav...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. circa 1750. Gouache and ink with heightening in gold on li...

Pastoral Landscape Dutch Old Master, 18th century oil on canvas, unframed canvas: 12 x 10 inches provenance: private collection, UK condition: good a...

Almost a folk painting in its naiveté and awe of the abundance on display. It’s a direct reminder of another era when such fruits, imported from warmer, faraway climates were an uni...

Title: French Impressionist Oil Painting of Figures Walking Through a Sunlit Park By Fanch Lel (French b. 1930) Size: 7 x 8.75 inches (height x width) Signed: Yes Oil painting on boa...

A dreamy, lush, atmospheric abstract landscape with a flowing waterfall and poetic space. Won't you lay down with me? On the forest floor? Among the newly born green and mist from t...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Naguy Claude mixes popular culture icons and street art with comic and cartoon characters, as well as famous superheroes, in his original layered mixed media paintings. His artworks ...

Richard Anuszkiewicz (American, 1930-2020) Temple of Evening Reds, 1983 Acrylic on canvas Signed verso 36 x 36 inches 36.75 x 36.75 inches, framed Richard Anuszkiewicz was born in E...

This luminous landscape painting by Oscar Lycke captures the rolling hills and deep forests of northern Sweden, likely from the Sundsvall region. The foreground is dominated by lush ...

The Angel Dutch Old Master, 17th century wash with pencil drawing on artist paper, framed Glass covering framed: 14 x 12.5 inches board: 12.5 x 9.5 inches condition: age related crea...

Description: Blue Landscape is an original abstract painting by Italian artist Marilina Marchica, created in 2025 using pure pigment on Paper. The artwork measures 54x 50 cm . This p...

Title: French Impressionist Harbour Scene with Sailboats and Quayside Architecture By Fanch Les Signed: Yes Size: 12.25 x 16.25 inches (height x width) Oil painting on cardboard, un...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts delicate multicolor butterflies in ascension placed in a wonderful golden silver land...

The Greek Coastline by Georges Bordonave (French contemporary) signed oil painting on canvas, framed titled verso framed: 23 x 26 inches canvas: 18 x 22 inches inscribed verso condit...

"Le Trianon à Versailles, 1925" Louis Gautier (French, 1855-1947) Oil on cardboard Provenance: Private Collection Marseille, France Signed and dated 1925 lower right. Titled, dated...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "In my painting 'Sister, do you remember the sea ...

Josine Vignon (French 1922-2022) ...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies, Butterflies and Birds. This piece depicts 4 gestural figures of Bunnies, 11 Butterflies and 9 Whydah Birds a...

HATCHING XVI 2017 "Hatching XVI" (Abstract, Bold, Graphic, Black and White, Framed Painting) Contrasting tones of black and white, with hints of creme form this abstract, bold and ...

The Border Terrier by Leonard Richard Finn (British, b. 1891) signed oil on canvas, framed framed: 24 x 20 inches canvas: 20 x 16 inches provenance: private collection, UK condition:...

“Roman Morning” is the moment when the first rays of the sun gently lie on objects, emphasizing their shape and harmony. It is a morning filled with silence and a sense of order, whe...

Rebecca Jack "Desert Oasis" Acrylic on Canvas 36 x 60 in. __________________________ Rebecca Jack, an intuitive painter, creates vibrant, figurative works that highlight the beaut...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Sam...

Glencoe Scottish School, late 19th century indistinctly signed lower corner signed oil painting on canvas, framed framed: 30.5 x 42 inches canvas: 24 x 36 inches provenance: private...

After Giovanni Antonio Canal, called Canaletto Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age. The print is wrongly titled "The South East Prospect of Westminster Bridge...

This striking devotional image, painted by a follower of Jan Gossaert, represents one of the most influential compositions of the Northern Renaissance: Christ on the Cold Stone, or C...

"Red" is a striking piece from Elizabeth Art Candy’s latest series dedicated to "Marshmallows", inspired by the evocative power of "sweet memories". This contemporary wall sculpture ...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on white background with thick use of paint. It is hou...

Title: Enchanted - Meadow of Abundance and Stillness - In Pink Floral Flowers Abstract Unique Exclusive One-of-a-kind Striking Abundant Meadow Landscape Nature We all need to feel...

John Baker’s “The Post-Truth Era: First Impact” is an acrylic painting on canvas with collage 20 x 16 x 1.5 inches in pinks, oranges, blues and whites. During the last decade, as the...

This mixed media contemporary abstract composition in a crimson colour is by a Canadian artist. The uniquely evocative work of Ivo Stoyanov illustrates his interpretation of nature’...

Sea Shells – Blue & Gold, c. 1940s, watercolor on paper, signed upper left, 15 x 19 ¼ inches (image); title and artist’s name and address inscribed verso, presented in a newer glazed...

"Squared Tropical Garden I" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Ro...

A whimsical depiction by Martha Walter of a picnic table with flowers, cups, Pepsi bottles, bowls and a basket. The bold colors and strong contrasts make Walter's work so striking an...

A fine antique seascape oil painting on panel by the celebrated marine artist, Frederick Judd Waugh (1861-1940), depicting the Atlantic of the coast of Maine, circa 1910. The painting is finely executed with bold and decisive brush strokes with crisp edges, one can almost hear the roar of the ocean as the surf crashes upon the rocks. The painting is signed lower right "Waugh" and is housed in the original carved & gilded frame. Condition is very good indeed, this fine seascape by one of America's most acclaimed late 19th early 20th century marine artists is ready to grace your wall. The painting will be accompanied with a certicificate of authenticity & provenance. Frederick Judd Waugh was an American artist, primarily known as a marine artist. During World War I, he designed ship camouflage for the U.S. Navy, under the direction of Everett L. Warner. Waugh was the son of a well-known Philadelphia portrait painter, Samuel Waugh. He studied at the Pennsylvania Academy of Fine Arts with Thomas Eakins, and at the Académie Julian in Paris with Adolphe-William Bouguereau. After leaving Paris, he moved to England, residing on the island of Sark in the English Channel, where he made his living as a seascape painter. In 1898 he was recorded as living in Heath and Reach, Bedfordshire. In 1908, Waugh returned to the U.S., settling in Montclair Heights, New Jersey. He had no studio until art collector William T. Evans (a railroad financier and President of the dry goods firm, Mills Gibbs Corporation) offered him one in exchange for one painting a year. In later years, he lived on Bailey Island, Maine, and in Provincetown, Massachusetts. Waugh’s marinescapes were highly acclaimed, garnering him the Popular Prize at the Carnegie International Exhibition for five years in a row, a feat accomplished by no other artist. In 1914, he was a judge of the art exhibit on Monhegan Island, Maine during the 1914 Ter-Centenary celebration of the Voyage of Captain John Smith. In addition to his marinescapes, Waugh sometimes published work in periodicals, such as The Green Sheaf, to which he contributed at least one illustration. He also produced paintings and sketches on legendary and mythological themes; see, for instance, his 1921 sketch “Levitation in Dream No. 3”, and his c. 1912 painting “The Knight of the Holy Grail”. In 1918, Waugh was recommended to serve as a camouflage artist (or camoufleur) for the U.S. Navy, as a member of the Design Section of its marine camouflage unit. That section was located in Washington, D.C., and was headed by American painter Everett L. Warner. According to a biography of Waugh, “Many large ships, including the Leviathan, were painted according to his designs. Though the enterprise was of course a team effort in which no man played a solo part, he had every reason to be proud of his record. Only one ship with his system of camouflage was lost during the war”. Waugh was known to produce literary work, publishing a short poem in Pamela Colman Smith’s short-lived periodical The Green Sheaf; a fairy tale in The English Illustrated Magazine; and, in 1916, the book The Clan of Munes...

'Boats on a Pond', oil on canvas, by Charles Kvapil (circa 1930s). This tranquil artwork depicts people fishing from their small boats. The motionless pond is surrounded by lush foliage with some homes as backdrop. The painting is spattered with light. With hardly any air moving in the scene, the still water plays...

"The Black and White Maze" is a piece by Eustace Mamba made from sewn mixed media. This piece measures 30"h x 40"w unframed. "Black Subjectivity and Afro-Pessimism continue to infl...

Jockey on Horseback British School, 20th century painted after an earlier style oil on canvas, framed framed: 31 x 35 inches canvas: 20 x 24 inches provenance: private collection, UK...

"Workstation 16", 2023 (Gestural, Abstract Expressionist Painting on Canvas Paper with energetic line and vivid color) by Jenny Nelson 24 x 18 inches Unframed Oil on canvas paper T...

The Winter Landscape Dutch School, 19th century oil painting on canvas, framed framed: 22 x 28 inches canvas: 16.5 x 23 inches provenance: private collection, UK condition: very goo...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 12.75 x 9.75 inches condition: excellent provenance: all the paintings we ...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. Circa 1750. Gouache and ink with gold heightening on cre...

This stunning British Victorian Pre-Raphaelite Royal Academy exhibited oil painting is by noted historical female artist and suffragette Jessie MacGregor. She was tutored by Lord Frederick Leighton at the Royal Academy art schools in the 1870's and his influence can be seen here. Painted in 1892 and exhibited that year, the subject matter is when Dante, (1265-1321) later an Italian Florentine poet, first met Beatrice, the love of his life when he was nine. They met in a gathering at her father's palazzo in Florence. She was a few months younger than Dante and dressed in a crimson dress. They never actually spoke for another nine years although Dante often observed her. They were both married off during this time, as was the custom then and Beatrice died aged only 24. Dante remained devoted to Beatrice for the rest of his life and she was his principal inspiration for much of his well known work, such as La Vita Nuova (The New Life) and La Divina Commedia (The Divine Comedy). (see below biography for more details on Dante and Beatrice). This stunning Pre-Raphaelite oil painting depicts Beatrice kneeling on the grass, holding flowers and gazing up at Dante as he stands beside her, hands over her head, perhaps miming crowning her. Other children and their maids dance around them. Beyond them is a Florentine garden with beautiful arches and some figures to the right. To the left one can glimpse the landscape under a summer's sky. MacGregor has portrayed superb detail in the figures expressions and clothing with rich red and gold tones and the vivid blue sky echoing in the little boy's tunic. The brushwork is fantastic. MacGregor painted some fantastic paintings in her time, many of which were exhibited and now hang in art galleries. This painting is a superb example of her work, with excellent provenance and would grace any wall. Signed twice 'Jessie Macgregor/1892' lower right. Provenance. Anon. sale, Sotheby's, Belgravia, 11 December 1972, lot 195. Exhibited London, Royal Academy, 1892, no. 905 entitled In the Childhood of Dante. From this time forward love ruled my heart. Literature Royal Academy Illustrated, 1892, p. 78. Condition. Oil on canvas, 65 inches by 35 inches and in good condition. Frame. Housed in a gilt frame with ornate flower corners and reeded edge, 87 inches by 57 inches, in good condition. Jessie MacGregor (1847–1919) was a British painter. She was born in Liverpool to a Scottish father, Alexander (1820-1898) and Liverpudlian mother, Sarah (1820-1894). She had an older brother and 7 younger siblings. MacGregor first learned drawing at the drawing academy in Liverpool run by her grandfather Andrew Hunt, a landscape painter. Her mother taught her to use water colours. Her parents went to live in London and she began to study painting there, becoming a pupil at the Royal Academy Schools in 1870 for seven years where her teachers were Lord Leighton, P. H. Calderon, R.A., and John Pettie, R.A. She won a gold medal at the Royal Academy for history painting in December 1871, the prescribed subject being An Act of Mercy. She was the second woman after Louisa Starr's gold medal in 1867, and the last woman to do so until 1909. She first exhibited at the RA whilst still a student, in 1871. She continued with a historical genre when history paintings were broadening their reach towards literature and romance. Her subjects were almost always women or children. MacGregor was made an Academician for the Liverpool Academy of Art in 1874. By 1880 she was using a studio on Elm Tree Road and exhibiting regularly at the Royal Academy. in 1884 her brother Archibald also started working from this address and they both had paintings at the RA that year. In 1888 she moved studio to Hill Road St John's Wood. In 1892 MacGregor had two painting at the RA, a portrait of Miss Phyllis Eden and our painting, In the Childhood of Dante. This was described as a fresh bit of Italian Childhood and harmonious colour grouping by the Western Daily Press. Portraits rarely got a mention in the papers but narrative works were much more popular. She lectured widely for the Victorian University extension scheme at the Arts Clubs of Liverpool, the National Gallery and Leighton House museum and other regional centres. MacGregor had a studio in Chalcot Gardens Hampstead from 1900 and began to get involved with women's issues. In 1904 she was on the committee of the Lyceum Club London along side Henrietta...

Karen Offutt's (US based) "The Bather" is an original, handmade oil painting that depicts a nude female in a landscape, bathed in light, with a towel draped around her. The painting ...